Mary Magdalene and the Holy Grail 4 page

From where Sophie was seated across the table, she could not yet see the text, but Langdon’s inability to immediately identify the language surprised her. My grandfather spoke a language so obscure that even a symbologist can’t identify it? She quickly realized she should not find this surprising. This would not be the first secret Jacques Sauniere had kept from his granddaughter.

Opposite Sophie, Leigh Teabing felt ready to burst. Eager for his chance to see the text, he quivered with excitement, leaning in, trying to see around Langdon, who was still hunched over the box.

“I don’t know,” Langdon whispered intently. “My first guess is a Semitic, but now I’m not so sure. Most primary Semitics include nekkudot . This has none.”

“Probably ancient,” Teabing offered.

“Nekkudot?” Sophie inquired.

Teabing never took his eyes from the box. “Most modern Semitic alphabets have no vowels and use nekkudot—tiny dots and dashes written either below or within the consonants—to indicate what vowel sound accompanies them. Historically speaking, nekkudot are a relatively modern addition to language.”

Langdon was still hovering over the script. “A Sephardic transliteration, perhaps . . . ?”

Teabing could bear it no longer. “Perhaps if I just . . .” Reaching over, he edged the box away from Langdon and pulled it toward himself. No doubt Langdon had a solid familiarity with the standard ancients—Greek, Latin, the Romances—but from the fleeting glance Teabing had of this language, he thought it looked more specialized, possibly a Rashi script or a STA'M with crowns.

Taking a deep breath, Teabing feasted his eyes upon the engraving. He said nothing for a very long time. With each passing second, Teabing felt his confidence deflating. “I’m astonished,” he said. “This language looks like nothing I’ve ever seen!”

Langdon slumped.

“Might I see it?” Sophie asked.

Teabing pretended not to hear her. “Robert, you said earlier that you thought you’d seen something like this before?”

Langdon looked vexed. “I thought so. I’m not sure. The script looks familiar somehow.”

“Leigh?” Sophie repeated, clearly not appreciating being left out of the discussion. “Might I have a look at the box my grandfather made?”

“Of course, dear,” Teabing said, pushing it over to her. He hadn’t meant to sound belittling, and yet Sophie Neveu was light‑years out of her league. If a British Royal Historian and a Harvard symbologist could not even identify the language—

“Aah,” Sophie said, seconds after examining the box. “I should have guessed.”

Teabing and Langdon turned in unison, staring at her.

“Guessed what?” Teabing demanded.

Sophie shrugged. “Guessed that this would be the language my grandfather would have used.”

“You’re saying you can read this text?” Teabing exclaimed.

“Quite easily,” Sophie chimed, obviously enjoying herself now. “My grandfather taught me this language when I was only six years old. I’m fluent.” She leaned across the table and fixed Teabing with an admonishing glare. “And frankly, sir, considering your allegiance to the Crown, I’m a little surprised you didn’t recognize it.”

In a flash, Langdon knew.

No wonder the script looks so damned familiar!

Several years ago, Langdon had attended an event at Harvard’s Fogg Museum. Harvard dropout Bill Gates had returned to his alma mater to lend to the museum one of his priceless acquisitions—eighteen sheets of paper he had recently purchased at auction from the Armand Hammar Estate.

His winning bid—a cool $30.8 million.

The author of the pages—Leonardo da Vinci.

The eighteen folios—now known as Leonardo’s Codex Leicester after their famous owner, the Earl of Leicester—were all that remained of one of Leonardo’s most fascinating notebooks: essays and drawings outlining Da Vinci’s progressive theories on astronomy, geology, archaeology, and hydrology.

Langdon would never forget his reaction after waiting in line and finally viewing the priceless parchment. Utter letdown. The pages were unintelligible. Despite being beautifully preserved and written in an impeccably neat penmanship—crimson ink on cream paper—the codex looked like gibberish. At first Langdon thought he could not read them because Da Vinci wrote his notebooks in an archaic Italian. But after studying them more closely, he realized he could not identify a single Italian word, or even one letter.

“Try this, sir,” whispered the female docent at the display case. She motioned to a hand mirror affixed to the display on a chain. Langdon picked it up and examined the text in the mirror’s surface.

