THE MARQUESA DE MONTEMAYOR 2 page

Her plain red face had great kindliness, and more idealism than kindliness, and more generalship than idealism. All her work, her hospitals, her orphanage, her convent, her sudden journeys of rescue, depended upon money. No one harbored a fairer admiration for mere goodness, but she had been obliged to watch herself sacrificing her kindliness, almost her idealism, to generalship, so dreadful were the struggles to obtain her subsidies from her superiors in the church. The Archbishop of Lima, whom we shall know later, in a more graceful connection, hated her with what he called a Vatinian hate and counted the cessation of her visits among the compensations for dying.

Lately she had felt not only the breath of old age against her cheek, but a graver warning. A chill of terror went through her, not for herself, but for her work. Who was there in Peru to value the things she had valued? And rising one day at dawn she had made a rapid journey through her hospital and convent and orphanage, looking for a soul she might train to be her successor. She hurried from empty face to empty face, occasionally pausing more from hope than conviction. In the courtyard she came upon a [29] company of girls at work over the linen and her eyes fell at once upon a girl of twelve who was directing the others at the trough and at the same time recounting to them with great dramatic fire the less probable miracles in the life of Saint Rose of Lima. So it was that the search ended with Pepita. The education for greatness is difficult enough at any time, but amid the sensibilities and jealousies of a convent it must be conducted with fantastic indirection. Pepita was assigned to the most disliked tasks in the House, but she came to understand all the aspects oŁ its administration. She accompanied the Abbess on her journeys, even though it was in the capacity of custodian of the eggs and vegetables. And everywhere, by surprise, hours would open up in which the Directress suddenly appeared and talked to her at great length, not only on religious experience, but on how to manage women and how to plan contagious wards and how to beg for money. It was a step in this education for greatness that led to Pepita’s arriving one day and entering upon the crazy duties of being Dońa María’s companion. For the first two years she merely came for occasional afternoons, but finally she came to the palace to live. She never had been taught to expect happiness, and the inconveniences, not to say terrors, of her new position did not seem to her excessive for a girl of fourteen. She did not suspect that the Abbess, even there, was hovering above the house, herself estimating the stresses and watching for the moment when a burden harms and not strengthens.

A few of Pepita’s trials were physical: for example, the servants in the house took advantage of Dońa María’s indisposition; they opened up the bedrooms of the palace to their relatives; they stole freely. Alone Pepita stood out against them and suffered a persecution of small discomforts and practical jokes. Her mind, similarly, had its [30] distresses: when she accompanied Dońa María on her errands in the city, the older woman would be seized with the desire to dash into a church, for what she had lost of religion as faith she had replaced with religion as magic. “Stay here in the sunlight, my dear child; I shall not be long,” she would say. Dońa María would then forget herself in a reverie before the altar and leave the church by another door. Pepita had been brought up by Madre María del Pilar to an almost morbid obedience and when after many hours she ventured into the church and made sure that her mistress was no longer there, still she returned to the street corner and waited while the shadows fell gradually across the square. Thus waiting in public she suffered all the torture of a little girl’s self-consciousness. She still wore the uniform of the orphanage (which a minute’s thoughtfulness on the part of Dońa María could have altered) and she suffered hallucinations wherein men seemed to be staring at her and whispering—nor were these always hallucinations. No less her heart suffered, for on some days Dońa María would suddenly become aware of her and would talk to her cordially and humorously, would let appear for a few hours all the exquisite sensibility of the Letters; then, on the morrow she would withdraw into herself again and, while never harsh, would become impersonal and unseeing. The beginnings of hope and affection that Pepita had such need to expend would be wounded. She tiptoed about the palace, silent, bewildered, clinging only to her sense of duty and her loyalty to her “mother in the Lord,” Madre María del Pilar, who had sent her there.

