The Girl with the Lantern
At last I couldn't stand lying there in bed any longer without
sleeping. I went for one of my walks at night. I put on my red
Mackinaw, so I wouldn't be cold. I guess it is this trouble that
I have with sleeping that causes me to walk.
I went walking down by the aqueduct. That's a good place
to walk. The aqueduct is about five miles long, but we don't know
why because there is already water every place. There must be
two or three hundred rivers here.
Charley himself hasn't the slightest idea why they built the
aqueduct. "Maybe they were short of water a long time ago,
and that's why they built the thing. I don't know. Don't ask
me."
I once had a dream about the aqueduct being a musical instrument
filled with water and bells hanging by small watermelon
chains right at the top of the water and the water making the
bells ring.
I told the dream to Fred and he said that it sounded all right
to him. "That would really make beautiful music," he said.
I walked along the aqueduct for a while and then just stood
there motionless for a long time where the aqueduct crosses
the river by the Statue of Mirrors. I could see the light coming
from all the tombs in the river down there. It's a favorite spot
to be buried.
I climbed up a ladder on one of the columns and sat on the
edge of the aqueduct, up about twenty feet, with my legs dangling
over the edge.
I sat there for a long time without thinking about anything or
noticing anything any more. I didn't want to. The night was
passing with me sitting on the aqueduct.
Then I saw a lantern faraway and moving out of the piney
woods. The lantern came down a road and then crossed over
bridges and went through watermelon patches and stopped
sometimes by the road, first this road and then that road.
I knew who the lantern belonged to. It was in the hand of a
girl. I had seen her many times before walking at night, over
the years.
But I had never seen the girl up close and I didn't know who
she was. I knew she was sort of like me. Sometimes she had
trouble sleeping at night.
It always comforted me when I saw her out there. I had never
tried to find out who she was by going after her or even telling
anyone about seeing her at night.
She was in a strange way mine and it comforted me to see
her. I thought she was very pretty, but I didn't know what color
hair she had.
Chickens
The girl with the lantern had left hours ago. I climbed down
from the aqueduct and stretched my legs. I walked back to
iDEATH in the dawn of a golden sun which would bring I knew
not what from inBOIL and that gang of his. We could only wait
and see.
The countryside was beginning to stir. I saw a farmer going
out to milk his cows. He waved when he saw me. He had on a
funny hat.
The roosters were beginning to crow. Their beak trumpets
travelled a loud and great distance. I arrived at iDEATH just before
sunrise.
There were a couple of white chickens that had escaped from
a farmer someplace out in front of iDEATH pecking at the ground.
They looked at me and then they flew away. They were freshly
escaped. You could tell because their wings did not work like
real birds.
Bacon
After a good breakfast of hot cakes and scrambled eggs and
bacon, inBOIL and that gang of his arrived drunk at iDEATH, and
it all began, then.
"This is really a good breakfast," Fred said to Pauline.
"Thank you."
Margaret was not there. I don't know where she was at.
Pauline was there, though. She looked good, wearing a pretty
dress.
Then we heard the front door bell ring. Old Chuck said he
heard voices but it was impossible to hear voices from that
distance.
"I'll get the door," Al said. He got up and left the kitchen and
walked through the hall that led under the river to the living
room.
"I wonder who it is," Charley said. I think Charley already
knew who it was because he put down his fork and pushed his
plate away.
Breakfast was over.
Al came back a few minutes later. He looked strange and
worried. "It's inBOIL," he said. "He wants to see you, Charley.
He wants to see all of us."
Now we all looked strange and worried.
We got up and went through the hall under the river and
came out in the living room, right beside Pauline's painting.
We went out on the front porch of iDEATH and there was inBOIL
waiting, drunk.
Prelude
"You people think you know about iDEATH. You don't know
anything about iDEATH. You don't know anything about iDEATH,"
inBOIL said, and then there was wild laughter from that gang of
his, who were just as drunk as he.
"Not a damn thing. You're all at a masquerade party," and
then there was wild laughter from that gang of his.
"We're going to show you what iDEATH is really about," and
then there was wild laughter.
"What do you know that we don't know?" Charley said.
"Let us show you. Let us into the trout hatchery and we'll
show you a thing or two. Are you afraid to find out about
iDEATH? What it really means? What a mockery you've made of
it? All of you. And you, Charley, more than the rest of these
clowns."