Instantly it was clear.

Langdon had been so eager to peruse some of the great thinker’s ideas that he had forgotten one of the man’s numerous artistic talents was an ability to write in a mirrored script that was virtually illegible to anyone other than himself. Historians still debated whether Da Vinci wrote this way simply to amuse himself or to keep people from peering over his shoulder and stealing his ideas, but the point was moot. Da Vinci did as he pleased.

Sophie smiled inwardly to see that Robert understood her meaning. “I can read the first few words,” she said. “It’s English.”

Teabing was still sputtering. “What’s going on?”

“Reverse text,” Langdon said. “We need a mirror.”

“No we don’t,” Sophie said. “I bet this veneer is thin enough.” She lifted the rosewood box up to a canister light on the wall and began examining the underside of the lid. Her grandfather couldn’t actually write in reverse, so he always cheated by writing normally and then flipping the paper over and tracing the reversed impression. Sophie’s guess was that he had wood‑burned normal text into a block of wood and then run the back of the block through a sander until the wood was paper thin and the wood‑burning could be seen through the wood. Then he’d simply flipped the piece over, and laid it in.

As Sophie moved the lid closer to the light, she saw she was right. The bright beam sifted through the thin layer of wood, and the script appeared in reverse on the underside of the lid.

Instantly legible.

“English,” Teabing croaked, hanging his head in shame. “My native tongue.”

At the rear of the plane, Remy Legaludec strained to hear beyond the rumbling engines, but the conversation up front was inaudible. Remy did not like the way the night was progressing. Not at all. He looked down at the bound monk at his feet. The man lay perfectly still now, as if in a trance of acceptance, or perhaps, in silent prayer for deliverance.

CHAPTER 72

Fifteen thousand feet in the air, Robert Langdon felt the physical world fade away as all of his thoughts converged on Sauniere’s mirror‑image poem, which was illuminated through the lid of the box.

Sophie quickly found some paper and copied it down longhand. When she was done, the three of them took turns reading the text. It was like some kind of archaeological crossword . . . a riddle that promised to reveal how to open the cryptex. Langdon read the verse slowly.

An ancient word of wisdom frees this scroll . . . and helps us keep her scatter’d family whole . . . a headstone praised by templars is the key . . . and atbash will reveal the truth to thee.

Before Langdon could even ponder what ancient password the verse was trying to reveal, he felt something far more fundamental resonate within him—the meter of the poem. Iambic pentameter.

Langdon had come across this meter often over the years while researching secret societies across Europe, including just last year in the Vatican Secret Archives. For centuries, iambic pentameter had been a preferred poetic meter of outspoken literati across the globe, from the ancient Greek writer Archilochus to Shakespeare, Milton, Chaucer, and Voltaire—bold souls who chose to write their social commentaries in a meter that many of the day believed had mystical properties. The roots of iambic pentameter were deeply pagan.

Iambs. Two syllables with opposite emphasis. Stressed and unstressed. Yin yang. A balanced pair. Arranged in strings of five. Pentameter. Five for the pentacle of Venus and the sacred feminine.

“It’s pentameter!” Teabing blurted, turning to Langdon. “And the verse is in English! La lingua pura!”

Langdon nodded. The Priory, like many European secret societies at odds with the Church, had considered English the only European pure language for centuries. Unlike French, Spanish, and Italian, which were rooted in Latin—the tongue of the Vatican—English was linguistically removed from Rome’s propaganda machine, and therefore became a sacred, secret tongue for those brotherhoods educated enough to learn it.

“This poem,” Teabing gushed, “references not only the Grail, but the Knights Templar and the scattered family of Mary Magdalene! What more could we ask for?”

“The password,” Sophie said, looking again at the poem. “It sounds like we need some kind of ancient word of wisdom?”

“Abracadabra?” Teabing ventured, his eyes twinkling.

A word of five letters, Langdon thought, pondering the staggering number of ancient words that might be considered words of wisdom—selections from mystic chants, astrological prophecies, secret society inductions, Wicca incantations, Egyptian magic spells, pagan mantras—the list was endless.