*

Finally a new fact appeared that was to have considerable effect on the lives of both the Marquesa and her [31] companion: “My dear mother,” wrote the Condesa, “the weather has been most exhausting and the fact that the orchards and gardens are in bloom only makes it the more trying. I could endure flowers if only they had no perfume. I shall therefore ask your permission to write you at less length than usual. If Vicente returns before the post leaves he will be delighted to finish out the leaf and supply you with those tiresome details about myself which you seem to enjoy so. I shall not go to Grignan in Provence as I expected this Fall, as my child will be born in early October.”

What child? The Marquesa leaned against the wall. Dońa Clara had foreseen the exhausting importunities that this news would waken in her mother and had sought to mitigate them by the casualness of her announcement. The ruse did not succeed. The famous Letter XLII was the answer.

Now at length the Marquesa had something to be anxious about: her daughter was to become a mother. This event, which merely bored Dońa Clara, discovered a whole new scale of emotions in the Marquesa. She became a mine of medical knowledge and suggestion. She combed the city for wise old women and poured into her letters the whole folk-wisdom of the New World. She fell into the most abominable superstition. She practiced a degrading system of taboos for her child’s protection. She refused to allow a knot in the house. The maids were forbidden to tie up their hair and she concealed upon her person ridiculous symbols of a happy delivery. On the stairs the even steps were marked with red chalk and a maid who accidentally stepped upon an even step was driven from the house with tears and screams. Dońa Clara was in the hands of malignant Nature who reserves the right to inflict upon her children the most terrifying jests. There was an etiquette of [32] propitiation which generations of peasant woman had found comforting. So vast an army of witnesses surely implied that there was some truth in it. At least it could do no harm, and Perhaps it did good. But the Marquesa did not only satisfy the rites of paganism; she studied the prescriptions of Christianity as well. She arose in the dark and stumbled through the streets to the earliest Masses. She hysterically hugged the altar-rails trying to rend from the gaudy statuettes a sign, only a sign, the ghost of a smile, the furtive nod of a waxen head. Would all be well? Sweet, sweet Mother, would all be well?

At times, after a day’s frantic resort to such invocations, a revulsion would sweep over her. Nature is deaf. God is indifferent. Nothing in man’s power can alter the course of law. Then on some street-corner she would stop, dizzy with despair, and leaning against a wall would long to be taken from a world that had no plan in it. But soon a belief in the great Perhaps would surge up from the depths of her nature and she would fairly run home to renew the candles above her daughter’s bed.

At last the time came to satisfy the supreme rite of Peruvian households looking forward to this event: she made the pilgrimage to the shrine of Santa María de Cluxambuqua. If there resided any efficacy in devotion at all, surely it lay in a visit to this great shrine. The ground had been holy through three religions; even before the Incan civilization distraught human beings had hugged the rocks and lashed themselves with whips to wring their will from the skies. Thither the Marquesa was carried in her chair, crossing the bridge of San Luis Rey and ascending up into the hills toward that city of large-girdled women, a tranquil town, slow-moving and slow-smiling; a city of crystal air, cold as the springs that fed its many fountains; a city of [33] bells, soft and musical, and tuned to carry on with one another the happiest quarrels. If anything turned out for disappointment in the town of Cluxambuqua the grief was somehow assimilated by the overwhelming immanence of the Andes and by the weather of quiet joy that flowed in and about the sidestreets. No sooner did the Marquesa see from a distance the white walls of this town perched on the knees of the highest peaks than her fingers ceased turning the beads and the busy prayers of her fright were cut short on her lips.

She did not even alight at the inn, but leaving Pepita to arrange for their stay she went or, to the church and knelt for a long time patting her hands softly together. She was listening to the new tide of resignation that was rising within her. Perhaps she would learn in time to permit both her daughter and her gods to govern their own affairs. She was not annoyed by the whispering of the old women in padded garments who sold candles and medals and talked about money from dawn to dark. She was not even distracted by an officious sacristan who tried to collect a fee for something or other and who, from spite, made her change her place under the pretext of repairing a tile on the floor. Presently she went out into the sunshine and sat on the steps of the fountain. She watched the little processions of invalids slowly revolving about the gardens. She watched three hawks plunging about the sky. The children who had been playing by the fountain stared at her for a moment, and went away alarmed, but a llama (a lady with a long neck and sweet shallow eyes, burdened down by a fur cape too heavy for her and picking her way delicately down an interminable staircase) came over and offered her a velvet cleft nose to stroke. The llama is deeply interested in the men about her, is even fond of pretending that she [34] too is one of them and of inserting her head into their conversations as though in a moment she would lift her voice and contribute a wan and helpful comment. Soon Dońa María was surrounded by a number of these sisters who seemed on the point of asking her why she clapped her hands so and how much her veiling cost a yard.

