Where is your God now? 2 page

The silence that followed might as well have been thunder.

Eleven‑fifty‑one P.M.

Necropolis literally means City of the Dead.

Nothing Robert Langdon had ever read about this place prepared him for the sight of it. The colossal subterranean hollow was filled with crumbling mausoleums, like small houses on the floor of a cave. The air smelled lifeless. An awkward grid of narrow walkways wound between the decaying memorials, most of which were fractured brick with marble platings. Like columns of dust, countless pillars of unexcavated earth rose up, supporting a dirt sky, which hung low over the penumbral hamlet.

City of the dead, Langdon thought, feeling trapped between academic wonder and raw fear. He and the others dashed deeper down the winding passages. Did I make the wrong choice?

Chartrand had been the first to fall under the camerlegno’s spell, yanking open the gate and declaring his faith in the camerlegno. Glick and Macri, at the camerlegno’s suggestion, had nobly agreed to provide light to the quest, although considering what accolades awaited them if they got out of here alive, their motivations were certainly suspect. Vittoria had been the least eager of all, and Langdon had seen in her eyes a wariness that looked, unsettlingly, a lot like female intuition.

It’s too late now, he thought, he and Vittoria dashing after the others. We’re committed.

Vittoria was silent, but Langdon knew they were thinking the same thing. Nine minutes is not enough time to get the hell out of Vatican City if the camerlegno is wrong.

As they ran on through the mausoleums, Langdon felt his legs tiring, noting to his surprise that the group was ascending a steady incline. The explanation, when it dawned on him, sent shivers to his core. The topography beneath his feet was that of Christ’s time. He was running up the original Vatican Hill! Langdon had heard Vatican scholars claim that St. Peter’s tomb was near the top of Vatican Hill, and he had always wondered how they knew. Now he understood. The damn hill is still here!

Langdon felt like he was running through the pages of history. Somewhere ahead was St. Peter’s tomb—the Christian relic. It was hard to imagine that the original grave had been marked only with a modest shrine. Not any more. As Peter’s eminence spread, new shrines were built on top of the old, and now, the homage stretched 440 feet overhead to the top of Michelangelo’s dome, the apex positioned directly over the original tomb within a fraction of an inch.

They continued ascending the sinuous passages. Langdon checked his watch. Eight minutes. He was beginning to wonder if he and Vittoria would be joining the deceased here permanently.

“Look out!” Glick yelled from behind them. “Snake holes!”

Langdon saw it in time. A series of small holes riddled the path before them. He leapt, just clearing them.

Vittoria jumped too, barely avoiding the narrow hollows. She looked uneasy as they ran on. “Snake holes?”

“Snack holes, actually,” Langdon corrected. “Trust me, you don’t want to know.” The holes, he had just realized, were libation tubes. The early Christians had believed in the resurrection of the flesh, and they’d used the holes to literally “feed the dead” by pouring milk and honey into crypts beneath the floor.

The camerlegno felt weak.

He dashed onward, his legs finding strength in his duty to God and man. Almost there. He was in incredible pain. The mind can bring so much more pain than the body. Still he felt tired. He knew he had precious little time.

“I will save your church, Father. I swear it.”

Despite the BBC lights behind him, for which he was grateful, the camerlegno carried his oil lamp high. I am a beacon in the darkness. I am the light. The lamp sloshed as he ran, and for an instant he feared the flammable oil might spill and burn him. He had experienced enough burned flesh for one evening.

As he approached the top of the hill, he was drenched in sweat, barely able to breathe. But when he emerged over the crest, he felt reborn. He staggered onto the flat piece of earth where he had stood many times. Here the path ended. The necropolis came to an abrupt halt at a wall of earth. A tiny marker read: Mausoleum S.

La tomba di San Pietro.

Before him, at waist level, was an opening in the wall. There was no gilded plaque here. No fanfare. Just a simple hole in the wall, beyond which lay a small grotto and a meager, crumbling sarcophagus. The camerlegno gazed into the hole and smiled in exhaustion. He could hear the others coming up the hill behind him. He set down his oil lamp and knelt to pray.

Thank you, God. It is almost over.

