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THE BADGE OF POLICEMAN O'ROON

 

It cannot be denied that men and women have looked upon one another for the first time and become instantly enamored. It is a risky process, this love at first sight, before she has seen him in Bradstreet or he has seen her in curl papers. But these things do happen; and one instance must form a theme for this story--though not, thank Heaven, to the overshadowing of more vital and important subjects, such as drink, policemen, horses and earldoms.

 

During a certain war a troop calling itself the Gentle Riders rode into history and one or two ambuscades. The Gentle Riders were recruited from the aristocracy of the wild men of the West and the wild men of the aristocracy of the East. In khaki there is little telling them one from another, so they became good friends and comrades all around.

 

Ellsworth Remsen, whose old Knickerbocker descent atoned for his modest rating at only ten millions, ate his canned beef gayly by the campfires of the Gentle Riders. The war was a great lark to him, so that he scarcely regretted polo and planked shad.

 

One of the troopers was a well set up, affable, cool young man, who called himself O'Roon. To this young man Remsen took an especial liking. The two rode side by side during the famous mooted up-hill charge that was disputed so hotly at the time by the Spaniards and afterward by the Democrats.

 

After the war Remsen came back to his polo and shad. One day a well set up, affable, cool young man disturbed him at his club, and he and O'Roon were soon pounding each other and exchanging opprobrious epithets after the manner of long-lost friends. O'Roon looked seedy and out of luck and perfectly contented. But it seemed that his content was only apparent.

 

"Get me a job, Remsen," he said. "I've just handed a barber my last shilling."

 

"No trouble at all," said Remsen. "I know a lot of men who have banks and stores and things downtown. Any particular line you fancy?"

 

"Yes," said O'Roon, with a look of interest. "I took a walk in your Central Park this morning. I'd like to be one of those bobbies on horseback. That would be about the ticket. Besides, it's the only thing I could do. I can ride a little and the fresh air suits me. Think you could land that for me?"

 

Remsen was sure that he could. And in a very short time he did. And they who were not above looking at mounted policemen might have seen a well set up, affable, cool young man on a prancing chestnut steed attending to his duties along the driveways of the park.

 

And now at the extreme risk of wearying old gentlemen who carry leather fob chains, and elderly ladies who--but no! grandmother herself yet thrills at foolish, immortal Romeo--there must be a hint of love at first sight.

 

It came just as Remsen was strolling into Fifth avenue from his club a few doors away.

 

A motor car was creeping along foot by foot, impeded by a freshet of vehicles that filled the street. In the car was a chauffeur and an old gentleman with snowy side whiskers and a Scotch plaid cap which could not be worn while automobiling except by a personage. Not even a wine agent would dare do it. But these two were of no consequence- -except, perhaps, for the guiding of the machine and the paying for it. At the old gentleman's side sat a young lady more beautiful than pomegranate blossoms, more exquisite than the first quarter moon viewed at twilight through the tops of oleanders. Remsen saw her and knew his fate. He could have flunk himself under the very wheels that conveyed her, but he knew that would be the last means of attracting the attention of those who ride in motor cars. Slowly the auto passed, and, if we place the poets above the autoists, carried the heart of Remsen with it. Here was a large city of millions, and many women who at a certain distance appear to resemble pomegranate blossoms. Yet he hoped to see her again; for each one fancies that his romance has its own tutelary guardian and divinity.



 

Luckily for Remsen's peace of mind there came a diversion in the guise of a reunion of the Gentle Riders of the city. There were not many of them--perhaps a score--and there was wassail and things to eat, and speeches and the Spaniard was bearded again in recapitulation. And when daylight threatened them the survivors prepared to depart. But some remained upon the battlefield. One of these was Trooper O'Roon, who was not seasoned to potent liquids. His legs declined to fulfil the obligations they had sworn to the police department.

 

"I'm stewed, Remsen," said O'Roon to his friend. "Why do they build hotels that go round and round like catherine wheels? They'll take away my shield and break me. I can think and talk con-con-consec- sec-secutively, but I s-s-stammer with my feet. I've got to go on duty in three hours. The jig is up, Remsen. The jig is up, I tell you."

