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The orchestra and the caterer were brought from away, in the Amberson manner, though this was really a gesture--perhaps one more of habit than of ostentation--for servitors of gaiety as proficient as these importations were nowadays to be found in the town. Even flowers and plants and roped vines were brought from afar--not, however, until the stock of the local florists proved insufficient to obliterate the interior structure of the big house, in the Amberson way. It was the last of the great, long remembered dances that "everybody talked about"--there were getting to be so many people in town that no later than the next year there were too many for "everybody" to hear of even such a ball as the Ambersons'.

George, white-gloved, with a gardenia in his buttonhole, stood with his mother and the Major, embowered in the big red and gold drawing room downstairs, to "receive" the guests; and, standing thus together, the trio offered a picturesque example of good looks persistent through three generations. The Major, his daughter, and his grandson were of a type all Amberson: tall, straight, and regular, with dark eyes, short noses, good chins; and the grandfather's expression, no less than the grandson's, was one of faintly amused condescension. There was a difference, however. The grandson's unlined young face had nothing to offer except this condescension; the grandfather's had other things to say. It was a handsome, worldly old face, conscious of its importance, but persuasive rather than arrogant, and not without tokens of sufferings withstood. The Major's short white hair was parted in the middle, like his grandson's, and in all he stood as briskly equipped to the fashion as exquisite young George.

Isabel, standing between her father and her son caused a vague amazement in the mind of the latter. Her age, just under forty, was for George a thought of something as remote as the moons of Jupiter: he could not possibly have conceived such an age ever coming to be his own: five years was the limit of his thinking in time. Five years ago he had been a child not yet fourteen; and those five years were an abyss. Five years hence he would be almost twenty-four; what the girls he knew called "one of the older men." He could imagine himself at twenty-four, but beyond that, his powers staggered and refused the task. He saw little essential difference between thirty-eight and eighty-eight, and his mother was to him not a woman but wholly a mother. He had no perception of her other than as an adjunct to himself, his mother; nor could he imagine her thinking or doing anything--falling in love, walking with a friend, or reading a book-- as a woman, and not as his mother. The woman, Isabel, was a stranger to her son; as completely a stranger as if he had never in his life seen her or heard her voice. And it was to-night, while he stood with her, "receiving," that he caught a disquieting glimpse of this stranger whom he thus fleetingly encountered for the first time.

Youth cannot imagine romance apart from youth. That is why the roles of the heroes and heroines of plays are given by the managers to the most youthful actors they can find among the competent. Both middle- aged people and young people enjoy a play about young lovers; but only middle-aged people will tolerate a play about middle-aged lovers; young people will not come to see such a play, because, for them, middle-aged lovers are a joke--not a very funny one. Therefore, to bring both the middle-aged people and the young people into his house, the manager makes his romance as young as he can. Youth will indeed be served, and its profound instinct is to be not only scornfully amused but vaguely angered by middle-age romance. So, standing beside his mother, George was disturbed by a sudden impression, corning upon him out of nowhere, so far as he could detect, that her eyes were brilliant, that she was graceful and youthful--in a word, that she was romantically lovely.

He had one of those curious moments that seem to have neither a cause nor any connection with actual things. While it lasted, he was disquieted not by thoughts--for he had no definite thoughts--but by a slight emotion like that caused in a dream by the presence of something invisible soundless, and yet fantastic. There was nothing different or new about his mother, except her new black and silver dress: she was standing there beside him, bending her head a little in her greetings, smiling the same smile she had worn for the half-hour that people had been passing the "receiving" group. Her face was flushed, but the room was warm; and shaking hands with so many people easily accounted for the pretty glow that was upon her. At any time she could have "passed" for twenty-five or twenty-six--a man of fifty would have honestly guessed her to be about thirty but possibly two or three years younger--and though extraordinary in this, she had been extraordinary in it for years. There was nothing in either her looks or her manner to explain George's uncomfortable feeling; and yet it increased, becoming suddenly a vague resentment, as if she had done something unmotherly to him.

