PELLE THE CONQUEROR 31 page

The apprentices forgot everything, and could scarcely contain themselves for laughing, and the young master overflowed with wit— he was equal to the best of them. Now one saw that he really might have luck with the women: there was no boasting or lying about it. The young actress with the hair like the lightest flax could not keep her eyes off him, although she evidently had all the others at her petticoat-tails; she made signs to her companions that they should admire the master's splendid big mustache. The master had forgotten his lame leg and thrown his stick away; he was on his knees, taking the actress's measure for a pair of high boots with patent tops and concertina-like folds in the legs. She had a hole in the heel of her stocking, but she only laughed over it; one of the actors cried "Poached egg!" and then they laughed uproariously.

Old Jeppe came tumbling into the room, attracted by the merriment. The blonde lady called him "Grandfather," and wanted to dance with him, and Jeppe forgot his dignity and laughed with the rest. "Yes, it's to us they come when they want to have something good," he said proudly. "And I learned my trade in Copenhagen, and I used to carry boots and shoes to more than one play-actor there. We had to work for the whole theater; Jungfer Patges, who became so famous later on, got her first dancing shoes from us."

"Yes, those are the fellows!" said Master Andres, as at last they bustled out; "devil take me, but those are the chaps!" Jeppe could not in the least understand how they had found their way thither, and Master Andres did not explain that he had been to the tavern. "Perhaps Jungfer Patges sent them to me," he said, gazing into the distance. "She must somehow have kept me in mind."

Free tickets poured in on them; the young master was in the theater every evening. Pelle received a gallery ticket every time he went round with a pair of boots. He was to say nothing—but the price was plainly marked on the sole with chalk.

"Did you get the money?" the master would ask eagerly; he used to stand on the stairs all the time, waiting. No, Pelle was to present their very best wishes, and to say they would come round and settle up themselves.

"Well, well, people of that sort are safe enough," said the master.

One day Lasse came stamping into the workshop and into the midst of them all, looking the picture of a big farmer, with his fur collar drawn round his ears. He had a sack of potatoes outside; it was a present to Pelle's employers, because Pelle was learning his trade so well. Pelle was given leave and went out with his father; and he kept looking furtively at the fur collar. At last he could contain himself no longer, but turned it up inquiringly. Disillusioned, he let it fall again.

"Ah, yes—er—well—that's just tacked on to my driving-cloak. It looks well, and it keeps my ears nice and warm. You thought I'd blossomed out into a proper fur coat? No, it won't run to that just yet—but it will soon. And I could name you more than one big farmer who has nothing better than this."

Yes, Pelle was just a trifle disappointed. But he must admit that there was no difference to be perceived between this cloak and the real bear-skin. "Are things going on all right?" he asked.

"Oh, yes; at present I am breaking stone. I've got to break twenty cords if I'm to pay everybody what's owing to him by the Devil's birthday. [Footnote: The 11th December—the general pay-day and hiring-day.—TB.] So long as we keep our health and strength, Karna and I."

They drove to the merchant's and put up the horses. Pelle noticed that the people at the merchant's did not rush forward to Lasse quite so eagerly as they did to the real farmers; but Lasse himself behaved in quite an important manner. He stumped right into the merchant's counting-house, just like the rest, filled his pipe at the barrel, and helped himself to a drink of brandy. A cold breath of air hung about him as he went backward and forward from the cart with buttoned-up cloak, and he stamped as loudly on the sharp cobble-stones as though his boot-soles too were made of stone.

Then they went on to Due's cottage; Lasse was anxious to see how matters were prospering there. "It isn't always easy when one of the parties brings a love-child into the business."

Pelle explained to him how matters stood. "Tell them at Uncle Kalle's that they must take little Maria back again. Anna ill-treats her. They are getting on well in other ways; now they want to buy a wagon and horses and set up as carriers."

"Do they? Well, it's easy for those to get on who haven't any heart." Lasse sighed.

