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"There's no reason why you should," said Michael. "As long as I can pay my whack* I'll pay it. You earn more than I do because you're worth more. I put you down for a good salary because you draw it."

No one could do other than admire the self-abnegation with which he sacrificed himself for her sake. Any ambition he may have had for himself he had abandoned in order to foster her career. Even Dolly, who did not like him, acknowledged his unselfishness. A sort of modesty had always prevented Julia from discussing him with Dolly, but Dolly, with her shrewdness, had long seen how intensely Michael exasperated his wife, and now and then took the trouble to point out how useful he was to her. Everybody praised him. A perfect husband. It seemed to her that none but she knew what it was like to live with a man who was such a monster of vanity. His complacency when he had beaten an opponent at golf or got the better of someone in a business deal was infuriating. He gloried in his artfulness. He was a bore, a crashing bore. He liked to tell Julia everything he did and every scheme that passed through his head; it had been charming when merely to have him with her was a delight, but for years she had found his prosiness intolerable. He could describe nothing without circumstantial detail. Nor was he only vain of his business acumen; with advancing years he had become outrageously vain of his person. As a youth he had taken his beauty for granted: now he began to pay more attention to it and spared no pains to keep what was left of it. It became an obsession. He devoted anxious care to his figure. He never ate a fattening thing and never forgot his exercises. He consulted hair specialists when he thought his hair was thinning, and Julia was convinced that had it been possible to get the operation done secretly he would have had his face lifted. He had got into the way of sitting with his chin slightly thrust out so that the wrinkles in his neck should not show and he held himself with an arched back to keep his belly from sagging. He could not pass a mirror without looking into it. He hankered for compliments and beamed with delight when he had managed to extract one. They were food and drink to him. Julia laughed bitterly when she remembered that it was she who had accustomed him to them. For years she had told him how beautiful he was and now he could not live without flattery. It was the only chink in his armour. An actress out of a job had only to tell him to his face that he was too handsome to be true for him to think that she might do for a part he had in mind. For years, so far as Julia knew, Michael had not bothered with women, but when he reached the middle forties he began to have little flirtations. Julia suspected that nothing much came of them. He was prudent, and all he wanted was admiration. She had heard that when women became pressing he used her as a pretext to get rid of them. Either he couldn't risk doing anything to hurt her, or she was jealous or suspicious and it seemed better that the friendship should cease.

"God knows what they see in him," Julia exclaimed to the empty room.

She took up half a dozen of his photographs at random and looked at them carefully one by one. She shrugged her shoulders.

"Well, I suppose I can't blame them. I fell in love with him too. Of course he was better-looking in those days."

It made Julia a little sad to think how much she had loved him. Because her love had died she felt that life had cheated her. She sighed.

"And my back's aching," she said.

THERE was a knock at the door.

"Come in," said Julia.

Evie entered.

"Aren't you going to bed today, Miss Lambert?" She saw Julia sitting on the floor surrounded by masses of photographs. "Whatever are you doing?"

"Dreaming." She took up two of the photographs. "Look here upon this picture, and on this."

One was of Michael as Mercutio in all the radiant beauty of his youth and the other of Michael in the last part he had played, in a white topper and a morning coat, with a pair of field-glasses slung over his shoulder. He looked unbelievably self-satisfied.

Evie sniffed.

"Oh, well, it's no good crying over spilt milk."

"I've been thinking of the past and I'm as blue as the devil."*

"I don't wonder. When you start thinking of the past it means you ain't got no future, don't it?"

"You shut your trap, you old cow," said Julia, who could be very vulgar when she chose.

"Come on now, or you'll be fit for nothing tonight. I'll clear up all this mess."

Evie was Julia's dresser and maid. She had come to her first at Middlepool and had accompanied her to London. She was a cockney, a thin, raddled, angular woman, with red hair which was always untidy and looked as if it much needed washing, two of her front teeth were missing but, notwithstanding Julia's offer, repeated for years, to provide her with new ones she would not have them replaced.

