Comprehension; Recall and Interpret

1.In the first two stanzas of A Valediction…, to what does the speaker compare his separation from his lover? What do the words “profanation” and “laity” imply about his feelings? What difference does the speaker see between “our love” and that of “dull sublunary lovers”? Cite specific lines that support your answer. In what ways are the lovers like “stiff twin compasses”? What does this comparison add to the speaker’s argument?

2. What does the speaker tell Death in the first four lines of Holly Sonnet? To what does the speaker compare Death in line 5? What can you infer about the speaker’s attitude toward Death, based on the first eight lines? How is Death in Holy Sonnet “slave to fate, chance, kings, and desperate men”?

3. In your own words, explain the conclusion the speaker reaches in the last two lines of Holy Sonnet.

4. What important church rituals does Donne describe in Meditation 17? What event does the tolling bell announce? Why does Donne feel that the tolling bell calls more to him than to most people?

Literary Analysis: Evaluate and Connect

5. Interpret IdeasTo personify something is to give it human characteristics. Why might Donne have personified death in Holy Sonnet?

6.How would you describe the tone of the poem Holy Sonnet? Give reasons for your answer.

7. Analyze SimileReread lines 21–24 of A Valediction …. In what way will the speaker’s marriage be similar to gold that has been beaten thin?

8. Interpret Metaphysical ConceitsExplain the meaning of the conceits in the following passages:

• A Valediction: Forbidding Mourning, lines 1–6

• A Valediction: Forbidding Mourning, lines 25–36

• Meditation 17, lines 7–12

• Meditation 17, lines 17–20

9. Draw ConclusionsExamine the ideas about mortalitythat Donne expresses in Holy Sonnet 10 and Meditation 17. Use a chart like the one shown to record your response, and then draw conclusions about Donne’s view of mortality in general.

10. Compare TextsCompare Donne’s depiction of love in A Valediction: Forbidding Mourning with Shakespeare’s depiction of love in Sonnet 116. Do the two speakers appear to agree or disagree? Cite evidence to support your answer.

Literary Criticism

11. Critical InterpretationsDonne has been characterized as a writer who “married passion to reason.” Reread “Holy Sonnet 10” and explain how this description does or does not apply to this poem. Consider Donne’s ideas and the techniques he uses to present them. Support your answer with evidence from the text.

12. Writing About LiteratureBased on the selections you have just read, what do you think are Donne’s views on love, death, and faith? Write a brief summary of what you believe are Donne’s views on one of these topics. Use details from the selections to support your conclusions.

13. Creative WritingWrite a valediction, or farewell statement, to a friend. Your valediction may take the form of poetry or prose, and it may be formal or informal.

Reading Focus X. The Cavalier Poets

KEY IDEA There’s no doubt that strong attachment—whether between lovers, family members, or friends—can bring both great pleasure and intense pain. Ben Jonson explored the different aspects of attachment in the selections that follow. Sometimes it’s hard to know which feeling predominates.

Before Reading I: Meet Ben Jonson (1572–1637)

In his day, Ben Jonson was a literary giant who knew most of London’s important writers, including John Donne and William Shakespeare. In fact, Elizabethans considered him a more important literary figure than Shakespeare. But part of Jonson’s fame resulted from his controversial life.

Stage CallLike Shakespeare, Jonson has been remembered chiefly as a great playwright. His route to the theater was indirect. Jonson’s father, a minister, died about a month before Ben was born, and his mother then married a bricklayer. Although Jonson gained a strong early education, he did not have the money to attend college, so he joined his stepfather in bricklaying. Jonson hated the job, ran away to enlist in the British army, and fought in the Netherlands. After returning to London, he joined a group of touring actors and began to write plays. The production of his first play landed him in prison, because it offended government officials.

Success ... and Near DeathJonson’s second play, Every Man in His Humor, was a huge success. Shakespeare’s company performed the comedy, and Shakespeare himself played one of the roles. The success was immediately followed by trouble, however. The temperamental Jonson got into an argument with an actor in the company and killed him in a duel. Jonson escaped hanging by reading a passage from the Latin Bible, which allowed him to be tried by a church court rather than a harsher criminal court. At the time, knowledge of Latin was largely confined to clergymen. Jonson kept his life but was branded on the thumb as a convicted felon and had his property taken away.

A Literary ReformerJonson considered himself a pioneer in drama, especially comedy, and set out to rid it of clichés, stale jokes, and improbable plots. He gained fame for his satiric comedies, which poked fun at the human vices and follies of his day. In 1616, he published a volume of his plays under the title The Works of Ben Jonson. At that time, scholars considered only such literary forms as poetry, historical writing, and sermons worthy of being called “works.” Jonson challenged that notion, paving the way for the acceptance of plays as literature.

Jonson also wrote some of the finest poetry of his time. On My First Son is the poet’s response to the death of his son, Benjamin. Like John Donne and other Elizabethans, Jonson experienced the anguish of the untimely death of a loved one more than once. Both of his children died at young ages, his son at the age of seven, a victim of the plague, and his daughter, Mary, in infancy.

While Reading

Date: 2016-03-03; view: 2727