The Story of RINA MARLOWE 1 page

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Book Four

CAREFULLY RINA CLOSED THE MAGAZINE, turning down the corner of the page that she had been reading, and let it drop on the white sheet that covered her.

"Did you want something, dear?" Ilene's voice came from the deep armchair near the bed.

Rina turned to look at her. Ilene's face was thinned by concern. "No," Rina said. "What time is it?"

Ilene looked down at her watch. "Three o'clock."

"Oh," Rina said. "What time did the doctor say he'd come?"

"Four," Ilene answered. "There's nothing I can get for you?"

Rina shook her head. "No, thanks. I'm fine." She picked up the magazine again, riffled through the pages, then threw it back on the coverlet. "I wish to hell they'd let me out of here!"

Ilene was out of the chair now. She looked down at Rina from the side of the bed. "Don't fret," she said quickly. "You'll be out soon enough. Then you'll wish you were still here. I heard that the studio's just waiting for you to get out so they can put you to work in Madame Pompadour."

Rina sighed. "Not that old chestnut again. Every time they get stuck for a picture, they take that one down off the shelf and dust it off. Then they make a big announcement and as soon as they get all the trade stories and publicity they can, back it goes on the shelf."

"Not this time," Ilene said earnestly. "I spoke to Bernie Norman in New York yesterday. He has a new writer on it and said the script was shaping up great. He says it's got social significance now."

Rina smiled. "Social significance? Who's writing it — Eugene O'Neill?"

Ilene stared at her. "You knew all the time."

Rina shook her head. "No, I didn't. It was just a wild guess. Has Bernie really got O'Neill?"

Ilene nodded. "He expects to have a copy of the script sent over to you as soon as O'Neill is finished."

Despite herself, Rina was impressed. Maybe this time, Bernie really meant it. She felt a surge of excitement flow into her. O'Neill was a writer, not an ordinary Hollywood hack. He could make something of the story. Then the excitement drained out of her, leaving her even more weary than before. Social significance. Everything that was done these days bore the tag. Ever since Roosevelt took office.

"What time is it?"

"Ten after three," Ilene answered.

Rina leaned back against the pillow. "Why don't you go out and get a cup of coffee?"

Ilene smiled. "I’m all right."

"You've been here all day."

"I want to be here," Ilene answered.

"You go." Rina closed her eyes. "I think I'll take a little nap before the doctor comes."

Ilene stood there for a moment, until she heard the soft, shallow breath of rest. Then gently she straightened the covers and looked into Rina's face. The large eyes were closed, the cheeks thin and drawn tightly across the high cheekbones. There was a faintly blue pallor beneath the California tan. She reached down and brushed the white-blond hair back from Rina's forehead, then quickly kissed the tired mouth and left the room.

The nurse seated in the outer room looked up. "I’m going down for a cup of coffee," Ilene said. "She's sleeping."

The nurse smiled with professional assurance. "Don't worry, Miss Gaillard," she said. "Sleep is the best thing for her."

Ilene nodded and went out into the corridor. She felt the tightness in her chest, the mist that constantly had pressed against her eyes these last few weeks. She came out of the elevator and started for the coffee shop.

Still lost in her thoughts, she didn't hear the doctor until her hand was on the door. "Miss Gaillard?" For a moment, she had no voice. She could only nod dumbly. "Mind if I join you?"

"Not at all," she said.

He smiled and held the door open for her. They went inside to a corner table. The doctor waved his hand and two cups of coffee appeared before them. "How about a bun?" he asked. "You look as if you could use a little food." He laughed in his professional manner. "There's no sense in having another patient just now."

"No, thank you," she said. "The coffee will do fine."

The doctor put down his coffee cup. "Good coffee."

She nodded. "Rina is sleeping." She said the first thing that came into her mind.

"Good." The doctor nodded, looking at her. His dark eyes shone brightly through the bifocals. "Does Miss Marlowe have any relatives out here?"

"No," Ilene answered quickly. Then the implication hit her. She stared at him. "You mean . . ." Her voice trailed off.

"I don't mean anything," the doctor said. "It's just that in cases like this, we like to know the names of the next of kin in case something does happen."

"Rina has no relatives that I know of."

The doctor looked at her curiously. "What about her husband?"

"Who?" Ilene's voice was puzzled.

"Isn't she married to Nevada Smith?" the doctor asked.

"She was," Ilene answered. "But they were divorced three years ago. She's been married since then to Claude Dunbar, the director."

"That ended in divorce, too?"

"No," Ilene answered tersely. Her lips tightened. "He committed suicide, after they'd been married a little over a year."

