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A MATTER OF MEAN ELEVATION

 

ONE winter the Alcazar Opera Company of New Orleans made a speculative trip along the Mexican, Central American and South American coasts. The venture proved a most successful one. The music- loving, impressionable Spanish-Americans deluged the company with dollars and "vivas." The manager waxed plump and amiable. But for the prohibitive climate he would have put forth the distinctive flower of his prosperity -- the overcoat of fur, braided, frogged and opulent. Almost was he persuaded to raise the salaries of his company. But with a mighty effort he conquered the impulse toward such an unprofitable effervescence of joy.

 

At Macuto, on the coast of Venezuela, the company scored its greatest success. Imagine Coney Island translated into Spanish and you will comprehend Macuto. The fashionable season is from November to March. Down from La Guayra and Caracas and Valencia and other interior towns flock the people for their holiday sea- son. There are bathing and fiestas and bull fights and scandal. And then the people have a passion for music that the bands in the plaza and on the sea beach stir but do not satisfy. The coming of the Alcazar Opera Com- pany aroused the utmost ardour and zeal among the pleasure seekers.

 

The illustrious Guzman Blanco, President and Dic- tator of Venezuela, sojourned in Macuto with his court for the season. That potent ruler -- who himself paid a subsidy of 40,000 pesos each year to grand opera in Caracas -- ordered one of the Government warehouses to be cleared for a temporary theatre. A stage was quickly constructed and rough wooden benches made for the audience. Private boxes were added for the use of the President and the notables of the army and Government.

 

The company remained in Macuto for two weeks. Each performance filled the house as closely as it could be packed. Then the music-mad people fought for room in the open doors and windows, and crowded about, hundreds deep, on the outside. Those audiences formed a brilliantly diversified patch of colour. The hue of their faces ranged from the clear olive of the pure-blood Span- iards down through the yellow and brown shades of the Mestizos to the coal-black Carib and the Jamaica Negro. Scattered among them were little groups of Indians with faces like stone idols, wrapped in gaudy fibre-woven blankets -- Indians down from the mountain states of Zamora and Los Andes and Miranda to trade their gold dust in the coast towns.

 

The spell cast upon these denizens of the interior fastnesses was remarkable. They sat in petrified ecstasy, conspicuous among the excitable Macutians, who wildly strove with tongue and hand to give evidence of their delight. Only once did the sombre rapture of these aboriginals find expression. During the rendition of "Faust," Guzman Blanco, extravagantly pleased by the "Jewel Song," cast upon the stage a purse of gold pieces. Other distinguished citizens followed his lead to the extent of whatever loose coin they had convenient, while some of the fair and fashionable señoras were moved, in imita- tion, to fling a jewel or a ring or two at the feet of the Marguerite -- who was, according to the bills, Mlle. Nina Giraud. Then, from different parts of the house rose sundry of the stolid hillmen and cast upon the stage little brown and dun bags that fell with soft "thumps" and did not rebound. It was, no doubt, pleasure at the tribute to her art that caused Mlle. Giraud's eyes to shine so brightly when she opened these little deerskin bags in her dressing room and found them to contain pure gold dust. If so, the pleasure was rightly hers, for her voice in song, pure, strong and thrilling with the feeling of the emotional artist, deserved the tribute that it earned.



 

But the triumph of the Alcazar Opera Company is not the theme -- it but leans upon and colours it. There happened in Macuto a tragic thing, an unsolvable mystery, that sobered for a time the gaiety of the happy season.

 

One evening between the short twilight and the time when she should have whirled upon the stage in the red and black of the ardent Carmen, Mlle. Nina Giraud dis- appeared from the sight and ken of 6,000 pairs of eyes and as many minds in Macuto. There was the usual turmoil and hurrying to seek her. Messengers flew to the little French-kept hotel where she stayed; others of the company hastened here or there where she might be lingering in some tienda or unduly prolonging her bath upon the beach. All search was fruitless. Mademoi- selle had vanished.

