HALLOWEEN COMES EARLY 4 page

Now the people cowering against the Dome begin to be bombarded by dead and dying birds as the fleeing sparrows, robins, grackles, crows, gulls, and even geese slam against the Dome they so quickly learned to avoid. And across Dinsmore’s field comes a stampede of the town’s dogs and cats. There are also skunks, woodchucks, porcupines. Deer leap among them, and several clumsily galloping moose, and of course Alden Dinsmore’s cattle, eyes rolling and mooing their distress. When they reach the Dome they crash against it. The lucky animals die. The unlucky ones lie sprawled on pincushions of broken bones, barking and squealing and miaowing and bellowing.

Ollie Dinsmore sees Dolly, the beautiful Brown Swiss who once won him a 4-H blue ribbon (his mother named her, thought Ollie and Dolly was just so cute). Dolly gallops heavily toward the Dome with somebody’s Weimaraner nipping at her legs, which are already bloody. She hits the barrier with a crunch he can’t hear over the oncoming fire … except in his mind he can hear it, and somehow seeing the equally doomed dog pounce on poor Dolly and begin ripping at her defenseless udder is even worse than finding his father dead.

The sight of the dying cow that was once his darling breaks the boy’s paralysis. He doesn’t know if there’s even the slightest chance of surviving this terrible day, but he suddenly sees two things with utter clarity. One is the oxygen tank with his dead father’s Red Sox cap hung on it. The other is Grampy Tom’s oxygen mask dangling from the hook of the bathroom door. As Ollie runs for the farm where he’s lived his whole life —the farm that will soon cease to exist—he has only one completely coherent thought: the potato cellar. Buried under the barn and running beneath the hill behind it, the potato cellar may be safe.

The expatriates are still standing at the edge of the orchard. Barbie hasn’t been able to make them hear him, let alone move them. Yet he must get them back to the farmhouse and the vehicles. Soon.

From here they have a panoramic view of the whole town, and Barbie is able to judge the fire’s course the way a general might judge the most likely route of an invading army by aerial photographs. It’s sweeping southeast, and may stay on the western side of the Prestile. The river, although dry, should still serve as a natural firebreak. The explosive windstorm the fire has generated will also help to keep it from the town’s northernmost quadrant. If the fire burns all the way to where the Dome borders on Castle Rock and Motton—the heel and sole of the boot—then those parts of Chester’s Mill bordering on TR-90 and northern Harlow may be saved. From fire, at least. But it’s not fire that concerns him.

What concerns him is that wind.

He feels it now, rushing over his shoulders and between his spread legs hard enough to ripple his clothes and blow Julia’s hair around her face. It’s rushing away from them to feed the fire, and because The Mill is now an almost completely closed environment, there will be very little good air to replace what is being lost. Barbie has a nightmare image of goldfish floating dead on the surface of an aquarium from which all the oxygen has been exhausted.

Julia turns to him before he can grab her and points at something below: a figure trudging along Black Ridge Road, pulling a wheeled object. From this distance Barbie can’t tell if the refugee is a man or a woman, and it doesn’t matter. Whoever it is will almost certainly die of asphyxiation long before reaching the highland.

He takes Julia’s hand and puts his lips to her ear. “We have to go. Grab Piper, and have her grab whoever’s next to her. Everybody—”

“What about him?” she shouts, still pointing to the trudging figure. It might be a child’s wagon he or she’s pulling. It’s loaded with something that must be heavy, because the figure is bent over and moving very slowly.

Barbie has to make her understand, because time has grown short. “Never mind him. We’re going back to the farmhouse. Now. Everybody joins hands so nobody gets left behind.”

She tries to turn and look at him, but Barbie holds her still. He wants her ear—literally—because he has to make her understand. “If we don’t go now, it may be too late. We’ll run out of air.”

On Route 117, Velma Winter leads a parade of fleeing vehicles in her Datsun truck. All she can think about is the fire and smoke filling the rearview mirror. She’s doing seventy when she hits the Dome, which she has in her panic forgotten completely (just another bird, in other words, this one on the ground). The collision occurs at the same spot where Billy and Wanda Debec, Nora Robichaud, and Elsa Andrews came to grief a week before, shortly after the Dome came down. The engine of Velma’s light truck shoots backward and tears her in half. Her upper body exits through the windshield, trailing intestines like party streamers, and splatters against the Dome like a juicy bug. It is the start of a twelve-vehicle pileup in which many die. The majority are only injured, but they will not suffer long.

Henrietta and Petra feel the heat wash against them. So do all the hundreds pressed against the Dome. The wind lifts their hair and ruffles clothes that will soon be burning.

“Take my hand, honey,” Henrietta says, and Petra does.

They watch the big yellow bus make a wide, drunken turn. It totters along the ditch, barely missing Richie Killian, who first dodges away and then leaps nimbly forward, grabbing onto the back door as the bus goes by. He lifts his feet and squats on the bumper.

