CUSTOMS AND TRADITIONS OF GREAT BRITAIN 35 page

though. Will you come and see me in prison when I am there?"

"Oh, I will, I will."

They sat side by side, both mournful and dejected, as though they had

been cast up by the tempest alone on some deserted shore. He looked at

Sonia and felt how great was her love for him, and strange to say he

felt it suddenly burdensome and painful to be so loved. Yes, it was a

strange and awful sensation! On his way to see Sonia he had felt that

all his hopes rested on her; he expected to be rid of at least part

of his suffering, and now, when all her heart turned towards him, he

suddenly felt that he was immeasurably unhappier than before.

"Sonia," he said, "you'd better not come and see me when I am in

prison."

Sonia did not answer, she was crying. Several minutes passed.

"Have you a cross on you?" she asked, as though suddenly thinking of it.

He did not at first understand the question.

"No, of course not. Here, take this one, of cypress wood. I have

another, a copper one that belonged to Lizaveta. I changed with

Lizaveta: she gave me her cross and I gave her my little ikon. I will

wear Lizaveta's now and give you this. Take it... it's mine! It's mine,

you know," she begged him. "We will go to suffer together, and together

we will bear our cross!"

"Give it me," said Raskolnikov.

He did not want to hurt her feelings. But immediately he drew back the

hand he held out for the cross.

"Not now, Sonia. Better later," he added to comfort her.

"Yes, yes, better," she repeated with conviction, "when you go to meet

your suffering, then put it on. You will come to me, I'll put it on you,

we will pray and go together."

At that moment someone knocked three times at the door.

"Sofya Semyonovna, may I come in?" they heard in a very familiar and

polite voice.

Sonia rushed to the door in a fright. The flaxen head of Mr.

Lebeziatnikov appeared at the door.

CHAPTER V

Lebeziatnikov looked perturbed.

"I've come to you, Sofya Semyonovna," he began. "Excuse me... I thought

I should find you," he said, addressing Raskolnikov suddenly, "that is,

I didn't mean anything... of that sort... But I just thought... Katerina

Ivanovna has gone out of her mind," he blurted out suddenly, turning

from Raskolnikov to Sonia.

Sonia screamed.

"At least it seems so. But... we don't know what to do, you see! She

came back--she seems to have been turned out somewhere, perhaps

beaten.... So it seems at least,... She had run to your father's former

chief, she didn't find him at home: he was dining at some other

general's.... Only fancy, she rushed off there, to the other general's,

and, imagine, she was so persistent that she managed to get the chief to

see her, had him fetched out from dinner, it seems. You can imagine what

happened. She was turned out, of course; but, according to her own

story, she abused him and threw something at him. One may well believe

it.... How it is she wasn't taken up, I can't understand! Now she is

telling everyone, including Amalia Ivanovna; but it's difficult to

understand her, she is screaming and flinging herself about.... Oh yes,

she shouts that since everyone has abandoned her, she will take the

children and go into the street with a barrel-organ, and the children

will sing and dance, and she too, and collect money, and will go every

day under the general's window... 'to let everyone see well-born

children, whose father was an official, begging in the street.' She

keeps beating the children and they are all crying. She is teaching Lida

to sing 'My Village,' the boy to dance, Polenka the same. She is tearing

up all the clothes, and making them little caps like actors; she means

to carry a tin basin and make it tinkle, instead of music.... She won't

listen to anything.... Imagine the state of things! It's beyond

anything!"

Lebeziatnikov would have gone on, but Sonia, who had heard him almost

breathless, snatched up her cloak and hat, and ran out of the room,

putting on her things as she went. Raskolnikov followed her and

Lebeziatnikov came after him.

"She has certainly gone mad!" he said to Raskolnikov, as they went out

into the street. "I didn't want to frighten Sofya Semyonovna, so I said

'it seemed like it,' but there isn't a doubt of it. They say that in

consumption the tubercles sometimes occur in the brain; it's a pity I

know nothing of medicine. I did try to persuade her, but she wouldn't

listen."

"Did you talk to her about the tubercles?"

"Not precisely of the tubercles. Besides, she wouldn't have understood!

But what I say is, that if you convince a person logically that he

has nothing to cry about, he'll stop crying. That's clear. Is it your

conviction that he won't?"

"Life would be too easy if it were so," answered Raskolnikov.