"Oh," the doctor said. "I’m sorry. I guess I haven't had much time these last few years to keep up with things."

"If there's anything special that needs to be done, I guess I’m the one who could do it," she said. "I'm her closest friend. She gave me power of attorney."

The doctor stared at her silently. She could read what was in his mind behind those shining bifocals. She drew her head up proudly. What did it matter what he thought? What did it matter what anyone thought now?

"Did you get the results from the blood tests?"

The doctor nodded.

She tried to keep her voice from shaking. "Is it leukemia?"

"No," he said. He could see the hope spring up in her eyes. Quickly he spoke to avoid the pain of disappointment. "It was what we thought. Encephalitis." He noted her puzzled expression. "Sometimes it's called sleeping sickness."

The hope in Ilene refused to die. "Then she has a chance?"

"A very small one," the doctor said, still watching her carefully. "But if she lives, there's no telling what she'll be like."

"What do you mean?" Ilene asked harshly.

"Encephalitis is a virus that settles in the brain," he explained slowly. "For the next four or five days, as the virus builds up in intensity, she will be subject to extraordinary high fevers. During these fevers, the virus will attack the brain. It is only after the fever breaks that we'll be able to tell how much damage she has sustained."

"You mean her mind will be gone?" Ilene's eyes were large with horror.

"I don't know," the doctor said. "The damage can take many forms. Her mind; perhaps she'll be paralyzed or partly so; she may know her own name, she may not. The residual effects are similar to a stroke. It depends on what part of the brain has been damaged."

The sick fear came up inside her. Quickly she caught her breath against it, her face paling. "Breathe deeply and sip a little water," the doctor said.

She did as he commanded and the color flooded back into her face. "Is there anything we can do? Anything at all?"

"We're doing everything we can. We know so little about the disease; how it's transmitted. In its more common form, in tropical countries, it's supposed to be carried by insects and transmitted by their bite. But many cases, in the United States and elsewhere, just appear, with no apparent causation at all."

"We just got back from Africa three months ago," Ilene said. "We made a picture there."

"I know," the doctor said. "Miss Marlowe told me about it. That was what first made me suspicious."

"But no one else is sick," Ilene said. "And we were all out there for three months, living exactly the same way, in the same places."

The doctor shrugged. "As I said, we aren't really sure what causes it."

Ilene stared at him. A note of bewilderment crept into her voice. "Why couldn't it be me?" she asked. "She has so much to live for."

The doctor reached across the table and patted her hand. With that one warm gesture, she no longer resented him, as she did most men. "How many times in my life have I heard that question? And I'm no closer to the answer now than when I first began to practice."

She looked at him gratefully. "Do you think we should say anything to her?"

His dark eyes grew large behind his glasses. "What purpose would it serve?" he asked. "Let her have her dreams."

Rina heard the dim voices outside the door. She was tired, weary and tired, and everything was a soft, blurred haze. Vaguely she wondered if the dream would come again. The thin edges of it poked at her mind. Good. It was coming.

Softly, comfortably now, she let herself slip down into it. Further and further she felt herself dropping into the dream. She smiled unconsciously and turned her face against the pillow. Now she was surrounded by her dream. The dream of death she had dreamed ever since she was a little girl.

IT WAS COOL IN THE YARD BENEATH THE SHADE of the giant old apple trees. Rina sat in the grass and arranged the dolls around the small wooden plank that served as a table.

"Now, Susie," she said to the little dark-haired doll. "You must not gulp your food."

The black eyes of the doll stared unwinkingly back at her.

"Oh, Susie!" she said in imaginary concern. "You spilled it all over your dress! Now I'll have to change you again."

She picked up the doll and undressed it quickly. She washed the clothes in an imaginary tub, then ironed them. "Now you stay clean," she exclaimed in pretended anger.

She turned to the other doll. "Are you enjoying your breakfast, Mary?" She smiled. "Eat it all up. It'll make you big and strong."

Occasionally, she would glance toward the big house. She was happy to be left alone. It wasn't very often that she was. Usually, one or the other of the servants would be calling her to come back in. Then her mother would scold her and tell her that she was not to play in the yard, that she must stay near the kitchen door at the far side of the house.

But she didn't like it there. It was hot and there was no grass, only dirt. Besides, it was near the stables and the smell of the horses. She didn't understand why her mother always made such a fuss. Mr. and Mrs. Marlowe never said anything when they found her there. Once, Mr. Marlowe even had picked her up and swung her high over his head, tickling her with his mustache until she almost burst with hysterical laughter.