Outside in the square, surrounded by astounded cardinals, Cardinal Mortati stared up at the media screen and watched the drama unfold in the crypt below. He no longer knew what to believe. Had the entire world just witnessed what he had seen? Had God truly spoken to the camerlegno? Was the antimatter really going to appear on St. Peter’s—

“Look!” A gasp went up from the throngs.

“There!” Everyone was suddenly pointing at the screen. “It’s a miracle!”

Mortati looked up. The camera angle was unsteady, but it was clear enough. The image was unforgettable.

Filmed from behind, the camerlegno was kneeling in prayer on the earthen floor. In front of him was a rough‑hewn hole in the wall. Inside the hollow, among the rubble of ancient stone, was a terra cotta casket. Although Mortati had seen the coffin only once in his life, he knew beyond a doubt what it contained.

San Pietro.

Mortati was not naive enough to think that the shouts of joy and amazement now thundering through the crowd were exaltations from bearing witness to one of Christianity’s most sacred relics. St. Peter’s tomb was not what had people falling to their knees in spontaneous prayer and thanksgiving. It was the object on top of his tomb.

The antimatter canister. It was there . . . where it had been all day . . . hiding in the darkness of the Necropolis. Sleek. Relentless. Deadly. The camerlegno’s revelation was correct.

Mortati stared in wonder at the transparent cylinder. The globule of liquid still hovered at its core. The grotto around the canister blinked red as the LED counted down into its final five minutes of life.

Also sitting on the tomb, inches away from the canister, was the wireless Swiss Guard security camera that had been pointed at the canister and transmitting all along.

Mortati crossed himself, certain this was the most frightful image he had seen in his entire life. He realized, a moment later, however, that it was about to get worse.

The camerlegno stood suddenly. He grabbed the antimatter in his hands and wheeled toward the others. His face showing total focus. He pushed past the others and began descending the Necropolis the way he had come, running down the hill.

The camera caught Vittoria Vetra, frozen in terror. “Where are you going! Camerlegno! I thought you said—”

“Have faith!” he exclaimed as he ran off.

Vittoria spun toward Langdon. “What do we do?”

Robert Langdon tried to stop the camerlegno, but Chartrand was running interference now, apparently trusting the camerlegno’s conviction.

The picture coming from the BBC camera was like a roller coaster ride now, winding, twisting. Fleeting freeze‑frames of confusion and terror as the chaotic cortege stumbled through the shadows back toward the Necropolis entrance.

Out in the square, Mortati let out a fearful gasp. “Is he bringing that up here ?”

On televisions all over the world, larger than life, the camerlegno raced upward out of the Necropolis with the antimatter before him. “There will be no more death tonight!”

But the camerlegno was wrong.

The camerlegno erupted through the doors of St. Peter’s Basilica at exactly 11:56 P.M. He staggered into the dazzling glare of the world spotlight, carrying the antimatter before him like some sort of numinous offering. Through burning eyes he could see his own form, half‑naked and wounded, towering like a giant on the media screens around the square. The roar that went up from the crowd in St. Peter’s Square was like none the camerlegno had ever heard—crying, screaming, chanting, praying . . . a mix of veneration and terror.

Deliver us from evil, he whispered.

He felt totally depleted from his race out of the Necropolis. It had almost ended in disaster. Robert Langdon and Vittoria Vetra had wanted to intercept him, to throw the canister back into its subterranean hiding place, to run outside for cover. Blind fools!

The camerlegno realized now, with fearful clarity, that on any other night, he would never have won the race. Tonight, however, God again had been with him. Robert Langdon, on the verge of overtaking the camerlegno, had been grabbed by Chartrand, ever trusting and dutiful to the camerlegno’s demands for faith. The reporters, of course, were spellbound and lugging too much equipment to interfere.

The Lord works in mysterious ways.

The camerlegno could hear the others behind him now . . . see them on the screens, closing in. Mustering the last of his physical strength, he raised the antimatter high over his head. Then, throwing back his bare shoulders in an act of defiance to the Illuminati brand on his chest, he dashed down the stairs.

There was one final act.

Godspeed, he thought. Godspeed.

Four minutes . . .