Dońa María had arranged that any letters arriving from Spain should be brought to her at once by a special messenger. She had travelled slowly from Lima and even now as she sat in the square a boy from her farm ran up and put into her hand a large packet wrapped in parchment and dangling some nuggets of sealing-wax. Slowly she undid the wrappings. With measured stoic gestures she read first an affectionate and jocose note from her son-in-law; then her daughter’s letter. It was full of wounding remarks rather brilliantly said, perhaps said for the sheer virtuosity of giving pain neatly. Each of its phrases found its way through the eyes of the Marquesa, then, carefully wrapped in understanding and forgiveness it sank into her heart. At last she arose, gently dispersed the sympathetic llamas, and with a grave face returned to the shrine.

While Dońa María was passing the late afternoon in the Church and in the Square, Pepita was left to prepare their lodging. She showed the porters where to lay down the great wicker hampers and set about unpacking the altar, the brazier, the tapestries and the portraits of Dońa Clara. She descended into the kitchen and gave the cook exact instructions as to the preparation of a certain porridge upon which the Marquesa principally subsisted. Then she returned to the rooms and waited. She resolved to write a letter to the Abbess. She hung for a long time over the quill, staring into the distance with trembling lip. She saw the face of Madre María del Pilar, so red and scrubbed, and [35] the wonderful black eyes. She heard her voice as at the close of supper (the orphans sitting with lowered eyes and folded hands) she commented on the events of the day, or as, by candlelight, she stood among the beds of the hospital and announced the theme for meditation during the night. But most clearly of all Pepita remembered the sudden interviews when the Abbess (not daring to wait until the girl was older) had discussed with her the duties of her office. She had talked to Pepita as to an equal. Such speech is troubling and wonderful to an intelligent child and Madre María del Pilar had abused it. She had expanded Pepita’s vision of how she should feel and act beyond the measure of her years. And she had unthinkingly turned upon Pepita the full blaze of her personality, as Jupiter had turned his upon Semele. Pepita was frightened by her sense of insufficiency; she hid it and wept. And then the Abbess had cast the child into the discipline of this long solitude, where Pepita struggled, refusing to let herself believe that she had been abandoned. And now from this strange inn in these strange mountains, where the altitude was making her lightheaded, Pepita longed for the dear presence, the only real thing in her life.

She wrote a letter, all inkstains and incoherence. Then she went downstairs to see about fresh charcoal and to taste, the porridge.

The Marquesa came in and sat down at the table. “I can do no more. What will be, will be,” she whispered. She unbound from her neck amulets of her superstition and dropped them into the glowing brazier. She had a strange sense of having antagonized God by too much prayer and so addressed Him now obliquely. “After all it is in the hands of another. I no longer claim the least influence. What will be, will be.” She sat for a long time, her palms against her [36] cheeks, making a blank of her mind. Her eyes fell on Pepita’s letter. She opened it mechanically and started to read. She had read a full half of it before her attention was aware of the meaning of the words: “… but all this is nothing if you like me and wish me to stay with her. I oughtn’t to tell you but every now and then the bad chambermaids lock me up in rooms and steal things and perhaps My Lady will think that I steal them. I hope not. I hope you are well and not having any trouble in the hospital or anywhere. Though I never see you I think of you all the time and I remember what you told me, my dear mother in God. I want to do only what you want, but if you could let me come back for a few days to the convent, but not if you do not wish it. But I am so much alone and not talking to anyone, and everything. Sometimes I do not know whether you have forgotten me and if you could find a minute to write me a little letter or something, I could keep it, but I know how busy you are.

