EARLY NOVEMBER YEAR OF THE DEPEND ADULT UNDERGARMENT

The only bona fide blackmailable thing about Rodney Tine, Chief, U.S. Office of Unspecified Services: his special metric ruler. In a locked drawer of his bathroom cabinets at home on Connecticut Ave. NW in the District is kept a special metric ruler, and Tine measures his penis every A.M., like clockwork; has since twelve; still does. Plus a special telescoping travelling model of the ruler he travels with, for on-the-road-A.M.-penis-measurement. President Gentle has no N.S.A. ²²⁸ as such. Tine’s in metro Boston because of the N.S. implications of what they’d first come to Unspecified Services about two summers past, both the head of D.E.A. and the Chair of the Academy of Digital Arts and Sciences, now both here standing on one foot and then the other and twidgelling the brims of their hats. This unwatchable underground Entertainment-cartridge that at first seemed to be just popping haphazardly up in random locales: a film with certain he’s given to understand from briefings quote ‘qualities’ such that whoever saw it wanted nothing else ever in life but to see it again, and then again, and so on. It had popped up in Berkeley NCA, in the home of a film-scholar and his male companion, neither of whom had appeared for appointments for days; and now lost to meaningful human activity henceforward, by all appearances, were the scholar and companion, the two cops dispatched to the Berkeley home, the six cops dispatched after the two cops never followed up their Code-Five, the watch sergeant and partner dispatched after them — seventeen police, paramedics, and teleputer-technicians in all, until the lethality of whatever they’d caught sight of presented itself with enough clarity for somebody to think to go around back and kill the Berkeley home’s power. The Entertainment had popped up in New Iberia LA. Tempe AZ had lost two-thirds of the attendees of an avant-garde film festival in Arizona State U.’s Entertainment Studies amphitheater before a level-headed custodian killed the building’s whole grid. J. Gentle had been apprised about the thing only after it had popped up and taken out a diplomatically immune Near Eastern medical attaché and a dozen incidentals here in Boston MA late last spring. These persons now all in wards. Docile and continent but blank, as if on some deep reptile-brain level pithed. Tine had toured a ward. The persons’ lives’ meanings had collapsed to such a narrow focus that no other activity or connection could hold their attention. Possessed of roughly the mental/ spiritual energies of a moth, now, according to a diagnostician out of C.D.C. The Berkeley cartridge had vanished from an S.F.P.D. Evidence Room an electron-microscopy toss of which had revealed flannel fibers. The D.E.A. had lost four field researchers and a consultant before they’d bowed to the intractable problems involved in trying to have somebody view the confiscated Tempe cartridge and articulate the thing’s lethal charms. The strongest possible language had been necessary to restrain a certain Famous Crooner from attempting a personal review of the thing’s qualities. Neither C.D.C. nor the entertainment pros wanted any part of any controlled-viewing tests. Three members of the Academy of D.A.S. had received unlabelled copies in the mail, and the one who’d actually sat down to have a look now needed a receptacle under his chin at all times. Reports of the thing popping up yet again in metro Boston MA remain unsubstantiated. Tine’s been dispatched here in part to coordinate substantiation. There’s also the special pocket-Franklin-Plannersized chart he charts the daily A.M. penis-measurement in, daily, though to the uninitiated the little leather notebook could look like almost anything statistical at all. By now several U.S.O. test-subjects, volunteers from the federal and military penal systems, have been lost in attempts to produce a description of the cartridge’s contents. The Tempe and New Iberia cartridges are in custody, vaulted. A sociopathic and mentally retarded Lance Corporal at Leavenworth, strapped down with electrode appliqués and headset-recorder, was able to report that the thing apparently opens with an engaging and high-quality cinematic shot of a veiled woman going through a large building’s revolving doors and catching a glimpse of someone else in the revolving doors, somebody the sight of whom makes her veil billow, before the subject’s mental and spiritual energies abruptly declined to a point where even near-lethal voltages through the electrodes couldn’t divert his attention from the Entertainment. Tine’s staff had sifted through dozens of entries before deciding that the intelligence community’s terse little name for the allegedly enslaving Entertainment would be ‘the samizdat.’ P.E.T.s on sacrificed subjects revealed unexceptional wave-activity, with not near enough alpha to indicate hypnosis or induced dopamine-surges. Attempts to trace the matrix of the samizdat without viewing it — from induction on postal codes, e-microscopies on the brown padded mailers, immolation and chromatography on the unlabelled cartridge-cases, extensive and maddening interviews of those civilians exposed — place the likely dissemination-point someplace along the U.S. north border, with routing hubs in metro Boston/New Bedford and/or somewhere in the desert Southwest. The U.S.’s Canadian Problem is U.S.O.U.S. Anti-Anti-O.N.A.N. Activities’ Agency’s ²²⁹ special province. So to speak. The possibility of Canadian involvement in the lethally compelling Entertainment’s dissemination is what has brought to metro Boston Rodney Tine, his retinue, and his ruler.

Date: 2016-03-03; view: 566