THE FUTURE OF THE BOOK — IF IT HAS A FUTURE

The death of the book has been predicted for centuries. There were those who thought that the invention of printing heralded the end of civilisation. Cinema, radio and television have all been presented as the murderers of our most treasured cultural icon. The Internet is the latest suspect to hold the smoking gun.

The problem is that this is a murder without a victim. More books are being published than ever before. The mass media of the twentieth century have generated print, not destroyed it. Books derived from movies and broadcasts groan on the shelves of bookshops throughout the world. Newspapers are filled with stories about media people, both in reality and in the soapy world, which they inhabit. Far from killing the book, the media have been one of its saviours.

Computing, and the development of the Internet, may be different. Some books are indeed being replaced by electronic media. Who wants to use a twenty-volume encyclopaedia when information can be retrieved instantaneously from a CD-ROM?

Why should a lawyer spend time (and a client's money) searching through massive tomes, when what is sought can be found in seconds from a database? But no one will lie in bed reading a novel from a CD-ROM. Even with laptops, electronic books are not easily transportable.

This medium, so powerful and so pervasive, has its limits just like any other. It is, of course, the greatest revolution in communications since the invention of printing and arguably comparable in its impact with the invention of writing itself. The marriage of computing and telecommunications has finally broken the tyrannies of time and distance to which we have been subjected since the dawn of time. But reading — and the books, magazines and newspapers that we read — still have a part to play. They will continue to instruct, amuse, influence and infuriate for decades and centuries to come.

(from Sure, abridged)

ON BOOKS AND READING

Some books are to be tasted, others to be swallowed, and some few to be chewed and digested.

Francis Bacon

A good book is the best of friend , the same today and forever.

Martin Tupper

All books are divisible into two classes, the books of the hour and the books of all time.

John Ruskin

There are books to read, books to reread, and books not to read at all.

Oscar Wilde

I would sooner read a time-table or a catalogue than nothing at all.

W. Somerset Maugham

Choose an author as you choose a friend.

Wentworth Dillon

A man ought to readjust as inclination leads him; for what he reads as a task will do him little good.

Samuel Johnson

In science, read the newest works, in literature, the oldest.

Edward Bulwer-Lytton

THE GLOBE THEATRE

In 1949, an American actor Sam Wanamaker came to London and decided to visit the site of the famous Globe Theatre where Shakespeare had staged his plays. All he found, however, was a plaque on the wall of a brewery: "Here stood the Globe Playhouse of Shakespeare". Wanamaker was so shocked that he decided to rebuild the Globe.

It took many years to raise the money, get permission and find out exactly what the place looked like in the old days.

On June 12 1997, Her Majesty the Queen opened the International Shakespeare Globe Centre, the re-creation of Shakespeare's theatre. Unfortunately, Sam Wanamaker died in 1993 and wasn't in the audience to see his dream finally come true.

Today, you can visit the beautiful new Globe, and in summer you can even see a play performed as it would have been in Shakespeare's day.

The architects who have worked on the building believe the new theatre is as close to the original as it is possible to be.

Shows at the new Globe are staged in much the same way as they were then — with no scenery, spotlights or microphones. And, as in Shakespeare's time, the crowd is free to join in, calling out to the actors and getting involved in the story.

Women now play on the stage of the Globe, but on special occasions you can experience Shakespeare's plays the way his audience would have: an all-male performance in original clothing and without interval. If it rains, however, you'll be given a rain hat so that you wouldn't get wet to the skin.

The theatre's artistic director, Mark Rylance, says that his dream is "to reawaken a love of words — a theatre for the heart, not just the intellect". He expects the audiences to move around, talk, drink beer and throw fruit at the actors as they did in Shakespeare's time.

(from Speak Out, abridged)

ROBERT BURNS

Robert Burns was born in 1759 and was the eldest of 7 children, growing up in a life of poverty and hard farm work. His father made sure that his sons were well educated and employed a private tutor to teach them English, French, Latin, and even Philosophy. It was the kind of education that rich children of the day might have had, certainly not the son of a poor farmer.

When Robert wasn't having lessons he would help his father on the farm. In his spare time he started to write poetry. In 1784 Robert's father died leaving Robert with his mother, and the rest of the family, to support. The farm was a failure, the crops wouldn't grow and to make matters worse, Robert had fallen in love with Jean Anna.

They wanted to marry but Jean's father disapproved. Burns was a poor farmer with little money and not good enough for his daughter.

Burns was fed up and planned to emigrate from Scotland to Jamaica and in order to make some money for the voyage he decided to print some of his poems. When Poems Chiefly in the Scottish Dialect was published, Burns became famous overnight and editions appeared all over the world.

Burns didn't just write poems, he was Scotland's first collector of folk songs. In 1787 he set off on a journey around Scotland, jotting down fragments of old songs like Auld Lang Syne, often rewriting them into the versions we know today.

In 1788 Burns and Jean Arma married and went to live at Ellisland Farm. There he wrote his famous Тат О 'Shanter — a tale of a farmer who, after a night of drinking, stumbles across some dancing witches on his way home.