But when she'd come inside, her mother had been angry and had spanked her bottom and made her go up to their room and stay there all afternoon. That was the worst punishment of all. She loved to be in the kitchen while her mother cooked the dinner. Everything smelled so good. Everybody always said her mother was the best cook the Marlowes had ever had.

She heard footsteps and looked up. Ronald Marlowe threw himself to the ground beside her. She looked down again and finished feeding Susie, then said in a matter-of-fact voice, "Would you like some dinner, Laddie?"

He sniffed disdainfully from the superiority of his lofty eight years. "I don't see anything to eat."

She turned toward him. "You're not looking," she said. She forced a doll's plate into his hand, "Eat it. It's very good for you."

Reluctantly he pretended to eat. After a moment, he was bored and got to his feet. "I’m hungry," he said. "I’m going in and get some real food."

"You won't get any," she said.

"Why not?"

"Because my mommy's still sick and nobody cooked."

"I'll get something," he said confidently.

She watched him walk away and turned back to her dolls. It was turning dusk when Molly, the upstairs maid, came out looking for her. The girl's face was red from crying. "Come, macushla," she said, sweeping Rina up in her arms. "It's your mither that wants to set eyes on ye again."

Peters, the coachman, was there, as was Mary, the downstairs maid, and Annie, the scullery helper. They were standing around her mother's bed and they made way for her as she came over. There was also a man in a black suit, holding a cross in his hand.

She stood very still near the bed, looking at her mother solemnly. Her mother looked beautiful, her face so white and calm, her white-blond hair brushed back softly from her forehead. Rina moved closer to the bed.

Her mother's lips moved but Rina couldn't hear what she was saying. The man in the black suit picked her up. "Kiss your mother, child," he said.

Obediently Rina kissed her mother's cheek. It was cool to her lips. Her mother smiled again and closed her eyes, then suddenly opened them and looked upward unseeingly. Quickly the man shifted Rina to his other arm. He reached down and closed her mother's eyes.

Molly held out her arms and the man gave Rina to her. Rina looked back at her mother. She was sleeping now. She looked beautiful, just as she did in the early mornings when Rina would awaken and stare at her over the edge of the bed.

Rina looked around the room at the others. The girls were crying, and even Peters, the coachman, had tears in his eyes. She looked up into Molly's face. "Why are you crying?" she asked solemnly. "Is my mommy dead?"

The tears came afresh in the girl's eyes. She hugged Rina closely to her. "Hush, child," she whispered. "We're crying because we love her."

She started out of the room with Rina in her arms. The door closed behind them and Rina looked up into her face. "Will Mommy be up in time to make breakfast tomorrow?"

Molly stared at her in sudden understanding. Then she sank to her knees in the hallway at the top of the back stairs. She rocked back and forth with the child in her arms. "Oh, my poor little child, my poor little orphan child," she cried.

Rina looked up at her and after a moment, the tears became contagious and she, too, began to cry. But she didn't quite know why.

Peters came into the kitchen while the servants were eating supper. Rina looked up at him and smiled. "Look, Mr. Peters." She laughed happily. "I had three desserts!"

Molly looked down at her. "Hush, child," she said quickly, the tears coming again to her eyes. "Finish your ice cream."

Rina stared at her thoughtfully and lifted the spoon again to her mouth. She couldn't understand why the girls began to cry every time they spoke to her. The home-made vanilla ice cream tasted cool and sweet. She took another spoonful.

"I just spoke to the master," Peters said. "He said it would be all right if we laid her out in my room over the stable. And Father Nolan said we could bury her from St. Thomas'."

"But how can we?" Molly cried, "when we don't even know if she was a Catholic? Not once in the three years she's been here did she go to Mass."

"What difference does that make?" Peters asked angrily. "Did she not make her confession to Father Nolan? Did she not receive the last rites from him and take the Holy Sacraments? Father Nolan is satisfied that she was a Catholic."

Mary, the downstairs maid, who was the oldest of the three girls, nodded her head in agreement. "I think Father Nolan is right," she said. "Maybe she'd done something and was afraid to go to Mass, but the important thing was that she came back to the church in the end."

Peters nodded his head emphatically. "It's settled, then," he said, starting for the door. He stopped and looked back at them. "Molly, take the child to sleep with you tonight. I'm goin' down to the saloon and get sivral of the boys to help me move her tonight. Father Nolan said he'd send Mr. Collins over to fix her up. He told me the church would pay for it."

"Oh, the good Father," Mary said.

"Bless him," Annie said, crossing herself.

"Can I have some more ice cream?" Rina asked.

There was a knock at the door and Molly opened it quickly. "Oh, it's you, mum," she exclaimed in a whisper.

"I came to see if the child was all right," Geraldine Marlowe said.