"Come, then," Charley said. "Show us iDEATH."
An Exchange
inBOIL and that gang of his staggered into iDEATH. "What a
dump," one of them said. Their eyes were all red from that
stuff they made and drank in such large quantities.
We crossed the metal bridge over the little river in the living
room and went down the hall that leads to the trout hatchery.
One of inBOIL's gang was so drunk that he fell down and the
others picked him up. They almost had to carry him along because
he was so drunk. He kept saying over and over again,
"When are we going to get to iDEATH?"
"You are at iDEATH."
"What is this?"
"iDEATH."
"Oh. When are we going to get to iDEATH?"
Margaret was nowhere around. I walked beside Pauline to
kind of shield her from inBOIL and his trash. inBOIL saw her and
came over. His overalls looked as if they had never been washed.
"Hi, Pauline," he said. "How are tricks?"
"You disgusting man," she replied.
inBOIL laughed.
"I'll mop the floor after you leave here," she said. "Wherever
you walk is filth."
"Don't be that way," inBOIL said.
"How should I be?" Pauline said. "Look at you."
I had gone over to shield Pauline from inBOIL and now I almost
had to step between them. Pauline was very mad. I had never
seen Pauline mad before. She had quite a temper.
inBOIL laughed again and then he broke away from her and
went up and joined Charley. Charley was not happy to see him
either.
It was a strange procession travelling down the hall. "When
are we going to get to iDEATH?"
The Trout Hatchery
The trout hatchery at iDEATH was built years ago when the
last tiger was killed and burned on the spot. We built the trout
hatchery right there. The walls went up around the ashes.
The hatchery is small but designed with great care. The trays
and ponds are made from watermelon sugar and stones gathered
at a great distance and placed there in the order of that distance.
The water for the hatchery comes from the little river that
joins up later with the main river in the living room. The sugar
used is golden and blue.
There are two people buried at the bottom of the ponds in the
hatchery. You look down past the young trout and see them
lying there in their coffins, staring from beyond the glass doors.
They wanted it that way, so they got it, being as they were
keepers of the hatchery and at the same time, Charley's folks.
The hatchery has a beautiful tile floor with the tiles put
together so gracefully that it's almost like music. It's a swell
place to dance.
There is a statue of the last tiger in the hatchery. The tiger is
on fire in the statue. We are all watching it.
inBOIL’s iDEATH
"All right," Charley said. "Tell us about iDEATH. We're curious
now about what you've been saying for years about us not
knowing about iDEATH, about you knowing all the answers.
Let's hear some of those answers."
"OK," inBOIL said. "This is what it's all about. You don't
know what's really going on with iDEATH. The tigers knew more
about iDEATH than you know. You killed all the tigers and
burned the last one in here.
"That was all wrong. The tigers should never have been
killed. The tigers were the true meaning of iDEATH. Without the
tigers there could be no iDEATH, and you killed the tigers and so
iDEATH went away, and you've lived here like a bunch of clucks
ever since. I'm going to bring back iDEATH. We're all going to
bring back iDEATH. My gang here and me. I've been thinking
about it for years and now we're going to do it. iDEATH will be
again."
inBOIL reached into his pocket and took out a jackknife.
"What are you going to do with that knife?" Charley said.
"I'll show you," inBOIL said. He pulled the blade out. It looked
sharp. "This is iDEATH," he said, and took the knife and cut off
his thumb and dropped it into a tray filled with trout just barely
hatched. The blood started running down his hand and dripping
on the floor.
Then all of inBOIL’s gang took out jackknives and cut off their
thumbs and dropped their thumbs here and there, in this tray,
that pond until there were thumbs and blood all over the place.
The one who didn't know where he was said, "When do I cut
off my thumb?"
"Right now," somebody said.
So he cut off his thumb, unevenly because he was so drunk.
He did it in such a way that there was still part of the fingernail
fastened to his hand.
"Why have you done this?" Charley said.
"It's only a beginning," inBOIL said. "This is what iDEATH
should really look like."
"You all look silly," Charley said. "Without your thumbs."
"It's only a beginning," inBOIL said. "All right, men. Let's
cut off our noses."
"Hail, iDEATH," they all shouted and cut off their noses. The
one who was so drunk also put out his eye. They took their
noses and dropped them all over the place.
