The ITIL Advisory Group 9 page

"Ice-skating at Radio City? You mean right now?"

"Just for an hour or so. Don't you want to? If you don't want to--"

"I didn't say I didn't want to," I said. "Sure. If you want to."

"Do you mean it? Don't just say it if you don't mean it. I mean I don't give a darn, one way or the other."

Not much she didn't.

"You can rent those darling little skating skirts," old Sally said. "Jeannette Cultz did it last week."

That's why she was so hot to go. She wanted to see herself in one of those little skirts that just come down over their butt and all.

So we went, and after they gave us our skates, they gave Sally this little blue butt-twitcher of a dress to wear. She really did look damn good in it, though. I save to admit it. And don't think she didn't know it. The kept walking ahead of me, so that I'd see how cute her little ass looked. It did look pretty cute, too. I have to admit it.

The funny part was, though, we were the worst skaters on the whole goddam rink. I mean the worst. And there were some lulus, too. Old Sally's ankles kept bending in till they were practically on the ice. They not only looked stupid as hell, but they probably hurt like hell, too. I know mine did. Mine were killing me. We must've looked gorgeous. And what made it worse, there were at least a couple of hundred rubbernecks that didn't have anything better to do than stand around and watch everybody falling all over themselves.

"Do you want to get a table inside and have a drink or something?" I said to her finally.

"That's the most marvelous idea you've had all day," the said. She was killing herself. It was brutal. I really felt sorry for her.

We took off our goddam skates and went inside this bar where you can get drinks and watch the skaters in just your stocking feet. As soon as we sat down, old Sally took off her gloves, and I gave her a cigarette. She wasn't looking too happy. The waiter came up, and I ordered a Coke for her--she didn't drink--and a Scotch and soda for myself, but the sonuvabitch wouldn't bring me one, so I had a Coke, too. Then I sort of started lighting matches. I do that quite a lot when I'm in a certain mood. I sort of let them burn down till I can't hold them any more, then I drop them in the ashtray. It's a nervous habit.

Then all of a sudden, out of a clear blue sky, old Sally said, "Look. I have to know. Are you or aren't you coming over to help me trim the tree Christmas Eve? I have to know." She was still being snotty on account of her ankles when she was skating.

"I wrote you I would. You've asked me that about twenty times. Sure, I am."

"I mean I have to know," she said. She started looking all around the goddam room.

All of a sudden I quit lighting matches, and sort of leaned nearer to her over the table. I had quite a few topics on my mind. "Hey, Sally," I said.

"What?" she said. She was looking at some girl on the other side of the room.

"Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school, and all that stuff?"

"It's a terrific bore."

"I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean."

"Well, I don't exactly hate it. You always have to--"

"Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--"

"Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting.

"Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--"

"I don't know what you're even talking about," old Sally said. "You jump from one--"

"You know something?" I said. "You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically."

"You're sweet," she said. But you could tell she wanted me to change the damn subject.

"You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--"

"Now, listen," old Sally said. "Lots of boys get more out of school than that."

"I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddam point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape."

"You certainly are."

Then, all of a sudden, I got this idea.

"Look," I said. "Here's my idea. How would you like to get the hell out of here? Here's my idea. I know this guy down in Greenwich Village that we can borrow his car for a couple of weeks. He used to go to the same school I did and he still owes me ten bucks. What we could do is, tomorrow morning we could drive up to Massachusetts and Vermont, and all around there, see. It's beautiful as hell up there, It really is." I was getting excited as hell, the more I thought of it, and I sort of reached over and took old Sally's goddam hand. What a goddam fool I was. "No kidding," I said. "I have about a hundred and eighty bucks in the bank. I can take it out when it opens in the morning, and then I could go down and get this guy's car. No kidding. We'll stay in these cabin camps and stuff like that till the dough runs out. Then, when the dough runs out, I could get a job somewhere and we could live somewhere with a brook and all and, later on, we could get married or something. I could chop all our own wood in the wintertime and all. Honest to God, we could have a terrific time! Wuddaya say? C'mon! Wuddaya say? Will you do it with me? Please!"

"You can't just do something like that," old Sally said. She sounded sore as hell.

"Why not? Why the hell not?"

"Stop screaming at me, please," she said. Which was crap, because I wasn't even screaming at her.

"Why can'tcha? Why not?"

