NOVEMBER YEAR OF THE DEPEND ADULT UNDERGARMENT INTERDEPENDENCE DAY GAUDEAMUS IGITUR 3 page

The best noise Gately produces is his laugh, which booms and reassures, and a certain haunted hardness goes out of his face when he laughs. Like most huge men, Gately has kind of a high hoarse speaking voice; his larynx sounds compressed. ‘I still hate that right-where-you’re-supposed-to-be thing,’ he says, laughing. He likes that Erdedy, sitting, looks right up at him and cocks his head slightly to let Gately know he’s got his full attention. Gately doesn’t know that this is a requisite for a white-collar job where you have to show you’re attending fully to clients who are paying major sums and get to expect an overt display of full attention. Gately is still not yet a good judge of anything about upscale people except where they tend to hide their valuables.

Boston AA, with its emphasis on the Group, is intensely social. The raffle-break goes on and on. An intoxicated street-guy with a venulated nose and missing incisors and electrician’s tape wrapped around his shoes is trying to sing ‘Volare’ up at the empty podium microphone. He is gently, cheerfully induced offstage by a Crocodile with a sandwich and an arm around the shoulders. There’s a certain pathos to the Crocodile’s kindness, his clean flannel arm around the weatherstained shoulders, which pathos Gately feels and likes being able to feel it, while he says ‘But at least the “Good to hear you” I quit minding. It’s just what they say when somebody’s got done speaking. They can’t say like “Good job” or “You spoke well,” cause it can’t be anybody’s place here to judge if anybody else did good or bad or whatnot. You know what I’m saying, Tiny, there?’

