Buildings of the 18th century

Loosely modelled on Palladio's Villa Capra, Lord Burlington's Chiswick House was one of the first shots fired in the war waged by the Georgians against the Baroque. In case anyone was slow to appreciate where Burlington's architectural allegiances lay, he had Michael Rysbrack design two statues to flank the entrance stair with Palladio on the left, and his earliest English disciple Inigo Jones on the right.

Kedleston Hall, Derbyshire (1758-77), is a high point of British neo-classicism. The Palladian layout had already been established when the up-and-coming Scottish architect Robert Adam was asked to take over the project in 1760 by the owner, Sir Nathaniel Curzon. The austere, delicate interiors, with their remarkably unified decoration, show Adam at the height of his powers. Kedleston, the Glory of Derbyshire, was one of the most consistently praised of all Georgian houses.

'I am going to build a little Gothic castle at Strawberry Hill', announced Horace Walpole in 1750. Over the next three decades Walpole transformed the uninteresting villa he had bought by the Thames at Twickenham into one of the landmarks of the Gothic Revival in Britain. Strawberry Hill aroused enormous interest - Walpole had to issue tickets to restrict the number of visitors coming to see it - and demonstrated that native medieval architecture could be every bit as valid as classicism.

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Date: 2014-12-29; view: 1189