"Because you can't, that's all. In the first place, we're both practically children. And did you ever stop to think what you'd do if you didn't get a job when your money ran out? We'd starve to death. The whole thing's so fantastic, it isn't even--"

"It isn't fantastic. I'd get a job. Don't worry about that. You don't have to worry about that. What's the matter? Don't you want to go with me? Say so, if you don't."

"It isn't that. It isn't that at all," old Sally said. I was beginning to hate her, in a way. "We'll have oodles of time to do those things--all those things. I mean after you go to college and all, and if we should get married and all. There'll be oodles of marvelous places to go to. You're just--"

"No, there wouldn't be. There wouldn't be oodles of places to go to at all. It'd be entirely different," I said. I was getting depressed as hell again.

"What?" she said. "I can't hear you. One minute you scream at me, and the next you--"

"I said no, there wouldn't be marvelous places to go to after I went to college and all. Open your ears. It'd be entirely different. We'd have to go downstairs in elevators with suitcases and stuff. We'd have to phone up everybody and tell 'em good-by and send 'em postcards from hotels and all. And I'd be working in some office, making a lot of dough, and riding to work in cabs and Madison Avenue buses, and reading newspapers, and playing bridge all the time, and going to the movies and seeing a lot of stupid shorts and coming attractions and newsreels. Newsreels. Christ almighty. There's always a dumb horse race, and some dame breaking a bottle over a ship, and some chimpanzee riding a goddam bicycle with pants on. It wouldn't be the same at all. You don't see what I mean at all."

"Maybe I don't! Maybe you don't, either," old Sally said. We both hated each other's guts by that time. You could see there wasn't any sense trying to have an intelligent conversation. I was sorry as hell I'd started it.

"C'mon, let's get outa here," I said. "You give me a royal pain in the ass, if you want to know the truth."

Boy, did she hit the ceiling when I said that. I know I shouldn't've said it, and I probably wouldn't've ordinarily, but she was depressing the hell out of me. Usually I never say crude things like that to girls. Boy, did she hit the ceiling. I apologized like a madman, but she wouldn't accept my apology. She was even crying. Which scared me a little bit, because I was a little afraid she'd go home and tell her father I called her a pain in the ass. Her father was one of those big silent bastards, and he wasn't too crazy about me anyhow. He once told old Sally I was too goddam noisy.

"No kidding. I'm sorry," I kept telling her.

"You're sorry. You're sorry. That's very funny," she said. She was still sort of crying, and all of a sudden I did feel sort of sorry I'd said it.

"C'mon, I'll take ya home. No kidding."

"I can go home by myself, thank you. If you think I'd let you take me home, you're mad. No boy ever said that to me in my entire life."

The whole thing was sort of funny, in a way, if you thought about it, and all of a sudden I did something I shouldn't have. I laughed. And I have one of these very loud, stupid laughs. I mean if I ever sat behind myself in a movie or something, I'd probably lean over and tell myself to please shut up. It made old Sally madder than ever.

I stuck around for a while, apologizing and trying to get her to excuse me, but she wouldn't. She kept telling me to go away and leave her alone. So finally I did it. I went inside and got my shoes and stuff, and left without her. I shouldn't've, but I was pretty goddam fed up by that time.

If you want to know the truth, I don't even know why I started all that stuff with her. I mean about going away somewhere, to Massachusetts and Vermont and all. I probably wouldn't've taken her even if she'd wanted to go with me. She wouldn't have been anybody to go with. The terrible part, though, is that I meant it when I asked her. That's the terrible part. I swear to God I'm a madman.