 

"Look at me," said Remsen, who was his smiling self, pointing to his own face; "whom do you see here?"

 

"Goo' fellow," said O'Roon, dizzily, "Goo' old Remsen."

 

"Not so," said Remsen. "You see Mounted Policeman O'Roon. Look at your face--no; you can't do that without a glass--but look at mine, and think of yours. How much alike are we? As two French table d'hote dinners. With your badge, on your horse, in your uniform, will I charm nurse-maids and prevent the grass from growing, under people's feet in the Park this day. I will have your badge and your honor, besides having the jolliest lark I've been blessed with since we licked Spain."

 

Promptly on time the counterfeit presentment of Mounted Policeman O'Roon single-footed into the Park on his chestnut steed. In a uniform two men who are unlike will look alike; two who somewhat resemble each other in feature and figure will appear as twin brothers. So Remsen trotted down the bridle paths, enjoying himself hugely, so few real pleasures do ten-millionaires have.

 

Along the driveway in the early morning spun a victoria drawn by a pair of fiery bays. There was something foreign about the affair, for the Park is rarely used in the morning except by unimportant people who love to be healthy, poor and wise. In the vehicle sat an old gentleman with snowy side-whiskers and a Scotch plaid cap which could not be worn while driving except by a personage. At his side sat the lady of Remsen's heart--the lady who looked like pomegranate blossoms and the gibbous moon.

 

Remsen met them coming. At the instant of their passing her eyes looked into his, and but for the ever coward's heart of a true lover he could have sworn that she flushed a faint pink. He trotted on for twenty yards, and then wheeled his horse at the sound of runaway hoofs. The bays had bolted.

 

Remsen sent his chestnut after the victoria like a shot. There was work cut out for the impersonator of Policeman O'Roon. The chestnut ranged alongside the off bay thirty seconds after the chase began, rolled his eye back at Remsen, and said in the only manner open to policemen's horses:

 

"Well, you duffer, are you going to do your share? You're not O'Roon, but it seems to me if you'd lean to the right you could reach the reins of that foolish slow-running bay--ah! you're all right; O'Roon couldn't have done it more neatly!"

 

The runaway team was tugged to an inglorious halt by Remsen's tough muscles. The driver released his hands from the wrapped reins, jumped from his seat and stood at the heads of the team. The chestnut, approving his new rider, danced and pranced, reviling equinely the subdued bays. Remsen, lingering, was dimly conscious of a vague, impossible, unnecessary old gentleman in a Scotch cap who talked incessantly about something. And he was acutely conscious of a pair of violet eyes that would have drawn Saint Pyrites from his iron pillar--or whatever the allusion is--and of the lady's smile and look--a little frightened, but a look that, with the ever coward hears of a true lover, he could not yet construe. They were asking his name and bestowing upon him wellbred thanks for his heroic deed, and the Scotch cap was especially babbling and insistent. But the eloquent appeal was in the eyes of the lady.

 

A little thrill of satisfaction ran through Remsen, because he had a name to give which, without undue pride, was worthy of being spoken in high places, and a small fortune which, with due pride, he could leave at his end without disgrace.

 

He opened his lips to speak and closed them again.

 

Who was he? Mounted Policeman O'Roon. The badge and the honor of his comrade were in his hands. If Ellsworth Remsen, ten-millionaire and Knickerbocker, had just rescued pomegranate blossoms and Scotch cap from possible death, where was Policeman O'Roon? Off his beat, exposed, disgraced, discharged. Love had come, but before that there had been something that demanded precedence--the fellowship of men on battlefields fighting an alien foe.

 

Remsen touched his cap, looked between the chestnut's ears, and took refuge in vernacularity.

 

"Don't mention it," he said stolidly. "We, policemen are paid to do these things. It's our duly."

 

And he rode away--rode away cursing noblesse oblige, but knowing he could never have clone anything else.

 

At the end of the day Remsen sent the chestnut to his stable and went to O'Roon's room. The policeman was again a well set up, affable, cool young man who sat by the window smoking cigars.

 

"I wish you and the rest of the police force and all badges, horses, brass buttons and men who can't drink two glasses of BRUT without getting upset were at the devil," said Remsen feelingly.

