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A S-C-E-N-E--O-M-I-T-T-E-D 196A
196B INT. CARRIE'S APARTMENT -- DAY -- WINTER 196B
A FLORAL ARRANGEMENT sits on the hall table next to the answering machine. A card reading: "I'm sorry -- Miranda" is nearby. The answering machine is recording an incoming call from Miranda.
MIRANDA (V.O) It's me. Pick up. Are you there?
Carrie is standing in the bathroom; looking out at the answering machine, brushing her teeth.
CARRIE (V.O.) Three days of "I'm sorry" calls and e-mails and flowers -- and I still wasn't ready. It was the longest we'd even gone without speaking. A.
196C EXT. CARRIE'S APARTMENT -- DAY -- WINTER 196C
Rain. Carrie walks up to her stoop. A CAB idling in front. The cab window goes down. Miranda is sitting there.
MIRANDA Carrie.
Carrie looks. Stops.
MIRANDA (CONT'D) Hi. I need to talk to you.
CARRIE How long have you been waiting here?
Miranda looks to the meter, then back to her.
MIRANDA Seventeen dollars long. (beat) Please get in. It just turned to eighteen.
Carrie looks at her, hesitates, starts over to the cab.
D INT. CAB -- A LITTLE LATER 196D
Rain pours down the windows. Carrie and Miranda sit in silence. A MIDDLE EASTERN DRIVER sits behind the wheel. CLOSE ON: THE METER. It reads 22.00. 121.
This is weird not talking.
CARRIE I'm upset.
MIRANDA Carrie, I understand -- but it just happened -- I never meant to hurt you. (beat) You have to forgive me.
Carrie looks over at her.
CARRIE You know -- 122.
MIRANDA What?
CARRIE No.
MIRANDA Please. What were you going to say?
CARRIE You badger me to forgive you in three days -- and you won't even consider forgiving Steve for something he did six months ago.
MIRANDA It's not the same thing.
CARRIE It's forgiveness.
Miranda thinks -- Carrie looks at her.
CARRIE (CONT'D) And -- I know you're not the reason my marriage fell apart. I was just - desperate to have someone else to blame.
Miranda thinks. The METER clicks.
S-C-E-N-E--O-M-I-T-T-E-D 197
S-C-E-N-E--O-M-I-T-T-E-D 198
S-C-E-N-E--O-M-I-T-T-E-D 199
S-C-E-N-E--O-M-I-T-T-E-D 200
A S-C-E-N-E--O-M-I-T-T-E-D 200A
201 INT. THERAPIST'S OFFICE -- DAY -- WINTER 201
Steve and Miranda are sitting in front of a THERAPIST.
MIRANDA I don't know if I can trust that it won't happen again. A.
THERAPIST Steve - you're very quiet today.
STEVE Miranda, I know I made it hard for you to trust me. But -- You made it hard for me to trust you.
MIRANDA Me?! 123.
STEVE The way you treated me and cut me out of your life like that? I mean, yeah -- I broke a vow. But what about the other vows? Like promising to love someone for better or for worse? What about that?
Miranda looks down at her hands. Steve looks at the therapist.
STEVE (CONT'D) How do I know she won't punish me for the rest of my life?
THERAPIST You don't. And she doesn't know for sure that you won't have another indiscretion. (beat) All you can know... is that you want to move forward and risk that you love for each other won't allow that to happen.
Silence.
THERAPIST (CONT'D) And that's what we'll discover here.
Steve looks over at Miranda. Miranda looks at Steve.
EXT. CENTRAL PARK -- DAY -- SPRING 202
Forsythia bushes are in bloom. Carrie and Miranda walk. They carry sandwiches.
MIRANDA So, we're done with our last session and we're not allowed to talk for two weeks while we figure out if being together again is something we really want. And then - - we had to pick a place to meet -- and if we both show up on that day - - the past no longer exists. Showing up is the promise we make to each other that we're willing to let it all go and move forward. 124.
CARRIE Can you do that?
MIRANDA I don't know. I have a lot of thinking to do.
CARRIE Thinking -- or feeling?
MIRANDA What do you mean?
CARRIE Miranda -- you're a lawyer. You can argue both sides of any case -- but, why we feel what we feel -- isn't logical. It's emotional. Sorry, Harvard -- I'm afraid you're going to have to make this decision based on your emotions.
MIRANDA Well, then -- I'm screwed. I don't know what I feel.
CARRIE You will. There will come a moment when you'll know. And if it's: yes - - all that brilliant logic will go out the window... with the past.
MIRANDA And I thought picking the place to meet was a challenge.
CARRIE Where is it?
MIRANDA The Brooklyn Bridge. Halfway between both our places.
CARRIE Very logical. And yet poetic.
MIRANDA Poetic -- if we both show up. Otherwise -- you're on a bridge -- rejected. Not a good plan. 125.
203 INT. CARRIE'S APARTMENT -- LATER -- SPRING 203
Carrie walks in carrying a Starbucks cardboard caddy with two coffee. Louise is sitting at her desk, working.
LOUISE I have two pieces of good news.
CARRIE And I have two coffees.
LOUISE I just got a heads-up from your realtor. The apartment on Fifth finally sold.
Carrie sips coffee. Nods.
LOUISE (CONT'D) You have sixty days before the new owner takes possession and you are out of there.
CARRIE What's the other news?
Louise holds up her hand. There is a diamond ring on it.
CARRIE (CONT'D) Oh my God --
LOUISE I'm moving back to St. Louis -- we are getting married in the fall.
Louise beams. Carrie hugs her.
Date: 2015-12-11; view: 757
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