Practise reading the joke several times.Reproduce the model narration of the joke:
Young Peter came in one day bursting with excitement. Walking down the main street he had suddenly discovered he was side-by-side with movie actor Clark Gable.
— Did you talk to him? we asked.
— Well, it was like this, he said slowly. I knew who he was and he knew who he was — and it just didn't make sense us discussing it.
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Some people were gathered on the verandah after dinner.
A young lady asked: "Can you name five days of the week without mentioning Monday, Tuesday, Wednesday, Thursday, Friday, Saturday or Sunday?" Nobody could guess. At last the young lady said: "It is very easy. Here are the five days: today, yesterday, the day before yesterday, tomorrow, and the day after tomorrow".
SECTION TWO. Intonation Pattern IX. High fall
(LOW PRE-HEAD + ) HIGH FALL (+ TAIL)
Model: Why didn't you buy the picture?
— Much too ex,pensive.
Stress-and-tone marks in the text: High Fall. | ` |
The High Fall in the nucleus starts very high and usually reaches the lowest pitch. The syllables of the tail are pronounced on the low level.
The High Fall provides a greater degree of prominence for the word, making it more emphatic. The degree of prominence depends on the height of the fall.
This intonation pattern is used:
1. In statements, conveying personal concern or involvement, sounding lively, interested, airy; very common in conversation.
ĺ.g. Do you know the man? — `No. (I `don't.) `Yes.| (I `do.) Where's my copy? — `Peter ,took it ,for you.
2. In questions:
a) In special questions, sounding lively, interested, ĺ.g. I shall be late, I'm afraid. — `How ,late?
b) In general questions, conveying mildly surprised acceptance of the listener's premises. ĺ.g. I like it here. Do you? (I thought you'd hate it.)
3. In imperatives, sounding warm.
ĺ.g. What's the matter? — Look. (It's raining.)
4. In exclamations, very emotional. ĺ.g. It's eight o'clock. — Heavens! (I'm late.)
EXERCISES
1. listen carefully to the following conversational situations. Concentrate your attention on the intonation of the replies:
Verbal Context
| Drill
|
| Statements
(conveying personal concern or involvement, sounding interested, lively, airy)
| Now what have you done to Mary?
| Nothing.
| Who's been eating my grapes?
| No one. No one has. No one's been eating your wretched grapes.
| Which will you take, Henry?
| This one. That one.
| How many of his books have you read?
| All of them. None of them.
| When did you see him?
| On Thursday. (I thought you knew.)
| Would you like to join us?
| I'd love to.
| Come on. Let's get going.
| We can't. It's raining.
| It was all your fault.
| But it wasn't. And I can prove it.
|
| Special questions (lively, interested)
| I shall have to give it to him.
| Why?
| I'm going to Switzerland.
| When?
| You'll never guess who's here.
| Who?
| You can win easily.
| How? How so?
| He's coming to stay with us.
| When, may I ask?
| I mustn't take them.
| Why mustn't you take them?
| Sorry to be so late.
| What's happened?
| I ought to write to him.
| Why bother?
| (Hullo, Dennis.)
| How are you?
| I said no such thing.
| What did you say, then?
| Today's out of the question, too.
| When can you come, may I ask?
|
| General questions (conveying mildly surprised acceptance of the listener's premises)
| I like it here.
| Do you?
| She is thirty-five.
| Is she?
| They won't help us.
| Won't they?
| I can't bear cats.
| Can't you?
| I must be home by six.
| Must you?
| I ought to go to the lecture.
| But will you go, do you think?
|
| Imperatives (expressing warmth)
| Do you think this hat will fit me?
| Try it.
| He'll be terribly angry.
| Let him.
| A letter won't reach Ann in time.
| Phone her, then.
| He doesn't want to play.
| Then make him.
| I'm awfully sorry.
| Forget it.
| He can't afford to pay.
| Well, give it to him, then.
|
| Exclamations (very emotional)
| He's over seventy.
| Well!
| Alice is coming as well.
| Really! Splendid!
| Will you have a drink?
| Thank you!
| (That you Mr. Archar?)
| Good morning! Good morning to you.
| I'll give it to you.
| How lovely!
| I'm most grateful to you.
| Don't mention it, my dear chap.
| She says you're to blame.
| What nonsense!
| Isn't it a lovely view!
| Enchanting!
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Date: 2016-03-03; view: 888
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