Dowd Siobhan - The London Eye Mystery 44 page once for all, and several times I walked by the Neva, I remember that
I wanted to end it all there, but... I couldn't make up my mind," he
whispered, looking at her mistrustfully again.
"Thank God! That was just what we were afraid of, Sofya Semyonovna and
I. Then you still have faith in life? Thank God, thank God!"
Raskolnikov smiled bitterly.
"I haven't faith, but I have just been weeping in mother's arms; I
haven't faith, but I have just asked her to pray for me. I don't know
how it is, Dounia, I don't understand it."
"Have you been at mother's? Have you told her?" cried Dounia,
horror-stricken. "Surely you haven't done that?"
"No, I didn't tell her... in words; but she understood a great deal.
She heard you talking in your sleep. I am sure she half understands it
already. Perhaps I did wrong in going to see her. I don't know why I did
go. I am a contemptible person, Dounia."
"A contemptible person, but ready to face suffering! You are, aren't
you?"
"Yes, I am going. At once. Yes, to escape the disgrace I thought of
drowning myself, Dounia, but as I looked into the water, I thought that
if I had considered myself strong till now I'd better not be afraid of
disgrace," he said, hurrying on. "It's pride, Dounia."
"Pride, Rodya."
There was a gleam of fire in his lustreless eyes; he seemed to be glad
to think that he was still proud.
"You don't think, sister, that I was simply afraid of the water?" he
asked, looking into her face with a sinister smile.
"Oh, Rodya, hush!" cried Dounia bitterly. Silence lasted for two
minutes. He sat with his eyes fixed on the floor; Dounia stood at the
other end of the table and looked at him with anguish. Suddenly he got
up.
"It's late, it's time to go! I am going at once to give myself up. But I
don't know why I am going to give myself up."
Big tears fell down her cheeks.
"You are crying, sister, but can you hold out your hand to me?"
"You doubted it?"
She threw her arms round him.
"Aren't you half expiating your crime by facing the suffering?" she
cried, holding him close and kissing him.
"Crime? What crime?" he cried in sudden fury. "That I killed a vile
noxious insect, an old pawnbroker woman, of use to no one!... Killing
her was atonement for forty sins. She was sucking the life out of poor
people. Was that a crime? I am not thinking of it and I am not thinking
of expiating it, and why are you all rubbing it in on all sides? 'A
crime! a crime!' Only now I see clearly the imbecility of my cowardice,
now that I have decided to face this superfluous disgrace. It's simply
because I am contemptible and have nothing in me that I have decided to,
perhaps too for my advantage, as that... Porfiry... suggested!"
"Brother, brother, what are you saying? Why, you have shed blood?" cried
Dounia in despair.
"Which all men shed," he put in almost frantically, "which flows and has
always flowed in streams, which is spilt like champagne, and for which
men are crowned in the Capitol and are called afterwards benefactors of
mankind. Look into it more carefully and understand it! I too wanted to
do good to men and would have done hundreds, thousands of good deeds
to make up for that one piece of stupidity, not stupidity even, simply
clumsiness, for the idea was by no means so stupid as it seems now
that it has failed.... (Everything seems stupid when it fails.) By that
stupidity I only wanted to put myself into an independent position, to
take the first step, to obtain means, and then everything would have
been smoothed over by benefits immeasurable in comparison.... But I...
I couldn't carry out even the first step, because I am contemptible,
that's what's the matter! And yet I won't look at it as you do. If I had
succeeded I should have been crowned with glory, but now I'm trapped."
"But that's not so, not so! Brother, what are you saying?"
"Ah, it's not picturesque, not aesthetically attractive! I fail to
understand why bombarding people by regular siege is more honourable.
The fear of appearances is the first symptom of impotence. I've never,
never recognised this more clearly than now, and I am further than ever
from seeing that what I did was a crime. I've never, never been stronger
and more convinced than now."
The colour had rushed into his pale exhausted face, but as he uttered
his last explanation, he happened to meet Dounia's eyes and he saw such
anguish in them that he could not help being checked. He felt that he
had, anyway, made these two poor women miserable, that he was, anyway,
the cause...
"Dounia darling, if I am guilty forgive me (though I cannot be forgiven
if I am guilty). Good-bye! We won't dispute. It's time, high time to go.