 

O'Roon smiled with evident satisfaction.

 

"Good old Remsen," he said, affably, "I know all about it. They trailed me down and cornered me here two hours ago. There was a little row at home, you know, and I cut sticks just to show them. I don't believe I told you that my Governor was the Earl of Ardsley. Funny you should bob against them in the Park. If you damaged that horse of mine I'll never forgive you. I'm going to buy him and take him back with me. Oh, yes, and I think my sister--Lady Angela, you know--wants particularly for you to come up to the hotel with me this evening. Didn't lose my badge, did you, Remsen? I've got to turn that in at Headquarters when I resign."

 

BRICKDUST ROW

 

Blinker was displeased. A man of less culture and poise and wealth would have sworn. But Blinker always remembered that he was a gentleman--a thing that no gentleman should do. So he merely looked bored and sardonic while he rode in a hansom to the center of disturbance, which was the Broadway office of Lawyer Oldport, who was agent for the Blinker estate.

 

"I don't see," said Blinker, "why I should be always signing confounded papers. I am packed, and was to have left for the North Woods this morning. Now I must wait until to-morrow morning. I hate night trains. My best razors are, of course, at the bottom of some unidentifiable trunk. It is a plot to drive me to bay rum and a monologueing, thumb-handed barber. Give me a pen that doesn't scratch. I hate pens that scratch."

 

"Sit down," said double-chinned, gray Lawyer Oldport. "The worst has not been told you. Oh, the hardships of the rich! The papers are not yet ready to sign. They will be laid before you to-morrow at eleven. You will miss another day. Twice shall the barber tweak the helpless nose of a Blinker. Be thankful that your sorrows do not embrace a haircut."

 

"If," said Blinker, rising, "the act did not involve more signing of papers I would take my business out of your hands at once. Give me a cigar, please."

 

"If," said Lawyer Oldport, "I had cared to see an old friend's son gulped down at one mouthful by sharks I would have ordered you to take it away long ago. Now, let's quit fooling, Alexander. Besides the grinding task of signing your name some thirty times to-morrow, I must impose upon you the consideration of a matter of business--of business, and I may say humanity or right. I spoke to you about this five years ago, but you would not listen--you were in a hurry for a coaching trip, I think. The subject has come up again. The property- -"

 

"Oh, property!" interrupted Blinker. "Dear Mr. Oldport, I think you mentioned to-morrow. Let's have it all at one dose to-morrow-- signatures and property and snappy rubber bands and that smelly sealing-wax and all. Have luncheon with me? Well, I'll try to remember to drop in at eleven to-morrow. Morning."

 

The Blinker wealth was in lands, tenements and hereditaments, as the legal phrase goes. Lawyer Oldport had once taken Alexander in his little pulmonary gasoline runabout to see the many buildings and rows of buildings that he owned in the city. For Alexander was sole heir. They had amused Blinker very much. The houses looked so incapable of producing the big sums of money that Lawyer Oldport kept pilling up in banks for him to spend.

 

In the evening Blinker went to one of his clubs, intending to dine. Nobody was there except some old fogies playing whist who spoke to him with grave politeness and glared at him with savage contempt. Everybody was out of town. But here he was kept in like a schoolboy to write his name over and over on pieces of paper. His wounds were deep.

 

Blinker turned his back on the fogies, and said to the club steward who had come forward with some nonsense about cold fresh salmon roe:

 

"Symons, I'm going to Coney Island." He said it as one might say: "All's off; I'm going to jump into the river."

 

The joke pleased Symons. He laughed within a sixteenth of a note of the audibility permitted by the laws governing employees.

 

"Certainly, sir," he tittered. "Of course, sir, I think I can see you at Coney, Mr. Blinker."

 

Blinker got a pager and looked up the movements of Sunday steamboats. Then he found a cab at the first corner and drove to a North River pier. He stood in line, as democratic as you or I, and bought a ticket, and was trampled upon and shoved forward until, at last, he found himself on the upper deck of the boat staring brazenly at a girl who sat alone upon a camp stool. But Blinker did not intend to be brazen; the girl was so wonderfully good looking that he forgot for one minute that he was the prince incog, and behaved just as he did in society.