"Look, father," said Pelle suddenly, "there's a theater here now, and I know all the players. I take them their boots, and they give me a ticket every evening. I've seen the whole thing."

"But, of course, that's all lies, eh?" Lasse had to pull up, in order to scrutinize Pelle's face. "So you've been in a proper theater, eh? Well, those who live in the town have got the devil to thank for it if they are cleverer than a peasant. One can have everything here!"

"Will you go with me to-night? I can get the tickets."

Lasse was uneasy. It wasn't that he didn't want to go; but the whole thing was so unaccustomed. However, it was arranged that he should sleep the night at Due's, and in the evening they both went to the theater.

"Is it here?" asked Lasse, astounded. They had come to a great building like a barn, before which a number of people were standing. But it was fine inside. They sat right up at the top, at the back, where the seats were arranged like the side of a hill, and they had a view over the whole theater. Down below, right in front, sat some ladies who, so far as Lasse could see, were naked. "I suppose those are the performers?" he inquired.

Pelle laughed. "No, those are the grandest ladies in the town—the doctor's wife, the burgomaster's lady, and the inspector's wife, and such like."

"What, they are so grand that they haven't enough clothes to wear!" cried Lasse. "With us we call that poverty! But where are the players, then?"

"They are the other side of the curtain."

"Then have they begun already?"

"No, you can see they haven't—the curtain has to go up first."

There was a hole in the curtain, and a finger came through it, and began to turn from side to side, pointing at the spectators. Lasse laughed. "That's devilish funny!" he cried, slapping his thighs, as the finger continued to point.

"It hasn't begun yet," said Pelle.

"Is that so?" This damped Lasse's spirits a little.

But then the big crown-light began suddenly to run up through a hole in the ceiling; up in the loft some boys were kneeling round the hole, and as the light came up they blew out the lamps. Then the curtain went up, and there was a great brightly-lit hall, in which a number of pretty young girls were moving about, dressed in the most wonderful costumes—and they were speaking! Lasse was quite astonished to find that he could understand what they said; the whole thing seemed so strange and foreign to him; it was like a peep into dreamland. But there was one maiden who sat there all alone at her spinning wheel, and she was the fairest of them all.

"That's surely a fine lady?" asked Lasse.

But Pelle whispered that she was only a poor forest maiden, whom the lord of the castle had robbed, and now he wanted to force her to be his sweetheart. All the others were making a tremendous lot of her, combing her golden hair and kneeling before her; but she only looked unhappier than before. And sometimes her sadness was more than she could bear; then she opened her beautiful mouth and her wounded heart bled in song, which affected Lasse so that he had to fetch a long sighing breath.

Then a tall man with a huge red beard came stamping into the hall.
Lasse saw that he was dressed like a man who has been keeping
Carnival.

"That's the one we made the fine boots for," whispered Pelle: "the lord of the castle, who wants to seduce her."

"An ugly devil he looks too!" said Lasse, and spat. "The master at Stone Farm is a child of God compared with him!" Pelle signed to him to be quiet.

The lord of the castle drove all the other women away, and then began to tramp stormily to and fro, eyeing the forest maiden and showing the whites of his eyes. "Well, have you at last decided?" he roared, and snorted like a mad bull. And suddenly he sprang at her as if to take her by force.

"Ha! Touch me not!" she cried, "or by the living God, I will plunge this dagger into my heart! You believe you can buy my innocence because I am poor, but the honor of the poor is not to be bought with gold!"

"That's a true word!" said Lasse loudly.

But the lord of the castle gave a malicious laugh, and tugged at his red beard. He rolled his r's dreadfully.

"Is my offer not enough for you? Come, stay this night with me and you shall receive a farm with ten head of cattle, so that to-morrow you can stand at the altar with your huntsman!"

"Hold your tongue, you whoremonger!" said Lasse angrily.