Don't follow me, I beseech you, I have somewhere else to go.... But you
go at once and sit with mother. I entreat you to! It's my last request
of you. Don't leave her at all; I left her in a state of anxiety, that
she is not fit to bear; she will die or go out of her mind. Be with
her! Razumihin will be with you. I've been talking to him.... Don't cry
about me: I'll try to be honest and manly all my life, even if I am a
murderer. Perhaps I shall some day make a name. I won't disgrace you,
you will see; I'll still show.... Now good-bye for the present," he
concluded hurriedly, noticing again a strange expression in Dounia's
eyes at his last words and promises. "Why are you crying? Don't cry,
don't cry: we are not parting for ever! Ah, yes! Wait a minute, I'd
forgotten!"
He went to the table, took up a thick dusty book, opened it and took
from between the pages a little water-colour portrait on ivory. It was
the portrait of his landlady's daughter, who had died of fever, that
strange girl who had wanted to be a nun. For a minute he gazed at the
delicate expressive face of his betrothed, kissed the portrait and gave
it to Dounia.
"I used to talk a great deal about it to her, only to her," he said
thoughtfully. "To her heart I confided much of what has since been so
hideously realised. Don't be uneasy," he returned to Dounia, "she was
as much opposed to it as you, and I am glad that she is gone. The great
point is that everything now is going to be different, is going to
be broken in two," he cried, suddenly returning to his dejection.
"Everything, everything, and am I prepared for it? Do I want it myself?
They say it is necessary for me to suffer! What's the object of these
senseless sufferings? shall I know any better what they are for, when I
am crushed by hardships and idiocy, and weak as an old man after twenty
years' penal servitude? And what shall I have to live for then? Why am I
consenting to that life now? Oh, I knew I was contemptible when I stood
looking at the Neva at daybreak to-day!"
At last they both went out. It was hard for Dounia, but she loved him.
She walked away, but after going fifty paces she turned round to look
at him again. He was still in sight. At the corner he too turned and for
the last time their eyes met; but noticing that she was looking at him,
he motioned her away with impatience and even vexation, and turned the
corner abruptly.
"I am wicked, I see that," he thought to himself, feeling ashamed a
moment later of his angry gesture to Dounia. "But why are they so fond
of me if I don't deserve it? Oh, if only I were alone and no one loved
me and I too had never loved anyone! _Nothing of all this would have
happened._ But I wonder shall I in those fifteen or twenty years grow so
meek that I shall humble myself before people and whimper at every word
that I am a criminal? Yes, that's it, that's it, that's what they are
sending me there for, that's what they want. Look at them running to and
fro about the streets, every one of them a scoundrel and a criminal at
heart and, worse still, an idiot. But try to get me off and they'd be
wild with righteous indignation. Oh, how I hate them all!"
He fell to musing by what process it could come to pass, that he could
be humbled before all of them, indiscriminately--humbled by conviction.
And yet why not? It must be so. Would not twenty years of continual
bondage crush him utterly? Water wears out a stone. And why, why should
he live after that? Why should he go now when he knew that it would be
so? It was the hundredth time perhaps that he had asked himself that
question since the previous evening, but still he went.
CHAPTER VIII
When he went into Sonia's room, it was already getting dark. All day
Sonia had been waiting for him in terrible anxiety. Dounia had been
waiting with her. She had come to her that morning, remembering
Svidrigailov's words that Sonia knew. We will not describe the
conversation and tears of the two girls, and how friendly they became.
Dounia gained one comfort at least from that interview, that her
brother would not be alone. He had gone to her, Sonia, first with his
confession; he had gone to her for human fellowship when he needed it;
she would go with him wherever fate might send him. Dounia did not ask,
but she knew it was so. She looked at Sonia almost with reverence and
at first almost embarrassed her by it. Sonia was almost on the point
of tears. She felt herself, on the contrary, hardly worthy to look at
Dounia. Dounia's gracious image when she had bowed to her so attentively
and respectfully at their first meeting in Raskolnikov's room had
remained in her mind as one of the fairest visions of her life.
Dounia at last became impatient and, leaving Sonia, went to her
brother's room to await him there; she kept thinking that he would come
there first. When she had gone, Sonia began to be tortured by the dread
of his committing suicide, and Dounia too feared it. But they had spent
the day trying to persuade each other that that could not be, and both
were less anxious while they were together. As soon as they parted, each
thought of nothing else. Sonia remembered how Svidrigailov had said to
her the day before that Raskolnikov had two alternatives--Siberia or...