When I left the skating rink I felt sort of hungry, so I went in this drugstore and had a Swiss cheese sandwich and a malted, and then I went in a phone booth. I thought maybe I might give old Jane another buzz and see if she was home yet. I mean I had the whole evening free, and I thought I'd give her a buzz and, if she was home yet, take her dancing or something somewhere. I never danced with her or anything the whole time I knew her. I saw her dancing once, though. She looked like a very good dancer. It was at this Fourth of July dance at the club. I didn't know her too well then, and I didn't think I ought to cut in on her date. She was dating this terrible guy, Al Pike, that went to Choate. I didn't know him too well, but he was always hanging around the swimming pool. He wore those white Lastex kind of swimming trunks, and he was always going off the high dive. He did the same lousy old half gainer all day long. It was the only dive he could do, but he thought he was very hot stuff. All muscles and no brains. Anyway, that's who Jane dated that night. I couldn't understand it. I swear I couldn't. After we started going around together, I asked her how come she could date a showoff bastard like Al Pike. Jane said he wasn't a show-off. She said he had an inferiority complex. She acted like she felt sorry for him or something, and she wasn't just putting it on. She meant it. It's a funny thing about girls. Every time you mention some guy that's strictly a bastard--very mean, or very conceited and all--and when you mention it to the girl, she'll tell you he has an inferiority complex. Maybe he has, but that still doesn't keep him from being a bastard, in my opinion. Girls. You never know what they're going to think. I once got this girl Roberta Walsh's roommate a date with a friend of mine. His name was Bob Robinson and he really had an inferiority complex. You could tell he was very ashamed of his parents and all, because they said "he don't" and "she don't" and stuff like that and they weren't very wealthy. But he wasn't a bastard or anything. He was a very nice guy. But this Roberta Walsh's roommate didn't like him at all. She told Roberta he was too conceited--and the reason she thought he was conceited was because he happened to mention to her that he was captain of the debating team. A little thing like that, and she thought he was conceited! The trouble with girls is, if they like a boy, no matter how big a bastard he is, they'll say he has an inferiority complex, and if they don't like him, no matter how nice a guy he is, or how big an inferiority complex he has, they'll say he's conceited. Even smart girls do it.

Anyway, I gave old Jane a buzz again, but her phone didn't answer, so I had to hang up. Then I had to look through my address book to see who the hell might be available for the evening. The trouble was, though, my address book only has about three people in it. Jane, and this man, Mr. Antolini, that was my teacher at Elkton Hills, and my father's office number. I keep forgetting to put people's names in. So what I did finally, I gave old Carl Luce a buzz. He graduated from the Whooton School after I left. He was about three years older than I was, and I didn't like him too much, but he was one of these very intellectual guys-- he had the highest I.Q. of any boy at Whooton--and I thought he might want to have dinner with me somewhere and have a slightly intellectual conversation. He was very enlightening sometimes. So I gave him a buzz. He went to Columbia now, but he lived on 65th Street and all, and I knew he'd be home. When I got him on the phone, he said he couldn't make it for dinner but that he'd meet me for a drink at ten o'clock at the Wicker Bar, on 54th. I think he was pretty surprised to hear from me. I once called him a fat-assed phony.

I had quite a bit of time to kill till ten o'clock, so what I did, I went to the movies at Radio City. It was probably the worst thing I could've done, but it was near, and I couldn't think of anything else.

I came in when the goddam stage show was on. The Rockettes were kicking their heads off, the way they do when they're all in line with their arms around each other's waist. The audience applauded like mad, and some guy behind me kept saying to his wife, "You know what that is? That's precision." He killed me. Then, after the Rockettes, a guy came out in a tuxedo and roller skates on, and started skating under a bunch of little tables, and telling jokes while he did it. He was a very good skater and all, but I couldn't enjoy it much because I kept picturing him practicing to be a guy that roller-skates on the stage. It seemed so stupid. I guess I just wasn't in the right mood. Then, after him, they had this Christmas thing they have at Radio City every year. All these angels start coming out of the boxes and everywhere, guys carrying crucifixes and stuff all over the place, and the whole bunch of them--thousands of them--singing "Come All Ye Faithful!" like mad. Big deal. It's supposed to be religious as hell, I know, and very pretty and all, but I can't see anything religious or pretty, for God's sake, about a bunch of actors carrying crucifixes all over the stage. When they were all finished and started going out the boxes again, you could tell they could hardly wait to get a cigarette or something. I saw it with old Sally Hayes the year before, and she kept saying how beautiful it was, the costumes and all. I said old Jesus probably would've puked if He could see it--all those fancy costumes and all. Sally said I was a sacrilegious atheist. I probably am. The thing Jesus really would've liked would be the guy that plays the kettle drums in the orchestra. I've watched that guy since I was about eight years old. My brother Allie and I, if we were with our parents and all, we used to move our seats and go way down so we could watch him. He's the best drummer I ever saw. He only gets a chance to bang them a couple of times during a whole piece, but he never looks bored when he isn't doing it. Then when he does bang them, he does it so nice and sweet, with this nervous expression on his face. One time when we went to Washington with my father, Allie sent him a postcard, but I'll bet he never got it. We weren't too sure how to address it.