Those round about him tried to calm him; one or another nudged him in the ribs. "Well, can't a man speak any longer?" Lasse turned crossly to Pelle. "I'm no clergyman, but if the girl doesn't want to, let him leave her alone; at any rate he shan't slake his lust publicly in the presence of hundreds of people with impunity! A swine like that!" Lasse was speaking loudly, and it seemed as though his words had had their effect on the lord of the castle. He stood there awhile staring in front of him, and then called a man, and bade him lead the maiden back to the forest.

Lasse breathed easily again as the curtain fell and the boys overhead by the hole in the ceiling relit the lamps and let them down again. "So far she's got out of it all right," he told Pelle, "but I don't trust the lord—he's a scoundrel!" He was perspiring freely, and did not look entirely satisfied.

The next scene which was conjured up on the stage was a forest. It was wonderfully fine, with pelargoniums blooming on the ground, and a spring which was flowing out of something green. "That is a covered beer-barrel!" said Pelle, and now Lasse too could see the tap, but it was wonderfully natural. Right in the background one could see the lord's castle on a cliff, and in the foreground lay a fallen tree-trunk; two green-clad huntsmen sat astride of it, concocting their evil schemes. Lasse nodded—he knew something of the wickedness of the world.

Now they heard a sound, and crouched down behind the tree-trunk, each with a knife in his hand. For a moment all was silent; then came the forest maiden and her huntsman, wandering all unawares down the forest path. By the spring they took a clinging and affectionate farewell; then the man came forward, hurrying to his certain death.

This was too much. Lasse stood up. "Look out!" he cried in a choking voice: "look out!" Those behind him pulled his coat and scolded him. "No, devil take you all, I won't hold my tongue!" he cried, and laid about him. And then he leaned forward again: "Look where you're going, d'you hear! Your life is at stake! They're hiding behind the fallen tree!"

The huntsman stood where he was and stared up, and the two assassins had risen to their feet and were staring, and the actors and actresses came through from the wings and gazed upward over the auditorium. Lasse saw that the man was saved, but now he had to suffer for his services; the manager wanted to throw him out. "I can perfectly well go by myself," he said. "An honorable man is one too many in this company!" In the street below he talked aloud to himself; he was in a blazing temper.

"It was only a play," said Pelle dejectedly. In his heart he was ashamed of his father.

"You needn't try to teach me about that! I know very well that it all happened long ago and that I can do nothing to alter it, not if I was to stand on my head. But that such low doings should be brought to life again! If the others had felt as I did we should have taken the lord and thrashed him to death, even if it did come a hundred years too late!"

"Why—but that was Actor West, who comes to our workshop every day."

"Is that so? Actor West, eh? Then you are Actor Codfish, to let yourself be imposed on like that! I have met people before now who had the gift of falling asleep and conjuring up long dead people in their place—but not so real as here, you understand. If you had been behind the curtain you would have seen West lying there like dead, while he, the other one—the Devil—was carrying on and ordering everybody about. It's a gift I'd rather not have; a dangerous game! If the others forget the word of command that brings him back into the body it would be all up with him, and the other would take his place."

"But that is all superstition! When I know it's West in a play—why,
I recognized him at once!"

"Oh, of course! You are always the cleverer! You'd like a dispute with the devil himself every day! So it was only a show? When he was rolling the whites of his eyes in his frantic lust! You believe me—if she hadn't had that knife he would have fallen on her and satisfied his desire in front of everybody! Because if you conjure up long bygone times the action has to have its way, however many there are to see. But that they should do it for money—for money —ugh! And now I'm going home!" Lasse would say nothing more, but had the horses harnessed.

"You had best not go there again," he said at parting. "But if it
has got hold of you already, at least put a knife in your pocket.
Yes, and we'll send you your washing by Butcher Jensen, one
Saturday, soon."

Pelle went to the theater as before; he had a shrewd idea that it was only a play, but there was something mysterious about it; people must have a supernatural gift who evening after evening could so entirely alter their appearance and so completely enter into the people they represented. Pelle thought he would like to become an actor if he could only climb high enough.