"Excuse me, excuse me; of course it would be rather difficult for

Katerina Ivanovna to understand, but do you know that in Paris they have

been conducting serious experiments as to the possibility of curing the

insane, simply by logical argument? One professor there, a scientific

man of standing, lately dead, believed in the possibility of such

treatment. His idea was that there's nothing really wrong with the

physical organism of the insane, and that insanity is, so to say, a

logical mistake, an error of judgment, an incorrect view of things. He

gradually showed the madman his error and, would you believe it, they

say he was successful? But as he made use of douches too, how far

success was due to that treatment remains uncertain.... So it seems at

least."

Raskolnikov had long ceased to listen. Reaching the house where he

lived, he nodded to Lebeziatnikov and went in at the gate. Lebeziatnikov

woke up with a start, looked about him and hurried on.

Raskolnikov went into his little room and stood still in the middle

of it. Why had he come back here? He looked at the yellow and tattered

paper, at the dust, at his sofa.... From the yard came a loud continuous

knocking; someone seemed to be hammering... He went to the window, rose

on tiptoe and looked out into the yard for a long time with an air of

absorbed attention. But the yard was empty and he could not see who was

hammering. In the house on the left he saw some open windows; on the

window-sills were pots of sickly-looking geraniums. Linen was hung out

of the windows... He knew it all by heart. He turned away and sat down

on the sofa.

Never, never had he felt himself so fearfully alone!

Yes, he felt once more that he would perhaps come to hate Sonia, now

that he had made her more miserable.

"Why had he gone to her to beg for her tears? What need had he to poison

her life? Oh, the meanness of it!"

"I will remain alone," he said resolutely, "and she shall not come to

the prison!"

Five minutes later he raised his head with a strange smile. That was a

strange thought.

"Perhaps it really would be better in Siberia," he thought suddenly.

He could not have said how long he sat there with vague thoughts surging

through his mind. All at once the door opened and Dounia came in. At

first she stood still and looked at him from the doorway, just as he

had done at Sonia; then she came in and sat down in the same place

as yesterday, on the chair facing him. He looked silently and almost

vacantly at her.

"Don't be angry, brother; I've only come for one minute," said Dounia.

Her face looked thoughtful but not stern. Her eyes were bright and soft.

He saw that she too had come to him with love.

"Brother, now I know all, _all_. Dmitri Prokofitch has explained and

told me everything. They are worrying and persecuting you through a

stupid and contemptible suspicion.... Dmitri Prokofitch told me that

there is no danger, and that you are wrong in looking upon it with such

horror. I don't think so, and I fully understand how indignant you must

be, and that that indignation may have a permanent effect on you. That's

what I am afraid of. As for your cutting yourself off from us, I don't

judge you, I don't venture to judge you, and forgive me for having

blamed you for it. I feel that I too, if I had so great a trouble,

should keep away from everyone. I shall tell mother nothing _of this_,

but I shall talk about you continually and shall tell her from you that

you will come very soon. Don't worry about her; _I_ will set her mind at

rest; but don't you try her too much--come once at least; remember that

she is your mother. And now I have come simply to say" (Dounia began

to get up) "that if you should need me or should need... all my life or

anything... call me, and I'll come. Good-bye!"

She turned abruptly and went towards the door.

"Dounia!" Raskolnikov stopped her and went towards her. "That Razumihin,

Dmitri Prokofitch, is a very good fellow."

Dounia flushed slightly.

"Well?" she asked, waiting a moment.

"He is competent, hardworking, honest and capable of real love....

Good-bye, Dounia."

Dounia flushed crimson, then suddenly she took alarm.

"But what does it mean, brother? Are we really parting for ever that

you... give me such a parting message?"

"Never mind.... Good-bye."

He turned away, and walked to the window. She stood a moment, looked at

him uneasily, and went out troubled.

No, he was not cold to her. There was an instant (the very last one)

when he had longed to take her in his arms and _say good-bye_ to her,

and even _to tell_ her, but he had not dared even to touch her hand.

"Afterwards she may shudder when she remembers that I embraced her, and

will feel that I stole her kiss."

"And would _she_ stand that test?" he went on a few minutes later to

himself. "No, she wouldn't; girls like that can't stand things! They

never do."

And he thought of Sonia.

There was a breath of fresh air from the window. The daylight was

fading. He took up his cap and went out.

He could not, of course, and would not consider how ill he was. But all

this continual anxiety and agony of mind could not but affect him. And

if he were not lying in high fever it was perhaps just because this

continual inner strain helped to keep him on his legs and in possession

of his faculties. But this artificial excitement could not last long.