 

She was looking at him, too, and not severely. A puff of wind threatened Blinker's straw hat. He caught it warily and settled it again. The movement gave the effect of a bow. The girl nodded and smiled, and in another instant he was seated at her side. She was dressed all in white, she was paler than Blinker imagined milkmaids and girls of humble stations to be, but she was as tidy as a cherry blossom, and her steady, supremely frank gray eyes looked out from the intrepid depths of an unshadowed and untroubled soul.

 

"How dare you raise your hat to me?" she asked, with a smile- redeemed severity.

 

"I didn't," Blinker said, but he quickly covered the mistake by extending it to "I didn't know how to keep from it after I saw you."

 

"I do not allow gentlemen to sit by me to whom I have not been introduced," she said, with a sudden haughtiness that deceived him. He rose reluctantly, but her clear, teasing laugh brought him down to his chair again.

 

"I guess you weren't going far," she declared, with beauty's magnificent self-confidence.

 

"Are you going to Coney Island?" asked Blinker.

 

"Me?" She turned upon him wide-open eyes full of bantering surprise. "Why, what a question! Can't you see that I'm riding a bicycle in the park?"

 

Her drollery took the form of impertinence.

 

"And I am laying brick on a tall factory chimney," said Blinker. "Mayn't we see Coney together? I'm all alone and I've never been there before." "It depends," said the girl, "on how nicely you behave. I'll consider your application until we get there."

 

Blinker took pains to provide against the rejection of his application. He strove to please. To adopt the metaphor of his nonsensical phrase, he laid brick upon brick on the tall chimney of his devoirs until, at length, the structure was stable and complete. The manners of the best society come around finally to simplicity; and as the girl's way was that naturally, they were on a mutual plane of communication from the beginning.

 

He learned that she was twenty, and her name was Florence; that she trimmed hats in a millinery shop; that she lived in a furnished room with her best chum Elia, who was cashier in a shoe store; and that a glass of milk from the bottle on the window-sill and an egg that boils itself while you twist up your hair makes a breakfast good enough for any one. Florence laughed when she heard "Blinker."

 

"Well," she said. "It certainly slows that you have imagination. It gives the 'Smiths' a chance for a little rest, anyhow."

 

They landed at Coney, and were dashed on the crest of a great human wave of mad pleasure-seekers into the walks and avenues of Fairyland gone into vaudeville.

 

With a curious eye, a critical mind and a fairly withheld judgment Blinker considered the temples, pagodas and kiosks of popularized delights. Hoi polloi trampled, hustled and crowded him. Basket parties bumped him; sticky children tumbled, howling, under his feet, candying his clothes. Insolent youths strolling among the booths with hard-won canes under one arm and easily won girls on the other, blew defiant smoke from cheap cigars into his face. The publicity gentlemen with megaphones, each before his own stupendous attraction, roared like Niagara in his ears. Music of all kinds that could be tortured from brass, reed, hide or string, fought in the air to grain space for its vibrations against its competitors. But what held Blinker in awful fascination was the mob, the multitude, the proletariat shrieking, struggling, hurrying, panting, hurling itself in incontinent frenzy, with unabashed abandon, into the ridiculous sham palaces of trumpery and tinsel pleasures, The vulgarity of it, its brutal overriding of all the tenets of repression and taste that were held by his caste, repelled him strongly.

 

In the midst of his disgust he turned and looked down at Florence by his side. She was ready with her quick smile and upturned, happy eyes, as bright and clear as the water in trout pools. The eyes were saying that they had the right to be shining and happy, for was their owner not with her (for the present) Man, her Gentleman Friend and holder of the keys to the enchanted city of fun?

 

Blinker did not read her look accurately, but by some miracle he suddenly saw Coney aright.