The players created a considerable excitement when they strolled through the streets with their napping clothes and queer head-gear; people ran to their windows to see them, the old folk peeping over their shoulders. The town was as though transformed as long as they were in it.

Every mind had taken a perverse direction. The girls cried out in their sleep and dreamed of abductions; they even left their windows a little open; and every young fellow was ready to run away with the players. Those who were not theater-mad attended religious meetings in order to combat the evil.

And one day the players disappeared—as they had come—and left a cloud of debts behind them. "Devil's trash!" said the master with his despondent expression. "They've tricked us! But, all the same, they were fine fellows in their way, and they had seen the world!"

But after these happenings he could by no means get warm again. He crawled into bed and spent the best part of the month lying there.

XII

It can be very cozy on those winter evenings when everybody sits at home in the workshop and passes the time by doing nothing, because it is so dark and cold out of doors, and one has nowhere to go to. To stand about by the skating-ponds and to look on, frozen, while others go swinging past—well, Pelle has had enough of it; and as for strolling up the street toward the north, and then turning about and returning toward the south, and turning yet again, up and down the selfsame street—well, there is nothing in it unless one has good warm clothes and a girl whose waist one can hold. And Morten too is no fresh-air disciple; he is freezing, and wants to sit in the warmth.

So they slink into the workshop as soon as it begins to grow dark, and they take out the key and hang it on the nail in the entry, in order to deceive Jeppe, and then they secretly make a fire in the stove, placing a screen in front of it, so that Jeppe shall not see the light from it when he makes his rounds past the workshop windows. They crouch together on the ledge at the bottom of the stove, each with an arm round the other's shoulder, and Morten tells Pelle about the books he has read.

"Why do you do nothing but read those stupid books?" asks Pelle, when he has listened for a time.

"Because I want to know something about life and about the world," answers Morten, out of the darkness.

"Of the world?" says Pelle, in a contemptuous tone. "I want to go out into the world and see things—what's in the books is only lies. But go on."

And Morten goes on, good-natured as always. And in the midst of his narrative something suddenly occurs to him, and he pulls a paper packet from his breast-pocket: "That's chocolate from Bodil," he says, and breaks the stick in two.

"Where had she put it?" asks Pelle.

"Under the sheet—I felt something hard under my back when
I lay down."

The boys laugh, while they nibble at the chocolate. Suddenly Pelle says: "Bodil, she's a child-seducer! She enticed Hans Peter away from Stone Farm—and he was only fifteen!"

Morten does not reply; but after a time his head sinks on Pelle's shoulder—his body is twitching.

"Well, you are seventeen," says Pelle, consoling. "But it's silly all the same; she might well be your mother—apart from her age." And they both laugh.

It can be still cozier on work-day evenings. Then the fire is burning openly in the stove, even after eight o'clock, and the lamp is shining, and Morten is there again. People come from all directions and look in for a moment's visit, and the cold, an impediment to everything else, awakens all sorts of notable reminiscences. It is as though the world itself comes creeping into the workshop. Jeppe conjures up his apprentice years in the capital, and tells of the great bankruptcy; he goes right back to the beginning of the century, to a wonderful old capital where the old people wore wigs, and the rope's-end was always at hand and the apprentices just kept body and soul together, begging on Sundays before the doors of the townsfolk. Ah, those were times! And he comes home and wants to settle down as master, but the guild won't accept him; he is too young. So he goes to sea as cook, and comes to places down south where the sun burns so fiercely that the pitch melts in the seams and the deck scorches one's feet. They are a merry band, and Jeppe, little as he is, by no means lags behind the rest. In Malaga they storm a tavern, throw all the Spaniards out of the window, and sport with the girls—until the whole town falls upon them and they have to fly to their boat. Jeppe cannot keep up with them, and the boat shoves off, so that he has to jump into the water and swim for it. Knives fall splashing about him in the water, and one sticks shivering in his shoulder-blades. When Jeppe comes to this he always begins to strip his back to show the scar, and Master Andres holds him back. Pelle and Morten have heard the story many a time, but they are willing always to hear it again.