Tiny Ewell, in a blue suit and laser chronometer and tiny shoes whose shine you could read by, is sharing a dirty aluminum ashtray with Nell Gunther, who has a glass eye which she amuses herself by usually wearing so the pupil and iris face in and the dead white and tiny manufacturer’s specifications on the back of the eye face out. Both of them are pretending to study the blond false wood of the tabletop, and Ewell makes a bit of a hostile show of not looking up or responding to Gately or entering into the conversation in any way, which is his choice and on him alone, so Gately lets it go. Wade McDade has a Walkman going, which is technically OK at the raffle-break although it’s not a real good idea. Chandler Foss is flossing his teeth and pretending to throw the used floss at Jennifer Belbin. Most of the Ennet House residents are mingling satisfactorily. The couple of residents that are black are mingling with other blacks. ¹⁴¹ The Diehl kid and Doony Glynn are amusing themselves telling homosexuality jokes to Morris Hanley, who sits smoothing his hair with his fingertips, pretending to not even acknowledge, his left hand still bandaged. Alfonso Parias-Carbo is standing with three Allston Group guys, smiling broadly and nodding, not understanding a word anybody says. Bruce Green has gone downstairs to the men’s head and amused Gately by asking his permission first. Gately told him to go knock himself out. Green has good big arms and no gut, even after all the Substances, and Gately suspects he might have played some ball at some point. Kate Gompert is totally by herself at a nonsmoking table over by a window, ignoring her pale reflection and making little cardboard tents out of her raffle tickets and moving them around. Clenette Henderson clutches another black girl and laughs and says ‘Girl!’ several times. Emil Minty is clutching his head. Geoff Day in his black turtleneck and blazer keeps lurking on the fringes of various groups of people pretending he’s part of the conversations. No immediate sign of Burt F. Smith or Charlotte Treat. Randy Lenz, in his cognito white mustache and sideburns, is doubtless at the pay phone in the northeast corner of the Provident lobby downstairs: Lenz spends nearly unacceptable amounts of time either on a phone or trying to get in position to use a phone. ‘Cause what I like,’ Gately says to Erdedy (Erdedy really is listening, even though there’s a compellingly cheap young woman in a brief white skirt and absurd black mesh stockings sitting with her legs nicely crossed — one-strap low-spike black Ferragamos, too — at the periphery of his vision, and the woman is with a large man, which makes her even more compelling; and also the veiled new girl’s breasts and her hips’ clefs are compelling and distracting, next to him, even in a long baggy loose blue sweater that matches the embroidered selvage around her veil), ‘What I think I like is how “It was good to hear you” ends up, like, saying two separate things together.’ Gately’s also saying this to Joelle, who it’s weird but you can tell she’s looking at you, even through the linen veil. There’s maybe half a dozen or so other veiled people in the White Flag hall tonight; a decent percentage of people in the 11-Step Union of the Hideously and Improbably Deformed are also in 12-Step fellowships for other issues besides hideous deformity. Most of the room’s veiled AAs are women, though there is this one male veiled U.H.I.D. guy that’s an active White Flagger, Tommy S. or F., who years ago nodded out on a stuffed acrylic couch with a bottle of Rémy and a lit Tiparillo — the guy now wears U.H.I.D. veils and a whole spectrum of silk turtlenecks and assorted hats and classy lambskin driving gloves. Gately’s had the U.H.I.D.-and-veil philosophy explained to him in passing a couple times but still doesn’t much get it, it seems like a gesture of shame and concealment, still, to him, the veil. Pat Montesian had said there’s been a few other U.H.I.D.s who’d gone through Ennet House prior to the Year of Dairy Products From the American Heartland, which is when new resident Gately came wobbling in, but this Joelle van Dyne, who Gately feels he has zero handle on yet as a person or how serious she is about putting down Substances and Coming In to really get straight, this Joelle is the first veiled resident Gately’s had under him, as a Staffer. This Joelle girl, that wasn’t even on the two-month waiting list for Intake, got in overnight under some private arrangement with somebody on the House’s Board of Directors, upscale Enfield guys into charity and directing. There’d been no Intake interview with Pat at the House; the girl just showed up two days ago right after supper. She’d been up at Brigham and Women’s for five days after some sort of horrific O.D.-type situation said to have included both defib paddles and priests. She’d had real luggage and this like Chinese portable dressing-screen thing with clouds and pop-eyed dragons that even folded lengthwise took both Green and Parias-Carbo to lug upstairs. There’s been no talk of a humility job for her, and Pat’s counseling the girl personally. Pat’s got some sort of privately directed arrangement with the girl; Gately’s already seen enough private-type arrangements between certain Staffers and residents to feel like it’s maybe kind of a character defect of Ennet House. A girl from the Brookline Young People’s Group over in a cheerleader skirt and slut-stockings is ignoring all the ashtrays and putting her extra-long gasper out on the bare tabletop two rows over as she laughs like a seal at something an acne’d guy in a long camelhair car coat he hasn’t taken off and sockless leather dance-shoes Gately’s never seen at a meeting before says. And he’s got his hand on hers as she grinds the gasper out. Something like putting a cigarette out against the wood-grain plastic tabletop, which Gately can already see the ragged black burn-divot that’s formed, it’s something the rankness of which would never have struck him one way or the other, before, until Gately took on half the break-down-the-hall-and-wipe-down-the-tables job at Ferocious Francis G.’s suggestion, and now he feels sort of proprietary about the Provident’s tabletops. But it’s not like he can go over and take anybody else’s inventory and tell them how to behave. He settles for imagining the girl pinwheeling through the air toward a glass wall.

‘When they say it it sort of means like what you said was good for them, it helped them out somehow,’ he says, ‘but plus now also I like saying it myself because if you think about it it also means it was good to be able to hear you. To really hear.’ He’s trying subtly to alternate and look at Erdedy and Joelle both, like he’s addressing them both. It’s not something he’s good at. His head’s too big to be subtle with. ‘Because I remember for like the first sixty days or so I couldn’t hear shit. I didn’t hear nothing. I’d just sit there and Compare, I’d go to myself, like, “I never rolled a car,” “I never lost a wife,” “I never bled from the rectum.” Gene would tell me to just keep coming for a while and sooner or later I’d start to be able to both listen and hear. He said it’s hard to really hear. But he wouldn’t say what was the difference between hearing and listening, which pissed me off. But after a while I started to really hear. It turns out — and this is just for me, maybe — but it turned out hearing the speaker means like all of a sudden hearing how fucking similar the way he felt and the way I felt were, Out There, at the Bottom, before we each Came In. Instead of just sitting here resenting being here and thinking how he bled from the ass and I didn’t and how that means I’m not as bad as him yet and I can still be Out There.’