 

Half an hour passed and she did not appear. The dictator, unused to the caprices of prime donne, became impatient. He sent an aide from his box to say to the manager that if the curtain did not at once rise he would immediately hale the entire company to the calabosa, though it would desolate his heart, indeed, to be com- pelled to such an act. Birds in Macuto could be made to sing.

 

The manager abandoned hope for the time of Mlle. Giraud. A member of the chorus, who had dreamed hopelessly for years of the blessed opportunity, quickly Carmenized herself and the opera went on.

 

Afterward, when the lost cantatrice appeared not, the aid of the authorities was invoked. The President at once set the army, the police and all citizens to the search. Not one clue to Mlle. Giraud's disappearance was found. The Alcazar left to fill engagements farther down the coast.

 

On the way back the steamer stopped at Macuto and the manager made anxious inquiry. Not a trace of the lady had been discovered. The Alcazar could do no more. The personal belongings of the missing lady were stored in the hotel against her possible later reappearance and the opera company continued upon its homeward voyage to New Orleans.

 

On the camino real along the beach the two saddle mules and the four pack mules of Don Señor Johnny Armstrong stood, patiently awaiting the crack of the whip of the arriero, Luis. That would be the signal for the start on another long journey into the mountains. The pack mules were loaded with a varied assortment of hard- ware and cutlery. These articles Don Johnny traded to the interior Indians for the gold dust that they washed from the Andean streams and stored in quills and bags against his coming. It was a profitable business, and Señor Armstrong expected soon to be able to purchase the coffee plantation that he coveted.

 

Armstrong stood on the narrow sidewalk, exchanging garbled Spanish with old Peralto, the rich native merchant who had just charged him four prices for half a gross of pot-metal hatchets, and abridged English with Rucker, the little German who was Consul for the United States.

 

"Take with you, señor," said Peralto, "the blessings of the saints upon your journey."

 

"Better try quinine," growled Rucker through his pipe. "Take two grains every night. And don't make your trip too long, Johnny, because we haf needs of you. It is ein villainous game dot Melville play of whist, and dere is no oder substitute. Auf wiedersehen, und keep your eyes dot mule's ears between when you on der edge of der brecipices ride."

 

The bells of Luis's mule jingled and the pack train filed after the warning note. Armstrong, waved a good- bye and took his place at the tail of the procession. Up the narrow street they turned, and passed the two-story wooden Hotel Ingles, where Ives and Dawson and Rich- ards and the rest of the chaps were dawdling on the broad piazza, reading week-old newspapers. They crowded to the railing and shouted many friendly and wise and foolish farewells after him. Across the plaza they trotted slowly past the bronze statue of Guzman Blanco, within its fence of bayoneted rifles captured from revolutionists, and out of the town between the rows of thatched huts swarming with the unclothed youth of Macuto. They plunged into the damp coolness of banana groves at length to emerge upon a bright stream, where brown women in scant raiment laundered clothes destructively upon the rocks. Then the pack train, fording the stream, attacked the sudden ascent, and bade adieu to such civilization as the coast afforded.

 

For weeks Armstrong, guided by Luis, followed his regular route among the mountains. After he had col- lected an arroba of the precious metal, winning a profit of nearly $5,000, the heads of the lightened mules were turned down-trail again. Where the head of the Guarico River springs from a great gash in the mountain-side, Luis halted the train.

 

"Half a day's journey from here, Señor," said he, "is the village of Tacuzama, which we have never visited. I think many ounces of gold may be procured there. It is worth the trial."

 

Armstrong concurred, and they turned again upward toward Tacuzama. The trail was abrupt and precipi- tous mounting through a dense forest. As night fell, dark and gloomy, Luis once more halted. Before them was a black chasm, bisecting the path as far as they could see.

