The Longitudinal Shift

This shift, for which we have to thank no one, is given a very long name, but the reader who is interestedsufficiently to practice the process, will find it a very short shift and comparatively an easy one.

Hold the deck in the left hand, face down, first joint of thumb at middle of one side, first joint of second finger, and second joint of third finger, at opposite side, and the lower corner of the deck fitting in between the third and little fingers, at the base of little finger, the first finger curled up against the bottom. Now bring the right hand over; second, third and little fingers at outer end, first finger curled up on top, thumb at inner end. Separate the deck with the right thumb, at the inner end only, about half an inch, and press the third joint of the little finger in between the corners of the two packets to be shuffled. (See Fig. 67.) Now the deck is ready for the shift, but the right hand may be withdrawn without disclosing the break at the inner corner, or the fact that the little finger runs between the packets. The left thumb and finger hold the packets firmly together and the deck could not have a more innocent appearance.

To make the shift, bring the right thumb against the side of the first finger, straighten out the first finger, press the end of the lower packet in against the left little finger and down against the curled up first finger, with the four right hand fingers; and with the left little finger and thumb draw off the upper packet towards the person (See Fig. 68), and as the lower packet springs into the right palm bring the upper packet back underneath.

The right thumb takes no part in the shift, and a favorable feature of the operation is that it may be performed without the right hand appearing to be used at all. The right fingers may be held almost straight, and the palm well away from the deck, the hand being slightly closed as the lower packet springs up. It can be made with practically no noise, and the action is well covered.

If desired this shift can be made with almost the whole deck exposed, by

employing right second and third fingers only at end, and keeping first finger curled up on top. In this case the right thumb tip catches the end of the lower packet as it springs up.

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The Open Shift

This is another outcome of our constant but ever failing efforts to

devise a perfect shift, and incidentally one that is not readily anticipated by the manner of holding the deck. The particular feature of this method is the open position in which the cards are held, the entire deck being exposed to view.

Hold the deck in the left hand, the first joint of the thumb at one side, first joints of second, third, and little fingers at opposite side, the little finger holding a break between the two packets near the corner, and the little and third fingers being separated about one inch. The first finger is curled up against the bottom. Bring the right hand over, and seize the ends of deck close to right side corners, with the second finger and thumb tips, the thumb seizing only the lower packet below the break, the first finger curled up on top. (See

Fig. 69.) The left third and little fingers take no part in the action and are held idly out of the way.

To make the shift, curl the right first finger back over the side of the deck, between the left little and third fingers, until the root of the finger nail rests against the edge of the top card. Now press the upper packet against the left thumb and downwards by straightening out the right first finger, at the same time drawing the lower packet to the right and upwards with the right thumb and second finger

(See Fig. 70), and as the sides clear each other tilt the left side of the lower or right hand packet up on

top. The upper packet should not fall into the left hand. It must be caught by the curled up first finger and first joints of the other left fingers, as it clears the side of the under packet. The left thumb never leaves its position against the side of the upper packet, and the tip should be held sufficiently above it to receive the lower packet as it is brought on top. The left little finger is not inserted between the two packets, but merely holds the break.

The shift can be made like a flash, and with the cards in perfect order. When executed perfectly, the only sound is the slipping of one packet over the other. There is no snap or crack, and it is in every way worthy of the practice necessary to acquire it. With the face of the deck turned upward it produces a "transformation" that ranks with the best of them.

The same shift may be made with the deck held flat in the palm, the left thumb lying idly across the top, and the first finger at the side with the others, but we much prefer the former position though it is a great deal more difficult. The latter position is an excellent one when it is necessary to make a shift that is apparently a simple cut, in which event the right hand does not tilt its packet on top. The hands immediately separate and the under packet is placed on top when desired.

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The S. W. E. Shift

WE HAVE not dubbed the following process with our initials

because we wish to appear "big on the bills," but merely to give it a name. Still, we must confess to some satisfaction in having originated what we believe to be the most rapid, and, for certain purposes, the most perfect shift ever devised. The method is practically the same as the "Longitudinal," but as the deck is

held crosswise it is much more rapid. The position is open and natural, and the shift possesses many advantages for conjuring purposes.

Hold the deck in the left hand, face down, first joint of the thumb against middle of one end, second, third and little fingers against the opposite or lower end, little finger holding a break between the two packets at end, by the corner of the lower packet being between the little and third fingers, the little finger lying partially across the corner of the under packet. (See Fig. 71.)

This position, like that of the "Longitudinal," allows the tips of the second, third and little fingers to appear over the top of the deck, and the fact that there is a break is not apparent to a spectator. The first finger is curled up against the bottom. The break is held only at the lower end, and at the inside, the other fingers and thumb holding the packet firmly together.

Now bring the right hand over the lower or right-hand end of the deck, and seize the sides close as possible to the lower corners, between the second and third fingertips and thumb, the first finger curled up on top out of the way. This leaves at least two-thirds of the deck in view. (See Fig. 72.)

To make the shift raise the right thumb to the edge of the side, draw the top packet in and down with the left thumb and little finger, and press the lower packet out and down, between the right second and third finger tips and the left first finger which is curled up underneath; the left second finger at the end helps to control the lower packet as it is pressed out. This action will tilt the opposite sides of both packets upwards, and as they clear each other the right thumb tip catches the under packet, and the left third finger catches the upper packet and it is brought back underneath. (See Fig. 73.)

When the shift is mastered the entire action is accomplished by a pressure in opposite directions on the lower packet, and the packets reverse like a flash, but of course it must be practiced slowly until the knack is obtained. The positions of the hands may be taken with easy

deliberation, as there is no indication that a shift is meditated. It may be made with the hands stationary without exposing the action. With the deck face up it makes an instantaneous "Transformation," and the position of the deck permits the operator to get a glimpse of the index without being observed.

The shift may be made with the right hand almost entirely covering the deck, but this alters the whole character and aim of the process, the main endeavor is to make it as open and free from concealment as possible.

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Date: 2016-04-22; view: 646