He wandered aimlessly. The sun was setting. A special form of misery had

begun to oppress him of late. There was nothing poignant, nothing acute

about it; but there was a feeling of permanence, of eternity about it;

it brought a foretaste of hopeless years of this cold leaden misery, a

foretaste of an eternity "on a square yard of space." Towards evening

this sensation usually began to weigh on him more heavily.

"With this idiotic, purely physical weakness, depending on the sunset or

something, one can't help doing something stupid! You'll go to Dounia,

as well as to Sonia," he muttered bitterly.

He heard his name called. He looked round. Lebeziatnikov rushed up to

him.

"Only fancy, I've been to your room looking for you. Only fancy, she's

carried out her plan, and taken away the children. Sofya Semyonovna and

I have had a job to find them. She is rapping on a frying-pan and making

the children dance. The children are crying. They keep stopping at the

cross-roads and in front of shops; there's a crowd of fools running

after them. Come along!"

"And Sonia?" Raskolnikov asked anxiously, hurrying after Lebeziatnikov.

"Simply frantic. That is, it's not Sofya Semyonovna's frantic, but

Katerina Ivanovna, though Sofya Semyonova's frantic too. But Katerina

Ivanovna is absolutely frantic. I tell you she is quite mad. They'll be

taken to the police. You can fancy what an effect that will have....

They are on the canal bank, near the bridge now, not far from Sofya

Semyonovna's, quite close."

On the canal bank near the bridge and not two houses away from the one

where Sonia lodged, there was a crowd of people, consisting principally

of gutter children. The hoarse broken voice of Katerina Ivanovna could

be heard from the bridge, and it certainly was a strange spectacle

likely to attract a street crowd. Katerina Ivanovna in her old dress

with the green shawl, wearing a torn straw hat, crushed in a hideous way

on one side, was really frantic. She was exhausted and breathless. Her

wasted consumptive face looked more suffering than ever, and indeed out

of doors in the sunshine a consumptive always looks worse than at home.

But her excitement did not flag, and every moment her irritation grew

more intense. She rushed at the children, shouted at them, coaxed

them, told them before the crowd how to dance and what to sing, began

explaining to them why it was necessary, and driven to desperation by

their not understanding, beat them.... Then she would make a rush at the

crowd; if she noticed any decently dressed person stopping to look, she

immediately appealed to him to see what these children "from a genteel,

one may say aristocratic, house" had been brought to. If she heard

laughter or jeering in the crowd, she would rush at once at the scoffers

and begin squabbling with them. Some people laughed, others shook their

heads, but everyone felt curious at the sight of the madwoman with the

frightened children. The frying-pan of which Lebeziatnikov had spoken

was not there, at least Raskolnikov did not see it. But instead of

rapping on the pan, Katerina Ivanovna began clapping her wasted hands,

when she made Lida and Kolya dance and Polenka sing. She too joined in

the singing, but broke down at the second note with a fearful cough,

which made her curse in despair and even shed tears. What made her most

furious was the weeping and terror of Kolya and Lida. Some effort had

been made to dress the children up as street singers are dressed. The

boy had on a turban made of something red and white to look like a Turk.

There had been no costume for Lida; she simply had a red knitted cap,

or rather a night cap that had belonged to Marmeladov, decorated with

a broken piece of white ostrich feather, which had been Katerina

Ivanovna's grandmother's and had been preserved as a family possession.

Polenka was in her everyday dress; she looked in timid perplexity at her

mother, and kept at her side, hiding her tears. She dimly realised her

mother's condition, and looked uneasily about her. She was terribly

frightened of the street and the crowd. Sonia followed Katerina

Ivanovna, weeping and beseeching her to return home, but Katerina

Ivanovna was not to be persuaded.

"Leave off, Sonia, leave off," she shouted, speaking fast, panting and

coughing. "You don't know what you ask; you are like a child! I've

told you before that I am not coming back to that drunken German. Let

everyone, let all Petersburg see the children begging in the streets,

though their father was an honourable man who served all his life in

truth and fidelity, and one may say died in the service." (Katerina

Ivanovna had by now invented this fantastic story and thoroughly

believed it.) "Let that wretch of a general see it! And you are silly,

Sonia: what have we to eat? Tell me that. We have worried you enough, I

won't go on so! Ah, Rodion Romanovitch, is that you?" she cried, seeing

Raskolnikov and rushing up to him. "Explain to this silly girl, please,

that nothing better could be done! Even organ-grinders earn their

living, and everyone will see at once that we are different, that we are

an honourable and bereaved family reduced to beggary. And that general

will lose his post, you'll see! We shall perform under his windows every

day, and if the Tsar drives by, I'll fall on my knees, put the children

before me, show them to him, and say 'Defend us father.' He is the

father of the fatherless, he is merciful, he'll protect us, you'll

see, and that wretch of a general.... Lida, _tenez vous droite_! Kolya,

you'll dance again. Why are you whimpering? Whimpering again! What

are you afraid of, stupid? Goodness, what am I to do with them, Rodion

Romanovitch? If you only knew how stupid they are! What's one to do with

such children?"