Burns and his family left Ellisland and moved to Dumfreys in 1793. My love is Like a Red Red Rose was written soon after.

By 1796 Bums had become dangerously ill and on the 21st of July he died, aged just 37 years old. Scotland had lost one of its best loved poets and a national hero.

Bums dreamt of immortality and wanted to be the poet of Scotland. His dream came true and today his work is loved by millions all over the world.

(from BBC English, abridged)

MARK TWAIN

Mark Twain is one of America's most famous authors. He wrote many books, IV'I including The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn. Mark Twain's own life was interesting enough to be a book.

Twain was bom in 1835 in the state of Missouri, near the Mississippi River. He came from a poor family. His father died when he was twelve, so he had to leave school. While he was still a boy, he worked as a riverboat pilot. He steered boats up and down the long Mississippi River.

The Civil War, which started in 1861, made travelling on the Mississippi impossible.

Twain then went west to Nevada. There he worked on a newspaper. In 1864 he went to California to find gold. Twain did not have much luck as a gold miner. He left California to travel in Europe. Twain wrote a book about his trips around Europe.

But the most important influence on Twain and his books was the Mississippi River. When Twain finally settled down, he lived in a house with a porch that looked like the deck of a riverboat. Huckleberry Finn, Twain's greatest book, is about the adventures of a boy on the Mississippi River. Another of Twain's books is called Life on the Mississippi.

In fact, even the name Mark Twain comes from the Mississippi. Mark Twain's real name was Samuel Langhome Clemens. On the river Samuel Clemens often heard the boatmen shout "Mark twain!" This meant the water was twelve feet deep. When Samuel Clemens began to write he chose for himself the name Mark Twain.

(from All about the USA)

MICHELANGELO

Michelangelo Buonarroti was one of the most famous artists in history. He was a painter, a sculptor, an architect, and a poet. He created some of the world's most beautiful and most famous paintings and statues.

Michelangelo was born in 1475 in a small Italian town near Florence. At the age of twelve, he was apprenticed to Ghirlandaio, a well-known Italian artist.

He learned to draw by copying other artists' paintings. He soon became interested in sculpture, too. At the age of 21, he went to Rome, and began to create the works of art that made him famous all over the world.

Michelangelo's first great work was the Pieta for St Peter's Cathedral. This statue shows Jesus Christ in the arms of the Virgin Mary after his death on the cross.

Michelangelo then went to Florence, where he produced his famous statue of David. It is 18 feet high and carved from a solid piece of marble. The statue is so lifelike that it seems ready to spring into action. We have a copy of this statue in the Pushkin Fine Arts Museum.

At the age of 30 Michelangelo was called to Rome and for the next 30 years he worked there for a succession of Popes.

In 1508, he began painting the ceiling of the Sistine Chapel in the Vatican. He spent more than two years painfully lying on his back on a scaffold, painting the figures and Biblical scenes on half of the ceiling. After a long rest, he completed the second half in about a year. People consider the ceiling of the Sistine Chapel to be one of the world's greatest and most amazing works of art.

Michelangelo embodied the perfect multi-talented Renaissance man. His influence on later artists is immense.

WILLIAM HOGARTH

Willliam Hogarth (1697-1764), was a great English painter and engraver, who is famous for his portrayals of human weaknesses. He was born in London.

His father was a schoolmaster. From childhood, Hogarth showed a talent for drawing.

He was apprenticed to a silverplate engraver until 1720 when he went into his own business as an engraver. He also studied painting at the art school of Sir James Thornhill, and in 1729 he married Thornhill's daughter.

Hogarth's earliest completed series of six paintings for which he first became famous was The Harlot's Progress, completed in 1731. This was followed by two other series, A Rake's Progress, eight paintings, and Marriage a la Mode, six paintings.

He made engravings of all these.

In all his paintings Hogarth tried to do the same things. He wanted his paintings to be like a play. Instead of actors on a stage speaking parts, he wanted his paintings to be his stage and the men and women he drew to be his actors and to tell a story. He tried to have them tell their story by certain actions and movements. Although he is often humorous in the way in which he drew things, he never softened or made his subjects pleasant if they were not so.

Because these pictures show wit and are often entertaining, at times Hogarth's talent as a fine portrait painter have been overlooked. His portraits show the same harmony in colour, direct handling of subject, and excellent composition as his storytelling pictures. Some of his more famous portraits are of Peg Woffington, himself with his dog Trump, his sister Mary Hogarth, and also those of Lavinia Fenton and of David Garrick, a famous English actor.

Most of Hogarth's pictures can be seen in the National Gallery in London.

(from Britannica Junior Encyclopaedia)

ABSTRACT ART

Have you ever seen a painting that puzzled you? Perhaps you could not see anything "real" or "natural" in it. Perhaps it seemed a jumble of lines and colours. You were probably looking at an example of abstract art.