“

Dońa María read no further. She folded the letter and put it aside. For a moment she was filled with envy: she longed to command another’s soul as completely as this nun was able to do. Most of all she longed to be back in this simplicity of love, to throw off the burden of pride and vanity that hers had always carried. To quiet the tumult in her mind she picked up a book of devotion and tried to fix her attention upon the words. But after a moment she suddenly felt the need to reread the whole letter, to surprise, if possible, the secret of so much felicity.

Pepita returned bringing the supper in her hands, followed by a maid. Dońa María watched her over the top of her book as she would have watched a visitor from Heaven. Pepita tiptoed about the room laying the table and whispering directions to her assistant.

“Your supper is ready, My Lady,” she said at last.

“But, my child, you are going to eat with me?” In Lima Pepita generally sat down at the table with her mistress. “I thought you would be tired, My Lady. I had my supper downstairs.”

“She does not wish to eat with me,” thought the Marquesa. “She knows me and has rejected me.”

“Would you like me to read aloud to you while you are eating, My Lady?” asked Pepita, who felt that she had made a mistake.

“No. You may go to bed, if you choose.”

“Thank you, My Lady.”

Dońa María had risen and approached the table. With one hand on the back of the chair she said haltingly: “My dear child, I am sending off a letter to Lima in the morning. If you have one you can enclose it with mine.”

“No, I have none,” said Pepita. She added hastily: “I must go downstairs and get you the new charcoal.”

“But, my dear, you have one for … Madre María del Pilar. Wouldn’t you …?”

Pepita pretended to be busy over the brazier. “No, I’m not going to send it,” she said. She was aware during the long pause that followed that the Marquesa was staring at her in stupefaction. “I’ve changed my mind.”

“I know she would like a letter from you, Pepita. It would make her very happy. I know.”

Pepita was reddening. She said loudly: “The innkeeper said that there would be some new charcoal ready for you at dark. I’ll tell them to bring it up now.” She glanced hastily at the old woman and saw that she had not ceased from staring at her with great sad inquiring eyes. Pepita felt that these were not things one talked about, but the strange woman seemed to be feeling the matter so strongly [38] that Pepita was willing to concede one more answer: “No, it was a bad letter. It wasn’t a good letter.”

Dońa María fairly gasped. “Why, my dear Pepita, I think it was very beautiful. Believe me, I know. No, no; what could have made it a bad letter?”

Pepita frowned, hunting for a word that would close the matter.

“It wasn’t … it wasn’t … brave,” she said. And then she would say no more. She carried the letter off into her own room and could be heard tearing it up. Then she got into bed and lay staring into the darkness, still uncomfortable at having talked in such a fashion. And Dońa María sat down to her dish amazed.

She had never brought courage to either life or love. Her eyes ransacked her heart. She thought of the amulets and of her beads, her drunkenness … she thought of her daughter. She remembered the long relationship, crowded with the wreckage of exhumed conversations, of fancied slights, of inopportune confidences, of charges of neglect and exclusion (but she must have been mad that day; she remembered beating upon the table). “But it’s not my fault,” she cried. “It’s not my fault that I was so. It was circumstance. It was the way I was brought up. Tomorrow I begin a new life. Wait and see, oh my child.” At last she cleared away the table and sitting down wrote what she called her first letter, her first stumbling misspelled letter in courage. She remembered with shame that in the previous one she had piteously asked her daughter how much she loved her, and had greedily quoted the few and hesitant endearments that Dońa Clara had lately ventured to her. Dońa María could not recall those pages, but she could write some new ones, free and generous. No one else has regarded them as stumbling. It is the famous [39] letter LVI, known to the Encyclopedists as her Second Corinthians because of its immortal paragraph about love: “Of the thousands of persons we meet in a lifetime, my child …” and so on. It was almost dawn when she finished the letter. She opened the door upon her balcony and looked at the great tiers of stars that glittered above the Andes. Throughout the hours of the night, though there had been few to hear it, the whole sky had been loud with the singing of these constellations. Then she took a candle into the next room and looked at Pepita as she slept, and pushed back the damp hair from the girl’s face. “Let me live now,” she whispered. “Let me begin again.”