The fantastic moment passed; and even while it lasted, he was doing his duty, greeting two pretty girls with whom he had grown up, as people say, and warmly assuring them that he remembered them very well--an assurance which might have surprised them "in anybody but Georgie Minafer!" It seemed unnecessary, since he had spent many hours with them no longer ago than the preceding August, They had with them their parents and an uncle from out of town; and George negligently gave the parents the same assurance he had given the daughters, but murmured another form of greeting to the out-of-town uncle, whom he had never seen before. This person George absently took note of as a "queer-looking duck." Undergraduates had not yet adopted "bird." It was a period previous to that in which a sophomore would have thought of the Sharon girls' uncle as a "queer-looking bird," or, perhaps a "funny-face bird." In George's time, every human male was to be defined, at pleasure, as a "duck"; but "duck" was not spoken with admiring affection, as in its former feminine use to signify a "dear"--on the contrary, "duck" implied the speaker's personal detachment and humorous superiority. An indifferent amusement was what George felt when his mother, with a gentle emphasis, interrupted his interchange of courtesies with the nieces to present him to the queer-looking duck their uncle. This emphasis of Isabel's, though slight, enabled George to perceive that she considered the queer-looking duck a person of some importance; but it was far from enabling him to understand why. The duck parted his thick and longish black hair on the side; his tie was a forgetful looking thing, and his coat, though it fitted a good enough middle- aged figure, no product of this year, or of last year either. One of his eyebrows was noticeably higher than the other; and there were whimsical lines between them, which gave him an apprehensive expression; but his apprehensions were evidently more humorous than profound, for his prevailing look was that of a genial man of affairs, not much afraid of anything whatever Nevertheless, observing only his unfashionable hair, his eyebrows, his preoccupied tie and his old coat, the olympic George set him down as a queer-looking duck, and having thus completed his portrait, took no interest in him.

The Sharon girls passed on, taking the queer-looking duck with them, and George became pink with mortification as his mother called his attention to a white-bearded guest waiting to shake his hand. This was George's great-uncle, old John Minafer: it was old John's boast that in spite of his connection by marriage with the Ambersons, he never had worn and never would wear a swaller-tail coat. Members of his family had exerted their influence uselessly--at eighty-nine conservative people seldom form radical new habits, and old John wore his "Sunday suit" of black broadcloth to the Amberson ball. The coat was square, with skirts to the knees; old John called it a "Prince Albert" and was well enough pleased with it, but his great-nephew considered it the next thing to an insult. George's purpose had been to ignore the man, but he had to take his hand for a moment; whereupon old John began to tell George that he was looking well, though there had been a time, during his fourth month, when he was so puny that nobody thought he would live. The great-nephew, in a fury of blushes, dropped old John's hand with some vigour, and seized that of the next person in the line. "Member you v'ry well 'ndeed!" he said fiercely.

The large room had filled, and so had the broad hall and the rooms on the other side of the hall, where there were tables for whist. The imported orchestra waited in the ballroom on the third floor, but a local harp, 'cello, violin, and flute were playing airs from "The Fencing Master" in the hall, and people were shouting over the music. Old John Minafer's voice was louder and more penetrating than any other, because he had been troubled with deafness for twenty-five years, heard his own voice but faintly, and liked to hear it. "Smell o' flowers like this always puts me in mind o' funerals," he kept telling his niece, Fanny Minafer, who was with him; and he seemed to get a great deal of satisfaction out of this reminder. His tremulous yet strident voice cut through the voluminous sound that filled the room, and he was heard everywhere: "Always got to think o' funerals when I smell so many flowers!" And, as the pressure of people forced Fanny and himself against the white marble mantelpiece, he pursued this train of cheery thought, shouting, "Right here's where the Major's wife was laid out at her funeral. They had her in a good light from that big bow window." He paused to chuckle mournfully. "I s'pose that's where they'll put the Major when his time comes."