 

Luis dismounted. "There should be a bridge," he called, and ran along the cleft a distance. "It is here," he cried, and remounting, led the way. In a few moments Armstrong, heard a sound as though a thunderous drum were beating somewhere in the dark. It was the falling of the mules' hoofs upon the bridge made of strong hides lashed to poles and stretched across the chasm. Half a mile further was Tacuzama. The village was a congre- gation of rock and mud huts set in the profundity of an obscure wood. As they rode in a sound inconsistent with that brooding solitude met their ears. From a long, low mud hut that they were nearing rose the glorious voice of a woman in song. The words were English, the air familiar to Armstrong's memory, but not to his musical knowledge.

 

He slipped from his mule and stole to a narrow window in one end of the house. Peering cautiously inside, he saw, within three feet of him, a woman of marvellous, imposing beauty, clothed in a splendid loose robe of leopard skins. The hut was packed close to the small space in which she stood with the squatting figures of Indians.

 

The woman finished her song and seated herself close to the little window, as if grateful for the unpolluted air that entered it. When she had ceased several of the audience rose and cast little softly-falling bags at her feet. A harsh murmur -- no doubt a barbarous kind of applause and comment -- went through the grim assembly.

 

Armstrong, was used to seizing opportunities promptly. Taking advantage of the noise he called to the woman in a low but distinct voice: "Do not turn your head this way, but listen. I am an American. If you need assistance tell me how I can render it. Answer as briefly as you can."

 

The woman was worthy of his boldness. Only by a sudden flush of her pale cheek did she acknowledge understanding of his words. Then she spoke, scarcely moving her lips.

 

"I am held a prisoner by these Indians. God knows I need help. In two hours come to the little hut twenty yards toward the Mountainside. There will be a light and a red curtain in the window. There is always a guard at the door, whom you will have to overcome. For the love of heaven, do not fail to come."

 

The story seems to shrink from adventure and rescue and mystery. The theme is one too gentle for those brave and quickening tones. And yet it reaches as far back as time itself. It has been named "environment," which is as weak a word as any to express the unnameable kinship of man to nature, that queer fraternity that causes stones and trees and salt water and clouds to play upon our emotions. Why are we made serious and solemn and sublime by mountain heights, grave and contempla- tive by an abundance of overhanging trees, reduced to inconstancy and monkey capers by the ripples on a sandy beach? Did the protoplasm -- but enough. The chem- ists are looking into the matter, and before long they will have all life in the table of the symbols.

 

Briefly, then, in order to confine the story within scientific bounds, John Armstrong, went to the hut, choked the Indian guard and carried away Mlle. Giraud. With her was also conveyed a number of pounds of gold dust she had collected during her six months' forced engage- ment in Tacuzama. The Carabobo Indians are easily the most enthusiastic lovers of music between the equator and the French Opera House in New Orleans. They are also strong believers that the advice of Emerson was good when he said: "The thing thou wantest, 0 discon- tented man -- take it, and pay the price." A number of them had attended the performance of the Alcazar Opera Company in Macuto, and found Mlle. Giraud's style and technique satisfactory. They wanted her, so they took her one evening suddenly and without any fuss. They treated her with much consideration, exacting only one song recital each day. She was quite pleased at being rescued by Mr. Armstrong. So much for mystery and adventure. Now to resume the theory of the proto- plasm.

 

John Armstrong and Mlle. Giraud rode among the Andean peaks, enveloped in their greatness and sublimity. The mightiest cousins, furthest removed, in nature's great family become conscious of the tie. Among those huge piles of primordial upheaval, amid those gigantic silences and elongated fields of distance the littlenesses of men are precipitated as one chemical throws down a sediment from another. They moved reverently, as in a temple. Their souls were uplifted in unison with the stately heights. They travelled in a zone of majesty and peace.

 

To Armstrong the woman seemed almost a holy thing. Yet bathed in the white, still dignity of her martyrdom that purified her earthly beauty and gave out, it seemed, an aura of transcendent loveliness, in those first hours of companionship she drew from him an adoration that was half human love, half the worship of a descended goddess.

