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Quot;What was this change?" asked the boy. 7 page

"If there was not understanding in the early years, there was no smattering of fear. Mute and beautiful, she played with dolls, dressing, undressing them by the hour. Mute and beautiful, she killed. And I, transformed by Lestat's instruction, was now to seek out humans in much greater numbers. But it was not only the killing of them that soothed some pain in me which bad been constant in the dark, still nights on Pointe du Lac, when I sat with only the company of Lestat and the old man; it was their great, shifting numbers everywhere in streets which never grew quiet, cabarets which never shut their doors, balls which lasted till dawn, the music and laughter streaming out of the open windows; people all around me now, my pulsing victims, not seen with that great love I'd felt for my sister and Babette, but with some new detachment and need. And I did kill them, kills infinitely varied and great distances apart, as I walked with the vampire's sight and light movement through this teeming, burgeoning city, my victims surrounding me, seducing me, inviting me to their supper tables, their carriages, their brothels. I lingered only a short while, long enough to take what I must have, soothed in my great melancholy that the town gave me an endless train of magnificent strangers.

"For that was it. I fed on strangers. I drew only close enough to see the pulsing beauty, the unique expression, the new and passionate voice, then killed before those feelings of revulsion could be aroused in me, that fear, that sorrow.

"Claudia and Lestat might hunt and seduce, stay long in the company of the doomed victim, enjoying the splendid humor in his unwitting friendship with death. But I still could not bear it. And so to me, the swelling population was a mercy, a forest in which I was lost, unable to stop myself, whirling too fast for thought or pain, accepting again and again the invitation to death rather than extending it.

"We lived meantime in one of my new Spanish town houses in the Rue Royale, a long, lavish upstairs flat above a shop I rented to a tailor, a hidden garden court behind us, a well secure against the street, with fitted wooden shutters and a barred carriage door---a place of far greater luxury and security than Pointe du Lac. Our servants were free people of color who left us to solitude before dawn for their own homes, and Lestat bought the very latest imports from France and Spain: crystal chandeliers and Oriental carpets, silk screens with painted birds of paradise, canaries singing in great domed, golden cages, and delicate marble Grecian gods and beautifully painted Chinese vases. I did not need the luxury anymore than I had needed it before, but I found myself enthralled with the new flood of art and craft and design, could stare at the intricate pattern of the carpets for hours, or watch the gleam of the lamplight change the somber colors of a Dutch painting.

"All this Claudia found wondrous, with the quiet awe of an unspoiled child, and marveled when Lestat hired a painter to make the walls of her room a magical forest of unicorns and golden birds and laden fruit trees over sparkling streams.



"An endless train of dressmakers and shoemakers and tailors came to our flat to outfit Claudia in the best of children's fashions, so that she was always a vision, not just of child beauty, with her curling lashes and her glorious yellow hair, but of the taste of finely trimmed bonnets and tiny lace gloves, flaring velvet coats and capes, and sheer white puffed-sleeve gowns with gleaming blue sashes. Lestat played with her as if she were a magnificent doll, and I played with her as if she were a magnificent doll; and it was her pleading that forced me to give up my rusty black for dandy jackets and silk ties and soft gray coats and gloves and black capes. Lestat thought the best color at all times for vampires was black, possibly the only aesthetic principle he steadfastly maintained, but he wasn't opposed to anything which smacked of style and excess. He loved the great figure we cut, the three of us in our box at the new French Opera House or the Theatre d'Orleans, to which we went as often as possible, Lestat having a passion for Shakespeare which surprised me, though he often dozed through the operas and woke just in time to invite some lovely lady to midnight supper, where he would use all his skill to make her love him totally, then dispatch her violently to heaven or hell and come home with her diamond ring to give to Claudia.

"And all this time I was educating Claudia, whispering in her tiny seashell ear that our eternal life was useless to us if we did not see the beauty around us, the creation of mortals everywhere; I was constantly sounding the depth of her still gaze as she took the books I gave her, whispered the poetry I taught her, and played with a light but confident touch her own strange, coherent songs on the piano. She could fall for hours into the pictures in a book and listen to me read until she sat so still the sight of her jarred me, made me put the book down, and just stare back at her across the lighted room; then she'd move, a doll coming to life, and say in the softest voice that I must read some more.