Presently George's mortification was increased to hear this sawmill droning harshly from the midst of the thickening crowd: "Ain't the dancin' broke out yet, Fanny? Hoopla! Le's push through and go see the young women-folks crack their heels! Start the circus! Hoopse- daisy!" Miss Fanny Minafer, in charge of the lively veteran, was almost as distressed as her nephew George, but she did her duty and managed to get old John through the press and out to the broad stairway, which numbers of young people were now ascending to the ballroom. And here the sawmill voice still rose over all others: "Solid black walnut every inch of it, balustrades and all. Sixty thousand dollars' worth o' carved woodwork in the house! Like water! Spent money like water! Always did! Still do! Like water! God knows where it all comes from!"

He continued the ascent, barking and coughing among the gleaming young heads, white shoulders, jewels, and chiffon, like an old dog slowly swimming up the rapids of a sparkling river; while down below, in the drawing room, George began to recover from the degradation into which this relic of early settler days had dragged him. What restored him completely was a dark-eyed little beauty of nineteen, very knowing in lustrous blue and jet; at sight of this dashing advent in the line of guests before him, George was fully an Amberson again.

"Remember you very well indeed!" he said, his graciousness more earnest than any he had heretofore displayed. Isabel heard him and laughed.

"But you don't, George!" she said. "You don't remember her yet, though of course you will! Miss Morgan is from out of town, and I'm afraid this is the first time you've ever seen her. You might take her up to the dancing; I think you've pretty well done your duty here."

"Be d'lighted," George responded formally, and offered his arm, not with a flourish, certainly, but with an impressiveness inspired partly by the appearance of the person to whom he offered it, partly by his being the hero of this fete, and partly by his youthfulness--for when manners are new they are apt to be elaborate. The little beauty entrusted her gloved fingers to his coat-sleeve, and they moved away together.

Their progress was necessarily slow, and to George's mind it did not lack stateliness. How could it? Musicians, hired especially for him, were sitting in a grove of palms in the hall and now tenderly playing "Oh, Promise Me" for his pleasuring; dozens and scores of flowers had been brought to life and tended to this hour that they might sweeten the air for him while they died; and the evanescent power that music and floral scents hold over youth stirred his appreciation of strange, beautiful qualities within his own bosom: he seemed to himself to be mysteriously angelic, and about to do something which would overwhelm the beautiful young stranger upon his arm.

Elderly people and middle-aged people moved away to let him pass with his honoured fair beside him. Worthy middle-class creatures, they seemed, leading dull lives but appreciative of better things when they saw them--and George's bosom was fleetingly touched with a pitying kindness. And since the primordial day when caste or heritage first set one person, in his own esteem, above his fellow-beings, it is to be doubted if anybody ever felt more illustrious, or more negligently grand, than George Amberson Minafer felt at this party.

As he conducted Miss Morgan through the hall, toward the stairway, they passed the open double doors of a card room, where some squadrons of older people were preparing for action, and, leaning gracefully upon the mantelpiece of this room, a tall man, handsome, high- mannered, and sparklingly point-device, held laughing converse with that queer-looking duck, the Sharon girls' uncle. The tall gentleman waved a gracious salutation to George, and Miss Morgan's curiosity was stirred. "Who is that?"

"I didn't catch his name when my mother presented him to me," said George. "You mean the queer-looking duck."

"I mean the aristocratic duck."

"That's my Uncle George Honourable George Amberson. I thought everybody knew him."

"He looks as though everybody ought to know him," she said. "It seems to run in your family."

If she had any sly intention, it skipped over George harmlessly. "Well, of course, I suppose most everybody does," he admitted--"out in this part of the country especially. Besides, Uncle George is in Congress; the family like to have someone there."

"Why?"