After the Christmas thing was over, the goddam picture started. It was so putrid I couldn't take my eyes off it. It was about this English guy, Alec something, that was in the war and loses his memory in the hospital and all. He comes out of the hospital carrying a cane and limping all over the place, all over London, not knowing who the hell he is. He's really a duke, but he doesn't know it. Then he meets this nice, homey, sincere girl getting on a bus. Her goddam hat blows off and he catches it, and then they go upstairs and sit down and start talking about Charles Dickens. He's both their favorite author and all. He's carrying this copy of Oliver Twist and so's she. I could've puked. Anyway, they fell in love right away, on account of they're both so nuts about Charles Dickens and all, and he helps her run her publishing business. She's a publisher, the girl. Only, she's not doing so hot, because her brother's a drunkard and he spends all their dough. He's a very bitter guy, the brother, because he was a doctor in the war and now he can't operate any more because his nerves are shot, so he boozes all the time, but he's pretty witty and all. Anyway, old Alec writes a book, and this girl publishes it, and they both make a hatful of dough on it. They're all set to get married when this other girl, old Marcia, shows up. Marcia was Alec's fiancйe before he lost his memory, and she recognizes him when he's in this store autographing books. She tells old Alec he's really a duke and all, but he doesn't believe her and doesn't want to go with her to visit his mother and all. His mother's blind as a bat. But the other girl, the homey one, makes him go. She's very noble and all. So he goes. But he still doesn't get his memory back, even when his great Dane jumps all over him and his mother sticks her fingers all over his face and brings him this teddy bear he used to slobber around with when he was a kid. But then, one day, some kids are playing cricket on the lawn and he gets smacked in the head with a cricket ball. Then right away he gets his goddam memory back and he goes in and kisses his mother on the forehead and all. Then he starts being a regular duke again, and he forgets all about the homey babe that has the publishing business. I'd tell you the rest of the story, but I might puke if I did. It isn't that I'd spoil it for you or anything. There isn't anything to spoil for Chrissake. Anyway, it ends up with Alec and the homey babe getting married, and the brother that's a drunkard gets his nerves back and operates on Alec's mother so she can see again, and then the drunken brother and old Marcia go for each other. It ends up with everybody at this long dinner table laughing their asses off because the great Dane comes in with a bunch of puppies. Everybody thought it was a male, I suppose, or some goddam thing. All I can say is, don't see it if you don't want to puke all over yourself.

The part that got me was, there was a lady sitting next to me that cried all through the goddam picture. The phonier it got, the more she cried. You'd have thought she did it because she was kindhearted as hell, but I was sitting right next to her, and she wasn't. She had this little kid with her that was bored as hell and had to go to the bathroom, but she wouldn't take him. She kept telling him to sit still and behave himself. She was about as kindhearted as a goddam wolf. You take somebody that cries their goddam eyes out over phony stuff in the movies, and nine times out of ten they're mean bastards at heart. I'm not kidding.

After the movie was over, I started walking down to the Wicker Bar, where I was supposed to meet old Carl Luce, and while I walked I sort of thought about war and all. Those war movies always do that to me. I don't think I could stand it if I had to go to war. I really couldn't. It wouldn't be too bad if they'd just take you out and shoot you or something, but you have to stay in the Army so goddam long. That's the whole trouble. My brother D.B. was in the Army for four goddam years. He was in the war, too--he landed on D-Day and all--but I really think he hated the Army worse than the war. I was practically a child at the time, but I remember when he used to come home on furlough and all, all he did was lie on his bed, practically. He hardly ever even came in the living room. Later, when he went overseas and was in the war and all, he didn't get wounded or anything and he didn't have to shoot anybody. All he had to do was drive some cowboy general around all day in a command car. He once told Allie and I that if he'd had to shoot anybody, he wouldn't've known which direction to shoot in. He said the Army was practically as full of bastards as the Nazis were. I remember Allie once asked him wasn't it sort of good that he was in the war because he was a writer and it gave him a lot to write about and all. He made Allie go get his baseball mitt and then he asked him who was the best war poet, Rupert Brooke or Emily Dickinson. Allie said Emily Dickinson. I don't know too much about it myself, because I don't read much poetry, but I do know it'd drive me crazy if I had to be in the Army and be with a bunch of guys like Ackley and Stradlater and old Maurice all the time, marching with them and all. I was in the Boy Scouts once, for about a week, and I couldn't even stand looking at the back of the guy's neck in front of me. They kept telling you to look at the back of the guy's neck in front of you. I swear if there's ever another war, they better just take me out and stick me in front of a firing squad. I wouldn't object. What gets me about D.B., though, he hated the war so much, and yet he got me to read this book A Farewell to Arms last summer. He said it was so terrific. That's what I can't understand. It had this guy in it named Lieutenant Henry that was supposed to be a nice guy and all. I don't see how D.B. could hate the Army and war and all so much and still like a phony like that. I mean, for instance, I don't see how he could like a phony book like that and still like that one by Ring Lardner, or that other one he's so crazy about, The Great Gatsby. D.B. got sore when I said that, and said I was too young and all to appreciate it, but I don't think so. I told him I liked Ring Lardner and The Great Gatsby and all. I did, too. I was crazy about The Great Gatsby. Old Gatsby. Old sport. That killed me. Anyway, I'm sort of glad they've got the atomic bomb invented. If there's ever another war, I'm going to sit right the hell on top of it. I'll volunteer for it, I swear to God I will.