One of the tricks to being of real service to newcomers is not to lecture or give advice but only talk about your own personal experience and what you were told and what you found out personally, and to do it in a casual but positive and encouraging way. Plus you’re supposed to try and Identify with the newcomer’s feelings as much as possible. Ferocious Francis G. says this is one of the ways guys with just a year or two sober can be most helpful: being able to sincerely ID with the newly Sick and Suffering. Ferocious Francis told Gately as they were wiping down tables that if a Crocodile with decades of sober AA time can still sincerely empathize and Identify with a whacked-out bug-eyed Disease-ridden newcomer then there’s something deeply fucked up about that Crocodile’s recovery. The Crocodiles, decades sober, live in a totally different spiritual galaxy, inside. One long-timer describes it as he has a whole new unique interior spiritual castle, now, to live in.

Part of this new Joelle girl’s pull for Ken Erdedy isn’t just the sexual thing of her body, which he finds made way sexier by the way the overlarge blue coffee-stained sweater tries to downplay the body thing without being so hubristic as to try to hide it — sloppy sexiness pulls Erdedy in like a well-groomed moth to a lit window — but it’s also the veil, wondering what horrific contrast to the body’s allure lies swollen or askew under that veil; it gives the pull a perverse sideways slant that makes it even more distracting, and so Erdedy cocks his head a little more up at Gately and narrows his eyes to make his listening-look terribly intense. He doesn’t know that there’s an abstract distance in the look that makes it seem like he’s studying a real bitch of a 7-iron on the tenth rough or something; the look doesn’t communicate what he thinks his audience wants it to.

The raffle-break is winding down as everybody starts to want their own ashtray. Two more big urns of coffee emerge from the kitchen door over by the literature table. Erdedy is probably the second-biggest leg-and-foot-joggler in present residence, after Geoffrey D. Joelle v. D. now says something very strange. It’s a very strange little moment, right at the end of the raffle-break, and Gately later finds it impossible to describe it in his Log entry for the P.M. shift. It is the first time he realizes that Joelle’s voice — crisp and rich and oddly empty, her accent just barely Southern and with a strange and it turns out Kentuckian lapse in the pronunciation of all apicals except s — is familiar in a faraway way that both makes it familiar and yet lets Gately be sure he’s never once met her before, Out There. She inclines the plane of her blue-bordered veil briefly toward the floor’s tile (very bad tile, scab-colored, nauseous, worst thing about the big room by far), brings it back up level (unlike Erdedy she’s standing, and in flats is nearly Gately’s height), and says that she’s finding it especially hard to take when these earnest ravaged folks at the lectern say they’re ‘Here But For the Grace of God,’ except that’s not the strange thing she says, because when Gately nods hard and starts to interject about ‘It was the same for —’ and wants to launch into a fairly standard Boston AA agnostic-soothing riff about the ‘God’ in the slogan being just shorthand for a totally subjective and up-to-you ‘Higher Power’ and AA being merely spiritual instead of dogmatically religious, a sort of benign anarchy of subjective spirit, Joelle cuts off his interjection and says that but that her trouble with it is that ‘But For the Grace of God’ is a subjunctive, a counterfactual, she says, and can make sense only when introducing a conditional clause, like e.g. ‘But For the Grace of God I would have died on Molly Notkin’s bathroom floor,’ so that an indicative transposition like ‘I’m here But For the Grace of God’ is, she says, literally senseless, and regardless of whether she hears it or not it’s meaningless, and that the foamy enthusiasm with which these folks can say what in fact means nothing at all makes her want to put her head in a Radarange at the thought that Substances have brought her to the sort of pass where this is the sort of language she has to have Blind Faith in. Gately looks at a rectangular blue-selvaged expanse of clean linen whose gentle rises barely allude to any features below, he looks at her and has no idea whether she’s serious or not, or whacked, or trying like Dr. Geoff Day to erect Denial-type fortifications with some kind of intellectualish showing-off, and he doesn’t know what to say in reply, he has absolutely nothing in his huge square head to Identify with her with or latch onto or say in encouraging reply, and for an instant the Provident cafeteria seems pin-drop silent, and his own heart grips him like an infant rattling the bars of its playpen, and he feels a greasy wave of an old and almost unfamiliar panic, and for a second it seems inevitable that at some point in his life he’s going to get high again and be back in the cage all over again, because for a second the blank white veil levelled at him seems a screen on which might well be projected a casual and impressive black and yellow smily-face, grinning, and he feels all the muscles in his own face loosen and descend kneeward; and the moment hangs there, distended, until the White Flag raffle coordinator for November, Glenn K., glides up to the podium mike in his scarlet velour caparison and makeup and candelabrum with candles the same color as the floor tile and uses the plastic gavel to formally end the break and bring things back to whatever passes here for order, for the raffle drawing. The Watertown guy with middle-level sober time who wins the Big Book publicly offers it to any newcomer that wants it, and Gately is pleased to see Bruce Green raise a big hand, and decides he’ll just turn it over and ask Ferocious Francis G. for feedback on subjunctives and countersexuals, and the infant leaves its playpen alone inside him, and the rivets of the long table his seat’s attached to make a brief distressed noise as he sits and settles in for the second half of the meeting, asking silently for help to be determined to try to really hear or die trying.

