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About the Publisher

Dedication

 

TO MY FAMILY

 

AND IN MEMORY OF MY GRANDFATHER

 

DWAYNE EUGENE SANDERS

 

1936–1994

 

Epigraph

 

The roses you gave me kept me awakewith the sound of their petals falling.—JACK GILBERT Contents

 

Dedication

 

Epigraph

 

I

 

II

 

III

 

IV

 

V

 

VI

 

VII

 

VIII

 

Acknowledgments

 

About the Author

 

Credits

 

Copyright

 

About the Publisher

 

I

 


 

His face was as pitted as the moon. He was tall, broad-shouldered, and thick without being stocky, though one could see how he would pass into stockiness; he had already taken on the barrel-chested sturdiness of an old man. His ears were elephantine, a feature most commented on when he was younger, when the ears stuck out from his head; but now they had darkened like the rest of his sun-exposed flesh and lay against his skull more than at any other time in his life, and were tough, the flesh granular like the rind of some fruit. He was clean-shaven, large-pored; his skin was oily. In some lights his flesh was gray; others, tallow; others, red. His lips were the same color as his face, had given way to the overall visage, had begun to disappear. His nose was large, bulbous. His eyes were cornflower blue. His eyelashes nothing to speak of now, but when he was young they were thick-black, and his cheeks bloomed, and his lips were as pure and sculpted as a cherub’s. These things together made the women compulsively kiss him, lean down on their way to do other chores, collapse him to their breasts. All his mother’s sisters he could no longer remember, from Arkansas, who were but shadows of shadows now in his consciousness. Oh my lovely, they would say. Oh my sweet lamb.

His arms were sun-darkened and flecked with old scars. He combed his hair over his head, a dark, sparse wing kept in place with pine-scented pomade.

He regarded the world—objects right in front of his face—as if from a great distance. For when he moved on the earth he also moved in other realms. In certain seasons, in certain shades, memories alighted on him like sharp-taloned birds: a head turning in the foliage, lantern light flaring in a room. And there were other constant preoccupations he likewise half acknowledged, in which his attention was nevertheless steeped at all times: present and past projects in the orchard; desires he had had as a young man, worries, fears, of which he remembered only the husks; trees he had hoped to plant; experiments with grafting and irrigation; jam recipes; cellar temperatures; chemical combinations for poisoning or at least discouraging a range of pests—deer and rabbits and rodents and grubs, a universe of insects; how to draw bees. Important was the weather, and patterns of certain years, the likelihood of repetition meteorologically speaking, what that would mean for the landscape; the wisdom of the almanacs, the words of other men, other orchardists, the unimportant but mostly the important words. He thought of where he would go hunting next fall. Considered constantly the state of his land, his property, his buildings, his animal. And mostly he thought of the weather that week, the temperature, and existence of, or potential for, rainfall; recent calamities and how he was responding to them; the position of the season; his position in the rigid scaffolding of chores—what he would have to do that day, that afternoon and evening, how he would prepare for the next morning’s work; when were the men coming, and would he be ready for them? But he would be ready for them, he always was, he was nothing if not prepared. He considered those times in life when he had uttered words to a person—Caroline Middey or Clee, or his mother, or a stranger who had long forgotten him—he wished he had never uttered, or had uttered differently, or he thought of the times he remained silent when he should have spoken as little as a single word. He tried to recollect every word he had ever spoken to his sister, tried to detect his own meanness or thoughtlessness, his own insensitivity to certain inflections she might have employed. How long ago it was now. At times he fretted about forgetting her, though in fact—he did not like to admit this—he had already forgotten much.



Now, at his back, the shrouded bushels of apples and apricots rustled in the wagon bed, the wagon creaking forward beneath the weight; the old, old familiar rhythm in accordance with these leagues of thought. Dazzled and suspended by the sun. The mountains—cold—at his back. It was June; the road was already dusty. His frame slightly hunkered down, the floppy calfskin hat shielding his brow, under which was a scowl holding no animosity. The large hands, swollen knuckles, loosely holding the reins.

From the wheatfields he entered the town, and drew down the main street. Quiet. It was Sunday. The nearer church, he thought—the Methodist was on the other side of town—had yet to release its congregation. He hitched up outside the feed and supply store, watered the mule. While he was setting up the fruit stand—tugging forward each burlap-covered bushel in the back of the wagon and unveiling them and unloading them—a woman rounded the corner and gained the platform, approached him. Half her face was mottled and pink, as if burned, her mouth an angry pucker. She held defensively to her breast a burlap sack and bent and inspected the uptilted bushel of Arkansas Blacks. She reached for an apple but did not touch it; glanced dubiously at a bushel of paler apples he presently uncovered. What’re those?

He glanced down. Greenings. Rhode Island Greenings.

When he spoke, his voice was low and sounded unused; he cleared his throat. The woman waited, considered the apples. All right. I’ll take a few of those. From the folds of her skirt she brought out a dull green change purse. How much?

He told her. She pinched out the correct change and handed it to him.

As he filled the sack with fruit, the woman turned and gazed behind her. Said:

Look what the cat drug in. Those two looking over here like that, you aren’t careful, they’ll come rob you. Hooligan-looking. She sniffed.

After a moment he looked where she nodded. Down the street, under the awning of the hardware store, two girls—raggedy, smudge-faced—stood conspiratorially, half turned toward each other. When they saw Talmadge and the woman observing them, they turned their backs to them. He handed the burlap sack to the woman, the bottom heavy and misshapen with fruit.

The woman hesitated, still looking at the girls, then turned and nodded shortly to him, stepped off the platform, moved down the street.

From the wagon he retrieved his wooden folding chair and sat down next to the bushels. Wind gusted and threw sand onto the platform, and then it was quiet. Rain was coming; maybe that evening, or early the next day. The girls moved; stood now with their shoulders pressed together, looking into the window of the dry goods store. A gust of wind blew their dresses flat against their calves, but they remained motionless. He pulled his cap low. What did two girls mean to him? He dozed. Woke to someone addressing him:

That you, Talmadge? Those girls just robbed you.

He righted his cap. A slack-mouthed boy stood gaping at him.

I saw them do it, said the boy. I watched them do it. You give me a nickel, I’ll run them down and get your apples back for you.

