A youth subculture is a youth-based subculture with distinct styles, behaviours, and interests. Youth subcultures offer participants an identity outside of that ascribed by social institutions such as family, work, home and school. Youth subcultures that show a systematic hostility to the dominant culture are sometimes described as countercultures.
Youth music genres are associated with many youth subcultures, such as punks, emos, ravers, Juggalos, metalheads and Goths. The study of subcultures often consists of the study of the symbolism attached to clothing, music, other visible affections by members of the subculture, and also the ways in which these same symbols are interpreted by members of the dominant culture.
Socioeconomic class, gender, intelligence, conformity, morality, and ethnicity can be important in relation to youth subcultures. Youth subcultures can be defined as meaning systems, modes of expression or lifestyles developed by groups in subordinate structural positions in response to dominant systems Ч and which reflect their attempt to solve structural contradictions rising from the wider societal context.
The term scene can refer to an exclusive subculture or faction. Scenes are distinguished from the broad culture through either fashion; identification with specific (sometimes obscure or experimental) musical genres or political perspectives; and a strong in-group or tribal mentality. The term can be used to describe geographic subsets of a subculture, such as the Detroit drum and bass scene or the London Goth scene.
Theories about youth subculture
Early studies in youth culture were mainly produced by functionalist sociologists, and focus on youth as a single form of culture. In explaining the development of the culture, they utilized the concept of anomie. Talcott Parsons argued that as we move from the family and corresponding values to another sphere with differing values, (e.g. the workplace) we would experience an "anomie situation." The generalizations involved in this theory ignore the existence of subcultures.
Marxist theories account for some diversity, because they focus on classes and class-fractions rather than youth as a whole. Stuart Hall and Tony Jefferson described youth subcultures as symbolic or ritualistic attempts to resist the power of bourgeois hegemony by consciously adopting behaviour that appears threatening to the establishment. Conversely, Marxists of the Frankfurt School of social studies argue that youth culture is inherently consumerist and integral to the divide-and-rule strategy of capitalism. They argue that it creates generation gaps and pits groups of youths against each other (e.g. mods and rockers), especially as youth culture is the dominant culture in the west.
Interactionist theorist Stan Cohen argues youth subcultures are not coherent social groupings that arise spontaneously as a reaction to social forces, but that mass media labelling results in the creation of youth subcultures by imposing an ideological framework in which people can locate their behaviour. Post-structuralist theories of subculture utilize many of the ideas from these other theories, including hegemony and the role of the media. In his book, Subculture: The Meaning of Style, Dick Hebdige describes subcultures as a reaction of subordinated groups that challenge the hegemony of the dominant culture. This theory accounts for factors such as gender, ethnicity and age. Youth can be seen as a subordinate group in relation to the dominant, adult society.
Historical theorist Steven Mintz claims that until about 1955, youth subculture as such did not exist. Children aspired to (or were pulled into) adulthood as fast as their physical development allowed. Marcel Danesi argues that since then, the media, advertisers and others have made youth the dominant culture of Western societies, to the point that many people retain what others consider to be immature attitudes far into adulthood. This is further supported by P. Lewis, who claims that youth culture did not originate until the 1950s, with the development of rock and roll. However, other historians have claimed that youth culture may have developed earlier, particularly in the inter-war period. There were examples of new youth subcultures emerging throughout that period, such as the flapper.
Subcultures may also be seen as extensions of crowds, subcultures that emerge within a specific school. Certain crowds (jocks, geeks, preppies, druggies, emos) are found in many, even most, high schools across the United States, though the particular terms used by the adolescents in them may vary (nerds instead of geeks, Goths instead of emos, etc.). Most of these can be found in other western countries as well, with the exception of jocks. (The United States is unusual in having athletics specifically affiliated with schools, although similar Athletic affiliation groups exist in British Public Schools.)
Today the life of many young people in Russia as well as in other countries of the world is influenced by popular culture. The young follow certain stereotypes that are imposed on them through TV, movies, and music. In their lifestyle they try to imitate the images of their idols. Other young people are sports and music fans. They frequent stadiums and huge concert halls. They follow their idols in their tours and support them. Unfortunately they are intolerant to those who don't share their view. It's a specific aspect of the youth subculture that can't be ignored. But many young people have other interests. For some of them getting knowledge is of primary importance. They are fond of reading serious books, listening to serious music. They go to the conservatory and theatres. They are engaged in Hi-Tech through the Internet. They are fond of stories and novels written by Victor Pelevin, Boris Akunin. The novels by Strougutsky's are best read even today, because it is science fiction, which is very popular among young people.
I think that subculture is the culture of those who are dissatisfied with their place in society. Different subcultures have their own beliefs, value systems, fashion, and favourite music. For example the subculture of Rastafarians was based on nostalgia for a lost word. They idealized Africa. Rastafarians were Afro-Caribbean immigrants in Britain. They began to wear distinctive clothes, camouflage jackets, large hats in the red, gold and green colours of Ethiopia and put their long, uncut hair in dreadlocks. They brought to us such tapes of music as ska, reggae and hip-hop. Many subcultures developed as a result of music fusion of black and white cultures. For example skinheads, which wore heavy boots, jeans and braces and shave their hair or cut it very short. Skinheads dreamed about the revival of the traditional working class culture. Skinheads were identified with extreme right wing views. There are many other subcultures such as Hippies, Punks, Mods, Rockers, Ravers and many others. Generally they were young people with low self-respect, who did poorly at school. They opposed the traditional world in which they where settled as fiasco elements.
Subcultures are not that bad as they are thought to be. Teens want to show off. But at the same time a lot of teens think about changing the world to the best. Subcultures are for teens. Then, I am sure, teenagers become good citizens. Some who were punks became the main editors of famous newspapers. A subculture is a way of life. It is not a fan club, it is a real life for us.