The girl stepped back. "Won't you come in, mum?"

Mrs. Marlowe looked over at the bed. Rina was sleeping soundly, her dolls, Susie and Mary, on either side of her. Her white-blond hair hung in tiny ringlets around her head. "How is she?"

"Fine, mum." The girl bobbed her head. "The poor darlin' was so exhausted with the excitement, she dropped off like that. Mercifully she doesn't understand. She's too young."

Geraldine Marlowe looked at the child again. For a moment, she thought of how it would be if she were the one to go, leaving her Laddie alone and motherless. Though, in a way, that was different, for Laddie would still have his father.

She remembered the day she had hired Rina's mother. Her references were very good although she had not worked for several years. "I have a child, ma'am," she'd said in her peculiarly precise schoolbook English. "A little girl, two years old."

"What about your husband, Mrs. Osterlaag?"

"He went down with his ship. He and the child never saw each other." She'd looked down at the floor for a moment. "We had the child late in life, ma'am. We Finns don't marry young; we wait until we can afford it. I lived on our savings as long as I could. I must go back to work."

Mrs. Marlowe had hesitated. A two-year-old child might turn out to be an annoyance.

"Rina would be no problem, ma'am. She's a good child and very quiet. She can sleep in my room and I'd be willing to have you take out of my wages for her board."

Mrs. Marlowe had always wanted a little girl but after Laddie was born, the doctor had told her there would be no more children. It would be good for Laddie to have someone to play with. He was getting entirely too spoiled.

She'd smiled suddenly. "There will be no deduction from your wages, Mrs. Osterlaag. After all, how much can a little girl eat?"

That had been almost three years ago. And Rina's mother had been right. Rina had been no trouble at all.

"What will happen to the child, mum?" Molly whispered.

Mrs. Marlowe turned to the servant girl. "I don't know," she said, thinking about it for the first time. "Mr. Marlowe is going to inquire in town tomorrow about her relatives."

The servant girl shook her head. "He won't find any, mum," she said positively. "I often heard the mither say there was no family at all." Her eyes began to fill with tears. "Oh, the poor, poor darlin'. Now she'll have to go to the county home."

Mrs. Marlowe felt a lump come up in her throat. She looked down at Rina, sleeping peacefully in the bed. She could feel the tears stirring behind her own eyes. "Stop your crying, Molly," she said sharply. "I'm sure she won't have to go to the county home. Mr. Marlowe will locate her family."

"But what if he doesn't?"

"Then we’ll think of something," she said. She crossed the room and stepped quickly out into the narrow hallway. There was a scuffling sound behind her. She turned around.

"Aisy now, boys!" She heard Peters' voice. Then he appeared, backing through the doorway across the hall. She pressed herself back to let them pass.

"Beggin' your pardon, mum," he said, his face flushed with exertion. "A sad, sad thing."

They went past with their shrouded burden, impregnating the still, warm air with a faint but unmistakable odor of beer. She wondered if she had done the right thing when she'd persuaded her husband to allow them to use the apartment over the stables. An Irish wake could well turn into a shambles.

She heard their heavy footsteps on the stairs as they carried Bertha Osterlaag, born in a small fishing village in Finland, down to her eventual funeral in a strange church, and her grave in a strange land.

HARRISON MARLOWE COULD SEE HIS WIFE'S HEAD bent over her embroidery from the doorway. He crossed the room quietly, and bending over the back of her chair, quickly kissed her cheek. His wife's voice held the usual delightful shock. "Oh, Harry! What if the servants are watching?"

"Not tonight." He laughed. "They're all thinking about their party. I see Mary's all dressed up."

A tone of reproach came into his wife's voice. "You know it's not a party they're having."

He crossed in front of her, still smiling. "That's not what they call it," he said. "But leave it to the Irish to make a party out of anything." He walked over to the sideboard. "A little sherry before dinner?"

"I think I’d like a Martini tonight, if you don't mind, dear," Geraldine said hesitantly.

He turned in half surprise. When they had been in Europe on their honeymoon a bartender in Paris had introduced them to the new drink and ever since, it had served as a sort of signal between them.

"Of course, my dear," he said. He pulled at the bell rope. Mary appeared in the doorway. "Some cracked ice, please, Mary."

The girl curtseyed and disappeared. He turned back to the sideboard and took down a bottle of gin, the French vermouth and a tiny bottle of orange bitters. Using a measuring jigger, he carefully poured three jiggers of gin into the cocktail shaker and one of vermouth. Then ceremoniously he allowed four drops of bitters to trickle into the shaker. By this time, the ice was already on the sideboard beside him and he filled the shaker to the brim with ice. Carefully he put the top on the shaker and began to shake vigorously.