"For the little I eat I've got all the teeth I want. It'd only fidget me to 'ave a lot of elephant's tusks in me mouth."

Michael had long wanted Julia at least to get a maid whose appearance was more suitable to their position, and he had tried to persuade Evie that the work was too much for her, but Evie would not hear of it.

"You can say what you like, Mr. Gosselyn, but no one's going to maid Miss Lambert as long as I've got me 'ealth and strength."

"We're all getting on, you know, Evie. We're not so young as we were."

Evie drew her forefinger across the base of her nostrils and sniffed.

"As long as Miss Lambert's young enough to play women of twenty-five, I'm young enough to dress 'er. And maid 'er." Evie gave him a sharp look. "An' what d'you want to pay two lots of wages for, when you can get the work done for one?"

Michael chuckled in his good-humoured way.

"There's something in that, Evie dear."

She bustled Julia upstairs. When she had no matinee Julia went to bed for a couple of hours in the afternoon and then had a light massage. She undressed now and slipped between the sheets.

"Damn, my hot water bottle's nearly stone cold."

She looked at the clock on the chimney-piece. It was no wonder. It must have been there an hour. She had no notion that she had stayed so long in Michael's room, looking at those photographs and idly thinking of the past.

"Forty-six. Forty-six. Forty-six. I shall retire when I'm sixty. At fifty-eight South Africa and Australia. Michael says we can clean up there. Twenty thousand pounds. I can play all my old parts. Of course even at sixty I could play women of forty-five. But what about parts? Those bloody dramatists."

Trying to remember any plays in which there was a first-rate part for a woman of five-and-forty she fell asleep. She slept soundly till Evie came to awake her because the masseuse was there. Evie brought her the evening paper, and Julia, stripped, while the masseuse rubbed her long slim legs and her belly, putting on her spectacles, read the same theatrical intelligence she had read that morning, the gossip column and the woman's page. Presently Michael came in and sat on her bed. He often came at that hour to have a little chat with her.

"Well, what was his name?" asked Julia.

"Whose name?"

"The boy who came to lunch?"

"I haven't a notion. I drove him back to the theatre. I never gave him another thought."

Miss Phillips, the masseuse, liked Michael. You knew where you were with him. He always said the same things and you knew exactly what to answer. No side to him. And terribly good-looking. My word.

"Well, Miss Phillips, fat coming off nicely?"

"Oh, Mr. Gosselyn, there's not an ounce of fat on Miss Lambert. I think it's wonderful the way she keeps her figure."

"Pity I can't have you to massage me, Miss Phillips. You might be able to do something about mine."

"How you talk, Mr. Gosselyn. Why, you've got the figure of a boy of twenty. I dont' know how you do it, upon my word I don't."

"Plain living and high thinking, Miss Phillips."

Julia was paying no attention to what they said but Miss Phillips's reply reached her.

"Of course there's nothing like massage, I always say that, but you've got to be careful of your diet. That there's no doubt about at all."

"Diet!" she thought. "When I'm sixty I shall let myself go. I shall eat all the bread and butter I like. I'll have hot rolls for breakfast, I'll have potatoes for lunch and potatoes for dinner. And beer. God, how I like beer. Pea soup and tomato soup; treacle pudding and cherry tart. Cream, cream, cream. And so help me God, I'll never eat spinach again as long as I live."

When the massage was finished Evie brought her a cup of tea, a slice of ham from which the fat had been cut, and some dry toast. Julia got up, dressed, and went down with Michael to the theatre. She liked to be there an hour before the curtain rang up. Michael went on to dine at his club. Evie had preceded her in a cab and when she got into her dressing-room everything was ready for her. She undressed once more and put on a dressing-gown. As she sat down at her dressing-table to make up she noticed some fresh flowers in a vase.