And Baker Jorgen, who for the greater part of his life has been a seaman on the big vessels sailing the northern and southern oceans, talks about capstans and icebergs and beautiful black women from the West Indies. He sets the capstan turning, so that the great three-master makes sail out of the Havana roadstead, and all his hearers feel their hearts grow light.

"Heave ho, the capstan,
Waltz her well along!
Leave the girl a-weeping,
Strike up the song!"

So they walk round and round, twelve men with their breasts pressed against the heavy capstan-bars; the anchor is weighed, and the sail fills with the wind—and behind and through his words gleam the features of a sweetheart in every port. Bjerregrav cannot help crossing himself—he who has never accomplished anything, except to feel for the poor; but in the young master's eyes everybody travels—round and round the world, round and round the world. And Wooden-leg Larsen, who in winter is quite the well-to-do pensioner, in blue pilot-coat and fur cap, leaves his pretty, solidly-built cottage when the Spring comes, and sallies forth into the world as a poor organ-grinder—he tells them of the Zoological Gardens on the hill, and the adventurous Holm-Street, and of extraordinary beings who live upon the dustbins in the back-yards of the capital.

But Pelle's body creaks whenever he moves; his bones are growing and seeking to stretch themselves; he feels growth and restlessness in every part and corner of his being. He is the first to whom the Spring comes; one day it announces itself in him in the form of a curiosity as to what his appearance is like. Pelle has never asked himself this question before; and the scrap of looking-glass which he begged from the glazier from whom he fetches the glass scrapers tells him nothing truly. He has at bottom a feeling that he is an impossible person.

He begins to give heed to the opinions of others respecting his outward appearance; now and again a girl looks after him, and his cheeks are no longer so fat that people can chaff him about them. His fair hair is wavy; the lucky curl on his forehead is still visible as an obstinate little streak; but his ears are still terribly big, and it is of no use to pull his cap over them, in order to press them close to his head. But he is tall and well-grown for his age, and the air of the workshop has been powerless to spoil his ruddy complexion; and he is afraid of nothing in the world— particularly when he is angry. He thinks out a hundred different kinds of exercise in order to satisfy the demands of his body, but it is of no use. If he only bends over his hammer-work he feels it in every joint of his body.

And then one day the ice breaks and goes out to sea. Ships are fitted out again, and provisioned, and follow the ice, and the people of the town awake to the idea of a new life, and begin to think of green woods and summer clothing.

And one day the fishing-boats arrive! They come gliding across from Hellavik and Nogesund on the Swedish coast. They cut swiftly through the water, heeling far over under their queer lateen sails, like hungry sea-birds that sweep the waves with one wing-tip in their search for booty. A mile to seaward the fishermen of the town receive them with gunshots; they have no permission to anchor in the fishing port, but have to rent moorings for themselves in the old ship's harbor, and to spread out the gear to dry toward the north. The craftsmen of the town come flocking down to the harbor, discussing the foreign thieves who have come from a poorer country in order to take the bread out of the mouths of the townsfolk; for they are inured to all weathers, and full of courage, and are successful in their fishing. They say the same things every Spring, but when they want to buy herrings they deal with the Swedes, who sell more cheaply than the Bornholmers. "Perhaps our fishermen wear leather boots?" inquires Jeppe. "No, they wear wooden shoes week- days and Sunday alike. Let the wooden-shoe makers deal with them—I buy where the fish is cheapest!"

It is as though the Spring in person has arrived with these thin, sinewy figures, who go singing through the streets, challenging the petty envy of the town. There are women, too, on every boat, to mend and clean the gear, and they pass the workshop in crowds, searching for their old lodgings in the poor part of the town near the "Great Power's" home. Pelle's heart leaps at the sight of these young women, with pretty slippers on their feet, black shawls round their oval faces, and many fine colors in their dress. His mind is full of shadowy memories of his childhood, which have lain as quiet as though they were indeed extinguished; vague traditions of a time that he has experienced but can no longer remember; it is like a warm breath of air from another and unknown existence.