 

He no longer saw a mass of vulgarians seeking gross joys. He now looked clearly upon a hundred thousand true idealists. Their offenses were wiped out. Counterfeit and false though the garish joys of these spangled temples were, he perceived that deep under the gilt surface they offered saving and apposite balm and satisfaction to the restless human heart. Here, at least, was the husk of Romance, the empty but shining casque of Chivalry, the breath-catching though safe-guarded dip and flight of Adventure, the magic carpet that transports you to the realms of fairyland, though its journey be trough but a few poor yards of space. He no longer saw a rabble, but his brothers seeking the ideal. There was no magic of poesy here or of art; but the glamour of their imagination turned yellow calico into cloth of gold and the megaphones into the silver trumpets of joy's heralds.

 

Almost humbled, Blinker rolled up the shirt sleeves of his mind and joined the idealists.

 

"You are the lady doctor," he said to Florence. "How shall we go about doing this jolly conglomeration of fairy tales, incorporated?"

 

"We will begin there," said the Princess, pointing to a fun pagoda on the edge of the sea, "and we will take there all in, one by one."

 

They caught the eight o'clock returning boat and sat, filled with pleasant fatigue, against the rail in the bow, listening to the Italians' fiddle and harp. Blinker had thrown off all care. The North Woods seemed to him an uninhabitable wilderness. What a fuss he had made over signing his name--pooh! he could sign it a hundred times. And her name was as pretty as she was--"Florence," he said it to himself a great many times.

 

As the boat was nearing its pier in the North River a two-funnelled, drab, foreign-looking sea-going steamer was dropping down toward the bay. The boat turned its nose in toward its slip. The steamer veered as if to seek midstream, and then yawed, seemed to increase its speed and struck the Coney boat on the side near the stern, cutting into it with a terrifying shock and crash.

 

While the six hundred passengers on the boat were mostly tumbling about the decks in a shrieking panic the captain was shouting at the steamer that it should not back off and leave the rent exposed for the water to enter. But the steamer tore its way out like a savage sawfish and cleaved its heartless way, full speed ahead.

 

The boat began to sink at its stern, but moved slowly toward the slip. The passengers were a frantic mob, unpleasant to behold.

 

Blinker held Florence tightly until the boat had righted itself. She made no sound or sign of fear. He stood on a camp stool, ripped off the slats above his head and pulled down a number of the life preservers. He began to buckle one around Florence. The rotten canvas split and the fraudulent granulated cork came pouring out in a stream. Florence caught a handful of it and laughed gleefully.

 

"It looks like breakfast food," she said. "Take it off. They're no good."

 

She unbuckled it and threw it on the deck. She made Blinker sit down and sat by his side and put her hand in his. "What'll you bet we don't reach the pier all right?" she said and began to hum a song.

 

And now the captain moved among the passengers and compelled order. The boat would undoubtedly make her slip, he said, and ordered the women and children to the bow, where they could land first. The boat, very low in the water at the stern, tried gallantly to make his promise good.

 

"Florence," said Blinker, as she held him close by an arm and hand, "I love you."

 

"That's what they all say," she replied, lightly.

 

"I am not one of 'they all,'" he persisted. "I never knew any one I could love before. I could pass my life with you and be happy every day. I am rich. I can make things all right for you."

 

"That's what they all say," said the girl again, weaving the words into her little, reckless song.

 

"Don't say that again," said Blinker in a tone that made her look at him in frank surprise.

 

"Why shouldn't I say it?" she asked calmly. "They all do."

 

"Who are 'they'?" he asked, jealous for the first time in his existence.

 

"Why, the fellows I know."

 

"Do you know so many?"

 

"Oh, well, I'm not a wall flower," she answered with modest complacency.

 

"Where do you see these--these men? At your home?"

 

"Of course not. I meet them just as I did you. Sometimes on the boat, sometimes in the park, sometimes on the street. I'm a pretty good judge of a man. I can tell in a minute if a fellow is one who is likely to get fresh."

 

"What do you mean by 'fresh?'"

 

"Why, try to kiss you--me, I mean."

 

"Do any of them try that?" asked Blinker, clenching his teeth.

 

"Sure. All men do. You know that."

 

"Do you allow them?"

 

"Some. Not many. They won't take you out anywhere unless you do."

 

She turned her head and looked searchingly at Blinker. Her eyes were as innocent as a child's. There was a puzzled look in them, as though she did not understand him.

 

"What's wrong about my meeting fellows?" she asked, wonderingly.