The girls had gotten farther than Talmadge would have expected. They made a grunting sound between them, in their effort at speed. Apples dropped from their swooped-up dresses and they crouched or bent awkwardly to retrieve them. The awkwardness was due, he saw, to their grotesquely swollen bellies. He had not realized before that they were pregnant. The nearer one—smaller, pouting, her hair a great hive around her face—looked over her shoulder and cried out, let go the hem of her dress, lurched forward through the heavy thud of apples. The other girl swung her head around. She was taller, had black eyes, the hard startle of a hawk. Her hair in a thick braid over her shoulder. She grabbed the other girl’s wrist and yanked her along and they went down the empty road like that, panting, one crying, at a hobble-trot. He stopped and watched them go. The boy, at his side, looked wildly back and forth between Talmadge and the ragged duo. I can get them, I can catch them, Talmadge, he said. Wildly back and forth.

Talmadge, the boy repeated.

Talmadge watched the girls retreat.


 

He and his mother and sister had come into the valley in the summer of 1857, when he was nine years old. They had come from the north-central portion of the Oregon Territory, where his father had worked the silver mines. When the mines collapsed, their mother did not even wait for the body of their father to be dredged up with the rest, but gathered their few belongings and set off with Talmadge and his sister at once. They traveled north and then west, west and then north.

They walked, mostly, and rode in wagons when they came along. They crossed the Wallowas and the Blue Mountains, and then came across great baked plains, what looked to be a desert. And then when they reached the Columbia they took a steamboat upriver to its confluence with another river, where the steamboat did not go farther. They would have to walk, said the steamboat operator, uncertain; if they were thinking of going across the mountain pass, to the coast, they would have to find someone—a trapper, an Indian—to guide them. And still Talmadge’s mother was undeterred. From the confluence of the river they walked four days toward mountains that did not seem to get any closer. The elevation climbed; the Cascades rose before them like gods. It was May; it snowed. Talmadge’s sister, Elsbeth, who was a year younger than him, was cold; she was hungry. Talmadge rubbed her hands in his own and told her stories of the food they would eat when they set up house: cornbread and bacon gravy, turnip greens, stewed apples. Their mother said nothing to these stories. Why did she lead them north and then west, west and then north, as if drawing toward a destination already envisioned?

They had heard that many, many miles away, but not so many as before they started, on the other side of the mountains, was the ocean. Constant rain. Greenness. Maybe that’s where they were going, thought Talmadge. Sometimes—but how could he think this? how could a child think this of his mother?—he thought she was leading them to their deaths. Their mother was considered odd by the other women at the mining camp; he knew this, he knew how they talked about her. But there was nothing really wrong with her, he thought (forgetting the judgment of a moment before); it was just that she wanted different things than those women did. That was what set them and his mother apart. Where some women wanted mere privacy, she yearned for complete solitude that verged on the violent; solitude that forced you constantly back upon yourself, even when you did not want it anymore. But she wanted it nonetheless. From the time she was a small girl, she wanted to be alone. The sound of other people’s voices grated on her: to travel to town, to interact with others who were not Talmadge or Talmadge’s father or sister, was torture to her: it subtracted days from her life. And so they walked: to find a place that would absorb and annihilate her, a place to be her home, and the home for her children. A place to show her children: and you belong to the earth, and the earth is hard.

They climbed through cold-embittered forest and sought respite in bright meadows thick with wildflowers and insect thrumming. Maybe, thought Talmadge, they had already died, and this was heaven. It was easy, at moments, to believe. They came to a mining camp where five men sat inside an open hut, shivering, malnourished, warming their hands around a fire. It was lightly raining outside. When Talmadge and his mother and sister came and stood before them, the men looked at them as if they were ghosts. Their mother asked the men if they had any food to spare. The men just stared at her. They stared at the children. Where are you going? said one of the men finally. You shouldn’t be here. The men had some beans that they shared with them, ate them straight out of the can. And then—Talmadge would always remember this—a man took out a banjo and began to play, and eventually, to sing. His teeth were crooked and stained, as were his mustache and his beard. His eyes were light blue and watery. He sang songs about a place that sounded familiar to Talmadge: Tennessee. It was where his own father was from. Talmadge thought later that the man was crying. But why was he crying? He missed his home, said Talmadge’s mother.

The men told them that there was a post ten miles up the creek where they could trade for supplies. It was a good time to travel, since it was summer, but in the winter it would be impassable. Talmadge and his mother and sister set off from the miners and reached the trading post later that day. And then they kept walking. What are you doing? the people said. Turn around. You have young children. There were two days of rain, and cold. His sister developed a hacking cough. And then they came through dense forest, and stood on the rim of a valley illuminated as if it was the end or the beginning of the world. A valley of yellow grass. Still but for a ribbon of water moving at the bottom of it. His sister, beside him, caught her breath; and on the other side of him he could feel his mother’s silent, reluctant satisfaction.

They walked into the valley.

On a plateau stretching back from the creek was a filthy miner’s shack, and two diseased Gravenstein apple trees. On the opposite side of the creek was the outlying field, bordered on its far edges by forest. To the east was a dark maw of a canyon. Three weeks later they discovered, a mile away into the canyon and through more forest, along a portion of the upper creek, a cabin. And here, as well as down below, was a miner’s sluice box situated along a shallow portion of the creek. One of the first chores Talmadge’s mother assigned herself was to dismantle the sluice box and take this, as well as other tools she found pertaining to that trade, and bury them in the forest. I’ve had enough of mining for one lifetime, she said.

For a year he and his mother and sister tended the ailing Gravensteins and also planted vegetables from seeds his mother had sewn into the linings of their winter clothes. The summer of the next year they sold fruit to the miners at Peshastin Creek, and traded for supplies at the post in Icicle.

Late that first summer and then again in the spring, a band of native men came out of the forest with a herd of over two hundred horses. The men did not try to speak to Talmadge or his mother or sister; and neither did Talmadge or his mother or sister attempt to speak to the men. They remained in the field for three days.

When the men arrived again the following summer, Talmadge’s mother went down to the field where they camped and offered them fruit and vegetables, loaves of potato bread. The men accepted her gifts; and when they returned, four weeks later, they offered her a deer they had killed, strapped to the back of a horse.

They were horse wranglers—mostly Nez Perce at that time, but later there were also men from other tribes: Palouse, Yakama, Cayuse, Walla Walla, Umatilla. They hunted horses in the ranges to the southeast—the Blue Mountains, the Wallowas, the Steens, the Sawtooths—and trained them and sold them at auctions abroad. They had been stopping over in the valley for the last decade or so to feed and rest the horses, and to avoid the lawmen who scouted the countryside searching for rogue bands such as theirs.