Besides she knew his vanity, his pride and his lack of faith.
"Is it possible that he has nothing but cowardice and fear of death to
make him live?" she thought at last in despair.
Meanwhile the sun was setting. Sonia was standing in dejection, looking
intently out of the window, but from it she could see nothing but the
unwhitewashed blank wall of the next house. At last when she began to
feel sure of his death--he walked into the room.
She gave a cry of joy, but looking carefully into his face she turned
pale.
"Yes," said Raskolnikov, smiling. "I have come for your cross, Sonia. It
was you told me to go to the cross-roads; why is it you are frightened
now it's come to that?"
Sonia gazed at him astonished. His tone seemed strange to her; a cold
shiver ran over her, but in a moment she guessed that the tone and the
words were a mask. He spoke to her looking away, as though to avoid
meeting her eyes.
"You see, Sonia, I've decided that it will be better so. There is one
fact.... But it's a long story and there's no need to discuss it. But
do you know what angers me? It annoys me that all those stupid brutish
faces will be gaping at me directly, pestering me with their stupid
questions, which I shall have to answer--they'll point their fingers at
me.... Tfoo! You know I am not going to Porfiry, I am sick of him. I'd
rather go to my friend, the Explosive Lieutenant; how I shall surprise
him, what a sensation I shall make! But I must be cooler; I've become
too irritable of late. You know I was nearly shaking my fist at my
sister just now, because she turned to take a last look at me. It's
a brutal state to be in! Ah! what am I coming to! Well, where are the
crosses?"
He seemed hardly to know what he was doing. He could not stay still or
concentrate his attention on anything; his ideas seemed to gallop after
one another, he talked incoherently, his hands trembled slightly.
Without a word Sonia took out of the drawer two crosses, one of cypress
wood and one of copper. She made the sign of the cross over herself and
over him, and put the wooden cross on his neck.
"It's the symbol of my taking up the cross," he laughed. "As though I
had not suffered much till now! The wooden cross, that is the peasant
one; the copper one, that is Lizaveta's--you will wear yourself, show
me! So she had it on... at that moment? I remember two things like
these too, a silver one and a little ikon. I threw them back on the old
woman's neck. Those would be appropriate now, really, those are what I
ought to put on now.... But I am talking nonsense and forgetting what
matters; I'm somehow forgetful.... You see I have come to warn you,
Sonia, so that you might know... that's all--that's all I came for. But
I thought I had more to say. You wanted me to go yourself. Well, now I
am going to prison and you'll have your wish. Well, what are you crying
for? You too? Don't. Leave off! Oh, how I hate it all!"
But his feeling was stirred; his heart ached, as he looked at her. "Why
is she grieving too?" he thought to himself. "What am I to her? Why does
she weep? Why is she looking after me, like my mother or Dounia? She'll
be my nurse."
"Cross yourself, say at least one prayer," Sonia begged in a timid
broken voice.
"Oh certainly, as much as you like! And sincerely, Sonia, sincerely...."
But he wanted to say something quite different.
He crossed himself several times. Sonia took up her shawl and put
it over her head. It was the green _drap de dames_ shawl of which
Marmeladov had spoken, "the family shawl." Raskolnikov thought of that
looking at it, but he did not ask. He began to feel himself that he
was certainly forgetting things and was disgustingly agitated. He was
frightened at this. He was suddenly struck too by the thought that Sonia
meant to go with him.
"What are you doing? Where are you going? Stay here, stay! I'll go
alone," he cried in cowardly vexation, and almost resentful, he moved
towards the door. "What's the use of going in procession?" he muttered
going out.
Sonia remained standing in the middle of the room. He had not even said
good-bye to her; he had forgotten her. A poignant and rebellious doubt
surged in his heart.
"Was it right, was it right, all this?" he thought again as he went down
the stairs. "Couldn't he stop and retract it all... and not go?"
But still he went. He felt suddenly once for all that he mustn't ask
himself questions. As he turned into the street he remembered that he
had not said good-bye to Sonia, that he had left her in the middle of
the room in her green shawl, not daring to stir after he had shouted
at her, and he stopped short for a moment. At the same instant, another
thought dawned upon him, as though it had been lying in wait to strike
him then.