Before the 20Ш century, most artists showed things more or less as they might look to an observer. Their scenes were recognisable. Even when they painted imaginary scenes, the elements of the picture could usually be identified.

Of course, artists have always put their own personalities into their paintings. A painting by Van Gogh, for example, can easily be recognised — it has his personal stamp. It shows the way Van Gogh looked at real things. Because of his particular style, his paintings look strange to many people. But in his art, people are still recognisable as people. No tree ever looked quite like a Van Gogh tree (he painted trees as great swirling figures), but his trees are still clearly trees.

Individual painters have always experimented with unusual ways of showing real objects. But in the 21st century artists in large numbers began to break away from realistic ways of paining. Many artists seemed to be saying, "If you want an accurate picture of a scene, buy a photograph or a picture postcard." They began to paint life in different ways. They concentrated on form, colour and shape, and avoided any attempt to tell a story or show a scene naturally.

The kind of art just described is often called abstract art. Once upon a time it was a revolutionary movement. Now it has won acceptance. Most museums have examples of abstract art. Some modern museums contain only abstract art.

Great numbers of people still prefer a more realistic art. But even the tastes of these people have been shaped, in part, by the abstract artists. Modem design has been influenced by abstract art. Even the floor covering in your kitchen may have been copied from the design of an abstract artist.

PABLO PICASSO

Pablo Picasso was bom in Spain in 1881 and lived for 91 years. For most of his life he lived in Paris, France. When he died his mansion was turned into Museum Picasso, where his art can be seen today.

People say Picasso could draw before he could walk, with two well known paintings being achieved at the ages of 9 and 13. When Picasso was a child, pictures by Vincent Van Gogh and Paul Cezanne were the modem masterpieces. These paintings looked nothing like real life.

With Picasso's fantastic imagination he took those ideas even further. He started to paint about what he knew about the object or person. Anything solid was broken down into flattened, cut out 'pieces' so you could see all around it. The pieces were shaped like patterns, or cubes, so the new style was called 'Cubism'. When cubism first appeared some critics said it was a complete disaster. Some still do, though the style was Picasso's first gift to the art world. He didn't stop there.

Picasso once said that "a head has an eye, nose, ear and mouth and you can put them anywhere in a picture but the head remains a head". The exciting thing about Picasso was that he kept developing new styles, constantly switching between them.

It is impossible to label his work for one simple reason — Picasso was a genius in just the same way that Mozart magically composed music. Style didn't bother him and he painted and sculptured in any way he wanted. A few years after his cubism period he painted a portrait of his wife, Olga, a Russian ballerina in a peaceful and calm way.

Unlike many other artists Picasso wasn't poor. He had been successful nearly all his life and so had plenty of money. He lived in an elegant flat in a fashionable Paris street.

Picasso constantly tried out new forms of art and invented a new style which, strangely, remained a secret for most of his life — his sculptures. What made them so new and different was that he built them rather than carved them. He loved animals and built sculptures of them from materials he found just lying around, often in rubbish heaps.

One of Picasso's most striking animal sculptures grew out of the handle bars and saddle of an old bike. He found them by chance and decided they were in fact a bull's head. It is even more powerful because Picasso made it during the second World War when Paris was occupied by the Nazi German Army. The Bull is said to be like a menacing enemy.

(from BBC English)

BEETHOVEN

Ludwig van Beethoven is one of the greatest composers who has ever lived. He was born in Bonn, Germany, in 1770. His father and grandmother were court musicians. His father taught him to play the piano and the violin — hoping that one day he would earn money, as Mozart did.

Beethoven's instruction was poor until he was able to study under court organist Christian Gottlob Neefe, who drilled him in the music of Johann Sebastian Bach.

Neefe also helped young Ludwig to publish his first compositions.

In 1792 Beethoven moved to Vienna. There, he began studying with Franz Haydn, but the old composer was unimpressed by his stormy young pupil.

Beethoven soon enjoyed success as a pianist, playing at private houses or palaces rather than in public. As a pianist, he was reported, he had fire, brilliance and fantasy as well as depth of feeling. During this period Beethoven wrote his famous Pathetique and Moonlight sonatas.

Devoting himself more and more to composing, Beethoven made fewer appearances as a pianist. From 1801 his hearing grew steadily worse. Proud and independent, Beethoven did not want anybody to know about it. He withdrew into isolation and devoted himself to his work.

He was opening up what he called a "new path", a more expressive and dramatic musical language, richer in emotion and deeper in thought, than the other music of his time. During this period he wrote some of his most famous music: several symphonies, the opera Fidelia, the Appassionato Sonata, the Violin Concerto, and the Emperor Piano Concerto.

In his last years he was completely deaf. Several love affairs ended unhappily, and his attempt in later life to bring up and reform a nephew ended in failure.

During the last period, Beethoven's break with the past was sharper than ever.

There is a new sense of feeling in his Ninth Symphony and Missa Solemnis. His last string quartets suggest a profound mood of acceptance, a triumphal peace over his sufferings.

(from Britannica Junior Encyclopaedia)

Date: 2016-04-22; view: 1321