 

Never yet since her rescue had she smiled. Over her dress she still wore the robe of leopard skins, for mountain air was cold. She looked to be some splendid princess belonging to those wild and awesome altitudes. The spirit of the region chimed with hers. Her eyes were always turned upon the sombre cliffs, the blue gorges and the snow-clad turrets, looking a sublime melancholy equal to their own. At times on the journey she sang thrilling te deums and misereres that struck the true note of the hills, and made their route seem like a solemn march down a cathedral aisle. The rescued one spoke but seldom, her mood partaking of the hush of nature that surrounded them. Armstrong looked upon her as an angel. He could not bring himself to the sacrilege of attempting to woo her as other women may be wooed.

 

On the third day they had descended as far as the tierra templada, the zona of the table lands and foot hills. The mountains were receding in their rear, but still towered, exhibiting yet impressively their formidable heads. Here they met signs of man. They saw the white houses of coffee plantations gleam across the clear- ings. They struck into a road where they met travellers and pack-mules. Cattle were grazing on the slopes. They passed a little village where the round-eyed niños shrieked and called at sight of them.

 

Mlle. Giraud laid aside her leopard-skin robe. It seemed to be a trifle incongruous now. In the moun- tains it had appeared fitting and natural. And if Arm- strong was not mistaken she laid aside with it something of the high dignity of her demeanour. As the country became more populous and significant of comfortable life he saw, with a feeling of joy, that the exalted princess and priestess of the Andean peaks was changing to a woman -- an earth woman but no less enticing. A little colour crept to the surface of her marble cheek. She arranged the conventional dress that the removal of the robe now disclosed with the solicitous touch of one who is conscious of the eyes of others. She smoothed the careless sweep of her hair. A mundane interest, long latent in the chilling atmosphere of the ascetic peaks, showed in her eyes.

 

This thaw in his divinity sent Armstrong's heart going faster. So might an Arctic explorer thrill at his first ken of green fields and liquescent waters. They were on a lower plane of earth and life and were succumbing to its peculiar, subtle influence. The austerity of the hills no longer thinned the air they breathed. About them was the breath of fruit and corn and builded homes, the comfortable smell of smoke and warm earth and the consolations man has placed between himself and the dust of his brother earth from which he sprung. While traversing those awful mountains, Mile. Giraud had seemed to be wrapped in their spirit of reverent reserve. Was this that same woman -- now palpitating, warm, eager, throbbing with conscious life and charm, feminine to her finger-tips? Pondering over this, Armstrong felt certain misgivings intrude upon his thoughts. He wished he could stop there with this changing creature, descending no farther. Here was the elevation and environment to which her nature seemed to respond with its best. He feared to go down upon the man-dominated levels. Would her spirit -not yield still further in that artificial zone to which they were descending?

 

Now from a little plateau they saw the sea flash at the edge of the green lowlands. Mile. Giraud gave a little, catching sigh.

 

"Oh! look, Mr. Armstrong, there is the sea! Isn't it lovely? I'm so tired of mountains." She heaved a pretty shoulder in a gesture of repugnance. "Those horrid Indians! Just think of what I suffered! Although I suppose I attained my ambition of becoming a stellar attraction, I wouldn't care to repeat the engagement. It was very nice of you to bring me away. Tell me, Mr. Armstrong -- honestly, now -- do I look such an awful, awful fright? I haven't looked into a mirror, you know, for months."

 

Armstrong made answer according to his changed moods. Also he laid his hand upon hers as it rested upon the horn of her saddle. Luis was at the head of the pack train and could not see. She allowed it to remain there, and her eyes smiled frankly into his.

 

Then at sundown they dropped upon the coast level under the palms and lemons among the vivid greens and searlets and ochres of the tierra caliente. They rode into Macuto, and saw the line of volatile bathers frolick- ing in the surf. The mountains were very far away.

 

Mlle. Giraud's eyes were shining with a joy that could not have existed under the chaperonage of the mountain- tops. There were other spirits calling to her -- nymphs of the orange groves, pixies from the chattering surf, imps, born of the music, the perfumes, colours and the insinuating presence of humanity. She laughed aloud, musically, at a sudden thought.