On their trips south, after selling the horses at auction—when the men came into the orchard with their herd largely diminished, and many of them sporting handsome leather vests and saddlebags—they brought gifts for Talmadge and his sister: candy, or bits of milk glass in the shapes of animals. They let Talmadge and his sister explore their packs, and took them on easy rides around the field, the children sitting before the men in the saddles.

These trips south the men would stay just overnight, and would be gone by the time Talmadge woke in the morning. The ash of their firepits not yet cold, and the general odor of horses and tobacco hung in the air for hours afterward, provoking in the young Talmadge a particular melancholy, and emptiness.

Among the men there were sometimes boy children—sometimes two or three, but rarely more. Some of these children appeared only once; they came for a season and then were not seen again. The only child constant from the beginning was the nephew of the Nez Perce leader, a boy known to Talmadge and Elsbeth as Clee; he had another, private name used only among the men. He was dark-skinned, muscular, tall, with a wide, pensive forehead and a large, careful, expressive mouth, although he was not known to smile often, or make exaggerated facial expressions. Even as a child he was quietly, fiercely attentive. His hair came down to almost his elbows; at times it was fixed in two braids, with hair crowding his eyes.

But there was from the beginning something distinctly different about Clee. He did not speak. It was not just that he was shy, or particularly wary of Talmadge and his sister, or chose not to speak to white people; he did not speak at all, even to the men he rode with. He was not deaf, for he heard the noises Talmadge and his sister heard, turned his head, physically reacted when they did. He had the habit of cocking his head, slightly, to speakers who addressed him. But no words issued from him, ever.

What’s wrong with him? Elsbeth asked their mother once. Their mother, who was washing dishes at the time, crouching creekside, shrugged. There might be something wrong with his vocal cords, she said. Or—maybe he just doesn’t want to talk.

But why?

Their mother shrugged again. I don’t know, child, she said.

There was no exact moment Talmadge could recall when he and Elsbeth became friends with Clee; but when the men came into the field with the horses, Talmadge and Elsbeth sought Clee out, and in the privacy of the outer forest, or in the canyon, they would show him treasures they had acquired—rocks, candy, bits of animal hide—and also show him places, nooks and crannies, weird sunbathed basins of grass deep within a bramble hedge, they had discovered. And likewise Clee showed them objects he had accumulated that year from auctions—small toys and carvings, folded illustrations, carnival and sideshow posters, even swatches of fabric—velvet, satin, chamois—they rubbed between their fingers, against their lips and cheeks. It did not seem to matter, then, that Clee could not—or did not—speak. There was no deficit in their relationship, no lack.

Talmadge and Elsbeth’s mother died of a respiratory disease in the spring of 1860. Two years later they harvested two acres of apples and one acre of apricots, and with the money they earned from selling the fruit they razed the miner’s shack and built a two-room cabin. He was fifteen years old, and Elsbeth was fourteen. The next spring they planted three plum trees around the side of the cabin, and the first apple trees inside the canyon mouth.

In the fall of 1864 Talmadge contracted smallpox and nearly died. The sickness left him badly scarred on his face, chest, and arms, and partially deaf in his right ear. In the spring of the next year the canyon flooded, and they lost many apple trees. That summer, in 1865, Elsbeth went into the forest beyond the field to collect herbs and did not return. He enlisted the help of the miners at the Peshastin camp, and when they did not find her, he asked the men who came through with the horses if they would help him search. Clee found her bonnet, and another, her picking basket. That was all they ever found.

Elsbeth Colleen Talmadge. She had black hair like him, like their mother, and a large bulbous nose. That nose will be the end of her, murmured his mother’s sisters. A deformity (but it was not that, only an exaggerated feature) one wore inside one’s clothes was one thing, but on a face—they pitied her. Talmadge’s mother did not comment; she did not talk about such things as a girl’s looks, because she did not think they were important. Her daughter was simple, but sturdy-bodied, large-footed. She would do well on a homestead. She had Talmadge, also, to guide and help her. It was Talmadge who was the brains of any operation the two of them—he and Elsbeth—undertook. Always thinking, always planning. A new way to plant, to harvest. Ideas for irrigation. Even at that age. This is what we will do, he would announce, quietly, seriously. What do you think? He always included her: every project he engineered that succeeded, he credited her as well, naturally. Once or twice, very rarely, she had her own opinion about how to do things—or a variation of his own idea—and if it was a poor idea, he corrected it, silently, in the doing. But she was not stupid—brain-addled—no matter what people said. He loved her, he loved her deliberation and her decisiveness in certain small domestic activities, her gentleness with animals; her heavy, serious inwardness. She was able to cross-stitch elaborate scenes without the aid of a model or picture—scenes that bewildered him, and her too, if he asked her about them. Where did such images come from? Groves, large lakes, lions, angels. And yet it was true she had trouble, at times, constructing sentences to speak into the air, the air that seemed to get thinner when she was speaking to someone who was not Talmadge or their mother, on the verge of tears. He protected her, he placed himself between her and the world. She did not have to go to town and interact with the people; he would do that, though he was shy, too.

And though she trusted him—had always seemed to trust him—and did not seem to begrudge him, or withdraw from him, she must have had aspirations that she did not tell him about, that she kept to herself. He remembered one day, as she entered a room, he suddenly seemed to recognize her—her physical being came into stark relief for him—but he did not know why. And then he realized: it was because she wore a new frock. It was not a new dress, but an apron. Sky blue and not like the other gray one she usually wore. What’s that? he said. Where did you get that? This was after their mother died, when, very rarely, his tone became careless. She touched the cloth but did not look down at it. I made it, she said. I got the fabric from—but he did not remember where now. He said, because he was suddenly angry, You can’t be spending money on things we haven’t discussed. We’re supposed to be saving up for—but again he could not recall what he had said. Some project or another. The whole time she did not move her head. Her eyes—an opaque light blue, the same color as his—did not alter, but her mouth hardened. A barely perceptible change. The fingers of her left hand hanging at her side twitched—a reflex, maybe, of the hurt or anger that did not show on her face. And all at once he was no longer angry. Moments passed in silence. When he was angry it was not serious, and it came out in little sideways bursts like this. He was quickly ashamed afterward. Now he said quietly, not looking at her: Your frock is nice. And: I can see you did a nice job with the—but he had no vocabulary for what she had done—the tailoring—and so gestured generally instead. She responded a moment later with a slight nod of her head. And then they broke out of the scene and continued as if it had never happened.