“The password,” Sophie said, “appears to have something to do with the Templars.” She read the text aloud. “'A headstone praised by Templars is the key.'”

“Leigh,” Langdon said, “you’re the Templar specialist. Any ideas?”

Teabing was silent for several seconds and then sighed. “Well, a headstone is obviously a grave marker of some sort. It’s possible the poem is referencing a gravestone the Templars praised at the tomb of Magdalene, but that doesn’t help us much because we have no idea where her tomb is.”

“The last line,” Sophie said, “says that Atbash will reveal the truth. I’ve heard that word. Atbash.”

“I’m not surprised,” Langdon replied. “You probably heard it in Cryptology 101. The Atbash Cipher is one of the oldest codes known to man.”

Of course! Sophie thought. The famous Hebrew encoding system.

The Atbash Cipher had indeed been part of Sophie’s early cryptology training. The cipher dated back to 500 B.C. and was now used as a classroom example of a basic rotational substitution scheme. A common form of Jewish cryptogram, the Atbash Cipher was a simple substitution code based on the twenty‑two‑letter Hebrew alphabet. In Atbash, the first letter was substituted by the last letter, the second letter by the next to last letter, and so on.

“Atbash is sublimely appropriate,” Teabing said. “Text encrypted with Atbash is found throughout the Kabbala, the Dead Sea Scrolls, and even the Old Testament. Jewish scholars and mystics are still finding hidden meanings using Atbash. The Priory certainly would include the Atbash Cipher as part of their teachings.”

“The only problem,” Langdon said, “is that we don’t have anything on which to apply the cipher.”

Teabing sighed. “There must be a code word on the headstone. We must find this headstone praised by Templars.”

Sophie sensed from the grim look on Langdon’s face that finding the Templar headstone would be no small feat.

Atbash is the key, Sophie thought. But we don’t have a door.

It was three minutes later that Teabing heaved a frustrated sigh and shook his head. “My friends, I’m stymied. Let me ponder this while I get us some nibblies and check on Remy and our guest.” He stood up and headed for the back of the plane.

Sophie felt tired as she watched him go.

Outside the window, the blackness of the predawn was absolute. Sophie felt as if she were being hurtled through space with no idea where she would land. Having grown up solving her grandfather’s riddles, she had the uneasy sense right now that this poem before them contained information they still had not seen.

There is more there, she told herself. Ingeniously hidden . . . but present nonetheless.

Also plaguing her thoughts was a fear that what they eventually found inside this cryptex would not be as simple as “a map to the Holy Grail.” Despite Teabing’s and Langdon’s confidence that the truth lay just within the marble cylinder, Sophie had solved enough of her grandfather’s treasure hunts to know that Jacques Sauniere did not give up his secrets easily.

CHAPTER 73

Bourget Airfield’s night shift air traffic controller had been dozing before a blank radar screen when the captain of the Judicial Police practically broke down his door.

“Teabing’s jet,” Bezu Fache blared, marching into the small tower, “where did it go?”

The controller’s initial response was a babbling, lame attempt to protect the privacy of their British client—one of the airfield’s most respected customers. It failed miserably.

“Okay,” Fache said, “I am placing you under arrest for permitting a private plane to take off without registering a flight plan.” Fache motioned to another officer, who approached with handcuffs, and the traffic controller felt a surge of terror. He thought of the newspaper articles debating whether the nation’s police captain was a hero or a menace. That question had just been answered.

“Wait!” the controller heard himself whimper at the sight of the handcuffs. “I can tell you this much. Sir Leigh Teabing makes frequent trips to London for medical treatments. He has a hangar at Biggin Hill Executive Airport in Kent. On the outskirts of London.”

Fache waved off the man with the cuffs. “Is Biggin Hill his destination tonight?”

“I don’t know,” the controller said honestly. “The plane left on its usual tack, and his last radar contact suggested the United Kingdom. Biggin Hill is an extremely likely guess.”

“Did he have others onboard?”

“I swear, sir, there is no way for me to know that. Our clients can drive directly to their hangars, and load as they please. Who is onboard is the responsibility of the customs officials at the receiving airport.”

