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The gender aspects of communication

The character of communication, it strategy, style, tonality is depend on gender and communicative status of the participants.

1. In the dialogue 59 we can see that men always reveal the tendency to independence

In the dialogue 60 it is observed that women strictly realize the sensitive connection between people, which makes the communication more trustful;

2. In the dialogue 61 we can understand that men are often oriented on the control, they concentrate their attention on the task as Mr.Brocklehurst did.

3. In the dialogue 62 we can see that Jane had a great ability to communication, that`s why her style of communication is oriented on the interaction system.

4. In the dialogue 61 is observed that men moral conception is formulated on the stable, immutable rules.

The styles of male and female communication always differ:

1. In the dialogue 63 we can see that the most important thing in male communication is information, facts, results and numbers and Mr.Brocklehurst proved this.

2. In the dialogue 64 Mr. Rochester is oriented on the social status and power, he behaved himself as a leader;

Women mostly give preference to the equal rights of communication, they orient on the good relations like Jane behaved herself in the dialogue 60.

3. Mr.Rochester liked to be alone, Jane felt herself better in the group of people, friends (look through dialogue 62);

4. The women speech is more emotive, full of feelings, women often use the description, like Jane used in the dialogue 65.

5. In the dialogue 66 Mr. Bates formulates his answers directly.

In dialogue 67 Jane formulates her answer in an indirect style.

6. Women can easily ask somebody for help like Jane did in the dialogue 68.

Men never ask for somebody’s help, they consider it’s to be a weakness and the son of Mrs.Reed proves this in the dialogue 59.

 

Dialogue 59:

- Damnation!

- Can I help you?

- Stand aside!

- I can fetch help, sir.

- I have no broken bones. It`s only a sprain.

- I shall stay with you until you can mount your horse.

- You should be at home. Where do you come from?

- Thernfield hall. I was posting a letter. I am a governess there.

- Oh, yeah, the governess, come here.

Dialogue 60:

- Come on, eat something.

- I tried so hard to do well. Hellen, why do you keep friendly with a girl whom everybody believes a liar?

- Jane, you are mistaken.

- After what Mr. Brocklehurst said?

- He is little liked here, besides Jane, if all the world hated you, you would not be without friends.

 

Dialogue 61:

- Be seated! Let her stand 1\2 hour longer on that stool! Face the classes! Let no one speak to her all the day!

Dialogue 62:

- Is your book interesting?

- I like it.

- What is it about? There is no picture.

- Do you want me to go away? I did want someone to talk to.

Dialogue 63:

- This child of a Christian land, this girl is a liar! This I learned from her benefactress. The lady, who adopted her in her orphaned state, reared her as her own daughter, and whose kindness this unhappy girl repaid with an ingratitude so bad, so dreadful, that at last her excellent patroness was obliged to separate her from her own young ones. She has sent her here to be healed.



 

Dialogue 64:

- Good evening sir, this is Miss. Eyre.

- Let Miss. Eyre be seated.

- Tea is ready. Sir. As you ordered.

- Adele, miss Eyre come to the table,

- Oh, you have so much estate to the business, I do wonder at your patience.

- I should like some tea.

- Of course.

Dialogue 65:

“Anyone may blame me who I like, but often when I was free I climbed to the roof, to look at the far skyline, I longed to reach past it my career was becoming smooth. My pupil had been spoiled, but soon became obedient and teachable in spite of my blessings. I was restless at my tranquility. The restlessness was in my nature. There are must be millions like me.”

 

 

Dialogue 66:

- Mr. Bates please.

- What is it? I have other patients.

- Where is Hellen Burns? She hasn`t come down to the garden.

- Hellen Burns, no. I fear she took a turn for the worse. She is very poorly. Hellen is not with us for long.

Dialogue 67:

- Were you happy, when you painted these?

- Painting these pictures was one of my keenest pleasures.

- That’s not saying much, your pleasures by your own account. Put them away.

Dialogue 68:

- Help! Help! Mr. Rochester ware up! Wake up!

 

 


Date: 2015-12-24; view: 1260


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