He came around always to that frock, as if the key to her disappearance lay there. Why that frock? It was new, the material—the color—was strange, even fetching. It was not like the clothes she usually wore. Later he would think of it as a traveling outfit—a start to a traveling outfit. She was preparing already to go—

Or perhaps it was on sale, in the bin with other cheap scraps at the general store, and she had bought it impulsively—not out of any vanity, or with any motivation attached to it, but because it was a bargain. That was something that she would do, he could imagine her doing something like that.

But, finally, what the apron meant—if it meant anything at all—he would never know.

The night after Clee came out of the forest with a piece of fabric—Elsbeth’s bonnet—clutched in his fist, he and Talmadge sat together on the darkened porch, and Clee wanted, though he was unable to do so, to communicate to Talmadge the events of his life. About how he was related to many of the men by blood, but did not have any immediate family. His father and two of his brothers had died in wars in the 1850s. His own mother had taken care of the remaining siblings—and how many of them were there? how many brothers and sisters had he had, once?—and even though the others told him that he was too young to remember his mother or what had happened to her, he remembered: the tepee walls shuddering as if from a great wind, his mother, who squatted across from him—she was attempting to light a fire—ceasing her movements, gazing at him, her eyes wide, listening. And then the animal skins ruptured and Clee could see the sky beyond the man’s head, and a hairy arm grabbed Clee’s mother around her waist. Clee’s mother was sucked out of the tepee, into the sky. She disappeared all at once, in the blink of an eye. And although this was one act of violence among many in their village that day, dozens killed, and tepees and storehouses set afire, he remembered a kind of peace afterward: just the sky and the animal skins flapping.

He had made sounds, the others said, when he was a baby. But after the raid he was speechless. His voice had been carried away; it had pledged allegiance to his mother, or to some other element of that day; and without those elements restored to that place, his voice also remained outside it, outside himself.

After the main village was destroyed, his other brothers—the ones who had remained after the others had left—simply disappeared forever. He did not even know how many sisters he had had. When he found Elsbeth’s bonnet, his own family had been gone for over half his life.

The other men thought Elsbeth had run away, or the forest had claimed her. It was not so very strange. But Clee searched with a certain quiet resolve uncommon for someone his age. He tried, with his skills, to track her, but she could not be tracked. Maybe at one time she could have been, but no longer. He circled and recircled where he had found the bonnet. When the men set up camp, far away from where she had disappeared, he nevertheless scouted a wide perimeter, watching out. The other men regarded him warily but did not interrupt him, did not mock him, understanding, in a way, his sickness. He never stopped looking for Elsbeth—not really—but he forgot what she looked like. There was something about the color of her eyes, and the shape of her nose. But the rest of her, for him, had faded. He would know her when he saw her, he thought, to comfort and encourage himself.

Out of this brief obsession Clee and Talmadge’s relationship solidified. When the men passed through with the horses, Talmadge and Clee sat on the porch in the evening, looking out over the land and with a view of the field below where the other men camped, their fires like distant stars. Clee and Talmadge smoked tobacco, and Talmadge did not speak much. Sometimes one or both of them would come away from the evening—and who was the first to move? had they slept?—with the impression that leagues had been discussed between them. Talmadge knew little of Clee’s past, and Clee had forgotten Talmadge’s sister’s shape, her face, but the young men appeared regularly in each other’s dreams, where it was as if their chests were unstoppered, and they walked together and sometimes turned and faced each other directly, and spoke volumes.

By the time Talmadge was forty years old the orchards had grown to almost twenty-five acres. It was an expansion of what he had originally planned with his mother, and then his sister. On the hill above the creek was the cabin and three acres of apricot trees, and around the side of the cabin, surrounding the shed, a half acre of plum trees. In the field across the creek, before the canyon mouth, nearly a quarter mile away, were nine acres of apples; and inside were twelve acres.

The men helped him groom and harvest the orchards in season, and he in turn lied to the authorities who infrequently came through asking about the men and their business. Horse stealing, emphasized the authorities; but Talmadge feigned supreme innocence. What the men did or did not do within the realm of legality was not his concern: he provided a place for them to stay, and they in turn helped with the chores, the scale of which would overwhelm him otherwise. When the bulk of the fruit became too much for him to manage at harvesttime, he sent a portion with the men, who sold it at auctions and fairs, and he split the profit with them.

The land claim was officially one hundred and sixty acres under the Homestead Act of 1862; he purchased the land as soon as he was able, on his eighteenth birthday. Over the years he bought the lots around it as well so that he owned over four hundred acres of land. He left this other land uncultivated, was satisfied to keep it as forest.

He did not articulate it as such, but he thought of the land as holding his sister—her living form, or her remains. He would keep it for her, then, untouched. All that space would conjure her, if not her physical form, then an apparition: she might visit him in dreams, and tell him what had gone wrong, why she had left him. Where did she exist if not on the earth—was there such a place?—and did he want to know about it, if it existed? What was a place if not earthbound? His mind balked. He was giving her earth, to feed her in that place that was without it. An endless gift, a gesture that seemed right: and it need never be reciprocated, for it was a gift to himself as well, to be surrounded by land, by silence, and always—but how could this be, after so much time?—by the hope that she might step out of the trees, a woman now, but strangely the same, and reclaim her position in that place.


 

Three days after he saw the girls in town, he was braced aloft in an apricot tree on the homestead and saw them come out of the upper forest. He quit the shears and watched them. It was morning. They paused at the treeline and then came down through the pasture, their dark hair like flags riding the grass. At the edge of the yard they hesitated, discussing between themselves—what?—glancing repeatedly at the cabin, the outlying land.

He climbed out of the tree, the shears clamped in his armpit. When he walked out of the orchard, the taller girl—the one with the braid over her shoulder—turned to him, and froze. The other girl—her hair also dark, but fuzzy, tangled, unkempt—had been chattering to the other, but ceased abruptly when she saw him approaching. Both stood watching him, their eyes swarming the shears. He halted twenty yards from them.

You-all lost? he called. They looked away at the trees. The shorter one—younger one, he decided—held her mouth open and panted slightly. Their faces were filthy. Even from where he stood, he saw their arms discolored with dirt.