"Hulloa, who sent them? Mrs. de Vries?" Dolly always sent her a huge basket on her first nights, and on the hundredth night, and the two hundredth if there was one, and in between, whenever she ordered flowers for her own house, had some sent to Julia.

"No, miss."

"Lord Charles?"

Lord Charles Tamerley was the oldest and the most constant of Julia's admirers, and when he passed a florist's he was very apt to drop in and order some roses for her.

"Here's the card," said Evie.

Julia looked at it. Mr. Thomas Fennell. Tavistock Square.

"What a place to live. Who the hell d'you suppose he is, Evie?"

"Some feller knocked all of a heap by your fatal beauty, I expect."

"They must have cost all of a pound. Tavistock Square doesn't look very prosperous to me. For all you know he may have gone without his dinner for a week to buy them."

"I don't think."

Julia plastered her face with grease paint.

"You're so damned unromantic, Evie. Just because I'm not a chorus girl you can't understand why anyone should send me flowers. And God knows, I've got better legs than most of them."

"You and your legs," said Evie.

"Well, I don't mind telling you I think it's a bit of all right having an unknown young man sending me flowers at my time of life. I mean it just shows you."

"If he saw you now 'e wouldn't, not if I know anything about men."

"Go to hell," said Julia.

But when she was made up to her satisfaction, and Evie had put on her stockings and her shoes, having a few minutes still to spare she sat down at her desk and in her straggling bold hand wrote to Mr. Thomas Fennell a gushing note of thanks for his beautiful flowers. She was naturally polite and it was, besides, a principle with her to answer all fan letters. That was how she kept in touch with her public. Having addressed the envelope she threw the card in the wastepaper basket and was ready to slip into her first act dress. The call-boy came round knocking at the dressing-room doors.

"Beginners, please."

Those words, though heaven only knew how often she had heard them, still gave her a thrill. They braced her like a tonic. Life acquired significance. She was about to step from the world of make-believe into the world of reality.

NEXT day Julia had luncheon with Charles Tamerley. His father, the Marquess of Dennorant, had married an heiress and he had inherited a considerable fortune. Julia often went to the luncheon parties he was fond of giving at his house in Hill Street. At the bottom of her heart she had a profound contempt for the great ladies and the noble lords she met there, because she was a working woman and an artist, but she knew the connexion was useful. It enabled them to have first nights at the Siddons which the papers described as brilliant, and when she was photographed at week-end parties among a number of aristocratic persons she knew that it was good publicity. There were one or two leading ladies, younger than she, who did not like her any better because she called at least two duchesses by their first names. This caused her no regret. Julia was not a brilliant conversationalist, but her eyes were so bright, her manner so intelligent, that once she had learnt the language of society she passed for a very amusing woman. She had a great gift of mimicry, which ordinarily she kept in check thinking it was bad for her acting, but in these circles she turned it to good accout and by means of it acquired the reputation of a wit. She was pleased that they liked her, these smart, idle women, but she laughed at them up her sleeve because they were dazzled by her glamour. She wondered what they would think if they really knew how unromantic the life of a successful actress was, the hard work it entailed, the constant care one had to take of oneself and the regular, monotonous habits which were essential. But she good-naturedly offered them advice on make-up and let them copy her clothes. She was always beautifully dressed. Even Michael, fondly thinking she got her clothes for nothing, did not know how much she really spent on them.

Morally she had the best of both worlds. Everyone knew that her marriage with Michael was exemplary. She was a pattern of conjugal fidelity. At the same time many people in that particular set were convinced that she was Charles Tamerley's mistress. It was an affair that was supposed to have been going on so long that it had acquired respectability, and tolerant hostesses when they were asked to the same house for a week-end gave them adjoining rooms. This belief had been started by Lady Charles, from whom Charles Tamerley had been long separated, and in point of fact there was not a word of truth in it. The only foundation for it was that Charles had been madly in love with her for twenty years, and it was certainly on Julia's account that the Tamerleys, who had never got on very well, agreed to separate. It was indeed Lady Charles who had first brought Julia and Charles together. They happened, all three, to be lunching at Dolly de Vries's when Julia, a young actress, had made her first great success in London. It was a large party and she was being made much of Lady Charles, a woman of over thirty then, who had the reputation of being a beauty, though except for her eyes she had not a good feature, but by a sort of brazen audacity managed to produce an effective appearance, leant across the table with a gracious smile.