And she, almost crying herself--which did not stop her uninterrupted,

rapid flow of talk--pointed to the crying children. Raskolnikov tried

to persuade her to go home, and even said, hoping to work on her vanity,

that it was unseemly for her to be wandering about the streets like

an organ-grinder, as she was intending to become the principal of a

boarding-school.

"A boarding-school, ha-ha-ha! A castle in the air," cried Katerina

Ivanovna, her laugh ending in a cough. "No, Rodion Romanovitch, that

dream is over! All have forsaken us!... And that general.... You know,

Rodion Romanovitch, I threw an inkpot at him--it happened to be standing

in the waiting-room by the paper where you sign your name. I wrote my

name, threw it at him and ran away. Oh, the scoundrels, the scoundrels!

But enough of them, now I'll provide for the children myself, I won't

bow down to anybody! She has had to bear enough for us!" she pointed

to Sonia. "Polenka, how much have you got? Show me! What, only two

farthings! Oh, the mean wretches! They give us nothing, only run after

us, putting their tongues out. There, what is that blockhead laughing

at?" (She pointed to a man in the crowd.) "It's all because Kolya here

is so stupid; I have such a bother with him. What do you want, Polenka?

Tell me in French, _parlez-moi francais_. Why, I've taught you, you know

some phrases. Else how are you to show that you are of good family, well

brought-up children, and not at all like other organ-grinders? We aren't

going to have a Punch and Judy show in the street, but to sing a genteel

song.... Ah, yes,... What are we to sing? You keep putting me out,

but we... you see, we are standing here, Rodion Romanovitch, to find

something to sing and get money, something Kolya can dance to.... For,

as you can fancy, our performance is all impromptu.... We must talk it

over and rehearse it all thoroughly, and then we shall go to Nevsky,

where there are far more people of good society, and we shall be noticed

at once. Lida knows 'My Village' only, nothing but 'My Village,' and

everyone sings that. We must sing something far more genteel.... Well,

have you thought of anything, Polenka? If only you'd help your mother!

My memory's quite gone, or I should have thought of something. We really

can't sing 'An Hussar.' Ah, let us sing in French, 'Cinq sous,' I have

taught it you, I have taught it you. And as it is in French, people will

see at once that you are children of good family, and that will be much

more touching.... You might sing 'Marlborough s'en va-t-en guerre,'

for that's quite a child's song and is sung as a lullaby in all the

aristocratic houses.

"_Marlborough s'en va-t-en guerre Ne sait quand reviendra_..."

she began singing. "But no, better sing 'Cinq sous.' Now, Kolya, your

hands on your hips, make haste, and you, Lida, keep turning the other

way, and Polenka and I will sing and clap our hands!

"_Cinq sous, cinq sous Pour monter notre menage_."

(Cough-cough-cough!) "Set your dress straight, Polenka, it's slipped

down on your shoulders," she observed, panting from coughing. "Now it's

particularly necessary to behave nicely and genteelly, that all may

see that you are well-born children. I said at the time that the bodice

should be cut longer, and made of two widths. It was your fault, Sonia,

with your advice to make it shorter, and now you see the child is quite

deformed by it.... Why, you're all crying again! What's the matter,

stupids? Come, Kolya, begin. Make haste, make haste! Oh, what an

unbearable child!

"Cinq sous, cinq sous.

"A policeman again! What do you want?"

A policeman was indeed forcing his way through the crowd. But at that

moment a gentleman in civilian uniform and an overcoat--a solid-looking

official of about fifty with a decoration on his neck (which delighted

Katerina Ivanovna and had its effect on the policeman)--approached and

without a word handed her a green three-rouble note. His face wore

a look of genuine sympathy. Katerina Ivanovna took it and gave him a

polite, even ceremonious, bow.

"I thank you, honoured sir," she began loftily. "The causes that have

induced us (take the money, Polenka: you see there are generous and

honourable people who are ready to help a poor gentlewoman in distress).