 

"Everything," he answered, almost savagely. "Why don't you entertain your company in the house where you live? Is it necessary to pick up Tom, Dick and Harry on the streets?"

 

She kept her absolutely ingenuous eyes upon his. "If you could see the place where I live you wouldn't ask that. I live in Brickdust Row. They call it that because there's red dust from the bricks crumbling over everything. I've lived there for more than four years. There's no place to receive company. You can't have anybody come to your room. What else is there to do? A girl has got to meet the men, hasn't she?"

 

"Yes," he said, hoarsely. "A girl has got to meet a--has got to meet the men."

 

"The first time one spoke to me on the street," she continued, "I ran home and cried all night. But you get used to it. I meet a good many nice fellows at church. I go on rainy days and stand in the vestibule until one comes up with an umbrella. I wish there was a parlor, so I could ask you to call, Mr. Blinker--are you really sure it isn't 'Smith,' now?"

 

The boat landed safely. Blinker had a confused impression of walking with the girl through quiet crosstown streets until she stopped at a corner and held out her hand.

 

"I live just one more block over," she said. "Thank you for a very pleasant afternoon."

 

Blinker muttered something and plunged northward till he found a cab. A big, gray church loomed slowly at his right. Blinker shook his fist at it through the window.

 

"I gave you a thousand dollars last, week," he cried under his breath, "and she meets them in your very doors. There is something wrong; there is something wrong."

 

At eleven the next day Blinker signed his name thirty times with a new pen provided by Lawyer Oldport.

 

"Now let me go to the woods," he said surlily.

 

"You are not looking well," said Lawyer Oldport. "The trip will do you good. But listen, if you will, to that little matter of business of which I spoke to you yesterday, and also five years ago. There are some buildings, fifteen in number, of which there are new five- year leases to be signed. Your father contemplated a change in the lease provisions, but never made it. He intended that the parlors of these houses should not be sub-let, but that the tenants should be allowed to use them for reception rooms. These houses are in the shopping district, and are mainly tenanted by young working girls. As it is they are forced to seek companionship outside. This row of red brick--"

 

Blinker interrupted him with a loud, discordant laugh.

 

"Brickdust Row for an even hundred," he cried. "And I own it. Have I guessed right?"

 

"The tenants have some such name for it," said Lawyer Oldport.

 

Blinker arose and jammed his hat down to his eyes.

 

"Do what you please with it," he said harshly. "Remodel it, burn it, raze it to the ground. But, man, it's too late I tell you. It's too late. It's too late. It's too late."

 

THE MAKING OF A NEW YORKER

 

Besides many other things, Raggles was a poet. He was called a tramp; but that was only an elliptical way of saying that he was a philosopher, an artist, a traveller, a naturalist and a discoverer. But most of all he was a poet. In all his life he never wrote a line of verse; he lived his poetry. His Odyssey would have been a Limerick, had it been written. But, to linger with the primary proposition, Raggles was a poet.

 

Raggles's specialty, had he been driven to ink and paper, would have been sonnets to the cities. He studied cities as women study their reflections in mirrors; as children study the glue and sawdust of a dislocated doll; as the men who write about wild animals study the cages in the zoo. A city to Raggles was not merely a pile of bricks and mortar, peopled by a certain number of inhabitants; it was a thing with a soul characteristic and distinct; an individual conglomeration of life, with its own peculiar essence, flavor and feeling. Two thousand miles to the north and south, east and west, Raggles wandered in poetic fervor, taking the cities to his breast. He footed it on dusty roads, or sped magnificently in freight cars, counting time as of no account. And when he had found the heart of a city and listened to its secret confession, he strayed on, restless, to another. Fickle Raggles!--but perhaps he had not met the civic corporation that could engage and hold his critical fancy.

 

Through the ancient poets we have learned that the cities are feminine. So they were to poet Raggles; and his mind carried a concrete and clear conception of the figure that symbolized and typified each one that he had wooed.

 

Chicago seemed to swoop down upon him with a breezy suggestion of Mrs. Partington, plumes and patchouli, and to disturb his rest with a soaring and beautiful song of future promise. But Raggles would awake to a sense of shivering cold and a haunting impression of ideals lost in a depressing aura of potato salad and fish.