Langdon could barely see as he burst out of the basilica. Again the sea of media lights bore into his retinas. All he could make out was the murky outline of the camerlegno, directly ahead of him, running down the stairs. For an instant, refulgent in his halo of media lights, the camerlegno looked celestial, like some kind of modern deity. His cassock was at his waist like a shroud. His body was scarred and wounded by the hands of his enemies, and still he endured. The camerlegno ran on, standing tall, calling out to the world to have faith, running toward the masses carrying this weapon of destruction.

Langdon ran down the stairs after him. What is he doing? He will kill them all!

“Satan’s work,” the camerlegno screamed, “has no place in the House of God!” He ran on toward a now terrified crowd.

“Father!” Langdon screamed, behind him. “There’s nowhere to go!”

“Look to the heavens! We forget to look to the heavens!”

In that moment, as Langdon saw where the camerlegno was headed, the glorious truth came flooding all around him. Although Langdon could not see it on account of the lights, he knew their salvation was directly overhead.

A star‑filled Italian sky. The escape route.

The helicopter the camerlegno had summoned to take him to the hospital sat dead ahead, pilot already in the cockpit, blades already humming in neutral. As the camerlegno ran toward it, Langdon felt a sudden overwhelming exhilaration.

The thoughts that tore through Langdon’s mind came as a torrent . . .

First he pictured the wide‑open expanse of the Mediterranean Sea. How far was it? Five miles? Ten? He knew the beach at Fiumocino was only about seven minutes by train. But by helicopter, 200 miles an hour, no stops . . . If they could fly the canister far enough out to sea, and drop it . . . There were other options too, he realized, feeling almost weightless as he ran. La Cava Romana! The marble quarries north of the city were less than three miles away. How large were they? Two square miles? Certainly they were deserted at this hour! Dropping the canister there . . .

“Everyone back!” the camerlegno yelled. His chest ached as he ran. “Get away! Now!”

The Swiss Guard standing around the chopper stood slack‑jawed as the camerlegno approached them.

“Back!” the priest screamed.

The guards moved back.

With the entire world watching in wonder, the camerlegno ran around the chopper to the pilot’s door and yanked it open. “Out, son! Now!”

The guard jumped out.

The camerlegno looked at the high cockpit seat and knew that in his exhausted state, he would need both hands to pull himself up. He turned to the pilot, trembling beside him, and thrust the canister into his hands. “Hold this. Hand it back when I’m in.”

As the camerlegno pulled himself up, he could hear Robert Langdon yelling excitedly, running toward the craft. Now you understand, the camerlegno thought. Now you have faith!

The camerlegno pulled himself up into the cockpit, adjusted a few familiar levers, and then turned back to his window for the canister.

But the guard to whom he had given the canister stood empty‑handed. “He took it!” the guard yelled.

The camerlegno felt his heart seize. “Who!”

The guard pointed. “Him!”

Robert Langdon was surprised by how heavy the canister was. He ran to the other side of the chopper and jumped in the rear compartment where he and Vittoria had sat only hours ago. He left the door open and buckled himself in. Then he yelled to the camerlegno in the front seat.

“Fly, Father!”

The camerlegno craned back at Langdon, his face bloodless with dread. “What are you doing!”

“You fly! I’ll throw!” Langdon barked. “There’s no time! Just fly the blessed chopper!”

The camerlegno seemed momentarily paralyzed, the media lights glaring through the cockpit darkening the creases in his face. “I can do this alone,” he whispered. “I am supposed to do this alone.”

Langdon wasn’t listening. Fly! he heard himself screaming. Now! I’m here to help you! Langdon looked down at the canister and felt his breath catch in his throat when he saw the numbers. “Three minutes, Father! Three! “

The number seemed to stun the camerlegno back to sobriety. Without hesitation, he turned back to the controls. With a grinding roar, the helicopter lifted off.

Through a swirl of dust, Langdon could see Vittoria running toward the chopper. Their eyes met, and then she dropped away like a sinking stone.

Inside the chopper, the whine of the engines and the gale from the open door assaulted Langdon’s senses with a deafening chaos. He steadied himself against the magnified drag of gravity as the camerlegno accelerated the craft straight up. The glow of St. Peter’s Square shrank beneath them until it was an amorphous glowing ellipse radiating in a sea of city lights.