"And then strange things began to happen, for though she said little and was the chubby, round-fingered child still, I'd find her tucked in the arm of my chair reading the work of Aristotle or Boethius or a new novel just come over the Atlantic. Or pecking out the music of Mozart we'd only heard the night before with an infallible ear and a concentration that made her ghostly as she sat there hour after hour discovering the music, the melody, then the bass, and finally bringing it together. Claudia was mystery. It was not possible to know what she knew or did not know. And to watch her kill was chilling. She would sit alone in the dark square waiting for the kindly gentleman or woman to find her, her eyes more mindless than I had ever seen Lestat's. Like a child numbed with fright she would whisper her plea for help to her gentle, admiring patrons, and as they carried her out of the square, her arms would fix about their necks, her tongue between her teeth, her vision glazed with consuming hunger. They found death fast in those first years, before she learned to play with them, to lead them to the doll shop or the cafe where they gave her steaming cups of chocolate or tea to ruddy her pale cheeks, cups she pushed away, waiting, waiting, as if feasting silently on their terrible kindness.

"But when that was done, she was my companion, my pupil, her long hours spent with me consuming faster and faster the knowledge I gave her, sharing with me some quiet understanding which could not include Lestat. At dawn she lay with me, her heart beating against my heart, and many times when I looked at her---when she was at her music or painting and didn't know I stood in the room---I thought of that singular experience I'd had with her and no other, that I had killed her, taken her life from her, had drunk all of her life's blood in that fatal embrace I'd lavished on so many others, others who lay now moldering in the damp earth. But she lived, she lived to put her arms around my neck and press her tiny cupid's bow to my lips and put her gleaming eye to nay eye until our lashes touched and, laughing, we reeled about the room as if to the wildest waltz. Father and Daughter. Lover and Lover. You can imagine how well it was Lestat did not envy us this, but only smiled on it from afar, waiting until she came to him. Then he would take her out into the street and they would wave to me beneath the window, off to share what they shared: the hunt, the seduction, the kill.

"Years passed in this way. Years and years and years. Yet it wasn't until some time had passed that an obvious fact occurred to me about Claudia. I suppose from the expression on your face you've already guessed, and you wonder why I didn't guess. I can only tell you, time is not the same for me, nor was it for us then. Day did not link to day making a taut and jerking chain; rather, the moon rose over lapping waves."

"Her body!" the boy said. "She was never to grow up."

The vampire nodded. "She was to be the demon child forever," he said, his voice soft as if he wondered at it. "Just as I am the young man I was when I died. And Lestat? The same. But her mind. It was a vampire's mind. And I strained to know how she moved towards womanhood. She came to talk more, though she was never other than a reflective person and could listen to me patiently by the hour without interruption. Yet more and more her doll-like face seemed to possess two totally aware adult eyes, and innocence seemed lost somewhere with neglected-toys and the loss of a certain patience. There was something dreadfully sensual about her lounging on the settee in a tiny nightgown of lace and stitched pearls; she became an eerie and powerful seductress, her voice as clear and sweet as ever, though it had a resonance which was womanish, a sharpness sometimes that proved shocking; After days of her usual quiet, she would scoff suddenly at Lestat's predictions about the war; or drinking blood from a crystal glass say that there were no books in the house, we must get more even if we had to steal them, and then coldly tell me of a library she'd heard of, in a palatial mansion in the Faubourg St.-Marie, a woman who collected books as if they were rocks or pressed butterflies. She asked if I might get her into the woman's bedroom.

"I was aghast at such moments; her mind was unpredictable, unknowable. But then she would sit on my lap and put her fingers in my hair and doze there against my heart, whispering to me softly I should never be as grown up as she until I knew that killing was the more serious thing, not the books, the music. 'Always the music...' she whispered. 'Doll, doll,' I called her. That's what she was. A magic doll. Laughter and infinite intellect and then the round-checked face, the bud mouth. 'Let me dress you, let me brush your hair,' I would say to her out of old habit, aware of her smiling and watching me with the thin veil of boredom over her expression. 'Do as you like,' she breathed into my ear as I bent down to fasten her pearl buttons. 'Only kill with me tonight. You never let me see you kill, Louis!'

