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Explanation for Quotation 2

Frodo shares this calm reflection with Sam at the end of Book VI, Chapter 3, as Mount Doom explodes and crumbles around them. Their somewhat leisurely conversation belies the fact that they have suffered from exhaustion and physical danger for so long, as well as the fact that Mordor is rupturing into a virtual apocalypse around them. The moment highlights one of Tolkien’s strongest narrative devices—the juxtaposition of intimate personal moments against the backdrop of cosmic or earthly crises. This tension between the great and the small drives the entire plot of The Lord of the Rings—which revolves around the idea of two lowly hobbits not simply embarking on a quest but, as the critic Roger Sale puts it, descending into hell. Tolkien uses the device to emphasize the deep friendship between Frodo and Sam. Not only does the physical destruction of Mount Doom signal the climax of Tolkien’s tale, but it also suggests that the moment represents the pinnacle of the two hobbits’ friendship.

 

Frodo himself points out another irony: it is not he who finishes the quest they have traveled so far to achieve, but Gollum, the Ring’s greatest hoarder, who has completed the task. Frodo cites Gandalf’s prediction from the early chapters of The Fellowship of the Ring—that Gollum would invariably play a part in the fate of the Ring. Frodo has shown great patience and mercy toward Gollum throughout the second half of the quest. It remains unclear to what degree Gandalf’s foreshadowing has remained in the back of Frodo’s mind, inspiring his clemency for the miserable Gollum. Either way, a sense of divine providence and fate looms over the events that transpire at the Cracks of Doom, evoking a perfect blend of chance and retribution in Gollum’s fall. In this regard, Frodo and Sam’s calm discussion of Gollum’s actions in light of the destruction around them hints that a greater, unknown power of good is protecting them.

 

FAITH AND FANTASY: TOLKIEN THE CATHOLIC, THE LORD OF THE RINGS, AND PETER JACKSON’S FILM TRILOGY Steven D. Greydanus

http://www.decentfilms.com/articles/faithandfantasy.html

(abstract)

Note: This article refers to important, even climactic plot points in J. R. R. Tolkien’s The Lord of the Rings necessary to this overview of the spiritual significance of Tolkien’s work. If you haven’t read the books and wish to be able to do so (or to watch the films) without knowing in advance what will happen, please do so before reading this article.

 

J. R. R. Tolkien once described his epic masterpiece The Lord of the Rings as "a fundamentally religious and Catholic work." Yet nowhere in its pages is there any mention of religion, let alone of the Catholic Church, Christ, or even God. Tolkien’s hobbits have no religious practices or cult; of prayer, sacrifice, or corporate worship there is no sign. <…> How then can The Lord of the Rings be in any sense described as a fundamentally Catholic work, or even a religious one?

 


Date: 2015-12-24; view: 685


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