The antimatter canister felt like deadweight in Langdon’s hands. He held tighter, his palms slick now with sweat and blood. Inside the trap, the globule of antimatter hovered calmly, pulsing red in the glow of the LED countdown clock.

“Two minutes!” Langdon yelled, wondering where the camerlegno intended to drop the canister.

The city lights beneath them spread out in all directions. In the distance to the west, Langdon could see the twinkling delineation of the Mediterranean coast—a jagged border of luminescence beyond which spread an endless dark expanse of nothingness. The sea looked farther now than Langdon had imagined. Moreover, the concentration of lights at the coast was a stark reminder that even far out at sea an explosion might have devastating effects. Langdon had not even considered the effects of a ten‑kiloton tidal wave hitting the coast.

When Langdon turned and looked straight ahead through the cockpit window, he was more hopeful. Directly in front of them, the rolling shadows of the Roman foothills loomed in the night. The hills were spotted with lights—the villas of the very wealthy—but a mile or so north, the hills grew dark. There were no lights at all—just a huge pocket of blackness. Nothing.

The quarries! Langdon thought. La Cava Romana!

Staring intently at the barren pocket of land, Langdon sensed that it was plenty large enough. It seemed close, too. Much closer than the ocean. Excitement surged through him. This was obviously where the camerlegno planned to take the antimatter! The chopper was pointing directly toward it! The quarries! Oddly, however, as the engines strained louder and the chopper hurtled through the air, Langdon could see that the quarries were not getting any closer. Bewildered, he shot a glance out the side door to get his bearings. What he saw doused his excitement in a wave of panic. Directly beneath them, thousands of feet straight down, glowed the media lights in St. Peter’s Square.

We’re still over the Vatican!

“Camerlegno!” Langdon choked. “Go forward! We’re high enough ! You’ve got to start moving forward! We can’t drop the canister back over Vatican City!”

The camerlegno did not reply. He appeared to be concentrating on flying the craft.

“We’ve got less than two minutes!” Langdon shouted, holding up the canister. “I can see them! La Cava Romana! A couple of miles north! We don’t have—”

“No,” the camerlegno said. “It’s far too dangerous. I’m sorry.” As the chopper continued to claw heavenward, the camerlegno turned and gave Langdon a mournful smile. “I wish you had not come, my friend. You have made the ultimate sacrifice.”

Langdon looked in the camerlegno’s exhausted eyes and suddenly understood. His blood turned to ice. “But . . . there must be somewhere we can go!”

“Up,” the camerlegno replied, his voice resigned. “It’s the only guarantee.”

Langdon could barely think. He had entirely misinterpreted the camerlegno’s plan. Look to the heavens!

Heaven, Langdon now realized, was literally where he was headed. The camerlegno had never intended to drop the antimatter. He was simply getting it as far away from Vatican City as humanly possible.

This was a one‑way trip.

In St. Peter’s Square, Vittoria Vetra stared upward. The helicopter was a speck now, the media lights no longer reaching it. Even the pounding of the rotors had faded to a distant hum. It seemed, in that instant, that the entire world was focused upward, silenced in anticipation, necks craned to the heavens . . . all peoples, all faiths . . . all hearts beating as one.

Vittoria’s emotions were a cyclone of twisting agonies. As the helicopter disappeared from sight, she pictured Robert’s face, rising above her. What had he been thinking? Didn’t he understand?

Around the square, television cameras probed the darkness, waiting. A sea of faces stared heavenward, united in a silent countdown. The media screens all flickered the same tranquil scene . . . a Roman sky illuminated with brilliant stars. Vittoria felt the tears begin to well.

Behind her on the marble escarpment, 161 cardinals stared up in silent awe. Some folded their hands in prayer. Most stood motionless, transfixed. Some wept. The seconds ticked past.

In homes, bars, businesses, airports, hospitals around the world, souls were joined in universal witness. Men and women locked hands. Others held their children. Time seemed to hover in limbo, souls suspended in unison.

Then, cruelly, the bells of St. Peter’s began to toll.

Vittoria let the tears come.

Then . . . with the whole world watching . . . time ran out.