"She wanted a coffin of her own now, which left me more wounded than I would let her see. I walked out after giving my gentlemanly consent; for how many years had I slept with her as if she were part of me I couldn't know. But then I found her near the Ursuline Convent, an orphan lost in the darkness, and she ran suddenly towards me and clutched at me with a human desperation. 'I don't want it if it hurts you,' she confided so softly that a human embracing us both could not have heard her or felt her breath. 'I'll stay with you always. But I must see it, don't you understand? A coffin for a child.'

"We were to go to the coffinmaker's. A play, a tragedy in one act: I to leave her in his little parlor and confide to him in the anteroom that she was to die. Talk of love, she must have the best, but she must not know; and the coffinmaker, shaken with the tragedy of it, must make it for her, picturing her laid there on the white satin, dabbing a tear from his eye despite all the years....

" 'But, why, Claudia...' I pleaded with her. I loathed to do it, loathed cat and mouse with the helpless human. But hopelessly her lover, I took her there and set her on the sofa, where she sat with folded hands in her lap, her tiny bonnet bent down, as if she didn't know what we whispered about her in the foyer. The undertaker was an old and greatly refined man of color who drew me swiftly aside lest 'the baby' should hear. 'But why must she die?' he begged me, as if I were God who ordained it. 'Her heart, she cannot live,' I said, the words taking on for me a peculiar power, a disturbing resonance. The emotion in his narrow, heavily lined face disturbed me; something came to my mind, a quality of light, a gesture, the sound of something... a child crying in a stench-filled room. Now he unlocked one after another of his long rooms and showed me the coffins, black lacquer and silver, she wanted that. And suddenly I found myself backing away from him out of the coffin-house, hurriedly taking her hand. 'The order's been taken,' I said to her. 'It's driving me mad!' I breathed the fresh air of the street as though I'd been suffocated and then I saw her compassionless face studying mine. She slipped her small gloved hand back into my own. 'I want it, Louis,' she explained patiently.

"And then one night she climbed the undertaker's stairs, Lestat beside her, for the coffin, and left the coffinmaker, unawares, dead across the dusty piles of papers on his desk. And there the coffin lay in our bedroom, where she watched it often by the hour when it was new, as if the thing were moving or alive or unfolded some mystery to her little by little, as things do which change. But she did not sleep in it. She slept with me.

"There were other changes in her. I cannot date them or put them in order. She did not kill indiscriminately. She fell into demanding patterns. Poverty began to fascinate her; she begged Lestat or me to take a carriage out through the Faubourg St. Marie to the riverfront places where the immigrants lived. She seemed obsessed with the women and children. These things Lestat told me with great amusement, for I was loath to go and would sometimes not be persuaded under any circumstance. But Claudia had a family there which she took one by one. And she had asked to enter the cemetery of the suburb city of Lafayette and there roam the high marble tombs in search of those desperate men who, having no place else to sleep, spend what little they have on a bottle of wine, and crawl into a rotting vault. Lestat was impressed, overcome. What a picture he made of her, the infant death, he called her. Sister death, and sweet death; and for me, mockingly, he had the term with a sweeping bow, Merciful Death! which he said like a woman clapping her hands and shouting out a word of exciting gossip: oh, merciful heavens! so that I wanted to strangle him.

"But there was no quarrelling. We kept to ourselves. We had our adjustments. Books filled our long flat from floor to ceiling in row after row of gleaming leather volumes, as Claudia and I pursued our natural tastes and Lestat went about his lavish acquisitions. Until she began to ask questions."