 

"Won't there be a sensation?" she called to Armstrong. "Don't I wish I had an engagement just now, though! What a picnic the press agent would have! 'Held a prisoner by a band of savage Indians subdued by the spell of her wonderful voice' -- wouldn't that make great stuff? But I guess I quit the game winner, anyhow -- there ought to be a couple of thousand dollars in that sack of gold dust I collected as encores, don't you think?"

 

He left her at the door of the little Hotel de Buen Descansar, where she had stopped before. Two hours later he returned to the hotel. He glanced in at the open door of the little combined reception room and cafe.

 

Half a dozen of Macuto's representative social and official caballeros were distributed about the room. Sefior Villablanca, the wealthy rubber concessionist, reposed his fat figure on two chairs, with an emollient smile beaming upon his chocolate-coloured face. Guil- bert, the French mining engineer, leered through his polished nose-glasses. Colonel Mendez, of the regular army, in gold-laced uniform and fatuous grin, was busily extracting corks from champagne bottles. Other pat- terns of Macutian gallantry and fashion pranced and posed. The air was hazy with cigarette smoke. Wine dripped upon the floor.

 

Perched upon a table in the centre of the room in an attitude of easy preeminence was Mlle. Giraud. A chic costume of white lawn and cherry ribbons supplanted her travelling garb. There was a suggestion of lace, and a frill or two, with a discreet, small implication of hand- embroidered pink hosiery. Upon her lap rested a guitar. In her face was the light of resurrection, the peace of elysium attained through fire and suffering. She was singing to a lively accompaniment a little song:

 

"When you see de big round moon Comin' up like a balloon, Dis nigger skips fur to kiss de lips Ob his stylish, black-faced coon."

 

The singer caught sight of Armstrong.

 

"Hi! there, Johnny," she called; "I've been expecting you for an hour. What kept you? Gee! but these smoked guys are the slowest you ever saw. They ain't on, at all. Come along in, and I'll make this coffee- coloured old sport with the gold epaulettes open one for you right off the ice."

 

"Thank you," said Armstrong; "not just now, I believe. I've several things to attend to."

 

He walked out and down the street, and met Rucker coming up from the Consulate.

 

"Play you a game of billiards," said Armstrong. "I want something to take the taste of the sea level out of my mouth."

 

"GIRL" IN GILT letters on the ground glass of the door of room No. 962 were the words: "Robbins & Hartley, Brokers." The clerks had gone. It was past five, and with the solid tramp of a drove of prize Percherons, scrub- women were invading the cloud-capped twenty-story office building. A puff of red-hot air flavoured with lemon peelings, soft-coal smoke and train oil came in through the half-open windows.

 

Robbins, fifty, something of an overweight beau, and addicted to first nights and hotel palm-rooms, pretended to be envious of his partner's commuter's joys.

 

"Going to be something doing in the humidity line to-night," he said. "You out-of-town chaps will be the people, with your katydids and moonlight and long drinks and things out on the front porch."

 

Hartley, twenty-nine, serious, thin, good-looking, ner- vous, sighed and frowned a little.

 

"Yes," said he, "we always have cool nights in Floral- hurst, especially in the winter."

 

A man with an air of mystery came in the door and went up to Hartley.

 

"I've found where she lives," he announced in the portentous half-whisper that makes the detective at work a marked being to his fellow men.

 

Hartley scowled him into a state of dramatic silence and quietude. But by that time Robbins had got his cane and set his tie pin to his liking, and with a debonair nod went out to his metropolitan amusements.

 

"Here is the address," said the detective in a natural tone, being deprived of an audience to foil.

 

Hartley took the leaf torn out of the sleuth's dingy memorandum book. On it were pencilled the words "Vivienne Arlington, No. 341 East --th Street, care of Mrs. McComus."

 

"Moved there a week ago," said the detective. "Now, if you want any shadowing done, Mr. Hartley, I can do you as fine a job in that line as anybody in the city. It will be only $7 a day and expenses. Can send in a daily typewritten report, covering -- "

 

"You needn't go on," interrupted the broker. "It isn't a case of that kind. I merely wanted the address. How much shall I pay you?"