The dead silence of the event was the most terrifying of all.

High above Vatican City, a pinpoint of light appeared in the sky. For a fleeting instant, a new heavenly body had been born . . . a speck of light as pure and white as anyone had ever seen.

Then it happened.

A flash. The point billowed, as if feeding on itself, unraveling across the sky in a dilating radius of blinding white. It shot out in all directions, accelerating with incomprehensible speed, gobbling up the dark. As the sphere of light grew, it intensified, like a burgeoning fiend preparing to consume the entire sky. It raced downward, toward them, picking up speed.

Blinded, the multitudes of starkly lit human faces gasped as one, shielding their eyes, crying out in strangled fear.

As the light roared out in all directions, the unimaginable occurred. As if bound by God’s own will, the surging radius seemed to hit a wall. It was as if the explosion were contained somehow in a giant glass sphere. The light rebounded inward, sharpening, rippling across itself. The wave appeared to have reached a predetermined diameter and hovered there. For that instant, a perfect and silent sphere of light glowed over Rome. Night had become day.

Then it hit.

The concussion was deep and hollow—a thunderous shock wave from above. It descended on them like the wrath of hell, shaking the granite foundation of Vatican City, knocking the breath out of people’s lungs, sending others stumbling backward. The reverberation circled the colonnade, followed by a sudden torrent of warm air. The wind tore through the square, letting out a sepulchral moan as it whistled through the columns and buffeted the walls. Dust swirled overhead as people huddled . . . witnesses to Armageddon.

Then, as fast as it appeared, the sphere imploded, sucking back in on itself, crushing inward to the tiny point of light from which it had come.

Never before had so many been so silent.

The faces in St. Peter’s Square, one by one, averted their eyes from the darkening sky and turned downward, each person in his or her own private moment of wonder. The media lights followed suit, dropping their beams back to earth as if out of reverence for the blackness now settling upon them. It seemed for a moment the entire world was bowing its head in unison.

Cardinal Mortati knelt to pray, and the other cardinals joined him. The Swiss Guard lowered their long swords and stood numb. No one spoke. No one moved. Everywhere, hearts shuddered with spontaneous emotion. Bereavement. Fear. Wonder. Belief. And a dread‑filled respect for the new and awesome power they had just witnessed.

Vittoria Vetra stood trembling at the foot of the basilica’s sweeping stairs. She closed her eyes. Through the tempest of emotions now coursing through her blood, a single word tolled like a distant bell. Pristine. Cruel. She forced it away. And yet the word echoed. Again she drove it back. The pain was too great. She tried to lose herself in the images that blazed in other’s minds . . . antimatter’s mind‑boggling power . . . the Vatican’s deliverance . . . the camerlegno . . . feats of bravery . . . miracles . . . selflessness. And still the word echoed . . . tolling through the chaos with a stinging loneliness.

Robert.

He had come for her at Castle St. Angelo.

He had saved her.

And now he had been destroyed by her creation.

As Cardinal Mortati prayed, he wondered if he too would hear God’s voice as the camerlegno had. Does one need to believe in miracles to experience them? Mortati was a modern man in an ancient faith. Miracles had never played a part in his belief. Certainly his faith spoke of miracles . . . bleeding palms, ascensions from the dead, imprints on shrouds . . . and yet, Mortati’s rational mind had always justified these accounts as part of the myth. They were simply the result of man’s greatest weakness—his need for proof. Miracles were nothing but stories we all clung to because we wished they were true.

And yet . . .

Am I so modern that I cannot accept what my eyes have just witnessed? It was a miracle, was it not? Yes! God, with a few whispered words in the camerlegno’s ear, had intervened and saved this church. Why was this so hard to believe? What would it say about God if God had done nothing? That the Almighty did not care? That He was powerless to stop it? A miracle was the only possible response!

As Mortati knelt in wonder, he prayed for the camerlegno’s soul. He gave thanks to the young chamberlain who, even in his youthful years, had opened this old man’s eyes to the miracles of unquestioning faith.

Incredibly, though, Mortati never suspected the extent to which his faith was about to be tested . . .

The silence of St. Peter’s Square broke with a ripple at first. The ripple grew to a murmur. And then, suddenly, to a roar. Without warning, the multitudes were crying out as one.