Two days later they started back to Lima, and while crossing the bridge of San Luis Rey the accident which we know befell them.

Part Three

ESTEBAN

ONE morning twin boys were discovered in the foundlings’ basket before the door of the Convent of Santa María Rosa de las Rosas. Names were found for them almost before the arrival of the wet-nurse, but the names were not as useful to them as our names are to most of us, for no one ever succeeded in telling the boys apart. There was no way of knowing who their parents were, but Limean gossips, noticing as the boys grew older how straight they held themselves and how silent and sombre they were, declared them to be Castilian and laid them in turn at all sorts of crested doorways. The person in the world who came nearest to being their guardian was the Abess of the Convent. Madre María del Pilar had come to hate all men, but she grew fond of Manuel and Esteban. In the late afternoon she would call them into hero office, send for some cakes from the kitchen, and tell them stories about the Cid and Judas Maccabeus and the thirty-six misfortunes of Harlequin. She grew to love them so, that she would catch herself gazing deep into their black and frowning eyes, looking for those traits that would appear when they grew to be men, all that ugliness, all that soullessness that made hideous the world she worked in. They grew up about the convent until they were a little past the age when their presence began to be a slight distraction to the dedicated sisters. From thence they became vaguely attached to all the sacristies in town: [44] they trimmed all the cloister hedges; they polished every possible crucifix; they passed a damp cloth once a year over most of the ecclesiastical ceilings. All Lima knew them well. When the priest rushed through the streets carrying his precious burden into a sickroom either Esteban or Manuel was to be seen striding behind him, swinging a censer. As they grew older, however, they showed no desire for the clerical life. They gradually assumed the profession of the scribe. There were few printing presses in the New World and the boys soon made a fair living transcribing comedies for the theatre, ballads for the crowds, and advertisements for the merchants. Above all they were the copyists of the choirmasters and made endless parts of the motets of Morales and Vittoria.

Because they had no family, because they were twins, and because they were brought up by women, they were silent. There was in them a curious shame in regard to their resemblance. They had to live in a world where it was the subject of continual comment and joking. It was never funny to them and they suffered the eternal pleasantries with stolid patience. From the years when they first learned to speak they invented a secret language for themselves, one that was scarcely dependent on the Spanish for its vocabulary, or even for its syntax. They resorted to it only when they were alone, or at great intervals in moments of stress whispered it in the presence of others. The Archbishop of Lima was something of a philologist; he dabbled in dialects; he had even evolved quite a brilliant table for the vowel and consonant changes from Latin into Spanish and from Spanish into Indian-Spanish. He was storing up notebooks of quaint lore against an amusing old age he planned to offer himself back on his estates outside Segovia. So when he heard one day about the secret language of the [45] twin brothers, he trimmed some quills and sent for them. The boys stood humiliated upon the rich carpets of his study while he tried to extract from them their bread and tree and I see and I saw. They did not know why the experience was so horrible to them. They bled. Long shocked silences followed each of the Archbishop’s questions, until finally one or the other mumbled an answer. The priest thought for a while that they were merely in awe before his rank and before the luxury of his apartment, but at last, much perplexed, he divined the presence of some deeper reluctance and sadly let them go.

This language was the symbol of their profound identity with one another, for just as resignation was a word insufficient to describe the spiritual change that came over the Marquesa de Montemayor on that night in the inn at Cluxambuqua, so love is inadequate to describe the tacit almost ashamed oneness of these brothers. What relationship is it in which few words are exchanged, and those only about the details of food, clothing and occupation; in which the two persons have a curious reluctance even to glance at one another; and in which there is a tacit arrangement not to appear together in the city and to go on the same errand by different streets? And yet side by side with this there existed a need of one another so terrible that it produced miracles as naturally as the charged air of a sultry day produces lightning. The brothers were scarcely aware of it themselves, but telepathy was a common occurrence in their lives, and when one returned home the other was always aware of it when his brother was still several streets away.