 

"One day's work," said the sleuth. "A tenner will cover it."

 

Hartley paid the man and dismissed him. Then he left the office and boarded a Broadway car. At the first large crosstown artery of travel he took an eastbound car that deposited him in a decaying avenue, whose ancient structures once sheltered the pride and glory of the town.

 

Walking a few squares, he came to the building that he sought. It was a new flathouse, bearing carved upon its cheap stone portal its sonorous name, "The Vallambrosa." Fire-escapes zigzagged down its front -- these laden with household goods, drying clothes, and squalling children evicted by the midsummer heat. Here and there a pale rubber plant peeped from the miscellaneous mass, as if wondering to what kingdom it belonged -- vegetable, animal or artificial.

 

Hartley pressed the "McComus" button. The door latch clicked spasmodically -- now hospitably, now doubt- fully, as though in anxiety whether it might be admitting friends or duns. Hartley entered and began to climb the stairs after the manner of those who seek their friends in city flat-houses -- which is the manner of a boy who climbs an apple-tree, stopping when he comes upon what he wants.

 

On the fourth floor he saw Vivienne standing in an open door. She invited him inside, with a nod and a bright, genuine smile. She placed a chair for him near a window, and poised herself gracefully upon the edge of one of those Jekyll-and-Hyde pieces of furniture that are masked and mysteriously hooded, unguessable bulks by day and inquisitorial racks of torture by night.

 

Hartley cast a quick, critical, appreciative glance at her before speaking, and told himself that his taste in choosing had been flawless.

 

Vivienne was about twenty-one. She was of the purest Saxon type. Her hair was a ruddy golden, each filament of the neatly gathered mass shining with its own lustre and delicate graduation of colour. In perfect harmony were her ivory-clear complexion and deep sea-blue eyes that looked upon the world with the ingenuous calmness of a mermaid or the pixie of an undiscovered mountain stream. Her frame was strong and yet possessed the grace of absolute naturalness. And yet with all her North- ern clearness and frankness of line and colouring, there seemed to be something of the tropics in her -- something of languor in the droop of her pose, of love of ease in her ingenious complacency of satisfaction and comfort in the mere act of breathing -- something that seemed to claim for her a right as a perfect work of nature to exist and be admired equally with a rare flower or some beauti- ful, milk-white dove among its sober-hued companions.

 

She was dressed in a white waist and dark skirt - that discreet masquerade of goose-girl and duchess.

 

"Vivienne," said Hartley, looking at her pleadingly, "you did not answer my last letter. It was only by nearly a week's search that I found where you had moved to. Why have you kept me in suspense when you knew how anxiously I was waiting to see you and hear from you?"

 

The girl looked out the window dreamily.

 

"Mr. Hartley," she said hesitatingly, "I hardly know what to say to you. I realize all the advantages of your offer, and sometimes I feel sure that I could be contented with you. But, again, I am doubtful. I was born a city girl, and I am afraid to bind myself to a quiet sub- urban life."

 

"My dear girl," said Hartley, ardently, "have I not told you that you shall have everything that your heart can desire that is in my power to give you? You shall come to the city for the theatres, for shopping and to visit your friends as often as you care to. You can trust me, can you not?"

 

"To the fullest," she said, turning her frank eyes upon him with a smile. "I know you are the kindest of men, and that the girl you get will be a lucky one. I learned all about you when I was at the Montgomerys'."

 

"Ah!" exclaimed Hartley, with a tender, reminiscent light in his eye; "I remember well the evening I first saw you at the Montgomerys'. Mrs. Montgomery was sound- ing your praises to me all the evening. And she hardly did you justice. I shall never forget that supper. Come, Vivienne, promise me. I want you. You'll never regret coming with me. No one else will ever give you as pleasant a home."

 

The girl sighed and looked down at her folded hands.

 

A sudden jealous suspicion seized Hartley.

 

"Tell me, Vivienne," he asked, regarding her keenly, "is there another -- is there some one else ?"

