The Table of Mars in his compass. In Hebrew notes.

Heinrich Cornelius Agrippa: Occult Philosophy. Book II. (part 2)

file:///M|/ PDF-Bücher/Esoterik & Magie/HTML/Agrippa2/agripp2b.htm (12 von 15) [20.02.2001 16:12:01]

The Seales or Characters.

Of Mars.

Of the Intelligence of Mars.

Of the Spirit of Mars.

The Table of the Sun in his compass.

In Hebrew notes.

The Seales or Characters.

Of the Sun.

Of the intelligence of the Sun. Of the Spirit of the Sun.

Heinrich Cornelius Agrippa: Occult Philosophy. Book II. (part 2)

file:///M|/ PDF-Bücher/Esoterik & Magie/HTML/Agrippa2/agripp2b.htm (13 von 15) [20.02.2001 16:12:01]

The Table of Venus in her Compass.

The Table of Venus in Hebrew notes.

The Seals, or Characters.

Of Venus.

Of the Intelligence of Venus.

[figure 2-50]

Of the Spirit of Venus.

[figure 2-51]

Of the Intelligences of Venus.

[figure 2-52]

Heinrich Cornelius Agrippa: Occult Philosophy. Book II. (part 2)

file:///M|/ PDF-Bücher/Esoterik & Magie/HTML/Agrippa2/agripp2b.htm (14 von 15) [20.02.2001 16:12:01]

The Table of Mercury in his compass.

[figure 2-53]

The Table of Mercury in Hebrew notes.

[figure 2-54]

The Seals or Characters of Mercury.

[figure 2-55]

Of the Intelligency Of Mercury.

[figure 2-56]

Of the Spirit of Mercury.

[figure 2-57]

The Table of the Moon in her Compass.

[figure 2-58]

The Table of the Moon in Hebrew notes.

[figure 2-59]

The Seals or Characters

Of the Moon.

[figure 2-60]

Of the Spirit of the Moon.

[figure 2-61]

Of the Spirits of the spirits of the Moon.

[figure 2-62]

Of the Intelligence of the Intelligences of the Moon.

[figure 2-63]

Twilit Grotto -- Esoteric Archives Contents Prev agrippa2-2Next timeline

Heinrich Cornelius Agrippa: Occult Philosophy. Book II. (part 2)

file:///M|/ PDF-Bücher/Esoterik & Magie/HTML/Agrippa2/agripp2b.htm (15 von 15) [20.02.2001 16:12:01]

Twilit Grotto -- Esoteric Archives Contents Prev agrippa2-3Next timeline

This HTML edition by Joseph H. Peterson, Copyright © 2000. All rights reserved.

The copyright to the Twilit Grotto Esoteric Archives is owned by Joseph H. Peterson and is protected by the

copyright laws of the United States and the Universal Copyright Convention.

The materials on the Twilit Grotto Esoteric Archives (including all texts, translations, images, descriptions,

drawings etc.) are provided for the personal use of students, scholars, and the public. Any commercial use or

publication of them without authorization is strictly prohibited. All materials are copyrighted and are not in

the public domain. Copying of materials on the Twilit Grotto Esoteric Archives Web pages is not permitted.

Individuals distributing illegal copies will be pursued legally along with their Internet Service Providers.

You will need a Hebrew font installed to read some of this book.

Chap. xxiii. Of Geometrical Figures and Bodies, by what vertue they

Are powerful in Magick, and which are agreeable to each Element, and

The Heaven.