"Well, it's sort of a good thing in one way. For instance, my Uncle Sydney Amberson and his wife, Aunt Amelia, they haven't got much of anything to do with themselves--get bored to death around here, of course. Well, probably Uncle George'll have Uncle Sydney appointed minister or ambassador, or something like that, to Russia or Italy or somewhere, and that'll make it pleasant when any of the rest of the family go travelling, or things like that. I expect to do a good deal of travelling myself when I get out of college."

On the stairway he pointed out this prospective ambassadorial couple, Sydney and Amelia. They were coming down, fronting the ascending tide, and as conspicuous over it as a king and queen in a play. Moreover, as the clear-eyed Miss Morgan remarked, the very least they looked was ambassadorial. Sydney was an Amberson exaggerated, more pompous than gracious; too portly, flushed, starched to a shine, his stately jowl furnished with an Edward the Seventh beard. Amelia, likewise full-bodied, showed glittering blond hair exuberantly dressed; a pink, fat face cold under a white-hot tiara; a solid, cold bosom under a white-hot necklace; great, cold, gloved arms, and the rest of her beautifully upholstered. Amelia was an Amberson born, herself, Sydney's second-cousin: they had no children, and Sydney was without a business or a profession; thus both found a great deal of time to think about the appropriateness of their becoming Excellencies. And as George ascended the broad stairway, they were precisely the aunt and uncle he was most pleased to point out, to a girl from out of town, as his appurtenances in the way of relatives. At sight of them the grandeur of the Amberson family was instantly conspicuous as a permanent thing: it was impossible to doubt that the Ambersons were entrenched, in their nobility and riches, behind polished and glittering barriers which were as solid as they were brilliant, and would last.

Chapter V

The hero of the fete, with the dark-eyed little beauty upon his arm, reached the top of the second flight of stairs; and here, beyond a spacious landing, where two proud-like darkies tended a crystalline punch bowl, four wide archways in a rose-vine lattice framed gliding silhouettes of waltzers, already smoothly at it to the castanets of "La Paloma." Old John Minafer, evidently surfeited, was in the act of leaving these delights. "D'want 'ny more o' that!" he barked. "Just slidin' around! Call that dancin'? Rather see a jig any day in the world! They ain't very modest, some of 'em. I don't mind that, though. Not me!"

Miss Fanny Minafer was no longer in charge of him: he emerged from the ballroom escorted by a middle-aged man of commonplace appearance. The escort had a dry, lined face upon which, not ornamentally but as a matter of course, there grew a business man's short moustache; and his thin neck showed an Adam's apple, but not conspicuously, for there was nothing conspicuous about him. Baldish, dim, quiet, he was an unnoticeable part of this festival, and although there were a dozen or more middle-aged men present, not casually to be distinguished from him in general aspect, he was probably the last person in the big house at whom a stranger would have glanced twice. It did not enter George's mind to mention to Miss Morgan that this was his father, or to say anything whatever about him.

Mr. Minafer shook his son's hand unobtrusively in passing.

"I'll take Uncle John home," he said, in a low voice. "Then I guess I'll go on home myself--I'm not a great hand at parties, you know. Good-night, George."

George murmured a friendly enough good-night without pausing. Ordinarily he was not ashamed of the Minafers; he seldom thought about them at all, for he belonged, as most American children do, to the mother's family--but he was anxious not to linger with Miss Morgan in the vicinity of old John, whom he felt to be a disgrace.

He pushed brusquely through the fringe of calculating youths who were gathered in the arches, watching for chances to dance only with girls who would soon be taken off their hands, and led his stranger lady out upon the floor. They caught the time instantly, and were away in the waltz.

George danced well, and Miss Morgan seemed to float as part of the music, the very dove itself of "La Paloma." They said nothing as they danced; her eyes were cast down all the while--the prettiest gesture for a dancer--and there was left in the universe, for each, of them, only their companionship in this waltz; while the faces of the other dancers, swimming by, denoted not people but merely blurs of colour. George became conscious of strange feelings within him: an exaltation of soul, tender, but indefinite, and seemingly located in the upper part of his diaphragm.