 

Thus Chicago affected him. Perhaps there is a vagueness and inaccuracy in the description; but that is Raggles's fault. He should have recorded his sensations in magazine poems.

 

Pittsburg impressed hint as the play of "Othello" performed in the Russian language in a railroad station by Dockstader's minstrels. A royal and generous lady this Pittsburg, though--homely, hearty, with flushed face, washing the dishes in a silk dress and white kid slippers, and bidding Raggles sit before the roaring fireplace and drink champagne with his pigs' feet and fried potatoes.

 

New Orleans had simply gazed down upon him from a balcony. He could see her pensive, starry eves and catch the flutter of her fan, and that was all. Only once he came face to face with her. It was at dawn, when she was flushing the red bricks of the banquette with a pail of water. She laughed and hummed a chansonette and filled Raggles's shoes with ice-cold water. Allons!

 

Boston construed herself to the poetic Raggles in an erratic and singular way. It seemed to him that he had drunk cold tea and that the city was a white, cold cloth that had been bound tightly around his brow to spur him to some unknown but tremendous mental effort. And, after all, he came to shovel snow for a livelihood; and the cloth, becoming wet, tightened its knots and could not be removed.

 

Indefinite and unintelligible ideas, you will say; but your disapprobation should be tempered with gratitude, for these are poets' fancies--and suppose you had come upon them in verse!

 

One day Raggles came and laid siege to the heart of the great city of Manhattan. She was the greatest of all; and he wanted to learn her note in the scale; to taste and appraise and classify and solve and label her and arrange her with the other cities that had given him up the secret of their individuality. And here we cease to be Raggles's translator and become his chronicler.

 

Raggles landed from a ferry-boat one morning and walked into the core of the town with the blase air of a cosmopolite. He was dressed with care to play the role of an "unidentified man." No country, race, class, clique, union, party clan or bowling association could have claimed him. His clothing, which had been donated to him piece- meal by citizens of different height, but same number of inches around the heart, was not yet as uncomfortable to his figure as those speciments of raiment, self-measured, that are railroaded to you by transcontinental tailors with a suit case, suspenders, sills handkerchief and pearl studs as a bonus. Without money--as a poet should be--but with the ardor of an astronomer discovering a new star in the chorus of the milky way, or a man who has seen ink suddenly flow from his fountain pen, Raggles wandered into the great city.

 

Late in the afternoon he drew out of the roar and commotion with a look of dumb terror on his countenance. He was defeated, puzzled, discomfited, frightened. Other cities had been to him as long primer to read; as country maidens quickly to fathom; as send-price-of- subscription-with-answer rebuses to solve; as oyster cocktails to swallow; but here was one as cold, glittering, serene, impossible as a four-carat diamond in a window to a lover outside fingering damply in his pocket his ribbon-counter salary.

 

The greetings of the other cities he had known--their homespun kindliness, their human gamut of rough charity, friendly curses, garrulous curiosity and easily estimated credulity or indifference. This city of Manhattan gave him no clue; it was walled against him. Like a river of adamant it flowed past him in the streets. Never an eye was turned upon him; no voice spoke to him. His heart yearned for the clap of Pittsburg's sooty hand on his shoulder; for Chicago's menacing but social yawp in his ear; for the pale and eleemosynary stare through the Bostonian eyeglass--even for the precipitate but unmalicious boot-toe of Louisville or St. Louis.

 

On Broadway Raggles, successful suitor of many cities, stood, bashful, like any country swain. For the first time he experienced the poignant humiliation of being ignored. And when he tried to reduce this brilliant, swiftly changing, ice-cold city to a formula he failed utterly. Poet though he was, it offered him no color similes, no points of comparison, no flaw in its polished facets, no handle by which he could hold it up and view its shape and structure, as he familiarly and often contemptuously had done with other towns. The houses were interminable ramparts loopholed for defense; the people were bright but bloodless spectres passing in sinister and selfish array.