At last, the drink was cold enough. He unscrewed the cap and carefully poured the contents into glasses. The shaker empty, he dropped a green olive into each glass, then stood back and surveyed them with approval. Each glass was filled to the brim — one more drop and it would overflow, one drop less and it would not be full.

Geraldine Marlowe lifted hers to her lips. She wrinkled her nose in approval. "It's delicious."

"Thank you," he said, lifting his own glass. "Your good health, my dear."

He put his glass down wonderingly and looked at his wife. Perhaps what he had heard was true — that women didn't really bloom until they were older, and then their desire increased. He calculated swiftly. He was thirty-four; that made Geraldine thirty-one. They had been married seven years and with the exception of their honeymoon, their life had assumed a pattern of regularity. But now, twice in less than a week. Perhaps it was true.

If it was, it was all right with him. He loved his wife. That was the only reason he went down to that house on South Street. To spare her the humiliation of having to endure him more than she wanted. He lifted his drink again.

"Did you find out anything about Bertha's family today?" she asked.

Harrison Marlowe shook his head. "There's no family anywhere. Perhaps in Europe, but we don't even know what town she came from."

Geraldine looked down at her drink. Its pale golden color glowed in the glass. "How terrible," she said quietly. "What will happen to the child now?"

Harrison shrugged his shoulders. "I don't know. I suppose I'll have to notify the authorities. She'll probably go to the county orphanage."

"We can't let that happen!" The words burst from Geraldine's lips involuntarily.

Harrison stared at her in surprise. "Why not?" he asked. "I don't see what else we can do."

"Why can't we just keep her?"

"You just can't," he said. "There are certain legalities involved. An orphaned child isn't like a chattel. You can't keep her because she happens to be left at your house."

"You can speak to the authorities," Geraldine said. "I'm sure they would prefer to leave her with us rather than have her become a public charge."

"I don't know," Harrison said. "They might want us to adopt her to make sure that she doesn't become a charge."

"Harry, what a wonderful idea!" Geraldine smiled and got out of her chair, then walked to her husband. "Now, why didn't I think of that?"

"Think of what?"

"Adopting Rina," Geraldine said. "I’m so proud of you. You have such a wonderful mind. You think of everything."

He stared at her speechlessly.

She placed her arms around his neck. "But then you always wanted a little girl around the house, didn't you? And Laddie would be so happy to have a little sister."

He felt the soft press of her body against him and the answering surge of warmth well up inside him.

She kissed him quickly on the lips, then, as quickly, turned her face away from him almost shyly as she felt his immediate response.

"Suddenly, I'm so excited," she whispered meaningfully, her face half hidden against his shoulder. "Do you think it would be all right if we had another Martini?"

Dandy Jim Callahan stood in the middle of his office, looking at them. He rubbed his chin thoughtfully. "I don't know," he said slowly. "It's a difficult thing you ask."

"But, surely, Mr. Mayor," Geraldine Marlowe said quickly, "you can do it."

The mayor shook his head. "It's not so easy as you think, my dear lady. You forget the church has something to say about this, too. After all, the mother was Catholic and you just can't take a Catholic child and turn it over to a Protestant family. At least, not in Boston. They'd never stand for it."

Geraldine turned away, the disappointment showing clearly in her face. It was then for the first time that she saw her husband as something other than the nice young Harvard boy she had married.

He stepped forward and there appeared in his voice a quality of strength that she had never heard before. "The church would like it even less if I were to prove that the mother was never a Catholic. They'd look pretty foolish then, wouldn't they?"

The mayor turned to him. "You have such proof?"

"I have," Marlowe said. He took a sheet of paper out of his pocket. "The mother's passport and the child's birth certificate. Both clearly state they were Protestant."

Dandy Jim took the papers from him and studied them. "If you had these, why didn't you stop them?"

"How could I?" Marlowe asked. "I didn't receive them until today. The servants and Father Nolan made all the arrangements last night. Besides, what difference does it make to the poor woman? She's getting a Christian burial."

Dandy Jim nodded and gave the papers back. "This will be very embarrassing to Father Nolan," he said. "A young priest with his first church making a mistake like that. The Bishop won't like it at all."

"The Bishop need never know," Marlowe said.

Dandy Jim stared at him thoughtfully but didn't speak.

Marlowe pressed. "There's an election coming up next year."

Dandy Jim nodded, "There's always an election."

"That's true," Marlowe said. "There will be other elections and campaigns. A candidate needs contributions almost as much as he needs votes."

Date: 2015-12-24; view: 712