He crossed the yard and went into the cabin. He laid the shears on the table and took his time stoking the ashes in the woodstove. When he went outside again, they had come closer, but feinted back when he came out onto the porch. He took the buckets near the door and went down to the creek and gathered water. Returning to the cabin, mounting the rise in the orchard, he saw that the lawn was empty. Then he saw them; he tried not to fix them directly, where they lay now in the border between the lawn and the outer grass, peering out, thinking themselves hidden.

In the cabin he rebuilt the fire, and made thick cakes out of meal and creek water, and fried them over the stove. Lost himself in the task. When he came to, he thought: Why was he making so many? And then he reminded himself: the girls had come to eat with him. He set the cakes on the table along with an uncapped jar of milk. He hesitated. Finally he left the cabin, shears in hand, and walked to the apple orchard, a deeper section up the creek, leaving them to themselves.

Late afternoon, when he returned to the cabin, there was no sign of them. The food had been eaten. The plates were clean. They had even eaten the crud on the griddletop, the charred remains of the mealcakes. The bowl on the table was empty of fruit. He stood for a moment, then checked the cold pantry. They had taken his eggs and milk. Backing out, he checked the cupboard by the stove. They had taken his cornmeal, and salt. He waited a moment, then went out onto the porch and looked across the lawn, at the trees. They were not there any longer, he thought; they had gone. He looked at the trees. Dusk settled within the branches, touched the ground.

Inside, he took off his boots, and slept.


 

The following day at dawn he hitched the wagon to the mule and loaded a small supply of apples and apricots. Before stepping into the wagon, he carefully counted his money. He fit the soiled bills into his leather wallet and gazed at the trees sharpening in the blue light.

Before he reached town the sun was high and rinsing the standing wheatfields, quiet but for their resplendent shushing. The heat warmed his face but was not oppressive, and blew a clean scent down the road. A few white wisps of cloud in the sky posed silently.

He tied the wagon outside the feed and supply store and watered the mule, walked down the platform to the café. Inside, he sat at the counter and ordered fried eggs and coffee. The girl who took his order was maybe thirteen years old. He studied her from under his hat brim as she wiped down the counter, carried a stack of dirty dishes to the kitchen. He guessed the girls he had seen were about the same age. When she came back out, she set his eggs in front of him. Refilled his mug quickly. He watched her awhile longer, until she looked at him pointedly, unsmiling, and he looked away.

A little while later she came to pour him more coffee and said, My daddy’s got something to say to you. She withdrew and disappeared into the kitchen. A moment later the proprietor, Weems, came out from the back.

I told you, Pa, said the girl, and floated past them down the counter.

Weems came to sit down next to Talmadge, looked after the girl. Only after a moment did he seem to recognize her.

My youngest, he said. Been working here a week and thinks she owns the place. He smiled faintly, scratched his chin. That’s all my girls working here now—and the boys, all but the youngest, working next door.

Talmadge nodded absently—he was not really interested in the other man’s family dynamics—and drank his coffee.

Weems half turned toward Talmadge, regarded him. I told her you only come Thursday to Sunday—

Well, said Talmadge. Need supplies.

Weems motioned for coffee, and peered past Talmadge to the lot in front of the café. The day glaring now. You bring the wagon? You planning on doing some business?

That’s what I come about.

Weems nodded distractedly. With Sykes?

With Sykes. Or you.

Weems squinted outside again. But you’re just in here a few days ago. You got something new? He frowned. You still got some of those Northern Spies?

Talmadge shook his head. Naw, he said. Just more of the same. And some ’cots.

Well, I don’t know, said Weems after a pause. I just don’t know. Couldn’t give you money no way.

Talmadge nodded again, absently. What about trade?

Show me what you got, and we’ll talk. I’d like to see those ’cots.

On the way out the door, Weems said, Lord, I almost forgot. I had Jinny out there keeping an eye out for you, and I almost forgot. Somebody’s looking for you.

Talmadge frowned at the ground. Outside was a breath of hot air. Who’s that? he said.

Don’t know. Said he’s from up Okanogan way. Hunting some girls.

Talmadge looked up. Some girls?

I think so. He come into town a few days ago asking around about his girls, run off or something, and Willie Angell said there were some girls matched his description who’d run off with some of your apples not just last week.

Talmadge hesitated beside the wagon. He tugged his hat brim while Weems pulled a bushel of apricots toward him for inspection.

Is that so? said Weems. Some wild girls steal your fruit?

Talmadge tugged his brim. Naw, he said. He could feel himself making a face of disgust. Nobody run off with anything.

You saw them, though? Those girls?

Talmadge didn’t answer. He flicked his eyes over the man’s back. Weems had leaned over to study the fruit. You going to take these ’cots or what?

All right, all right, said Weems, smiling now. He pulled the bushel forward in the wagon and hauled it up onto his shoulder and trudged with it back into the café.

Talmadge waited a moment, looking up the empty street. In the distance the range rose above the wheat, the principal ridges snowcapped even now. He looked at the dark mass of mountains, the wheat undulating below, and then followed Weems inside.

He stopped at Caroline Middey’s on the way out of town. She had made venison stew. They brought the bowls to the front porch and sat and ate and looked out at the wheatfields before the house. He told her about the girls. If she was surprised to hear such a thing, she did not show it. She continued eating and narrowed her eyes a little and was silent for a long time after he had spoken. Finally she said, When was this? And he said: Two days ago. And again she was silent.

He had known her since he was a boy. As a young woman of twenty she had apprenticed with the town’s original herbalist, and it was they whom Talmadge and Elsbeth approached when their mother was ill. Caroline Middey had traveled to the homestead to visit the cramped and foul-smelling miner’s shack where Talmadge’s mother lay under the heavy quilt, Talmadge’s coat wrapped around her feet. Pale as a fish. She’s going to die, said Caroline Middey to the children, who stood away in a spindly grove of apple trees. Even then, Caroline Middey was unflinching in her diagnoses. Do you understand? she said to the children. She told Talmadge and Elsbeth what to do to ease their mother’s suffering, and then what to do afterward with her body. Elsbeth cried, but Talmadge had listened and tried to remember everything Caroline Middey was saying. Caroline Middey too was dry-eyed. Even then she did not pander to children. Who has a childhood, she often said, in these parts? When one was born, death was right there waiting for you, right there in the room. And she would know this because as well as being the herbalist she was also the town’s midwife. You’d better learn to recognize his—Death’s—face right away, she said.