The vampire stopped. And the boy looked as anxious as before, as if patience took the greatest effort. But the vampire had brought his long, white fingers together as if to make a church steeple and then folded them and pressed his palms tight. It was as if he'd forgotten the boy altogether. "I should have known," he said, "that it was inevitable, and I should have seen the signs of it coming. For I was so attuned to her; I loved her so completely; she was so much the companion of my every waking hour, the only companion that I had, other than death. I should have known. But something in me was conscious of an enormous gulf of darkness very close to us, as though we walked always near a sheer cliff and might see it suddenly but too late if we made the wrong turn or became too lost in our thoughts. Sometimes the physical world about me seemed insubstantial except for that darkness. As if a fault in the earth were about to open and I could see the great crack breaking down the Rue Royale, and all the buildings were falling to dust in the rumble. But worst of all, they were transparent, gossamer, like stage drops made of silk. Ah... I'm distracted. What do I say? That I ignored the signs in her, that I clung desperately to the happiness she'd given me. And still gave me; and ignored all else.

"But these were the signs. She grew cold to Lestat. She fell to staring at him for hours. When he spoke, often she didn't answer him, and one could hardly tell if it was contempt or that she didn't hear. And our fragile domestic tranquility erupted with his outrage. He did not have to be loved, but he would not be ignored; and once he even flew at her, shouting that he would slap her, and I found myself in the wretched position of fighting him as I'd done years before she'd come to us. 'She's not a child any longer,' I whispered to him. 'I don't know what it is. She's a woman.' I urged him to take it lightly, and he affected disdain and ignored her in turn. But one evening he came in flustered and told me she'd followed him though she'd refused to go with him to kill, she'd followed him afterwards. 'What's the matter with her!' he flared at me, as though I'd given birth to her and must know.

"And then one night our servants vanished. Two of the best maids we'd ever retained, a mother and daughter. The coachman was sent to their house only to report they'd disappeared, and then the father was at our door, pounding the knocker. He stood back on the brick sidewalk regarding me with that grave suspicion that sooner or later crept into the faces of all mortals who knew us for any length of time, the forerunner of death, as pallor might be to a fatal fever; and I tried to explain to him they had not been here, mother or daughter, and we must begin some search.

" 'It's she!' Lestat hissed from the shadows when I shut the gate. 'She's done something to them and brought risk for us all. I'll make her tell me!' And he pounded up the spiral stairs from the courtyard. I knew that she'd gone, slipped out while I was at the gate, and I knew something else also: that a vague stench came across the courtyard from the shut, unused kitchen, a stench that mingled uneasily with the honeysuckle---the stench of graveyards. I heard Lestat coming down as I approached the warped shutters, locked with rust to the small brick building. No food was ever prepared there, no work ever done, so that it lay like an old brick vault under the tangles of honeysuckle. The shutters came loose, the nails having turned to dust, and I heard Lestat's gasp as we stepped into the reeking dark. There they lay on the bricks, mother and daughter together, the arm of the mother fastened around the waist of the daughter, the daughter's head bent against the mother's breast, both foul with feces and swarming with insects. A great cloud of gnats rose as the shutter fell back, and I waved them away from me in a convulsive disgust. Ants crawled undisturbed over the eyelids, the mouths of the dead pair, and in the moonlight I could see the endless map of silvery paths of snails. 'Damn her!' Lestat burst out, and I grabbed his arm and held him fast, pitting all my strength against him. 'What do you mean to do with her!' I insisted. 'What can you do? She's not a child anymore that will do what we say simply because we say it. We must teach her.'

" 'She knows!' He stood back from me brushing his coat. 'She knows! She's known for years what to do. What can be risked and what cannot. I won't have her do this without my permission. I won't tolerate it.'

" 'Then, are you master of us all? You didn't teach her that. Was she supposed to imbibe it from my quiet subservience? I don't think so. She sees herself as equal to us now, and us as equal to each other. I tell you we must reason with her, instruct her to respect what is ours. As all of us should respect it.'

"He stalked off, obviously absorbed in what I'd said, though he would give no admission of it to me. And he took his vengeance to the city. Yet when he came home, fatigued and satiated, she was still not there. He sat against the velvet arm of the couch and stretched his long legs out on the length of it. 'Did you bury them?' he asked me.