 

A rosy flush crept slowly over her fair cheeks and neck.

 

"You shouldn't ask that, Mr. Hartley," she said, in some confusion. "But I will tell you. There is one other -- but he has no right -- I have promised him nothing."

 

"His name?" demanded Hartley, sternly.

 

"Townsend."

 

"Rafford Townsend!" exclaimed Hartley, with a grim tightening of his jaw. "How did that man come to know you? After all I've done for him -- "

 

"His auto has just stopped below," said Vivienne, bending over the window-sill. "He's coming for his answer. Oh I don't know what to do!"

 

The bell in the flat kitchen whirred. Vivienne hurried to press the latch button.

 

"Stay here," said Hartley. "I will meet him in the hall."

 

Townsend, looking like a Spanish grandee in his light tweeds, Panama hat and curling black mustache, came up the stairs three at a time. He stopped at sight of Hartley and looked foolish.

 

"Go back," said Hartley, firmly, pointing downstairs with his forefinger.

 

"Hullo!" said Townsend, feigning surprise. "What's up? What are you doing here, old man?"

 

"Go back," repeated Hartley, inflexibly. "The Law of the Jungle. Do you want the Pack to tear you in pieces? The kill is mine."

 

"I came here to see a plumber about the bathroom connections," said Townsend, bravely.

 

"All right," said Hartley. "You shall have that lying plaster to stick upon your traitorous soul. But, go back." Townsend went downstairs, leaving a bitter word to be wafted up the draught of the staircase. Hartley went back to his wooing.

 

"Vivienne," said he, masterfully. "I have got to have you. I will take no more refusals or dilly-dallying."

 

"When do you want me?" she asked.

 

"Now. As soon as you can get ready."

 

She stood calmly before him and looked him in the eye.

 

"Do you think for one moment," she said, "that I would enter your home while Héloise is there?"

 

Hartley cringed as if from an unexpected blow. He folded his arms and paced the carpet once or twice.

 

"She shall go," he declared grimly. Drops stood upon his brow. "Why should I let that woman make my life miserable? Never have I seen one day of freedom from trouble since I have known her. You are right, Vivienne. Héloise must be sent away before I can take you home. But she shall go. I have decided. I will turn her from my doors."

 

"When will you do this?" asked the girl.

 

Hartley clinched his teeth and bent his brows together.

 

"To-night," he said, resolutely. "I will send her away to-night."

 

"Then," said Vivienne, "my answer is 'yes.' Come for me when you will."

 

She looked into his eyes with a sweet, sincere light in her own. Hartley could scarcely believe that her sur- render was true, it was so swift and complete.

 

"Promise me," he said feelingly, "on your word and honour."

 

"On my word and honour," repeated Vivienne, softly.

 

At the door he turned and gazed at her happily, but yet as one who scarcely trusts the foundations of his joy.

 

"To-morrow," he said, with a forefinger of reminder uplifted.

 

"To-morrow," she repeated with a smile of truth and candour.

 

In an hour and forty minutes Hartley stepped off the train at Floralhurst. A brisk walk of ten minutes brought him to the gate of a handsome two-story cottage set upon a wide and well-tended lawn. Halfway to the house he was met by a woman with jet-black braided hair and flowing white summer gown, who half strangled him without apparent cause.

 

When they stepped into the hall she said:

 

"Mamma's here. The auto is coming for her in half an hour. She came to dinner, but there's no dinner."

 

"I've something to tell you," said Hartley. "I thought to break it to you gently, but since your mother is here we may as well out with it."

 

He stooped and whispered something at her ear.

 

His wife screamed. Her mother came running into the hall. The dark-haired woman screamed again- the joyful scream of a well-beloved and petted woman.

 

"Oh, mamma!" she cried ecstatically, "what do you think? Vivienne is coming to cook for us! She is the one that stayed with the Montgomerys a whole year. And now, Billy, dear," she concluded, "you must go right down into the kitchen and discharge Héloise. She has been drunk again the whole day long."

 


Date: 2016-04-22; view: 585


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