NNYC’s harbor’s Liberty Island’s gigantic Lady has the sun for a crown and holds what looks like a huge photo album under one iron arm, and the other arm holds aloft a product. The product is changed each 1 Jan. by brave men with pitons and cranes.

But it’s funny what they’ll find funny, AAs at Boston meetings, listening. The next Advanced Basics guy summoned by their gleamingly bald western-wear chairman to speak is dreadfully, transparently unfunny: painfully new but pretending to be at ease, to be an old hand, desperate to amuse and impress them. The guy’s got the sort of professional background where he’s used to trying to impress gatherings of persons. He’s dying to be liked up there. He’s performing. The White Flag crowd can see all this. Even the true morons among them see right through the guy. This is not a regular audience. A Boston AA is very sensitive to the presence of ego. When the new guy introduces himself and makes an ironic gesture and says, ‘I’m told I’ve been given the Gift of Desperation. I’m looking for the exchange window,’ it’s so clearly unspontaneous, rehearsed — plus commits the subtle but cardinal Message-offense of appearing to deprecate the Program rather than the Self — that just a few polite titters resound, and people shift in their seats with a slight but signal discomfort. The worst punishment Gately’s seen inflicted on a Commitment speaker is when the host crowd gets embarrassed for him. Speakers who are accustomed to figuring out what an audience wants to hear and then supplying it find out quickly that this particular audience does not want to be supplied with what someone else thinks it wants. It’s another conundrum Gately finally ran out of cerebral steam on. Part of finally getting comfortable in Boston AA is just finally running out of steam in terms of trying to figure stuff like this out. Because it literally makes no sense. Close to two hundred people all punishing somebody by getting embarrassed for him, killing him by empathetically dying right there with him, for him, up there at the podium. The applause when this guy’s done has the relieved feel of a fist unclenching, and their cries of ‘Keep Coming!’ are so sincere it’s almost painful.

But then in equally paradoxical contrast have a look at the next Advanced Basics speaker — this tall baggy sack of a man, also painfully new, but this poor bastard here completely and openly nerve-racked, wobbling his way up to the front, his face shiny with sweat and his talk full of blank cunctations and disassociated leaps — as the guy speaks with terrible abashed chagrin about trying to hang on to his job Out There as his A.M. hangovers became more and more debilitating until he finally got so shaky and aphasiac he just couldn’t bear to even face the customers who’d come knocking on his Department’s door — he was, from 0800 to 1600h., the Complaint Department of Filene’s Department Store —

— ‘What I did finally, Jesus I don’t know where I got such a stupid idea from, I brought this hammer in from home and brought it in and kept it right there under my desk, on the floor, and when somebody knocked at the door I’d just… I’d sort of dive onto the floor and crawl under the desk and grab up the hammer, and I’d start in to pounding on the leg of the desk, real hard-like, whacketa whacketa, like I was fixing something down there. And if they opened the door finally and came in anyhow or came in to bitch about me not opening the door I’d just stay out of sight under there pounding away like hell and I’d yell out I was going to be a moment, just a moment, emergency repairs, be with them momentarily. I guess you can guess how all that pounding felt, you know, under there, what with the big head I had every morning. I’d hide under there and pound and pound with the hammer till they finally gave up and went away, I’d watch from under the desk and tell when they finally went away, from I could see their feet from under the desk.’