"Oh, Miss Lambert, I think I used to know your father in Jersey. He was a doctor, wasn't he? He used to come to our house quite often."

Julia felt a slight sickness in the pit of her stomach; she remembered now who Lady Charles was before she married, and she saw the trap that was being set for her. She gave a rippling laugh.

"Not at all," she answered. "He was a vet. He used to go to your house to deliver the bitches. The house was full of them."

Lady Charles for a moment did not quite know what to say.

"My mother was very fond of dogs," she answered.

Julia was glad that Michael was not there. Poor lamb, he would have been terribly mortified. He always referred to her father as Dr. Lambert, pronouncing it as though it were a French name, and when soon after the war he died and her mother went to live with her widowed sister at St. Malo he began to speak of her as Madame de Lambert. At the beginning of her career Julia had been somewhat sensitive on the point, but when once she was established as a great actress she changed her mind. She was inclined, especially among the great, to insist on the fact that her father had been a vet. She could not quite have explained why, but she felt that by so doing she put them in their place.

But Charles Tamerley knew that his wife had deliberately tried to humiliate the young woman, and angered, went out of his way to be nice to her. He asked her if he might be allowed to call and brought her some beautiful flowers.

He was then a man of nearly forty, with a small head on an elegant body, not very good-looking but of distinguished appearance. He looked very well-bred, which indeed he was, and he had exquisite manners. He was an amateur of the arts. He bought modern pictures and collected old furniture. He was a lover of music and exceedingly well read. At first it amused him to go to the tiny flat off the Buckingham Palace Road in which these two young actors lived. He saw that they were poor and it excited him to get into touch with what he fondly thought was Bohemia. He came several times and he thought it quite an adventure when they asked him to have a luncheon with them which was cooked and served by a scarecrow of a woman whom they called Evie. This was life. He did not pay much attention to Michael who seemed to him, notwithstanding his too obvious beauty, a somewhat ordinary young man, but he was taken by Julia. She had a warmth, a force of character, and a bubbling vitality which were outside his experience. He went to see her act several times and compared her performance with his recollections of the great foreign actresses. It seemed to him that she had in her something quite individual. Her magnetism was incontestable. It gave him quite a thrill to realize on a sudden that she had genius.

"Another Siddons perhaps. A greater Ellen Terry."

In those days Julia did not think it necessary to go to bed in the afternoons, she was as strong as a horse and never tired, so he used often to take her for walks in the Park. She felt that he wanted her to be a child of nature. That suited her very well. It was no effort for her to be ingenuous, frank and girlishly delighted with everything. He took her to the National Gallery, and the Tate, and the British Museum, and she really enjoyed it almost as much as she said. He liked to impart information and she was glad to receive it. She had a retentive memory and learnt a great deal from him. If later she was able to talk about Proust and Cezanne with the best of them, so that you were surprised and pleased to find so much culture in an actress, it was to him she owed it. She knew that he had fallen in love with her some time before he knew it himself. She found it rather comic. From her standpoint he was a middle-aged man, and she thought of him as a nice old thing. She was madly in love with Michael. When Charles realized that he loved her his manner changed a little, he seemed struck with shyness and when they were together was often silent.

"Poor lamb," she said to herself, "he's such a hell of a gentleman he doesn't know what to do about it."