You see, honoured sir, these orphans of good family--I might even say of

aristocratic connections--and that wretch of a general sat eating

grouse... and stamped at my disturbing him. 'Your excellency,' I said,

'protect the orphans, for you knew my late husband, Semyon Zaharovitch,

and on the very day of his death the basest of scoundrels slandered his

only daughter.'... That policeman again! Protect me," she cried to the

official. "Why is that policeman edging up to me? We have only just run

away from one of them. What do you want, fool?"

"It's forbidden in the streets. You mustn't make a disturbance."

"It's you're making a disturbance. It's just the same as if I were

grinding an organ. What business is it of yours?"

"You have to get a licence for an organ, and you haven't got one, and in

that way you collect a crowd. Where do you lodge?"

"What, a license?" wailed Katerina Ivanovna. "I buried my husband

to-day. What need of a license?"

"Calm yourself, madam, calm yourself," began the official. "Come along;

I will escort you.... This is no place for you in the crowd. You are

ill."

"Honoured sir, honoured sir, you don't know," screamed Katerina

Ivanovna. "We are going to the Nevsky.... Sonia, Sonia! Where is she?

She is crying too! What's the matter with you all? Kolya, Lida, where

are you going?" she cried suddenly in alarm. "Oh, silly children! Kolya,

Lida, where are they off to?..."

Kolya and Lida, scared out of their wits by the crowd, and their

mother's mad pranks, suddenly seized each other by the hand, and ran off

at the sight of the policeman who wanted to take them away somewhere.

Weeping and wailing, poor Katerina Ivanovna ran after them. She was

a piteous and unseemly spectacle, as she ran, weeping and panting for

breath. Sonia and Polenka rushed after them.

"Bring them back, bring them back, Sonia! Oh stupid, ungrateful

children!... Polenka! catch them.... It's for your sakes I..."

She stumbled as she ran and fell down.

"She's cut herself, she's bleeding! Oh, dear!" cried Sonia, bending over

her.

All ran up and crowded around. Raskolnikov and Lebeziatnikov were the

first at her side, the official too hastened up, and behind him the

policeman who muttered, "Bother!" with a gesture of impatience, feeling

that the job was going to be a troublesome one.

"Pass on! Pass on!" he said to the crowd that pressed forward.

"She's dying," someone shouted.

"She's gone out of her mind," said another.

"Lord have mercy upon us," said a woman, crossing herself. "Have they

caught the little girl and the boy? They're being brought back, the

elder one's got them.... Ah, the naughty imps!"

When they examined Katerina Ivanovna carefully, they saw that she had

not cut herself against a stone, as Sonia thought, but that the blood

that stained the pavement red was from her chest.

"I've seen that before," muttered the official to Raskolnikov and

Lebeziatnikov; "that's consumption; the blood flows and chokes the

patient. I saw the same thing with a relative of my own not long ago...

nearly a pint of blood, all in a minute.... What's to be done though?

She is dying."

"This way, this way, to my room!" Sonia implored. "I live here!... See,

that house, the second from here.... Come to me, make haste," she turned

from one to the other. "Send for the doctor! Oh, dear!"

Thanks to the official's efforts, this plan was adopted, the policeman

even helping to carry Katerina Ivanovna. She was carried to Sonia's

room, almost unconscious, and laid on the bed. The blood was still

flowing, but she seemed to be coming to herself. Raskolnikov,

Lebeziatnikov, and the official accompanied Sonia into the room and were

followed by the policeman, who first drove back the crowd which followed

to the very door. Polenka came in holding Kolya and Lida, who

were trembling and weeping. Several persons came in too from the

Kapernaumovs' room; the landlord, a lame one-eyed man of strange

appearance with whiskers and hair that stood up like a brush, his

wife, a woman with an everlastingly scared expression, and several

open-mouthed children with wonder-struck faces. Among these,

Svidrigailov suddenly made his appearance. Raskolnikov looked at him

with surprise, not understanding where he had come from and not having

noticed him in the crowd. A doctor and priest wore spoken of. The

official whispered to Raskolnikov that he thought it was too late now

for the doctor, but he ordered him to be sent for. Kapernaumov ran

himself.

Meanwhile Katerina Ivanovna had regained her breath. The bleeding ceased

for a time. She looked with sick but intent and penetrating eyes at

Sonia, who stood pale and trembling, wiping the sweat from her brow with

Date: 2014-12-29; view: 727