 

The thing that weighed heaviest on Raggles's soul and clogged his poet's fancy was the spirit of absolute egotism that seemed to saturate the people as toys are saturated with paint. Each one that he considered appeared a monster of abominable and insolent conceit. Humanity was gone from them; they were toddling idols of stone and varnish, worshipping themselves and greedy for though oblivious of worship from their fellow graven images. Frozen, cruel, implacable, impervious, cut to an identical pattern, they hurried on their ways like statues brought by some miracles to motion, while soul and feeling lay unaroused in the reluctant marble.

 

Gradually Raggles became conscious of certain types. One was an elderly gentleman with a snow-white, short beard, pink, unwrinkled face and stony, sharp blue eyes, attired in the fashion of a gilded youth, who seemed to personify the city's wealth, ripeness and frigid unconcern. Another type was a woman, tall, beautiful, clear as a steel engraving, goddess-like, calm, clothed like the princesses of old, with eyes as coldly blue as the reflection of sunlight on a glacier. And another was a by-product of this town of marionettes--a broad, swaggering, grim, threateningly sedate fellow, with a jowl as large as a harvested wheat field, the complexion of a baptized infant and the knuckles of a prize-fighter. This type leaned against cigar signs and viewed the world with frapped contumely.

 

A poet is a sensitive creature, and Raggles soon shrivelled in the bleak embrace of the undecipherable. The chill, sphinx-like, ironical, illegible, unnatural, ruthless expression of the city left him downcast and bewildered. Had it no heart? Better the woodpile, the scolding of vinegar-faced housewives at back doors, the kindly spleen of bartenders behind provincial free-lunch counters, the amiable truculence of rural constables, the kicks, arrests and happy-go-lucky chances of the other vulgar, loud, crude cities than this freezing heartlessness.

 

Raggles summoned his courage and sought alms from the populace. Unheeding, regardless, they passed on without the wink of an eyelash to testify that they were conscious of his existence. And then he said to himself that this fair but pitiless city of Manhattan was without a soul; that its inhabitants were manikins moved by wires and springs, and that he was alone in a great wilderness.

 

Raggles started to cross the street. There was a blast, a roar, a hissing and a crash as something struck him and hurled him over and over six yards from where he had been. As he was coming down like the stick of a rocket the earth and all the cities thereof turned to a fractured dream.

 

Raggles opened his eyes. First an odor made itself known to him--an odor of the earliest spring flowers of Paradise. And then a hand soft as a falling petal touched his brow. Bending over him was the woman clothed like the princess of old, with blue eyes, now soft and humid with human sympathy. Under his head on the pavement were silks and furs. With Raggles's hat in his hand and with his face pinker than ever from a vehement burst of oratory against reckless driving, stood the elderly gentleman who personified the city's wealth and ripeness. From a nearby cafe hurried the by-product with the vast jowl and baby complexion, bearing a glass full of a crimson fluid that suggested delightful possibilities.

 

"Drink dis, sport," said the by-product, holding the glass to Raggles's lips.

 

Hundreds of people huddled around in a moment, their faces wearing the deepest concern. Two flattering and gorgeous policemen got into the circle and pressed back the overplus of Samaritans. An old lady in a black shawl spoke loudly of camphor; a newsboy slipped one of his papers beneath Raggles's elbow, where it lay on the muddy pavement. A brisk young man with a notebook was asking for names.

 

A bell clanged importantly, and the ambulance cleaned a lane through the crowd. A cool surgeon slipped into the midst of affairs.

 

"How do you feel, old man?" asked the surgeon, stooping easily to his task. The princess of silks and satins wiped a red drop or two from Raggles's brow with a fragrant cobweb.

 

"Me?" said Raggles, with a seraphic smile, "I feel fine."

 

He had found the heart of his new city.

 

In three days they let him leave his cot for the convalescent ward in the hospital. He had been in there an hour when the attendants heard sounds of conflict. Upon investigation they found that Raggles had assaulted and damaged a brother convalescent--a glowering transient whom a freight train collision had sent in to be patched up.

 

"What's all this about?" inquired the head nurse.

 

"He was runnin' down me town," said Raggles.

 

"What town?" asked the nurse.

 

"Noo York," said Raggles.

 


Date: 2016-04-22; view: 891


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