" 'They're gone,' I said. I did not care to say even to myself that I had burned their remains in the old unused kitchen stove. 'But there is the father to deal with, and the brother,' I said to him. I feared his temper. I wished at once to plan some way to quickly dispose of the whole problem. But he said now that the father and the brother were no more, that death had come to dinner in their small house near the ramparts and stayed to say grace when everyone was done. 'Wine,' he whispered now, running his finger on his lip. 'Both of them had drunk too much wine. I found myself tapping the fence posts with a stick to make a tune,' he laughed. 'But I don't like it, the dizziness. Do you like it?' And when he looked at me I had to smile at him because the wine was working in him and he was mellow; and in that moment when his face looked warm and reasonable, I leaned over and said, 'I hear Claudia's tap on the stairs. Be gentle with her. It's all done.'

"She came in then, with her bonnet ribbons undone and her little boots caked with dirt. I watched them tensely, Lestat with a sneer on his lips, she as unconscious of him as if he weren't there. She had a bouquet of white chrysanthemums in her arms, such a large bouquet it made her all the more a small child. Her bonnet fell back now, hung on her shoulder for an instant, and then fell to the carpet. And all through her golden hair I saw the narrow petals of the chrysanthemums. 'Tomorrow is the Feast of All Saints,' she said. 'Do you know?'

" 'Yes,' I said to her. It is the day in New Orleans when all the faithful go to the cemeteries to care for the graves of their loved ones. They whitewash the plaster walls of the vaults, clean the names cut into the marble slabs. And finally they deck the tombs with flowers. In the St. Louis Cemetery, which was very near our house, in which all the great Louisiana families were buried, in which my own brother was buried, there were even little iron benches set before the graves where the families might sit to receive the other families who had come to the cemetery for the same purpose. It was a festival in New Orleans; a celebration of death, it might have seemed to tourists who didn't understand it, but it was a celebration of the life after. 'I bought this from one of the vendors,' Claudia said. Her voice was soft and inscrutable. Her eyes opaque and without emotion.

" 'For the two you left in the kitchen!' Lestat said fiercely. She turned to him for the first time, but she said nothing. She stood there staring at him as if she'd never seen him before. And then she took several steps towards him and looked at him, still as if she were positively examining him. I moved forward. I could feel his anger. Her coldness. And now she turned to me. And then, looking from one to the other of us, she asked:

" 'Which of you did it? Which of you made me what I am?'

"I could not have been more astonished at anything she might have said or done. And yet it was inevitable that her long silence would thus be broken. She seemed very little concerned with me, though. Her eyes fixed on Lestat. 'You speak of us as if we always existed as we are now,' she said, her voice soft, measured, the child's tone rounded with the woman's seriousness. 'You speak of them out there as mortals, us as vampires. But it was not always so. Louis had a mortal sister, I remember her. And there is a picture of her in his trunk. I've seen him look at it! He was mortal the same as she; and so was I. Why else this size, this shape?' She opened her arms now and let the chrysanthemums fall to the floor. I whispered her name. I think I meant to distract her. It was impossible. The tide had turned. Lestat's eyes burned with a keen fascination, a malignant pleasure:

" 'You made us what we are, didn't you?' she accused him.

"He raised his eyebrows now in mock amazement. 'What you are?' he asked. 'And would you be something other than what you are?' He drew up his knees and leaned forward, his eyes narrow. 'Do you know how long it's been? Can you picture yourself? Must I find a hag to show you your mortal countenance now if I had let you alone?'

"She turned away from him, stood for a moment as if she had no idea what she would do, and then she moved towards the chair beside the fireplace and, climbing on it, curled up like the most helpless child. She brought her knees up close to her, her velvet coat open, her silk dress tight around her knees, and she stared at the ashes in the hearth. But there was nothing helpless about her stare. Her eyes had independent life, as if the body were possessed.

" 'You could be dead by now if you were mortal!' Lestat insisted to her, pricked by her silence. He drew his legs around and set his boots on the floor. 'Do you hear me? Why do you ask me this now? Why do you make such a thing of it? You've known all your life you're a vampire.' And so he went on in a tirade, saying much the same things he'd said to me many times over: know your nature, kill, be what you are. But all of this seemed strangely beside the point. For Claudia had no qualms about killing. She sat back now and let her head roll slowly to where she could see him across from her. She was studying him again, as if he were a puppet on strings. 'Did you do it to me? And how?' she asked, her eyes narrowing. 'How did you do it?'