Suddenly they discovered that they were tired of writing. They went down to the sea and found an occupation in loading and unloading vessels, not ashamed of working [46] side by side with Indians. They drove teams across the provinces. They picked fruit. They were ferrymen. And always they were silent. Their sombre faces took on from these labors a male and gypsy cast. Their hair was seldom cut and under the dark mat their eyes looked up suddenly surprised and a little sullen. All the world was remote and strange and hostile except one’s brother.

But at last the first shadow fell across this unity and the shadow was cast by the love of women. They had returned to the city and resumed the copying of parts for the theatre. One night the manager, foreseeing a thinning house, gave them a free admission. The boys did not like what they found there. Even speech was for them a debased form of silence; how much more futile is poetry which is a debased form of speech. All those allusions to honour, reputation, and the flame of love, all the metaphors about birds, Achilles and the jewels of Ceylon were fatiguing. In the presence of literature they had the same darkling intelligence that stirs for a time behind the eyes of a dog, but they sat on patiently, gazing at the bright candles and the rich clothes. Between the acts of the comedy the Perichole stepped out of her role, put on twelve petticoats and danced before the curtain. Esteban had some copying still to do, or pretended so, and went home early; but Manuel stayed on. The red stockings and shoes of the Perichole had made their impression.

Both brothers had fetched and carried their manuscripts up and down the dusty stairs behind the stage. There they had seen an irritable girl in a soiled bodice mending her stockings before a mirror while her stage director read aloud her lines for memorization. She had let fall upon the boys for a moment the detonation of her amazing eyes, immediately dissipated in her amused recognition that they [47] were twins. Forthwith she had dragged them into the room and placed them side by side. Carefully, amusedly and remorselessly she had peered into every square inch of their faces, until finally laying one hand on Esteban’s shoulder she had cried out: “This one is the younger!” That had been several years before and neither brother had thought of the episode again.

Henceforth all Manuel’s errands seemed to lead him past the theatre. Late at night he would drift about among the trees beneath her dressing-room window. It was not the first time that Manuel had been fascinated by a woman (both brothers had possessed women, and often, especially during their years at the waterfront; but simply, latinly), but it was the first time that his will and imagination had been thus overwhelmed. He had lost that privilege of simple nature, the dissociation of love and pleasure. Pleasure was no longer as simple as eating; it was being complicated by love. Now was beginning that crazy loss of one’s self, that neglect of everything but one’s dramatic thoughts about the beloved, that feverish inner life all turning upon the Perichole and which would so have astonished and disgusted her had she been permitted to divine it. This Manuel had not fallen in love through any imitation of literature. It was not of him, at all events, that the bitterest tongue in France had remarked only fifty years before: that many people would never have fallen in love if they had not heard about it. Manuel read little; he had only been once to the theatre (where above all there reigns the legend that love is a devotion) and the Peruvian tavern-songs that he might have heard, unlike those of Spain, reflected very little of the romantic cult of an idealized woman. When he said over to himself that she was beautiful and rich and fatiguingly witty and the Viceroy’s mistress, none of these [48] attributes that made her less obtainable had the power to quench his curious and tender excitement. So he leaned against the trees in the dark, his knuckles between his teeth, and listened to his loud heart-beats.

But the life that Esteban was leading had been full enough for him. There was no room in his imagination for a new loyalty, not because his heart was less large than Manuel’s, but because it was of a simpler texture. Now he discovered that secret from which one never quite recovers, that even in the most perfect love one person loves less profoundly than the other. There may be two equally good, equally gifted, equally beautiful, but there may never be two that love one another equally well. So Esteban sat up in their room by a guttering candle, his knuckles between his teeth, and wondered why Manuel was so changed and why the whole meaning had gone out of their life.

Date: 2016-04-22; view: 448