Caroline Middey had not come to the orchard when he contracted smallpox because she did not want to be infected, and she was annoyed and angry with Elsbeth for coming into town for help when she could be carrying the sickness with her. But Caroline Middey had given her a satchel of herbs and instructions and sent the girl away again. Told her not to come to town again, not even if Talmadge died. She was to stay in the orchard for a month by herself if he was to get worse or die. Caroline Middey herself stayed in her house with a quarantine sign posted in the outlying field to wait and see if she became ill. She did not, and neither, miraculously, did Elsbeth.

The year after his sister disappeared, Talmadge cut his hand badly on a fishhook and sought Caroline Middey for help when it became infected. She made him a tincture and properly bandaged his hand. He stayed that afternoon on her porch and ate supper with her, and then, since it was too late to drive back home, he stayed in the spare room with the herbs hanging from the rafters.

Caroline Middey’s house was small and compact, located on the edge of town, the mountains looming in the distance. It was very quiet, with a great field out in front of it, and beyond the strip of dirt road, the river. There was a front porch, very small, room enough for two wicker chairs and a low table between them. Inside was a small parlor with a high window, and at the back the kitchen. There were two bedrooms, one very small that belonged to her, and the other, which was rectangular, and dominated by a large window. Here dried herbs hung from the ceiling; it was where the invalid or sick person stayed, or guests. The room was aired often; there was little in it to absorb personality. The window was almost always open, the bed stripped of linen except when it was being used. The kitchen was small and close, like the galley of a ship, pots and pans hanging from nails on the wall, the sticking drawers clattering with cutlery, all of it mismatched. She could strive for perfection only in certain, few things; beyond that, it was important only to be tidy. And she was that. From the kitchen you stepped through a narrow hallway and then from there into the back garden. This garden was larger than the whole house and was rife with vegetables and herbs and flowers. It was here where she spent most of her time, in her large straw hat and gloves, with the wide gray apron covering her front, the apron strings doubled around her ample waist.

After his first visit as a young man Talmadge stopped frequently on his way out of town to see her, brought her fruit. They would eat a meal on the porch or indoors, depending on the season. If he stayed so long that he would not be able to make it back to the orchard by nightfall, he would sleep in the room with the drying herbs. In the morning he would wake and there would be coffee for him. She would be outdoors working in the garden, and he would leave without saying good-bye. At one time people thought they were courting, but that was never the case. Talmadge was stuck in grief he only partially acknowledged. It was not from his mother’s death, from which he would have healed, more or less, eventually; but the festering issue was Elsbeth’s disappearance, which his mind could not accept, could not swallow; and so he suffered always and abstractedly, and would never, as far as Caroline Middey was concerned, be cured. Besides this, Caroline Middey felt herself too old for Talmadge, romantically speaking, and was totally uninterested in his sex. When he was twenty-two years old and contracted a venereal disease from a prostitute at a fair in Malaga, Caroline Middey prescribed medicine for him and also recommended a woman in town he should see if he was interested in further business of that sort. She had spoken of the whole affair matter-of-factly, and it was this, finally, that saved their friendship. He had thought he could never approach her again after she saw what was wrong with him. He would never have approached her in the first place if he had not thought that he was dying.

But that was many years ago now. He saw the prostitute she had recommended a few times over the years, and then she, the prostitute, moved away and he saw another woman for a while, but not for many years now. He and Caroline Middey, after the initial conversation, did not discuss such things. He did not know much of her private life, except that at one time she had had an apprentice, a young Cayuse girl, who had died of scarlet fever when she was seventeen. The girl was the only person as far as Talmadge knew who Caroline Middey had ever lived with, besides the old herbalist when she was younger. There was an ambrotype of the Cayuse girl set in a floral wreath on a shelf above the table in the kitchen. A beautiful girl with twin braids, wearing an intricately beaded shirt. Talmadge asked about the girl once, and Caroline Middey had said the girl’s Christian name was Diana. And then Caroline Middey had moved quickly out the back door to the garden. It was only then that Talmadge understood she was overcome and did not wish to speak about the girl. And so they never did.

You watch yourself, said Caroline Middey, now, on the porch. You don’t know what these girls are mixed up in.

It could be their father, thought Talmadge. It could be they ran away from home—

Oh, I doubt that, said Caroline Middey, although he had not spoken. Her gaze did not change. Her face was heavily lined, her cheeks sagged. She sat hunched in the chair, glowering.

He said, after a long silence: Don’t have to worry about it, anyway. They’ve cleared out.

They’ll be back, said Caroline Middey, glancing at him now. You fed them, didn’t you? They’ll be back.

The next morning he made coffee and ate a bit of biscuit and bacon he’d saved from the night before. It was early yet, and cool, and he decided to chop wood.

Sometimes, in the morning, it was necessary to strain himself physically in order to clear his mind—and also his body, his body was not immune—of dreams. The acidic aftertaste of some dreams.

There were long periods where he did not think of Elsbeth at all. Time had intervened, after all, so that grief had not killed him. At times he could imagine her fate matter-of-factly, he could distance himself from it: he had had a sister who had disappeared into the woods, and no one knew what had become of her. It had all happened so long ago; he had continued with his life, accepted her absence. This is what he told himself; and it was partly true. But other times even his flesh was sensitive to the air, and what could have befallen her—and what she had suffered—tortured him. The litany of possibilities always hung about him, and during periods of weakness he turned to it, scrolled through it; amended some possibilities, added others.

She might have run away. She might have run away to a place she had heard about, imagined. (Had he, after all, known her mind as intimately as he thought he did?) And she hadn’t told him because she didn’t want to hurt him. She didn’t want to be in the orchard anymore. Would he have accepted that? She might have accepted the help of a stranger, only to be taken advantage of. Robbed of the small amount of money she would have taken with her. Or maybe she was delivered, eventually, to a city, where she suffered the poverty unique to cities. Maybe she was in Seattle. In Spokane. Canada. San Francisco. Maybe she was somebody’s wife. Maybe she was a mother. Perhaps her children had died—of disease, of catastrophe—or it was the death of her husband she had suffered. Maybe her husband was alive, but unkind. Maybe she was hungry. What did she think of when she tasted an apple, now? An apricot? It did not occur to him that if she was alive, she might be happy. For if she were, then she would not have excluded him for so long. It was too cruel. Talmadge, I had to go, you would not have understood then, but I hope you understand now, and will come see me