But she had already prepared her course of conduct for the declaration which she felt he would sooner or later bring himself to make. One thing she was going to make quite clear to him. She wasn't going to let him think that because he was a lord and she was an actress he had only to beckon and she would hop into bed with him. If he tried that sort of thing she'd play the outraged tieroine on him, with the outflung arm and the index extended in the same line, as Jane Taitbout had taught tier to make the gesture, pointed at the door. On the other hand if he was shattered and tongue-tied, she'd be ill tremulous herself, sobs in the voice and all that, and she'd say it had never dawned on her that he felt like that about her, and no, no, it would break Michael's leart. They'd have a good cry together and then everything would be all right. With his beautiful manners she could count upon him not making a nuisance of himself when she had once got it into his head that there was nothing doing. But when it happened it did not turn out in the least as she had expected. Charles Tamerley and Julia had been for a walk in St. James's Park, they had looked at the pelicans, and the scene suggesting it, they had discussed the possibility of her playing Millamant on a Sunday evening. They went back to Julia's flat to have a cup of tea. They shared a crumpet.* Then Charles got up to go. He took a miniature out of his pocket and gave it to her.

"It's a portrait of Clairon. She was an eighteenth-century actress and she had many of your gifts."

Julia looked at the pretty, clever face, with the powdered hair, and wondered whether the stones that framed the little picture were diamonds or only paste.

"Oh, Charles, how can you! You are sweet."

"I thought you might like it. It's by way of being a parting present."

"Are you going away?"

She was surprised, for he had said nothing about it. He looked at her with a faint smile.

"No. But I'm not going to see you any more."

"Why?"

"I think you know just as well as I do."

Then Julia did a disgraceful thing. She sat down and for a minute looked silently at the miniature. Timing it perfectly, she raised her eyes till they met Charles's. She could cry almost at will, it was one of her most telling accomplishments, and now without a sound, without a sob, the tears poured down her cheeks. With her mouth slightly open, with the look in her eyes of a child that has been deeply hurt and does not know why, the effect was unbearably pathetic. His face was crossed by a twinge of agony. When he spoke his voice was hoarse with emotion.

"You're in love with Michael, aren't you?"

She gave a little nod. She tightened her lips as though she were trying to control herself, but the tears rolled down her cheeks.

"There's no chance for me at all?" He waited for some answer from her, but she gave none, she raised her hand to her mouth and seemed to bite a nail, and still she stared at him with those streaming eyes. "Don't you know what torture it is to go on seeing you? D'you want me to go on seeing you?"

Again she gave a little nod.

"Clara's making me scenes about you. She's found out I'm in love with you. It's only common sense that we shouldn't see one another any more."

This time Julia slightly shook her head. She gave a sob. She leant back in the chair and turned her head aside. Her whole body seemed to express the hopelessness of her grief. Flesh and blood couldn't stand it. Charles stepped forward and sinking to his knees took that broken woebegone body in his arms.

"For God's sake don't look so unhappy. I can't bear it. Oh, Julia, Julia, I love you so much, I can't make you so miserable. I'll accept anything. I'll make no demands on you."

She turned her tear-stained face to him ("God, what a sight I must look now") and gave him her lips. He kissed her tenderly. It was the first time he had ever kissed her.

"I don't want to lose you," she muttered huskily.

"Darling, darling!"

"It'll be just as it was before?"

"Just."

She gave a deep sigh of contentment and for a minute or two rested in his arms. When he went away she got up and looked in the glass.

"You rotten bitch," she said to herself.

But she giggled as though she were not in the least ashamed and then went into the bathroom to wash her face and eyes. She felt wonderfully exhilarated. She heard Michael come in and called out to him.

"Michael, look at that miniature Charles has just given me. It's on the chimney-piece. Are those diamonds or paste?"