"Why, with what object did I go to her just now? I told her--on
business; on what business? I had no sort of business! To tell her I was
_going_; but where was the need? Do I love her? No, no, I drove her away
just now like a dog. Did I want her crosses? Oh, how low I've sunk! No,
I wanted her tears, I wanted to see her terror, to see how her heart
ached! I had to have something to cling to, something to delay me, some
friendly face to see! And I dared to believe in myself, to dream of what
I would do! I am a beggarly contemptible wretch, contemptible!"
He walked along the canal bank, and he had not much further to go. But
on reaching the bridge he stopped and turning out of his way along it
went to the Hay Market.
He looked eagerly to right and left, gazed intently at every object and
could not fix his attention on anything; everything slipped away. "In
another week, another month I shall be driven in a prison van over this
bridge, how shall I look at the canal then? I should like to remember
this!" slipped into his mind. "Look at this sign! How shall I read those
letters then? It's written here 'Campany,' that's a thing to remember,
that letter _a_, and to look at it again in a month--how shall I look
at it then? What shall I be feeling and thinking then?... How trivial
it all must be, what I am fretting about now! Of course it must all be
interesting... in its way... (Ha-ha-ha! What am I thinking about?) I am
becoming a baby, I am showing off to myself; why am I ashamed? Foo! how
people shove! that fat man--a German he must be--who pushed against
me, does he know whom he pushed? There's a peasant woman with a baby,
begging. It's curious that she thinks me happier than she is. I might
give her something, for the incongruity of it. Here's a five copeck
piece left in my pocket, where did I get it? Here, here... take it, my
good woman!"
"God bless you," the beggar chanted in a lachrymose voice.
He went into the Hay Market. It was distasteful, very distasteful to be
in a crowd, but he walked just where he saw most people. He would have
given anything in the world to be alone; but he knew himself that he
would not have remained alone for a moment. There was a man drunk and
disorderly in the crowd; he kept trying to dance and falling down. There
was a ring round him. Raskolnikov squeezed his way through the crowd,
stared for some minutes at the drunken man and suddenly gave a short
jerky laugh. A minute later he had forgotten him and did not see him,
though he still stared. He moved away at last, not remembering where he
was; but when he got into the middle of the square an emotion suddenly
came over him, overwhelming him body and mind.
He suddenly recalled Sonia's words, "Go to the cross-roads, bow down to
the people, kiss the earth, for you have sinned against it too, and say
aloud to the whole world, 'I am a murderer.'" He trembled, remembering
that. And the hopeless misery and anxiety of all that time, especially
of the last hours, had weighed so heavily upon him that he positively
clutched at the chance of this new unmixed, complete sensation. It came
over him like a fit; it was like a single spark kindled in his soul and
spreading fire through him. Everything in him softened at once and the
tears started into his eyes. He fell to the earth on the spot....
He knelt down in the middle of the square, bowed down to the earth, and
kissed that filthy earth with bliss and rapture. He got up and bowed
down a second time.
"He's boozed," a youth near him observed.
There was a roar of laughter.
"He's going to Jerusalem, brothers, and saying good-bye to his children
and his country. He's bowing down to all the world and kissing the great
city of St. Petersburg and its pavement," added a workman who was a
little drunk.
"Quite a young man, too!" observed a third.
"And a gentleman," someone observed soberly.
"There's no knowing who's a gentleman and who isn't nowadays."
These exclamations and remarks checked Raskolnikov, and the words, "I am
a murderer," which were perhaps on the point of dropping from his lips,
died away. He bore these remarks quietly, however, and, without looking
round, he turned down a street leading to the police office. He had a
glimpse of something on the way which did not surprise him; he had felt
that it must be so. The second time he bowed down in the Hay Market he
saw, standing fifty paces from him on the left, Sonia. She was hiding
from him behind one of the wooden shanties in the market-place. She had
followed him then on his painful way! Raskolnikov at that moment felt
and knew once for all that Sonia was with him for ever and would follow
him to the ends of the earth, wherever fate might take him. It wrung his
heart... but he was just reaching the fatal place.
He went into the yard fairly resolutely. He had to mount to the third
storey. "I shall be some time going up," he thought. He felt as though
the fateful moment was still far off, as though he had plenty of time
left for consideration.
Again the same rubbish, the same eggshells lying about on the spiral
stairs, again the open doors of the flats, again the same kitchens and
the same fumes and stench coming from them. Raskolnikov had not been
here since that day. His legs were numb and gave way under him, but
still they moved forward. He stopped for a moment to take breath, to
collect himself, so as to enter _like a man_. "But why? what for?" he
wondered, reflecting. "If I must drink the cup what difference does it
make? The more revolting the better." He imagined for an instant the
figure of the "explosive lieutenant," Ilya Petrovitch. Was he actually
going to him? Couldn't he go to someone else? To Nikodim Fomitch?
