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The Importance of Redemption

 

Redemption—the ability to renew another’s life—is a capacity that few of the Fellowship’s members possess. As the rightful King of Gondor, only Aragorn can redeem another by his power, as his words possess the ability to direct, by royal edict, the fate of his subjects. Nevertheless, throughout The Lord of the Rings, the protagonists are faced with opportunities to extend mercy to others, often at the risk of losing sight of the goal of their larger mission. Tolkien suggests that mercy must always be extended to others, regardless of the risks such an offering poses.

 

Gandalf and Frodo, more than any other characters, repeatedly offer mercy and the possibility of redemption to others. At Minas Tirith, Gandalf turns from pursuing the Lord of the Nazgûl to save Faramir from the burning pyre and to offer aid and a second chance to the desperate Lord Denethor. Gandalf continually offers redemption to the corrupt wizard Saruman up through their last meeting. Time and again, Frodo offers mercy to Gollum, pardoning Gollum’s offenses and entrusting his journey to the creature and his devices. Often, the offer of redemption jeopardizes the success of the quest itself.

 

By having Gandalf and Frodo extend second chances to others again and again, Tolkien emphasizes the importance of free will. Gandalf’s intervention in The Two Towers transforms Théoden, who suddenly realizes that evil is not his only available choice. Denethor’s evil, in contrast, stems from his belief that Sauron’s evil lies are an inescapable necessity. Furthermore, Tolkien suggests that the act of offering redemption demonstrates a trust in the justice of providence or fate. Gollum ultimately betrays Frodo’s confidence, trying to destroy Frodo to gain the Ring. Frodo’s patience with Gollum, however, prompts the creature to follow Frodo all the way to the Cracks of Doom. In the end, good does come of Gollum, as, in a cruel twist of irony, his mischief destroys the Ring in the Cracks of Doom.

Fate and Free Will

Gandalf in one scene discusses the possibility that Bilbo was meant to find the Ring, and that Gollum has an important part to play, the clearest testament to the role of fate in The Lord of the Rings. Beyond Gandalf's words, the story is structured in such a way that past decisions have a critical influence on current events. For instance, because Bilbo and Frodo spared Gollum, Gollum was able to destroy the Ring when Frodo fails to do so.

 

The role of fate in The Lord of the Rings is contrasted sharply with the prominent role also given to choice and free will. Frodo's choice to bear the Ring to Mordor is seen to be an act of will central to the plot of the whole story. Equally important is Frodo's willing offer of the Ring to Gandalf, Aragorn, and Galadriel, and their willing refusal of it. Thus, free will as well as fate is seen to be a constant theme throughout the story: from old Gaffer Gamgee's wheelbarrow to Arwen Evenstar's choice of mortality.



Loss and Farewell

From the beginning of Tolkien's mythos, there has been a consistent theme of great beauty and joy failing and disappearing before the passage of time and the onslaught of the powers of evil. In The Silmarillion, Melkor uses his powers first to destroy the works of his fellow Valar and as this ultimately fails he uses his ally Ungoliant to destroy the Two Trees that gave the blessed land of Aman its light.

 

Fëanor, prince of the Noldor, first loses his father and then his greatest creations, the Silmarils, through the machinations of the evil Morgoth. By his fault Elven blood is for the first time spilled on the ground of Eldamar and the Noldor give away both their home and their innocence. Mandos, the Doomsayer himself, proclaims judgement over the Noldor and reveals to them that none of them shall find peace or rest until their oath has been fulfilled or their souls come to the House of Spirits.

 

Finally, in one of the appendices to The Return of the King, after nearly two hundred years of life Aragorn dies in his deathbed, leaving behind a lonely and now-mortal Arwen, who travels to what is left of Lothlórien to herself die on a flat stone next to the river Nimrodel, having returned to one of the few places of true happiness she knew in her life.

 

This theme is seen in the weight of the past borne in the language of the whole novel and in specific portions, such as Gilraen's linnod and the Lament of the Rohirrim.


Date: 2015-12-24; view: 1064


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