“Look! Look!”

Mortati opened his eyes and turned to the crowd. Everyone was pointing behind him, toward the front of St. Peter’s Basilica. Their faces were white. Some fell to their knees. Some fainted. Some burst into uncontrollable sobs.

“Look! Look!”

Mortati turned, bewildered, following their outstretched hands. They were pointing to the uppermost level of the basilica, the rooftop terrace, where huge statues of Christ and his apostles watched over the crowd.

There, on the right of Jesus, arms outstretched to the world . . . stood Camerlegno Carlo Ventresca.

Robert Langdon was no longer falling.

There was no more terror. No pain. Not even the sound of the racing wind. There was only the soft sound of lapping water, as though he were comfortably asleep on a beach.

In a paradox of self‑awareness, Langdon sensed this was death. He felt glad for it. He allowed the drifting numbness to possess him entirely. He let it carry him wherever it was he would go. His pain and fear had been anesthetized, and he did not wish it back at any price. His final memory had been one that could only have been conjured in hell.

Take me. Please . . .

But the lapping that lulled in him a far‑off sense of peace was also pulling him back. It was trying to awaken him from a dream. No! Let me be! He did not want to awaken. He sensed demons gathering on the perimeter of his bliss, pounding to shatter his rapture. Fuzzy images swirled. Voices yelled. Wind churned. No, please! The more he fought, the more the fury filtered through.

Then, harshly, he was living it all again . . .

The helicopter was in a dizzying dead climb. He was trapped inside. Beyond the open door, the lights of Rome looked farther away with every passing second. His survival instinct told him to jettison the canister right now. Langdon knew it would take less than twenty seconds for the canister to fall half a mile. But it would be falling toward a city of people.

Higher! Higher!

Langdon wondered how high they were now. Small prop planes, he knew, flew at altitudes of about four miles. This helicopter had to be at a good fraction of that by now. Two miles up? Three? There was still a chance. If they timed the drop perfectly, the canister would fall only partway toward earth, exploding a safe distance over the ground and away from the chopper. Langdon looked out at the city sprawling below them.

“And if you calculate incorrectly?” the camerlegno said.

Langdon turned, startled. The camerlegno was not even looking at him, apparently having read Langdon’s thoughts from the ghostly reflection in the windshield. Oddly, the camerlegno was no longer engrossed in his controls. His hands were not even on the throttle. The chopper, it seemed, was now in some sort of autopilot mode, locked in a climb. The camerlegno reached above his head, to the ceiling of the cockpit, fishing behind a cable‑housing, where he removed a key, taped there out of view.

Langdon watched in bewilderment as the camerlegno quickly unlocked the metal cargo box bolted between the seats. He removed some sort of large, black, nylon pack. He lay it on the seat next to him. Langdon’s thoughts churned. The camerlegno’s movements seemed composed, as if he had a solution.

“Give me the canister,” the camerlegno said, his tone serene.

Langdon did not know what to think anymore. He thrust the canister to the camerlegno. “Ninety seconds!”

What the camerlegno did with the antimatter took Langdon totally by surprise. Holding the canister carefully in his hands, the camerlegno placed it inside the cargo box. Then he closed the heavy lid and used the key to lock it tight.

“What are you doing!” Langdon demanded.

“Leading us from temptation.” The camerlegno threw the key out the open window.

As the key tumbled into the night, Langdon felt his soul falling with it.

The camerlegno then took the nylon pack and slipped his arms through the straps. He fastened a waist clamp around his stomach and cinched it all down like a backpack. He turned to a dumbstruck Robert Langdon.

“I’m sorry,” the camerlegno said. “It wasn’t supposed to happen this way.” Then he opened his door and hurled himself into the night.

The image burned in Langdon’s unconscious mind, and with it came the pain. Real pain. Physical pain. Aching. Searing. He begged to be taken, to let it end, but as the water lapped louder in his ears, new images began to flash. His hell had only just begun. He saw bits and pieces. Scattered frames of sheer panic. He lay halfway between death and nightmare, begging for deliverance, but the pictures grew brighter in his mind.

Date: 2015-12-18; view: 339