Fache checked his watch and gazed out at the scattering of jets parked in front of the terminal. “If they’re going to Biggin Hill, how long until they land?”

The controller fumbled through his records. “It’s a short flight. His plane could be on the ground by . . . around six‑thirty. Fifteen minutes from now.”

Fache frowned and turned to one of his men. “Get a transport up here. I’m going to London. And get me the Kent local police. Not British MI5. I want this quiet. Kent local . Tell them I want Teabing’s plane to be permitted to land. Then I want it surrounded on the tarmac. Nobody deplanes until I get there.”

CHAPTER 74

“You’re quiet,” Langdon said, gazing across the Hawker’s cabin at Sophie.

“Just tired,” she replied. “And the poem. I don’t know.”

Langdon was feeling the same way. The hum of the engines and the gentle rocking of the plane were hypnotic, and his head still throbbed where he’d been hit by the monk. Teabing was still in the back of the plane, and Langdon decided to take advantage of the moment alone with Sophie to tell her something that had been on his mind. “I think I know part of the reason why your grandfather conspired to put us together. I think there’s something he wanted me to explain to you.”

“The history of the Holy Grail and Mary Magdalene isn’t enough?”

Langdon felt uncertain how to proceed. “The rift between you. The reason you haven’t spoken to him in ten years. I think maybe he was hoping I could somehow make that right by explaining what drove you apart.”

Sophie squirmed in her seat. “I haven’t told you what drove us apart.”

Langdon eyed her carefully. “You witnessed a sex rite. Didn’t you?”

Sophie recoiled. “How do you know that?”

“Sophie, you told me you witnessed something that convinced you your grandfather was in a secret society. And whatever you saw upset you enough that you haven’t spoken to him since. I know a fair amount about secret societies. It doesn’t take the brains of Da Vinci to guess what you saw.”

Sophie stared.

“Was it in the spring?” Langdon asked. “Sometime around the equinox? Mid‑March?”

Sophie looked out the window. “I was on spring break from university. I came home a few days early.”

“You want to tell me about it?”

“I’d rather not.” She turned suddenly back to Langdon, her eyes welling with emotion. “I don’t know what I saw.”

“Were both men and women present?”

After a beat, she nodded.

“Dressed in white and black?”

She wiped her eyes and then nodded, seeming to open up a little. “The women were in white gossamer gowns . . . with golden shoes. They held golden orbs. The men wore black tunics and black shoes.”

Langdon strained to hide his emotion, and yet he could not believe what he was hearing. Sophie Neveu had unwittingly witnessed a two‑thousand‑year‑old sacred ceremony. “Masks?” he asked, keeping his voice calm. “Androgynous masks?”

“Yes. Everyone. Identical masks. White on the women. Black on the men.”

Langdon had read descriptions of this ceremony and understood its mystic roots. “It’s called Hieros Gamos,” he said softly. “It dates back more than two thousand years. Egyptian priests and priestesses performed it regularly to celebrate the reproductive power of the female,” He paused, leaning toward her. “And if you witnessed Hieros Gamos without being properly prepared to understand its meaning, I imagine it would be pretty shocking.”

Sophie said nothing.

“Hieros Gamos is Greek,” he continued. “It means sacred marriage.”

“The ritual I saw was no marriage.”

“Marriage as in union, Sophie.”

“You mean as in sex.”

“No.”

“No?” she said, her olive eyes testing him.

Langdon backpedaled. “Well . . . yes, in a manner of speaking, but not as we understand it today.” He explained that although what she saw probably looked like a sex ritual, Hieros Gamos had nothing to do with eroticism. It was a spiritual act. Historically, intercourse was the act through which male and female experienced God. The ancients believed that the male was spiritually incomplete until he had carnal knowledge of the sacred feminine. Physical union with the female remained the sole means through which man could become spiritually complete and ultimately achieve gnosis—knowledge of the divine. Since the days of Isis, sex rites had been considered man’s only bridge from earth to heaven. “By communing with woman,” Langdon said, “man could achieve a climactic instant when his mind went totally blank and he could see God.”

Sophie looked skeptical. “Orgasm as prayer?”