— And about how the hiding-under-the-desk-and-pounding thing worked, incredibly enough, for almost the whole last year of his drinking, which ended around this past Labor Day, when one vindictive complainant finally figured out where in Filene’s to go to complain about the Complaint Dept. — the White Flaggers all fell about, they were totally pleased and amused, the Crocodiles removed their cigars and roared and wheezed and stomped both feet on the floor and showed scary teeth, everyone roaring with Identification and pleasure. This even though, as the speaker’s confusion at their delight openly betrays, the story wasn’t meant to be one bit funny: it was just the truth.

Gately’s found it’s got to be the truth, is the thing. He’s trying hard to really hear the speakers — he’s stayed in the habit he’d developed as an Ennet resident of sitting right up where he could see dentition and pores, with zero obstructions or heads between him and the podium, so the speaker fills his whole vision, which makes it easier to really hear — trying to concentrate on receiving the Message instead of brooding on that odd old dark moment of aphasiac terror with this veiled like psuedo-intellectual-type girl who was probably just in some sort of complex Denial, or on whatever doubtlessly grim place he feels like he knows that smooth echoless slightly Southern voice from. The thing is it has to be the truth to really go over, here. It can’t be a calculated crowd-pleaser, and it has to be the truth unslanted, unfortified. And maximally unironic. An ironist in a Boston AA meeting is a witch in church. Irony-free zone. Same with sly disingenuous manipulative pseudo-sincerity. Sincerity with an ulterior motive is something these tough ravaged people know and fear, all of them trained to remember the coyly sincere, ironic, self-presenting fortifications they’d had to construct in order to carry on Out There, under the ceaseless neon bottle.

This doesn’t mean you can’t pay empty or hypocritical lip-service, however. Paradoxically enough. The desperate, newly sober White Flaggers are always encouraged to invoke and pay empty lip-service to slogans they don’t yet understand or believe — e.g. ‘Easy Does It!’ and ‘Turn It Over!’ and ‘One Day At a Time!’ It’s called ‘Fake It Till You Make It,’ itself an oft-invoked slogan. Everybody on a Commitment who gets up publicly to speak starts out saying he’s an alcoholic, says it whether he believes he is yet or not; then everybody up there says how Grateful he is to be sober today and how great it is to be Active and out on a Commitment with his Group, even if he’s not grateful or pleased about it at all. You’re encouraged to keep saying stuff like this until you start to believe it, just like if you ask somebody with serious sober time how long you’ll have to keep schlepping to all these goddamn meetings he’ll smile that infuriating smile and tell you just until you start to want to go to all these goddamn meetings. There are some definite cultish, brainwashy elements to the AA Program (the term Program itself resonates darkly, for those who fear getting brainwashed), and Gately tries to be candid with his residents re this issue. But he also shrugs and tells them that by the end of his oral-narcotics and burglary careers he’d sort of decided the old brain needed a good scrub and soak anyway. He says he pretty much held his brain out and told Pat Montesian and Gene M. to go ahead and wash away. But he tells his residents he’s thinking now that the Program might be more like deprogramming than actual washing, considering the psychic job the Disease’s Spider has done on them all. Gately’s most marked progress in turning his life around in sobriety, besides the fact that he no longer drives off into the night with other people’s merchandise, is that he tries to be just about as verbally honest as possible at almost all times, now, without too much calculation about how a listener’s going to feel about what he says. This is harder than it sounds. But so that’s why on Commitments, sweating at the podium as only a large man can sweat, his thing is that he always says he’s Lucky to be sober today, instead of that he’s Grateful today, because he admits that the former is always true, every day, even though a lot of the time he still doesn’t feel Grateful, more like shocked that this thing seems to work, plus a lot of the time also ashamed and depressed about how he’s spent over half his life, and scared he might be permanently brain-damaged or retarded from Substances, plus also usually without any sort of clue about where he’s headed in sobriety or what he’s supposed to be doing or about really anything at all except that he’s not at all keen to be back Out There behind any bars, again, in a hurry. Ferocious Francis G. likes to punch Gately’s shoulder and tell him he’s right where he’s supposed to be.