One of them put his nose in Fred's hand. Fred took the nose
and threw it in the guy's face.
Pauline did not act like a woman should under these circumstances.
She was not afraid or made ill by this at all. She just
kept getting madder and madder and madder. Her face was red
with anger.
"All right, men. Off with your ears."
"Hail, iDEATH," and then there were ears all over the place
and the trout hatchery was drowning in blood.
The one who was so drunk forgot that he had cut his right
ear off already and was trying to cut it off again and was very
confused because the ear wasn't there.
"Where's my ear?" he said. "I can't cut it off."
By now inBOIL and all his gang were bleeding to death. Some
of them were already beginning to grow weak from the loss of
blood and were sitting down on the floor.
inBOIL was still up and cutting fingers off his hands. "This is
iDEATH," he said. "Oh, boy. This is really iDEATH." Finally he
had to sit down, too, so he could bleed to death.
They were all on the floor now.
"I hope you think you've proved something," Charley said.
"I don't think you've proved anything."
"We've proved iDEATH," inBOIL said.
Pauline suddenly started to leave the room. I went over to
her, almost slipping on the blood and falling down.
"Are you all right?" I said, not knowing quite what to say.
"Can I help you?"
"No," she said, on her way out. "I'm going to go get a mop
and clean this mess up." When she said mess, she looked directly
at inBOIL.
She left the hatchery and came back shortly with a mop. They
were almost all dead now, except for inBOIL. He was still talking
about iDEATH. "See, we've done it," he said.
Pauline started mopping up the blood and wringing it out
into a bucket. When the bucket was almost full of blood, inBOIL
died. "I am iDEATH," he said.
"You're an asshole," Pauline said.
And the last thing that inBOIL ever saw was Pauline standing
beside him, wringing his blood out of the mop into the bucket.
Wheelbarrow
"Well, that's that," Charley said.
inBOIL's sightless eyes stared at the statue of the tiger. There
were many sightless eyes staring in the hatchery.
"Yeah," Fred said. "I wonder what it was all about."
"I don't know," Charley said. "I think they shouldn't have
drunk that whiskey made from forgotten things. It was a
mistake."
"Yeah."
We all joined Pauline in cleaning up the place, mopping up
the blood and carting the bodies away. We used a wheelbarrow.
A Parade
"Here, help me get this wheelbarrow down the stairs."
"There."
"Ah, thank you."
We piled the bodies out in front. No one knew quite what
to do with them, except that we didn't want them in iDEATH any
more.
A lot of people from the town had come up to see what was
going on. There were maybe a hundred people there by the time
we got the last body wheeled out.
"What happened?" the schoolteacher said.
"They made a mess out of themselves," Old Chuck said.
"Where are their thumbs and features?" Doc Edwards asked.
"Right over there in that bucket," Old Chuck said. "They cut
them off with their jackknives. We don't know why."
"What are we going to do with the bodies?" Fred said. "We're
not going to put them in tombs, are we?"
"No," Charley said. "We have to do something else."
"Take them to their shacks at the Forgotten Works," Pauline
said. "Burn them. Burn their shacks. Burn them together and
then forget them."
"That's a good idea," Charley said. "Let's get some wagons
and take them down there. What a terrible thing."
We put the bodies in the wagons. By then almost everybody
in watermelon sugar had gathered at iDEATH. We all started
down to the Forgotten Works together.
We started off very slowly. We looked like a parade barely
moving toward YOU MIGHT GET LOST. I walked beside Pauline.
Bluebells
There was a warm golden sun shining down on us and on the
slowly nearing Piles of the Forgotten Works. We crossed rivers
and bridges and walked beside farms, meadows and through
the piney woods and by fields of watermelons.
The piles of the Forgotten Works were like chunks of half-
mountains and half-apparatus that glowed like gold.
An almost festive spirit was coming now from the crowd.
They were relieved that inBOIL and that gang of his were dead.
Children began picking flowers along the way and pretty soon
there were many flowers in the parade, so that it became a kind
of vase filled with roses and daffodils and poppies and bluebells.
"It's over," Pauline said, and then, turning, she threw her
arms around me and gave me a very friendly hug to prove that
it was all over. I felt her body against me.
Date: 2015-12-17; view: 776
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