In case you don't live in New York, the Wicker Bar is in this sort of swanky hotel, the Seton Hotel. I used to go there quite a lot, but I don't any more. I gradually cut it out. It's one of those places that are supposed to be very sophisticated and all, and the phonies are coming in the window. They used to have these two French babes, Tina and Janine, come out and play the piano and sing about three times every night. One of them played the piano--strictly lousy--and the other one sang, and most of the songs were either pretty dirty or in French. The one that sang, old Janine, was always whispering into the goddam microphone before she sang. She'd say, "And now we like to geeve you our impression of Vooly Voo Fransay. Eet ees the story of a leetle Fransh girl who comes to a beeg ceety, just like New York, and falls een love wees a leetle boy from Brookleen. We hope you like eet." Then, when she was all done whispering and being cute as hell, she'd sing some dopey song, half in English and half in French, and drive all the phonies in the place mad with joy. If you sat around there long enough and heard all the phonies applauding and all, you got to hate everybody in the world, I swear you did. The bartender was a louse, too. He was a big snob. He didn't talk to you at all hardly unless you were a big shot or a celebrity or something. If you were a big shot or a celebrity or something, then he was even more nauseating. He'd go up to you and say, with this big charming smile, like he was a helluva swell guy if you knew him, "Well! How's Connecticut?" or "How's Florida?" It was a terrible place, I'm not kidding. I cut out going there entirely, gradually.

It was pretty early when I got there. I sat down at the bar--it was pretty crowded--and had a couple of Scotch and sodas before old Luce even showed up. I stood up when I ordered them so they could see how tall I was and all and not think I was a goddam minor. Then I watched the phonies for a while. Some guy next to me was snowing hell out of the babe he was with. He kept telling her she had aristocratic hands. That killed me. The other end of the bar was full of flits. They weren't too flitty-looking--I mean they didn't have their hair too long or anything--but you could tell they were flits anyway. Finally old Luce showed up.

Old Luce. What a guy. He was supposed to be my Student Adviser when I was at Whooton. The only thing he ever did, though, was give these sex talks and all, late at night when there was a bunch of guys in his room. He knew quite a bit about sex, especially perverts and all. He was always telling us about a lot of creepy guys that go around having affairs with sheep, and guys that go around with girls' pants sewed in the lining of their hats and all. And flits and Lesbians. Old Luce knew who every flit and Lesbian in the United States was. All you had to do was mention somebody--anybody--and old Luce'd tell you if he was a flit or not. Sometimes it was hard to believe, the people he said were flits and Lesbians and all, movie actors and like that. Some of the ones he said were flits were even married, for God's sake. You'd keep saying to him, "You mean Joe Blow's a flit? Joe Blow? That big, tough guy that plays gangsters and cowboys all the time?" Old Luce'd say, "Certainly." He was always saying "Certainly." He said it didn't matter if a guy was married or not. He said half the married guys in the world were flits and didn't even know it. He said you could turn into one practically overnight, if you had all the traits and all. He used to scare the hell out of us. I kept waiting to turn into a flit or something. The funny thing about old Luce, I used to think he was sort of flitty himself, in a way. He was always saying, "Try this for size," and then he'd goose the hell out of you while you were going down the corridor. And whenever he went to the can, he always left the goddam door open and talked to you while you were brushing your teeth or something. That stuff's sort of flitty. It really is. I've known quite a few real flits, at schools and all, and they're always doing stuff like that, and that's why I always had my doubts about old Luce. He was a pretty intelligent guy, though. He really was.

He never said hello or anything when he met you. The first thing he said when he sat down was that he could only stay a couple of minutes. He said he had a date. Then he ordered a dry Martini. He told the bartender to make it very dry, and no olive.

"Hey, I got a flit for you," I told him. "At the end of the bar. Don't look now. I been saving him for ya."

Date: 2014-12-29; view: 938