So but also know that causal attribution, like irony, is death, speaking-on-Commitments-wise. Crocodiles’ temple-veins will actually stand out and pulse with irritation if you start trying to blame your Disease on some cause or other, and everybody with any kind of sober time will pale and writhe in their chair. See e.g. the White Flag audience’s discomfort when the skinny hard-faced Advanced Basics girl who gets up to speak next to last posits that she was an eight-bag-a-day dope fiend because at sixteen she’d had to become a stripper and semi-whore at the infamous Naked I Club out on Route 1 (a number of male eyes in the audience flash with sudden recognition, and despite all willed restraint automatically do that crawly north-to-south thing down her body, and Gately can see every ashtray on the table shake from the force of Joelle V.’s shudder), and then but that she’d had to become a stripper at sixteen because she’d had to run away from her foster home in Saugus MA, and that she’d had to run away from home because…—here at least some of the room’s discomfort is from the fact that the audience can tell the etiology is going to get head-clutchingly prolix and involved; this girl has not yet learned to Keep It Simple—… because, well, to begin with, she’d been adopted, and the foster parents also had their own biological daughter, and the biological daughter had, from birth, been totally paralyzed and retarded and catatonic, and the foster mother in the household was — as Joelle V. put it later to Gately — crazy as a Fucking Mud-Bug, and was in total Denial about her biological daughter’s being a vegetable, and not only insisted on treating the invertebrate biological daughter like a valid member of the chordate phylum but also insisted that the father and the adopted daughter also treat It as normal and undamaged, and made the adopted daughter share a bedroom with It, bring It along to slumber parties (the speaker uses the term It for the invertebrate sister, and also to tell the truth uses the phrase ‘drag It along’ rather than ‘bring It along,’ which Gately wisely doesn’t dwell over), and even to school with her, and softball practice, and the hairdresser’s, and Campfire Girls, etc., where at whatever place she’d dragged It along to It would lie in a heap, drooling and incontinent under exquisite mother-bought fashions specially altered for atrophy and top-shelf Lancôme cosmetics that looked just lurid on It, and with only the whites of Its eyes showing, with fluid dribbling from Its mouth and elsewhere, and making unspeakable gurgly noises, completely pale and moist and stagnant; and then, when the adopted daughter now speaking turned fifteen, the rabidly Catholic wacko foster mother even announced that OK now that the adopted daughter was fifteen she could go out on dates, but only as long as It got to come along too, in other words that the only dates the fifteen-year-old adopted daughter could go out on were double dates with It and whatever submammalian escort the speaker could root up for It; and how this sort of stuff went on and on; and how the nightmarishness of Its continual pale soggy ubiquitousness in her young life would alone be more than sufficient to cause and explain the speaker’s later drug addiction, she feels, but that also it so happened that the foster family’s quiet smiling patriarch, who worked 0900 to 2100 as a claims processor for Aetna, it turned out that the cheerful smiling foster father actually made the wacko foster mother look like a Doric column of stability by comparison, because there turned out to be things about the biological daughter’s utter paralytic pliability and catatonic inability to make anything except unspeakable gurgly noises that the smiling father found greatly to a certain very sick advantage the speaker says she has trouble openly discussing, still, even at thirty-one months sober in AA, being as yet still so retroactively Wounded and Hurting from it; but so in sum that she’d been ultimately forced to run away from the adoptive foster Saugus home and so become a Naked-I stripper and so become a raging dope fiend not, as in so many ununique cases, because she had been incestuously diddled, but because she’d been abusively forced to share a bedroom with a drooling invertebrate who by fourteen was Itself getting incestuously diddled on a nightly basis by a smiling biological claims processor of a father who — the speaker pauses to summon courage — who apparently liked to pretend It was Raquel Welch, the former celluloid sex goddess of the father’s glandular heyday, and he even called It ‘RAQUEL!’ in moments of incestuous extremity; and how, the New England summer the speaker turned fifteen and had to start dragging It along on double dates and then having to make sure to drag It back home again by 2300h. so It had plenty of time to be incestuously diddled, that summer the smiling quiet foster father even bought, had found somewhere, a cheesy rubber Raquel Welch full-head pull-on mask, with hair, and would now nightly come in in the dark and lift Its limp soft head up and struggle and lug to get the mask on and the relevant holes aligned for air, and then would diddle his way to extremity and cry out ‘RAQUEL!’ and then but he would just clamber out and off and leave the dark bedroom smiling and sated and lots of times leave the mask still on It, he’d like forget, or not care, just as he seemed oblivious (But For the Grace of God, in a way) to the fetally curled skinny form of the adopted daughter lying perfectly still in the next bed, in the dark, pretending to sleep, silent, shell-breathing, with her hard skinny wounded pre-addiction face turned to the wall, in the room’s next bed, her bed, the one without the collapsible crib-like hospital railings along the sides. … The audience is clutching its collective head, by this time only partly in empathy, as the speaker specifies how she was de facto emotionally all but like forced to flee and strip and swan-dive into the dark spiritual anesthesia of active drug addiction in a dysfunctional attempt to psychologically deal with one particular seminally scarring night of abject horror, the indescribable horror of the way It, the biological daughter, had looked up at her, the speaker, one particular final time on this one particular one of the frequent occasions the speaker had to get out of bed after the father had come and gone and tiptoe over to Its bed and lean over the cold metal hospital railing and remove the rubber Raquel Welch mask and replace it in a bedside drawer under some back issues of Ramparts and Commonweal, after carefully closing Its splayed legs and pulling down Its variously-stained designer nightie, all of which she made sure to do when the father didn’t bother to, at night, so that the wacko foster mother wouldn’t come in in the A.M. and find It in a rubber Raquel Welch mask with Its nightie hiked up and Its legs agape and put two and two together and get all kinds of deep Denial shattered about why the foster father always went around the foster house with a silent creepy smile, and flip out and make the invertebrate catatonic’s father stop diddling It — because, the speaker figured, if the foster father had to stop diddling It it didn’t exactly take Sally Jessy Raphael M.S.W. to figure out who was then probably going to get promoted to the role of Raquel, over in the next bed. The silent smiling claims-processor father never once acknowledged the adopted daughter’s little post-incestuous tidyings-up. It’s the kind of sick unspoken complicity characteristic of wildly dysfunctional families, confides the speaker, who’s also proud she says to be a member of a splinter 12-Step Fellowship, an Adult-Child-type thing called Wounded, Hurting, Inadequately Nurtured but Ever-Recovering Survivors. But so she says it was this one particular night soon after she’d turned sixteen, after the father had come and gone and uncaringly just left Its mask on again, and over to Its bedside the speaker had to creep in the dark, to tidy up, and but this time it turned out there was a problem with the Raquel Welch mask’s long auburn horsehair tresses having gotten twisted and knotted into the semi-living strands of Its own elaborately overmoussed coiffure, and the adopted daughter had to activate the perimeter of lights on Its bedside table’s many-bulbed vanity mirror to see to try to get the Raquel Welch wig untangled, and when she finally got the mask off, with the vanity mirror still blazing away, the speaker says how she was forced to gaze for the first time on Its lit-up paralytic post-diddle face, and how the expression thereon was most assuredly quite enough to force anybody with an operant limbic system ¹⁴² to leg it right out of her dysfunctional foster family’s home, nay and the whole community of Saugus MA, now homeless and scarred and forced by dark psychic forces straight to Route 1’s infamous gauntlet of neon-lit depravity and addiction, to try and forget, rasa the tabula, wipe the memory totally out, numb it with opiates. Voice trembling, she accepts the chairperson’s proffered bandanna-hankie and blows her nose one nostril at a time and says she can almost see It all over again: Its expression: in the vanity’s lights only Its eyes’ whites showed, and while Its utter catatonia and paralysis prevented the contraction of Its luridly rouged face’s circumoral muscles into any conventional human facial-type expression, nevertheless some hideously mobile and expressive layer in the moist regions below real people’s expressive facial layer, some slow-twitch layer unique to