If it happens that one or another of these girls has a little child on her arm, then the town has something to talk about. Is it Merchant Lund again, as it was last year? Lund, who since then had been known only as "the Herring Merchant"? Or is it some sixteen- year-old apprentice, a scandal to his pastor and schoolmaster, whose hands he has only just left?

Then Jens goes forth with his concertina, and Pelle makes haste with his tidying up, and he and Morten hurry up to Gallows Hill, hand-in- hand, for Morten finds it difficult to run so quickly. All that the town possesses of reckless youth is there; but the Swedish girls take the lead. They dance and whirl until their slippers fly off, and little battles are fought over them. But on Saturdays the boats do not go to sea; then the men turn up, with smouldering brows, and claim their women, and then there is great slaughter.

Pelle enters into it all eagerly; here he finds an opportunity of that exercise of which his handicraft deprives his body. He hungers for heroic deeds, and presses so close to the fighters that now and again he gets a blow himself. He dances with Morten, and plucks up courage to ask one of the girls to dance with him; he is shy, and dances like a leaping kid in order to banish his shyness; and in the midst of the dance he takes to his heels and leaves the girl standing there. "Damned silly!" say the onlookers, and he hears them laughing behind him. He has a peculiar manner of entering into all this recklessness which lets the body claim its due without thought for the following day and the following year. If some man-hunting young woman tries to capture his youth he lashes out behind, and with a few wanton leaps he is off and away. But he loves to join in the singing when the men and women go homeward with closely-twined arms, and he and Morten follow them, they too with their arms about each other. Then the moon builds her bridge of light across the sea, and in the pinewood, where a white mist lies over the tree-tops, a song rises from every path, heard as a lulling music in the haunts of the wandering couples; insistently melancholy in its meaning, but issuing from the lightest hearts. It is just the kind of song to express their happiness.

"Put up, put up thy golden hair;
A son thou'lt have before a year—
No help in thy clamor and crying!
In forty weeks may'st look for me.
I come to ask how it fares with thee.
The forty weeks were left behind.
And sad she was and sick of mind,
And fell to her clamor and crying—"

And the song continues as they go through the town, couple after couple, wandering as they list. The quiet winding closes ring with songs of love and death, so that the old townsfolk lift their heads from their pillows, and, their nightcaps pushed to one side, wag gravely at all this frivolity. But youth knows nothing of this; it plunges reveling onward, with its surging blood. And one day the old people have the best of it; the blood surges no longer, but there they are, and there are the consequences, and the consequences demand paternity and maintenance. "Didn't we say so?" cry the old folk; but the young ones hang their heads, and foresee a long, crippled existence, with a hasty marriage or continual payments to a strange woman, while all through their lives a shadow of degradation and ridicule clings to them; both their wives and their company must be taken from beneath them. They talk no longer of going out into the world and making their way; they used to strut arrogantly before the old folk and demand free play for their youth, but now they go meekly in harness with hanging heads, and blink shamefacedly at the mention of their one heroic deed. And those who cannot endure their fate must leave the country secretly and by night, or swear themselves free.

The young master has his own way of enjoying himself. He takes no part in the chase after the girls; but when the sunlight is really warm, he sits before the workshop window and lets it warm his back. "Ah, that's glorious!" he says, shaking himself. Pelle has to feel his fur jacket to see how powerful the sun is. "Thank God, now we have the spring here!"

Inside the workshop they whistle and sing to the hammer-strokes; there are times when the dark room sounds like a bird-shop. "Thank God, now we have the spring!" says Master Andres over and over again, "but the messenger of spring doesn't seem to be coming this year."

"Perhaps he is dead," says little Nikas.

"Garibaldi dead? Good Lord! he won't die just yet. All the years I can remember he has looked just as he does now and has drunk just as hard. Lord of my body! but how he has boozed in his time, the rascal! But you won't find his equal as a shoemaker all the world over."

Date: 2016-01-03; view: 406