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INSTRUMENTS OF CAPOEIRAagogô two toned african bell arame wire string used for the berimbau atabaque large straight sided wooden drum baqueta stick used to strike the wire of the berimbau beriba type of wood to make the berimbau berimbau bowed instrument that controls the roda cabaça resonating gourd attached to the berimbau caixixí shaker or woven rattle played with the berimbau dobrão old Brazlian coin used to play a berimbau often substitued with a rock gunga the deepest toned berimbau medio medium sized berimbau palmas hand claps pandeiro Brazilian tambourine reco-reco ribbed bamboo scraper viola the highest toned berimbau verga main shaft of the berimbau vintém an old coin
RHYTHYMS OF CAPOEIRA toques the various rhythms played by the berimbau, see below Amazonas a rhythm rich in subtle melodic variations used at Batizados to welcome Mestres and students from other groups Angola slow rhythm played during the game of Angola Banguela medium paced rhythm used for a calm game without physical contact, including floreios Cavalaria developed to warn capoeiristas of arriving police, representing the sound of a galloping horse Idalina slow but strong rhythm used for a high, loose game that includes cintura desprezada or use of the faca or facão Iuna rhythm played for gradutated students allowing them to demonstrate capoeira skills, no singing or palmas São Bento Grande (de Angola) medium paced rhythm most often used in the roda São Bento Grande de Regional/Bimba fast paced rhthym created by Mestre Bimba, based on São Bento Grande Sao Bento Pequenho medium paced rhythm for a fast, agile game, also known as Angola Invertida Santa Maria rhythm allowing students to demonstrate capoeira skills and reflexes, sometimes includes the use of the navalha Barravento trance like rhthym leading to spiritual possesion used in candomblé ceremonies Maracatú rhythm and dance form from the north east of Brazil Samba a lively Brazilian rhythm and dance often played after the roda of capoeira Chula often sung or improvised before the ladainha or corrido, in praise of a specific person,mestre or place Corrido rapid call and response song Ladainha narative song, sung at the start of the roda of capoeira angola Quadra short ladainha composed of 4 - 6 lines sung in a call and response format
GAMES OF CAPOEIRA Angola slow, playful game played low to the ground, including specific rituals and techniques Apanha laranja no chao tico-tico game in which the players use only their mouth to pick up an object off the ground, often a bank note Batuque violent game that inspired Mestre Bimba, Mestre Bimba's father was a champion of this game Benguela calm game without physical contact, combining elements of angola and regional, including floreios Contemporanea the modern form of capoeira, a modified version of regional Regional a fast, loose game invented by Mestre Bimba Samba de Roda danced within the circle of people, often after a game of capoeira Samba Dura a rougher version of samba de roda, where the dancers force out other players in order to dance with a member of the opposite sex Maculele the game and dance played with sticks, or the faca or facão
Date: 2016-01-03; view: 1129
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