Couldn't he turn back and go straight to Nikodim Fomitch's lodgings?
At least then it would be done privately.... No, no! To the "explosive
lieutenant"! If he must drink it, drink it off at once.
Turning cold and hardly conscious, he opened the door of the office.
There were very few people in it this time--only a house porter and a
peasant. The doorkeeper did not even peep out from behind his screen.
Raskolnikov walked into the next room. "Perhaps I still need not speak,"
passed through his mind. Some sort of clerk not wearing a uniform was
settling himself at a bureau to write. In a corner another clerk was
seating himself. Zametov was not there, nor, of course, Nikodim Fomitch.
"No one in?" Raskolnikov asked, addressing the person at the bureau.
"Whom do you want?"
"A-ah! Not a sound was heard, not a sight was seen, but I scent the
Russian... how does it go on in the fairy tale... I've forgotten! 'At
your service!'" a familiar voice cried suddenly.
Raskolnikov shuddered. The Explosive Lieutenant stood before him. He
had just come in from the third room. "It is the hand of fate," thought
Raskolnikov. "Why is he here?"
"You've come to see us? What about?" cried Ilya Petrovitch. He
was obviously in an exceedingly good humour and perhaps a trifle
exhilarated. "If it's on business you are rather early.[*] It's only a
chance that I am here... however I'll do what I can. I must admit, I...
what is it, what is it? Excuse me...."
[*] Dostoevsky appears to have forgotten that it is after
sunset, and that the last time Raskolnikov visited the
police office at two in the afternoon he was reproached for
coming too late.--TRANSLATOR.
"Raskolnikov."
"Of course, Raskolnikov. You didn't imagine I'd forgotten? Don't think I
am like that... Rodion Ro--Ro--Rodionovitch, that's it, isn't it?"
"Rodion Romanovitch."
"Yes, yes, of course, Rodion Romanovitch! I was just getting at it. I
made many inquiries about you. I assure you I've been genuinely grieved
since that... since I behaved like that... it was explained to me
afterwards that you were a literary man... and a learned one too... and
so to say the first steps... Mercy on us! What literary or scientific
man does not begin by some originality of conduct! My wife and I have
the greatest respect for literature, in my wife it's a genuine passion!
Literature and art! If only a man is a gentleman, all the rest can be
gained by talents, learning, good sense, genius. As for a hat--well,
what does a hat matter? I can buy a hat as easily as I can a bun; but
what's under the hat, what the hat covers, I can't buy that! I was even
meaning to come and apologise to you, but thought maybe you'd... But I
am forgetting to ask you, is there anything you want really? I hear your
family have come?"
"Yes, my mother and sister."
"I've even had the honour and happiness of meeting your sister--a highly
cultivated and charming person. I confess I was sorry I got so hot with
you. There it is! But as for my looking suspiciously at your fainting
fit--that affair has been cleared up splendidly! Bigotry and fanaticism!
I understand your indignation. Perhaps you are changing your lodging on
account of your family's arriving?"
"No, I only looked in... I came to ask... I thought that I should find
Zametov here."
"Oh, yes! Of course, you've made friends, I heard. Well, no, Zametov is
not here. Yes, we've lost Zametov. He's not been here since yesterday...
he quarrelled with everyone on leaving... in the rudest way. He is a
feather-headed youngster, that's all; one might have expected something
from him, but there, you know what they are, our brilliant young men.
He wanted to go in for some examination, but it's only to talk and
boast about it, it will go no further than that. Of course it's a very
different matter with you or Mr. Razumihin there, your friend. Your
career is an intellectual one and you won't be deterred by failure. For
you, one may say, all the attractions of life _nihil est_--you are an
ascetic, a monk, a hermit!... A book, a pen behind your ear, a learned
research--that's where your spirit soars! I am the same way myself....
Have you read Livingstone's Travels?"
"No."
"Oh, I have. There are a great many Nihilists about nowadays, you know,
and indeed it is not to be wondered at. What sort of days are they? I
ask you. But we thought... you are not a Nihilist of course? Answer me
openly, openly!"
"N-no..."
"Believe me, you can speak openly to me as you would to yourself!
Date: 2014-12-29; view: 733
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