Langdon gave a noncommittal shrug, although Sophie was essentially correct. Physiologically speaking, the male climax was accompanied by a split second entirely devoid of thought. A brief mental vacuum. A moment of clarity during which God could be glimpsed. Meditation gurus achieved similar states of thoughtlessness without sex and often described Nirvana as a never‑ending spiritual orgasm.

“Sophie,” Langdon said quietly, “it’s important to remember that the ancients’ view of sex was entirely opposite from ours today. Sex begot new life—the ultimate miracle—and miracles could be performed only by a god. The ability of the woman to produce life from her womb made her sacred. A god. Intercourse was the revered union of the two halves of the human spirit—male and female—through which the male could find spiritual wholeness and communion with God. What you saw was not about sex, it was about spirituality. The Hieros Gamos ritual is not a perversion. It’s a deeply sacrosanct ceremony.”

His words seemed to strike a nerve. Sophie had been remarkably poised all evening, but now, for the first time, Langdon saw the aura of composure beginning to crack. Tears materialized in her eyes again, and she dabbed them away with her sleeve.

He gave her a moment. Admittedly, the concept of sex as a pathway to God was mind‑boggling at first. Langdon’s Jewish students always looked flabbergasted when he first told them that the early Jewish tradition involved ritualistic sex. In the Temple, no less . Early Jews believed that the Holy of Holies in Solomon’s Temple housed not only God but also His powerful female equal, Shekinah. Men seeking spiritual wholeness came to the Temple to visit priestesses—or hierodules—with whom they made love and experienced the divine through physical union. The Jewish tetragrammaton YHWH—the sacred name of God—in fact derived from Jehovah, an androgynous physical union between the masculine Jah and the pre‑Hebraic name for Eve, Havah.

“For the early Church,” Langdon explained in a soft voice, “mankind’s use of sex to commune directly with God posed a serious threat to the Catholic power base. It left the Church out of the loop, undermining their self‑proclaimed status as the sole conduit to God. For obvious reasons, they worked hard to demonize sex and recast it as a disgusting and sinful act. Other major religions did the same.”

Sophie was silent, but Langdon sensed she was starting to understand her grandfather better. Ironically, Langdon had made this same point in a class lecture earlier this semester. “Is it surprising we feel conflicted about sex?” he asked his students. “Our ancient heritage and our very physiologies tell us sex is natural—a cherished route to spiritual fulfillment—and yet modern religion decries it as shameful, teaching us to fear our sexual desire as the hand of the devil.”

Langdon decided not to shock his students with the fact that more than a dozen secret societies around the world—many of them quite influential—still practiced sex rites and kept the ancient traditions alive. Tom Cruise’s character in the film Eyes Wide Shut discovered this the hard way when he sneaked into a private gathering of ultraelite Manhattanites only to find himself witnessing Hieros Gamos. Sadly, the filmmakers had gotten most of the specifics wrong, but the basic gist was there—a secret society communing to celebrate the magic of sexual union.

“Professor Langdon?” A male student in back raised his hand, sounding hopeful. “Are you saying that instead of going to chapel, we should have more sex?”

Langdon chuckled, not about to take the bait. From what he’d heard about Harvard parties, these kids were having more than enough sex. “Gentlemen,” he said, knowing he was on tender ground, “might I offer a suggestion for all of you. Without being so bold as to condone premarital sex, and without being so naive as to think you’re all chaste angels, I will give you this bit of advice about your sex lives.”

All the men in the audience leaned forward, listening intently.

“The next time you find yourself with a woman, look in your heart and see if you cannot approach sex as a mystical, spiritual act. Challenge yourself to find that spark of divinity that man can only achieve through union with the sacred feminine.”

The women smiled knowingly, nodding.

The men exchanged dubious giggles and off‑color jokes.

Langdon sighed. College men were still boys.

Sophie’s forehead felt cold as she pressed it against the plane’s window and stared blankly into the void, trying to process what Langdon had just told her. She felt a new regret well within her. Ten years . She pictured the stacks of unopened letters her grandfather had sent her. I will tell Robert everything . Without turning from the window, Sophie began to speak. Quietly. Fearfully.