Or maybe that day she had no intention of leaving him at all, and was actually hunting in the forest for herbs when a person came upon her and struck her, a heavy object to the back of the skull—practiced, sure—and then took up her body, carried it away. Talmadge did not like to dwell on the possibility that Elsbeth had been taken away, strapped to the back of a horse, to serve a dark purpose he would not even permit himself fully to imagine. How was a mind to sustain such speculation? But sometimes—some mornings, upon waking—he had a deep, calm, seemingly bottomless capacity for imagining it. The horror. What had happened to her, and what had he done? He had searched for her, but was he careful enough? Had he searched long enough? Called her name loudly enough? (But he had gone hoarse, calling her name: her name, the shape of it in his mouth, ached—he could not say her name now without a pulse of sick regret, and actual physical pain at the back of his throat, and in his mouth.) Thinking of her in such a situation, other terrible scenarios became more palatable: she had fallen into a hole; was attacked by a bear, a cougar. Murdered quickly by some natural force, and not by the hand of a stranger.

He walked with the ax past the apricot orchard and down the slope, crossed the creek, traversed the field. (Maybe she had joined a circus.) Long cuts of evergreen lay stacked near the forest edge. (Or, obeying some impulse hitherto unknown to him, entered a religious group; it was a nun, or a friend of the church, who had gently abducted her.) He spent the morning cutting an entire half tree into sections and then stood sweating and looked over the broken length. (Maybe she had left a note that had been upset by the wind, and drifted and floated into some crack or crevice that he had yet to discover.) He left his work and walked back across the field to the creek. (But there was no note; she did not know how to read or write.) As he knelt and splashed water in his face, an image of the deer that had recently gotten into the apricot orchard entered his mind. He drank from the creek and then stood, the blood pounding in his ears, and returned to the edge of the forest where the broken tree lay. He placed each round block upon a stump and proceeded to strike the block for kindling. (Would he ever know what had happened to her?) The sound of the creek was muffled by the line of gargantuan trees at his back. (Was it a matter of patience that kept him from discovery? Or was it goodness? Had some force—God?—kept the knowledge from him, because he was not good enough?) The crack of the ax splitting wood echoed and roamed the sky.

In the afternoon he investigated the fence along the far side of the apricot orchard. The barbed wire was mangled in one section near the back that he could not see from the porch. He walked the avenues and inspected the trees. Limbs were broken where he imagined the deer reared up on their hindquarters to get at the fruit. The damage was not great, but he would have to be more careful. Some men shot deer that ravaged crops, but he was not one of them. It was vulgar, he thought, to shoot a deer in the orchard.

One badly damaged tree at the end of the row was a sapling he had planted the previous spring. He crouched down and touched the limbs.

In the shed next to the barn he kept a collection of apple, plum, and apricot saplings. They grew incrementally in clay pots. Summer afternoons he set up a table under the eave of the cabin and worked on the saplings. He manipulated their shapes to networks he envisioned, performing multiple surgeries upon the tiny twiglike limbs. Youth had provided the advantage of better sight, much needed when he had begun the craft and relied upon sight as well as coordination; but now, though sight was not gone, it was impaired, and for several years he had depended solely upon the feel and texture of the limbs between his fingers. The myriad operations and surgical implements were second nature to him now, each practice fluid and exact.

When the saplings were ready, he planted them at the end of the orchard rows. He kept constant watch over them, building wooden latticework to support them during their precarious adolescence. Some of his experiments failed, were destroyed by weather or circumstance. Others, however, flourished.

In the shed he surveyed the apricot saplings and decided upon one and took hold of the clay pot in which it was secured and carried it outside, across the grass to the orchard. He knelt and studied the broken limb and compared it to those on the healthy sapling. Finally he chose a limb on the new sapling and cut into the bark with his pocketknife. Likewise he cut two inches above the ragged limb, and fit the appendages together so they joined at complementary angles. He had chosen and cut well and was pleased. He returned to the shed and retrieved a jar of wax and twine and set to work setting a wax cast for the new limb.

He sat in the grass bent over his work like a large child. The dread of last night’s dreams had all but evaporated. The two girls watched him from the edge of the field. They did not speak to each other but sat in the heat motionless. One girl clawed the ground with her fingers and brought a fistful of dirt to her mouth and ate it.

He did not see them that day. But the next day he stood in the midsection of an apple tree and saw them come meandering down the orchard rows. He continued cutting with the shears in the high branches and watched them indirectly. They stopped down the row from him and sat in the grass. The smaller one ran her hand up and down the stalks of grass and then desisted, turned her head as if hearing a call. When he climbed down from the tree they sat up straight and held still but did not look at him. He pretended not to notice them—they seemed to prefer it that way—and momentarily considered walking around the row to avoid passing them, but walked toward them instead. They stiffened. He approached them, passed. He walked out of the orchard and they followed him across the field and through the creek, up the hill and to the shed, where he replaced the shears. When he came back out they were standing, hesitant, at the edge of the plum orchard. As he approached them, the smaller one stepped back, but the other—braid over her shoulder, sleepy-looking now—remained.

In the cabin he set to frying trout he had caught that morning. As he turned from the stove, he glanced out the door and saw that the taller one had crept forward across the grass. The smaller one stood at the edge of the lawn and looked over her shoulder as if gauging escape.

Fish, tomatoes, eggs and onions, fried bread. His face flushed. He worked with possession. When he was finished, the cabin was hot and pungent with the odor of fried fish and onions.

The long-haired one hung back from the porch. Dusk had fallen across the grass, and the other girl stood now a shadow on the edge of the lawn. He set the two plates of food on the porch. Then he turned and walked back into the cabin.

He sat at the table with a plate of fish in front of him. A minute later he got up from his chair, blew out the lantern perched on the stove mantel, walked to the door, and looked out. The girls knelt in the grass and ate with their heads together, silently.

One hundred dollars apiece, the poster said, for the capture of two girls called Jane and Della. To be returned to James Michaelson of Okanogan, Washington.