Geometricall Figures also arising from numbers, are conceived to be of no less power. Of these first of all, a

Circle doth answer to Unity, and the number ten; for Unity is the Center, and circumference of all things;

and the number ten being heaped together retuens into a Unity from whence it had its beginning, being the

end, and complements of all numbers. A circle is called an infinite line in which there is no Terminus a quo,

nor Terminus ad quem, whose beginning and end is in every point, whence also a circular motion is called

infinite, not according to time, but according to place; hence a circular being the largest and perfectest of all

is judged to be the most fit for bindings and conjurations; Whence they who adjure evil spirits, are wont to

environ themselves about with a circle. A Pentangle also, as with the vertue of the number five hath a very

great command over evil spirits, so by its lineature, by which it hath within five obtuse angles, and without

five acutes, five double triangles by which it is surrounded. The interior pentangle containes in it great

mysteries, which also is so to be enquired after, and understood; of the other figures, viz. triangle,

quadrangle, sexangle, septangle, octangle, and the rest, of which many, as they are made of many and divers

insections [intersections], obtain divres significations and vertues according to the divers manner of draeing,

and proportions of lines, and numbers. The Egyptians, and Arabians confirmed that the figure of the Cross

hath very great power, and that is the most firm receptacle of all Celestial powers, and intelligencies,

because it is the rightest figure of all, containing foure right angles, and it is the first description of the

superficies, having longitude and latitude: And they said it is inspired with the fortitude of the Celestials,

because their fortitude results by the straitness of angles and rayes: And stars are then most potent when

they possess four corners in the figure of the heaven, and make a cross, by the projection of their rayes

mutually. It hath moreover (as we shewed before) a very great correspondency with the numbers 5. 7. 9.

most potent numbers. It was also reckoned by the Egyptian Priests, from the beginning of Religion amongst

sacred letters, signifying amongst them allegorically the life of future salvation. It was also impressed on the

Picture of Serapis, and was had in great veneration amongst the Greeks. But what here belongs to Religion

we shall discuss elsewhere. This is to be observed, whatsoever wonderfull thing figures work when we write

tham in Papers, Plates, or Images, they do not do it but by the vertue acquired from sublimer figures, by a

certain affection which a natural apitude [aptitude] or resemblance procures, in as much as they are exactly

configured to them; as from an opposite wall the Eccho is caused, and in a hollow glass the collection of the

solarie rayes, which afterward reflecting upon an opposite body, either wood, or any combustible thing doth

forthwith burne it: or as an Harpe causeth a resounding in an other Harpe, which is no otherwise but because

a sutable and a like figure is set before it, or as two strings on a Harpe being touched with an equall distance

Heinrich Cornelius Agrippa: Occult Philosophy. Book II. (Part 3)

file:///M|/ PDF-Bücher/Esoterik & Magie/HTML/Agrippa2/agripp2c.htm (1 von 22) [20.02.2001 16:12:14]

of time, and modulated to the same intention, when one is touched the other shakes also: Also the figures, of

which we have spoken, & what characters soever concern the vertues of the Celestial figures as they shall be

opportunely impressed upon things, those ruling, or be rightly framed, as one figure is of affinity with, and

doth express an other. And as these are spoken of figures, so also they are to be understood of Geometrical

bodies, which are a Sphear [sphere], a Tetracedron, Hexacedron, Octocedron, Icocedron, Dodecacedron

[tetrahedron, hexahedron, octohedron, icohedron, dodecahedron], and such like. Neither must we pass over

what figures Phythagoras [Pythagoras] and his followers, Timeus, Locrus, and Plato assigned to the

Elements and Heavens: for first of all they assigned to the earth a four square, and a square of eight solid

angles, and of twenty four plains [planes], and six bases in form of a Dice to the fire, a Pryamis [pyramid] of

a four triangular basis, and of so many solid angles, and of twelve plaines; to the aire Octocedron

[octohedron], of eight triangular bases, and six solid angles, and ternty four plains: and lastly, to Water they

have assigned Icocedron [icohedron] twenty basesm twelve solid angles: To the Heaven they have assigned

Dodecacedron [dodecahedron] of twelve five cornered bases, and twenty solid angles, and sixty plaines.

Now he which knows the powers, relations, and proprieties of these figures, and bodies, shall be able to

work many wonderful things in Natural and Mathematical Magick, especially in Glasses. And I knew how

to make by them wonderful things, in which any one mught see whatsoever he pleased at a long distance.

Date: 2015-12-24; view: 723