As she began to recount what had happened that night, she felt herself drifting back . . . alighting in the woods outside her grandfather’s Normandy chateau . . . searching the deserted house in confusion . . . hearing the voices below her . . . and then finding the hidden door. She inched down the stone staircase, one step at a time, into that basement grotto. She could taste the earthy air. Cool and light. It was March. In the shadows of her hiding place on the staircase, she watched as the strangers swayed and chanted by flickering orange candles.

I’m dreaming, Sophie told herself. This is a dream. What else could this be?

The women and men were staggered, black, white, black, white. The women’s beautiful gossamer gowns billowed as they raised in their right hands golden orbs and called out in unison, “I was with you in the beginning, in the dawn of all that is holy, I bore you from the womb before the start of day.”

The women lowered their orbs, and everyone rocked back and forth as if in a trance. They were revering something in the center of the circle.

What are they looking at?

The voices accelerated now. Louder. Faster.

“The woman whom you behold is love!” The women called, raising their orbs again.

The men responded, “She has her dwelling in eternity!”

The chanting grew steady again. Accelerating. Thundering now. Faster. The participants stepped inward and knelt.

In that instant, Sophie could finally see what they were all watching.

On a low, ornate altar in the center of the circle lay a man. He was naked, positioned on his back, and wearing a black mask. Sophie instantly recognized his body and the birthmark on his shoulder. She almost cried out. Grand‑pere! This image alone would have shocked Sophie beyond belief, and yet there was more.

Straddling her grandfather was a naked woman wearing a white mask, her luxuriant silver hair flowing out behind it. Her body was plump, far from perfect, and she was gyrating in rhythm to the chanting—making love to Sophie’s grandfather.

Sophie wanted to turn and run, but she couldn’t. The stone walls of the grotto imprisoned her as the chanting rose to a fever pitch. The circle of participants seemed almost to be singing now, the noise rising in crescendo to a frenzy. With a sudden roar, the entire room seemed to erupt in climax. Sophie could not breathe. She suddenly realized she was quietly sobbing. She turned and staggered silently up the stairs, out of the house, and drove trembling back to Paris.

CHAPTER 75

The chartered turboprop was just passing over the twinkling lights of Monaco when Aringarosa hung up on Fache for the second time. He reached for the airsickness bag again but felt too drained even to be sick.

Just let it be over!

Fache’s newest update seemed unfathomable, and yet almost nothing tonight made sense anymore. What is going on? Everything had spiraled wildly out of control. What have I gotten Silas into? What have I gotten myself into!

On shaky legs, Aringarosa walked to the cockpit. “I need to change destinations.”

The pilot glanced over his shoulder and laughed. “You’re joking, right?”

“No. I have to get to London immediately.”

“Father, this is a charter flight, not a taxi.”

“I will pay you extra, of course. How much? London is only one hour farther north and requires almost no change of direction, so—”

“It’s not a question of money, Father, there are other issues.”

“Ten thousand euro. Right now.”

The pilot turned, his eyes wide with shock. “How much? What kind of priest carries that kind of cash?”

Aringarosa walked back to his black briefcase, opened it, and removed one of the bearer bonds. He handed it to the pilot.

“What is this?” the pilot demanded.

“A ten‑thousand‑euro bearer bond drawn on the Vatican Bank.”

The pilot looked dubious.

“It’s the same as cash.”

“Only cash is cash,” the pilot said, handing the bond back.

Aringarosa felt weak as he steadied himself against the cockpit door. “This is a matter of life or death. You must help me. I need to get to London.”

The pilot eyed the bishop’s gold ring. “Real diamonds?”

Aringarosa looked at the ring. “I could not possibly part with this.”

The pilot shrugged, turning and focusing back out the windshield.

Aringarosa felt a deepening sadness. He looked at the ring. Everything it represented was about to be lost to the bishop anyway. After a long moment, he slid the ring from his finger and placed it gently on the instrument panel.

Aringarosa slunk out of the cockpit and sat back down. Fifteen seconds later, he could feel the pilot banking a few more degrees to the north.

Even so, Aringarosa’s moment of glory was in shambles.

Date: 2016-03-03; view: 468