It, had blindly contracted, somehow, to gather the blank soft cheese of Its face into the sort of pinched gasping look of neurologic concentration that marks a carnal bliss beyond smiles or sighs. Its face looked postcoital sort of the way you’d imagine the vacuole and optica of a protozoan looking postcoital after it’s shuddered and shot its mono-cellular load into the cold waters of some really old sea. Its facial expression was, in a word, the speaker says, unspeakably, unforgettably ghastly and horrid and scarring. It was also the exact same expression as the facial expression on the stone-robed lady’s face in this one untitled photo of some Catholic statue that hung (the photo) in the dysfunctional household’s parlor right above the little teak table where the dysfunctional foster mother kept her beads and Hours and lay breviary, this photo of a statue of a woman whose stone robes were half hiked up and wrinkled in the most godawfully sensually prurient way, the woman reclined against uncut rock, her robes hiked and one stone foot hanging off the rock as her legs hung parted, with a grinning little totally psychotic-looking cherub-type angel standing on the lady’s open thighs and pointing a bare arrow at where the stone robe hid her cold tit, the woman’s face upturned and cocked and pinched into that exact same shuddering-protozoan look beyond pleasure or pain. The wacko foster mom knelt daily to that photo, in a beaded and worshipful posture, and also required daily that It be hoisted by the adopted daughter from Its never-mentioned wheelchair and held under Its arms and lowered so as to approximate the same knelt devotion to the photo, and while It gurgled and Its head lolled the speaker had gazed at the photo with a nameless revulsion each morning as she held Its dead slumped weight and tried to keep Its chin off Its chest, and now was being forced into seeing by mirror-light the exact same expression on the face of a catatonic who’d just been incestuously diddled, an expression at once reverent and greedy on a face connected by dead hair to the slack and flapping rubber visage of an old sex goddess’s empty face. And to make a long story short (the speaker says, not trying to be funny as far as the Flaggers can see), the traumatically scarred adopted girl had legged it from the bedroom and foster house into the brooding North Shore teen-runaway night, and had stripped and semi-whored and IV-injected her way all the way to that standard two-option addicted cliff-edge, hoping only to Forget. That’s what caused it, she says; that’s what she’s trying to recover from, a Day at a Time, and she’s sure grateful to be here with her Group today, sober and courageously remembering, and newcomers should definitely Keep Coming. … As she’s telling what she sees as etiological truth, even though the monologue seems sincere and unaffected and at least a B+ on the overall AA-story lucidity-scale, faces in the hall are averted and heads clutched and postures uneasily shifted in empathetic distress at the look-what-happened-to-poor-me invitation implicit in the tale, the talk’s tone of self-pity itself less offensive (even though plenty of these White Flaggers, Gately knows, had personal childhoods that made this girl’s look like a day at Six Flags Over the Poconos) than the subcurrent of explanation, an appeal to exterior Cause that can slide, in the addictive mind, so insidiously into Excuse that any causal attribution is in Boston AA feared, shunned, punished by empathic distress. The Why of the Disease is a labrynth it is strongly suggested all AAs boycott, inhabited as the maze is by the twin minotaurs of Why Me? and Why Not?, a.k.a. Self-Pity and Denial, two of the smily-faced Sergeant at Arms’ more fearsome aides de camp. The Boston AA ‘In Here’ that protects against a return to ‘Out There’ is not about explaining what caused your Disease. It’s about a goofily simple practical recipe for how to remember you’ve got the Disease day by day and how to treat the Disease day by day, how to keep the seductive ghost of a bliss long absconded from baiting you and hooking you and pulling you back Out and eating your heart raw and (if you’re lucky) eliminating your map for good. So no whys or wherefores allowed. In other words check your head at the door. Though it can’t be conventionally enforced, this, Boston AA’s real root axiom, is almost classically authoritarian, maybe even proto-Fascist. Some ironist who decamped back Out There and left his meager effects to be bagged and tossed by Staff into the Ennet House attic had, all the way back in the Year of the Tucks Medicated Pad, permanently engraved his tribute to AA’s real Prime Directive with a rosewood-handled boot-knife in the plastic seat of the 5-Man men’s room’s commode:

Date: 2016-03-03; view: 628