" 'And why should I tell you? It's my power.'

" 'Why yours alone?' she asked, her voice icy, her eyes heartless. 'How was it done?' she demanded suddenly in rage.

"It was electric. He rose from the couch, and I was on my feet immediately, facing him. 'Stop here' he said to me. He wrung his hands. 'Do something about her! I can't endure her?' And then he started for the door, but turned and, coming back, drew very close so that he towered over Claudia, putting her in a deep shadow. She glared up at him fearlessly, her eyes moving back and forth over his face with total detachment. 'I can undo what I did. Both to you and to him,' he said to her, his finger pointing at me across the room. 'Be glad I made you what you are,' he sneered. 'Or I'll break you in a thousand pieces!'

"Well, the peace of the house was destroyed, though there was quiet. Days passed and she asked no questions, though now she was deep into books of the occult, of witches and witchcraft, and of vampires. This was mostly fancy, you understand. Myth, tales, sometimes mere romantic horror tales. But she read it all. Till dawn she read, so that I had to go and collect her and bring her to bed.

"Lestat, meantime, hired a butler and maid and had a team of workers in to make a great fountain in the courtyard with a stone nymph pouring water eternal from a widemouthed shell. He had goldfish brought and boxes of rooted water lilies set into the fountain so their blossoms rested upon the surface and shivered in the ever-moving water.

"A woman had seen him kill on the Nyades Road, which ran to the town of Carrolton, and there were stories of it in the papers, associating him with a haunted house near Nyades and Melpomene, all of which delighted him. He was the Nyades Road ghost for some time, though it finally fell to the back pages; and then he performed another grisly murder in another public place and set the imagination of New Orleans to working. But all this had about it some quality of fear. He was pensive, suspicious, drew close to me constantly to ask where Claudia was, where she'd gone, and what she was doing.

" 'She'll be all right,' I assured him, though I was estranged from her and in agony, as if she'd been my bride. She hardly saw me now, as she'd not seen Lestat before, and she might walk away while I spoke to her.

" 'She had better be all right!' he said nastily.

" 'And what will you do if she's not?' I asked, more in fear than accusation.

"He looked up at me, with his cold gray eyes. 'You take care of her, Louis. You talk to her!' he said. 'Everything was perfect, and now this. There's no need for it'

"But it was my choice to let her come to me, and she did. It was early one evening when I'd just awakened. The house was dark. I saw her standing by the French windows; she wore puffed sleeves and a pink sash, and was watching with lowered lashes the evening rush in the Rue Royale. I could hear Lestat in his room, the sound of water splashing from his pitcher. The faint smell of his cologne came and went like the sound of music from the cafe two doors down from us. 'He'll tell me nothing,' she said softly. I hadn't realized she knew that I had opened my eyes. I came towards her and knelt beside her. 'You'll tell me, won't you? How it was done.'

" 'Is this what you truly want to know?' I asked, searching her face. 'Or is it why it was done to you... and what you were before? I don't understand what you mean by "how," for if you mean how was it done so that you in turn may do it...'

" 'I don't even know what it is. What you're saying,' she said with a touch of coldness. Then she turned full around and put her hands on my face. 'Kill with me tonight,' she whispered as sensuously as a lover. 'And tell me all that you know. What are we? Why are we not like them?' She looked down into the street.

" 'I don't know the answers to your questions,' I said to her. Her face contorted suddenly, as if she were straining to hear me over a sudden noise. And then she shook her head. But I went on. 'I wonder the same things you wonder. I do not know. How I was made, I'll tell you that... that Lestat did it to me. But the real "how" of it, I don't know!' Her face had that same look of strain. I was seeing in it the first traces of fear, or something worse and deeper than fear. 'Claudia,' I said to her, putting my hands over her hands and pressing them gently against my skin. 'Lestat has one wise thing to tell you. Don't ask these questions. You've been my companion for countless years in my search for all that I could learn of mortal life and mortal creation. Don't be my companion now in this anxiety. He can't give us the answers. And I have none.'


Date: 2015-01-02; view: 529


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