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Graphical Representation of Intonation and Basic NotionsThe information conveyed by a sentence is expressed not only by its lexical and grammatical structure but also by intonation. The term ‘intonation’ implies: 1) variations in pitch; 2) utterance stress; 3) tempo; 4) rhythm; 5) pausation; 6) timbre. Intonation may be shown in the line of text and on the scales (staves). a) To mark the intonation in the line of text we use Roger Kingdon’s stress-mark system, which consists of vertical stress marks to indicate stressed syllables and slant marks (\ /) above and below the line of print to show the final tones. b) We use Lily Armstrong’s system of dots for unstressed syllables, dashes for stressed syllables and slant marks (curves) for final tones to indicate intonation on the scales. A downward curve represents the final fall and an upward curve represents the final rise. Each tone group has its own pitch-and-stress pattern. Generally three pitch levels are distinguished: low, medium, high.
The pitch range is the interval between two pitch levels. Pitch ranges may be normal, wide and narrow. We distinguish certain elements in the pitch-and-stress pattern of every intonation group.
A pre-head. It is initial unstressed syllables. It may be low and high. A low pre-head consists of unstressed syllables pronounced at a low pitch. It is used frequently and considered neutral. A high pre-head is pronounced at a high pitch and makes the utterance sound emotional. A head. It is the first stressed syllable in the utterance. It may be low and high. A low head introduces ascending scale and a high head introduces descending scale. A scale. It is a series of stressed and unstressed syllables beginning with the first stressed syllable up to the last stressed syllable. Scales may be a) according to their general pitch direction level, descending (the stressed syllables are gradually descending) and ascending (the stressed syllables are gradually ascending); b) according to the direction of pitch movement within and between syllables descending scales may be falling, stepping, gliding (sliding) and scandent. Study the diagram.
2. stepping scale
3. gliding (sliding) scale
4. scandent scale
1. Falling scale: The 2. Stepping scale:
3. Sliding (gliding) scale.
4. Scandent scale.
Ascending scales may be stepping, sliding and scandent. Study the diagram.
2. sliding scale
3. scandent scale Look at the examples:
I could 2. Sliding scale. It’s 3. Scandent scale.
Level scales may be high, mid, low. Study the diagram. Look at the example:
Descending scales. Utterances pronounced with the descending scale express interest, they sound friendly. The descending scale is the commonest scale used with all the English tones.
The ascending scale is regarded as a feature of emotional speech. It is used in many cases to express a negative attitude, irritation, indignation and anger. It is also used to express surprise, interest, protest.
I could
The nucleus. It is the last stressed syllable in the pattern pronounced with a tone. At present we operate with nine tones in the system of O’Connor and Arnold. Study the diagram.
L-F H-F R-F L-R H-R F-R All falling tones sound complete, categoric, laconic. Rise-Fall makes the utterance rather expressive. It exists in a kind of mocking or envious remarks. High Fall expresses liveliness, polite and friendly interest, personal involvement and sometimes mild surprise. Rising tones sound non-final and incomplete. Something is left unsaid. These tones mean continuation. The Low Rise is used in ordinary speech. The Low Rise and Fall Rise are synonymous, but Fall Rise is more emotional and it shows contrast and contradiction.
As As far as I
The High Rise is used in echoing questions.
Level tones are presented by Low Level, Mid Level and High Level tones. Date: 2015-12-24; view: 4661
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