The stopping of the music came upon him like the waking to an alarm clock; for instantly six or seven of the calculating persons about the entry-ways bore down upon Miss Morgan to secure dances. George had to do with one already established as a belle, it seemed.

"Give me the next and the one after that," he said hurriedly, recovering some presence of mind, just as the nearest applicant reached them. "And give me every third one the rest of the evening."

She laughed. "Are you asking?"

"What do you mean, 'asking'?"

"It sounded as though you were just telling me to give you all those dances."

"Well, I want 'em!" George insisted.

"What about all the other girls it's your duty to dance with?"

"They'll have to go without," he said heartlessly; and then, with surprising vehemence: "Here! I want to know: Are you going to give me those--"

"Good gracious!" she laughed. "Yes!"

The applicants flocked round her, urging contracts for what remained, but they did not dislodge George from her side, though he made it evident that they succeeded in annoying him; and presently he extricated her from an accumulating siege--she must have connived in the extrication--and bore her off to sit beside him upon the stairway that led to the musicians' gallery, where they were sufficiently retired, yet had a view of the room.

"How'd all those ducks get to know you so quick?" George inquired, with little enthusiasm.

"Oh, I've been here a week."

"Looks as if you'd been pretty busy!" he said. "Most of those ducks, I don't know what my mother wanted to invite 'em here for."

"Oh, I used to see something of a few of 'em. I was president of a club we had here, and some of 'em belonged to it, but I don't care much for that sort of thing any more. I really don't see why my mother invited 'em."

"Perhaps it was on account of their parents," Miss Morgan suggested mildly. "Maybe she didn't want to offend their fathers and mothers."

"Oh, hardly! I don't think my mother need worry much about offending anybody in this old town."

"It must be wonderful," said Miss Morgan. "It must be wonderful, Mr. Amberson--Mr. Minafer, I mean."

"What must be wonderful?"

"To be so important as that!"

"That isn't 'important," George assured her. "Anybody that really is anybody ought to be able to do about as they like in their own town, I should think!"

She looked at him critically from under her shading lashes--but her eyes grew gentler almost at once. In truth, they became more appreciative than critical. George's imperious good looks were altogether manly, yet approached actual beauty as closely as a boy's good looks should dare; and dance-music and flowers have some effect upon nineteen-year-old girls as well as upon eighteen-year-old boys. Miss Morgan turned her eyes slowly from George, and pressed her face among the lilies-of-the-valley and violets of the pretty bouquet she carried, while, from the gallery above, the music of the next dance carolled out merrily in a new two-step. The musicians made the melody gay for the Christmastime with chimes of sleighbells, and the entrance to the shadowed stairway framed the passing flushed and lively dancers, but neither George nor Miss Morgan suggested moving to join the dance.

The stairway was draughty: the steps were narrow and uncomfortable; no older person would have remained in such a place. Moreover, these two young people were strangers to each other; neither had said anything in which the other had discovered the slightest intrinsic interest; there had not arisen between them the beginnings of congeniality, or even of friendliness--but stairways near ballrooms have more to answer for than have moonlit lakes and mountain sunsets. Some day the laws of glamour must be discovered, because they are so important that the world would be wiser now if Sir Isaac Newton had been hit on the head, not by an apple, but by a young lady.

Age, confused by its own long accumulation of follies, is everlastingly inquiring, "What does she see in him?" as if young love came about through thinking--or through conduct. Age wants to know: "What on earth can they talk about?" as if talking had anything to do with April rains! At seventy, one gets up in the morning, finds the air sweet under a bright sun, feels lively; thinks, "I am hearty, today," and plans to go for a drive. At eighteen, one goes to a dance, sits with a stranger on a stairway, feels peculiar, thinks nothing, and becomes incapable of any plan whatever. Miss Morgan and George stayed where they were.