Julia was somewhat nervous when Lady Charles left her husband. She threatened to bring proceedings for divorce, and Julia did not at all like the idea of appearing as intervener. For two or three weeks she was very jittery. She decided to say nothing to Michael till it was necessary, and she was glad she had not, for in due course it appeared that the threats had been made only to extract more substantial alimony from the innocent husband. Julia managed Charles with wonderful skill. It was understood between them that her great love for Michael made any close relation between them out of the question, but so far as the rest was concerned he was everything to her, her friend, her adviser, her confidant, the man she could rely on in any emergency or go to for comfort in any disappointment. It was a little more difficult when Charles, with his fine sensitiveness, saw that she was no longer in love with Michael. Then Julia had to exercise a great deal of tact. It was not that she had any scruples about being his mistress; if he had been an actor who loved her so much and had loved her so long she would not have minded popping into bed with him out of sheer good nature; but she just did not fancy him. She was very fond of him, but he was so elegant, so well-bred, so cultured, she could not think of him as a lover. It would be like going to bed with an objet d'art. And his love of art filled her with a faint derision; after all she was a creator, when all was said and done he was only the public. He wished her to elope with him. They would buy a villa at Sorrento on the bay of Naples, with a large garden, and they would have a schooner so that they could spend long days on the beautiful wine-coloured sea. Love and beauty and art; the world well lost.

"The damned fool," she thought. "As if I'd give up my career to bury myself in some hole in Italy! "

She persuaded him that she had a duty to Michael, and then there was the baby; she couldn't let him grow up with the burden on his young life that his mother was a bad woman. Orange trees or no orange trees, she would never have a moment's peace in that beautiful Italian villa if she was tortured by the thought of Michael's unhappiness and her baby being looked after by strangers. One couldn't only think of oneself, could one? One had to think of others too. She was very sweet and womanly. She sometimes asked Charles why he did not arrange a divorce with his wife and marry some nice woman. She could not bear the thought of his wasting his life over her. He told her that she was the only woman he had ever loved and that he must go on loving her till the end.

"It seems so sad," said Julia.

All the same she kept her eyes open, and if she noticed that any woman had predatory intentions on Charles she took care to queer her pitch. She did not hesitate if the danger seemed to warrant it to show herself extremely jealous. It had been long agreed, with all the delicacy that might be expected from his good breeding and Julia's good heart, in no definite words, but with guarded hints and remote allusiveness, that if anything happened to Michael, Lady Charles should somehow or other be disposed of and they would then marry. But Michael had perfect health.

On this occasion Julia had much enjoyed lunching at Hill Street. The party had been very grand. Julia had never encouraged Charles to entertain any of the actors or authors he sometimes came across, and she was the only person there who had ever had to earn a living. She had sat between an old, fat, bald and loquacious* Cabinet Minister who took a great deal of trouble to entertain her, and a young Duke of Westreys who looked like a stable-boy and who flattered himself that he knew French slang better than a Frenchman. When he discovered that Julia spoke French he insisted on conversing with her in that language. After luncheon she was persuaded to recite a tirade from Phedre as it was done at the Comedie Francaise and the same tirade as an English student at the Royal Academy of Dramatic Art would deliver it. She made the company laugh very much and came away from the party flushed with success. It was a fine bright day and she made up her mind to walk from Hill Street to Stanhope Place. A good many people recognized her as she threaded her way through the crowd in Oxford Street, and though she looked straight ahead of her she was conscious of their glances.

"What a hell of a nuisance it is that one can't go anywhere without people staring at one."

She slackened her pace a little. It certainly was a beautiful day.

She let herself into her house with a latch-key and as she got in heard the telephone ringing. Without thinking she took up the receiver.

"Yes?"

She generally disguised her voice when she answered, but for once forgot to.

"Miss Lambert?"

"I don't know if Miss Lambert's in. Who is it please?" she asked, assuming quickly a cockney accent.

The monosyllable had betrayed her. A chuckle travelled over the wire.

"I only wanted to thank you for writing to me. You know you needn't have troubled. It was so nice of you to ask me to lunch, I thought I'd like to send you a few flowers."

Date: 2015-12-18; view: 512