He stood looking at the poster nailed to the wall outside the feed and supply store and thought of the notice he had drawn up those years ago, the notary at the bank saying, How do you spell that—Elsbeth? And Talmadge looked up at him raw-eyed—he was seventeen years old, and his sister had disappeared into the forest for going on three days now—and the notary sighed and wagged his pen and bent and wrote: To those persons with information regarding the whereabouts of Miss Elsbeth Talmadge, please contact William Talmadge—What’s your address, son? Again the blank stare. How do you expect them to get ahold of you? Talmadge shook his head, lifted his arm, and gesticulated west, toward the mountains. The notary said, almost angrily, How about if they leave word at the P.O.? How’s that? Talmadge nodded, and the notary wrote the rest of the notice and looked up and said, There. Talmadge said, There’s a reward. The notary eyed him ruefully. How much? he said. Talmadge said, A hundred dollars. The notary sat back in his chair. Son, do you even have a hundred dollars? Talmadge hesitated. He didn’t see what the problem was. If Elsbeth returned, the money wouldn’t matter. If they had to pay a hundred dollars, then they would pay a hundred dollars.

Talmadge unpinned the poster from the wall and stood looking at it and then folded it and put it in his pocket.

The next evening the girls sat at the edge of the lawn. He turned from the window to the pantry, regarded his supplies. Took a bag of cornmeal and set to making cakes and fried apples. Turning in the kitchen, he glanced out the window and noticed a girl moving slowly across the grass toward the porch. He stopped working and watched her. It was the older one again, he thought, the one with the braid. She clasped a plate to her breast. The oil spat in the pan behind him and the room warmed with the odor of cornbread. She stopped at the edge of the porch. He wiped his hands on his pants and went to the door. She held the plate tightly to her chest and stood outside the sphere of light the lantern cast. He stepped out onto the porch. She looked past him into the cabin, as if the food and the odor of the food was a body she had expected to greet her. Finally she looked at his chest and then stepped forward, held out the plate. He took it from her and went inside and heaped food on it. When he returned, she was walking back to him across the grass with another plate. The other girl stood alone on the edge of the grass, watching. He held out the plate of food to the girl, and after a moment she took it. He took the other plate inside, filled it. When he returned to the porch, the girl lifted her face from the plate. Her cheeks were filled with food and her eyes watered. It’s hot, he said. She blinked rapidly. For some reason she would not take the other plate from him, and so he set it on the porch and returned inside the cabin.

From the window he watched her retreat across the grass, pausing to lower her face into the food. The other girl met her and seized the heaping plate. They sunk to their knees in the grass and ate as they had before.

Oh, I wouldn’t do that, said Caroline Middey.

She and Talmadge sat on her front porch again, this time eating brisket and steamed carrots and greens in broth. Talmadge wiped his mouth with a blue-checked napkin. He should not have spoken. But he could not help himself. Even if her response was not what he wanted to hear, he needed her advice. He had told her, once they had begun the meal, that he was going to visit Michaelson on the Okanogan.

If you were able to catch them, said Caroline Middey suddenly, reverting to an earlier conversation about the girls, I could have a look at them. I could have a look at them, and see what kind of shape they’re in. Could you do that?

He thought for a moment. But why was he considering it?

No, he said. After a moment: You can come out there and see if they’ll come to you. You’re a woman; it might be different. But there is to be no—catching

She said nothing to this, was thinking.

You go up there and see this fellow, she said, nodding. All right. But you best bring a gun. She brought a forkful of brisket and put it into her mouth, chewed.

He was still. He had already thought of that. The rifle was in the wagon, underneath a canvas bag in the back. But he did not want to tell her he had already thought of this, because he did not want her to think that he too expected to find an adversary. He was disgusted that that had been his first reaction. He said, without inflection: I brought it. But I won’t need it.

Caroline Middey raised her eyebrows. Again she stabbed a forkful of meat.

Never know what you might need, she said, and brought the meat to her mouth, ate it.

It was not a negligible distance he would have to travel—seventy miles, more or less, as the crow flies—and he considered how he would do it. Finally he chose to leave his mule with Caroline Middey, who then drove him in her wagon to Wenatchee. He boarded a steamboat heading north, into the highlands. It was a Tuesday, just before dawn; not many people boarded with him.

Up the Columbia, the water splashing steadily against the hull; past Orondo and Entiat, the orchards along the benches materializing in the dawn. Chelan Falls, where morning broke. The sun glinting on the water. He crossed to the other side of the boat, looked out over the country. East of there was the place he hunted in the fall: a place of long flat fields and sweeping rock quarries, weak, haunted sunlight. The animals moving suddenly in that landscape—strong, beautiful, unexpected forms.

He arrived in Okanogan late afternoon. He found a place to eat, and then a boardinghouse, where, despite the hour—the sun had not yet set—he fell immediately asleep.

The next morning he inquired at the general store where he could find James Michaelson. The storekeeper, an elderly man with whom Talmadge had just had a pleasant conversation about the weather and the season, set his jaw. Looked past Talmadge, out the window. Said, after a moment, stiffly: We aren’t party to any of that. When Talmadge said, What do you mean? the man turned his head farther away and said he didn’t know any James Michaelson. And was that it, he said, or did Talmadge have any other business at the store?

Talmadge received more or less the same answer at the feed and supply store. And then he questioned an ironmonger working in an open stall at the end of the street, who regarded him briefly before telling him the Michaelson outfit was north of there, on the Salmon Creek just beyond Ruby City. You get to Conconully, said the man, you’ve gone too far. He fixed Talmadge in one long compassionless stare before bending again to his work.

Talmadge rode a mule out of Okanogan—Are you sure you don’t want a horse? You want a horse, don’t you? the man at the stables had asked, incredulous. No, a mule suits me fine, said Talmadge—and into the hot, dull country of the Okanogan highlands. His saddlebag packed with sandwiches and water, his rifle slung across his back.

An hour outside Okanogan he entered a town where the buildings were ramshackle and squat and looked as if they had weathered a thousand storms but would not survive another. Was this Ruby City? Or had he somehow ridden past that place and come too far north, to Conconully? He didn’t think he had ridden far enough to have reached Conconully. A dog ambled around the corner of a building and halted when it saw Talmadge and the mule, and backed up a little ways and began to snarl. Talmadge slowed the mule, leaned forward and touched the mule’s neck. A child came around the side of the building the way the dog had come and drew close to the dog and squatted down and put his arms around the dog’s neck. The dog struggled and whined as the child spoke into its ear. The dog gave one long creaking moan and then remained still as the child stood and gazed at Talmadge. He was a gaunt boy, with brown eyes that seemed too large for his skull.

Morning, said Talmadge. He straightened up in the saddle. The mule sidestepped, chewed the bit, stomped. Talmadge said: I’m looking for the Michae


Date: 2015-12-18; view: 519


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