They had agreed to this in silence and without knowing it; certainly without exchanging glances of intelligence--they had exchanged no glances at all. Both sat staring vaguely out into the ballroom, and, for a time, they did not speak. Over their heads the music reached a climax of vivacity: drums, cymbals, triangle, and sleighbells, beating, clashing, tinkling. Here and there were to be seen couples so carried away that, ceasing to move at the decorous, even glide, considered most knowing, they pranced and whirled through the throng, from wall to wall, galloping bounteously in abandon. George suffered a shock of vague surprise when he perceived that his aunt, Fanny Minafer, was the lady-half of one of these wild couples.

Fanny Minafer, who rouged a little, was like fruit which in some climates dries with the bloom on. Her features had remained prettily childlike; so had her figure, and there were times when strangers, seeing her across the street, took her to be about twenty; they were other times when at the same distance they took her to be about sixty, instead of forty, as she was. She had old days and young days; old hours and young hours; old minutes and young minutes; for the change might be that quick. An alteration in her expression, or a difference in the attitude of her head, would cause astonishing indentations to appear--and behold, Fanny was an old lady! But she had been never more childlike than she was tonight as she flew over the floor in the capable arms of the queer-looking duck; for this person was her partner.

The queer-looking duck had been a real dancer in his day, it appeared; and evidently his day was not yet over. In spite of the headlong, gay rapidity with which he bore Miss Fanny about the big room, he danced authoritatively, avoiding without effort the lightest collision with other couples, maintaining sufficient grace throughout his wildest moments, and all the while laughing and talking with his partner. What was most remarkable to George, and a little irritating, this stranger in the Amberson Mansion had no vestige of the air of deference proper to a stranger in such a place: he seemed thoroughly at home. He seemed offensively so, indeed, when, passing the entrance to the gallery stairway, he disengaged his hand from Miss Fanny's for an instant, and not pausing in the dance, waved a laughing salutation more than cordial, then capered lightly out of sight.

George gazed stonily at this manifestation, responding neither by word nor sign. "How's that for a bit of freshness?" he murmured.

"What was?" Miss Morgan asked.

"That queer-looking duck waving his hand at me like that. Except he's the Sharon girls' uncle I don't know him from Adam."

"You don't need to," she said. "He wasn't waving his hand to you: he meant me."

"Oh, he did?" George was not mollified by the explanation. "Everybody seems to mean you! You certainly do seem to've been pretty busy this week you've been here!"

She pressed her bouquet to her face again, and laughed into it, not displeased. She made no other comment, and for another period neither spoke. Meanwhile the music stopped; loud applause insisted upon its renewal; an encore was danced; there was an interlude of voices; and the changing of partners began.

"Well," said George finally, "I must say you don't seem to be much of a prattler. They say it's a great way to get a reputation for being wise, never saying much. Don't you ever talk any?"

"When people can understand," she answered.

He had been looking moodily out at the ballroom but he turned to her quickly, at this, saw that her eyes were sunny and content, over the top of her bouquet; and he consented to smile.

"Girls are usually pretty fresh!" he said. "They ought to go to a man's college about a year: they'd get taught a few things about freshness! What you got to do after two o'clock to-morrow afternoon?"

"A whole lot of things. Every minute filled up."

"All right," said George. "The snow's fine for sleighing: I'll come for you in a cutter at ten minutes after two."

"I can't possibly go."

"If you don't," he said, "I'm going to sit in the cutter in front of the gate, wherever you're visiting, all afternoon, and if you try to go out with anybody else he's got to whip me before he gets you." And as she laughed--though she blushed a little, too--he continued, seriously: "If you think I'm not in earnest you're at liberty to make quite a big experiment!"

She laughed again. "I don't think I've often had so large a compliment as that," she said, "especially on such short notice--and yet, I don't think I'll go with you.

"You be ready at ten minutes after two."

Date: 2015-12-17; view: 471