“I hope they make it,” Petra says. “So do I, honey.”

“But I don’t think they will.”

Now some of the deer leaping out of the approaching conflagration are on fire.

Henry has taken the wheel of the bus. Pamela stands beside him, holding onto a chrome pole. The passengers are about a dozen townsfolk most loaded in earlier because they were experiencing physical problems. Among them are Mabel Alston, Mary Lou Costas, and Mary Lou’s baby, still wearing Henry’s baseball cap. The redoubtable Leo Lamoine has also gotten onboard, although his problem seems to be emotional rather than physical; he is wailing in terror.

“Step on it and head north!” Pamela shouts. The fire has almost reached them, it’s less than five hundred yards ahead, and the sound of it shakes the world. “Drive like a motherfucker and don’t stop for anything!”

Henry knows it’s hopeless, but because he also knows he would rather go out this way than helplessly cowering with his back to the Dome, he yanks on the headlights and gets rolling. Pamela is thrown backward into the lap of Chaz Bender, the teacher—Chaz was helped into the bus when he began to suffer heart palpitations. He grabs Pammie to steady her. There are shrieks and cries of alarm, but Henry barely hears them. He knows he is going to lose sight of the road in spite of the headlights, but so what? As a cop he has driven this stretch a thousand times.

Use the force, Luke, he thinks, and actually laughs as he drives into the flaming darkness with the accelerator pedal jammed to the mat. Clinging to the back door of the bus, Richie Killian suddenly cannot breathe. He has time to see his arms catch fire. A moment later the temperature outside the bus pops to eight hundred degrees and he is burned off his perch like a fleck of meat off a hot barbecue grill.

The lights running down the center of the bus are on, casting a weak luncheonette-at-midnight glow over the terrified, sweat-drenched faces of the passengers, but the world outside has turned dead black. Whirlpools of ash eddy in the radically foreshortened beams of the headlights. Henry steers by memory, wondering when the tires will explode beneath him. He’s still laughing, although he can’t hear himself over the scalded-cat screech of 19’s engine. He’s keeping to the road; there’s that much. How long until they break through the other side of the firewall? Is it possible they can break through? He’s beginning to think it might be. Good God, how thick can it be?

“You’re doing it!” Pamela shouts. “You’re doing it!”

Maybe, Henry thinks. Maybe I am. But Christ, the heat ! He is reaching for the air-conditioning knob, meaning to turn it all the way to MAX COOL, and that’s when the windows implode and the bus fills with fire. Henry thinks, No! No! Not when we’re so close!

But when the charred bus charges clear of the smoke, he sees nothing beyond but a black wasteland. The trees have been burned away to glowing stubs and the road itself is a bubbling ditch. Then an overcoat of fire drops over him from behind and Henry Morrison knows no more. 19 skids from the remains of the road and overturns with flames spewing from every broken window. The quickly blackening message on the back reads: SLOW DOWN, FRIEND! WE LOVE OUR CHILDREN!

Ollie Dinsmore sprints to the barn. Wearing Grampy Tom’s oxygen mask around his neck and carrying two tanks with a strength he never knew he had (the second he spied as he cut through the garage), the boy runs for the stairs that will take him down to the potato cellar. There’s a ripping, snarling sound from overhead as the roof begins to burn. On the west side of the barn the pumpkins also begin to burn, the smell rich and cloying, like Thanksgiving in hell.

The fire moves toward the southern side of the Dome, racing through the last hundred yards; there is an explosion as Dinsmore’s dairy barns are destroyed. Henrietta Clavard regards the oncoming fire and thinks: Well, I’m old. I’ve had my life. That’s more than this poor girl can say.

“Turn around, honey,” she tells Petra, “and put your head on my bosom.”

Petra Searles turns a tearstained and very young face up to Henrietta’s. “Will it hurt?”

“Only for a second, honey. Close your eyes, and when you open them, you’ll be bathing your feet in a cool stream.”

Petra speaks her last words. “That sounds nice.”

She closes her eyes. Henrietta does the same. The fire takes them. At one second they’re there, at the next … gone.

Cox is still close on the other side of the Dome, and the cameras are still rolling from their safe position at the flea-market site. Everyone in America is watching in shocked fascination. The commentators have been stunned to silence, and the only soundtrack is the fire, which has plenty to say.

For a moment Cox can still see the long human snake, although the people who make it up are only silhouettes against the fire. Most of them—like the expatriates on Black Ridge, who are at last making their way back to the farmhouse and their vehicles—are holding hands. Then the fire boils against the Dome and they are gone. As if to make up for their disappearance, the Dome itself becomes visible: a great charred wall rearing into the sky. It holds most of the heat in, but enough flashes out to turn Cox around and send him running. He tears off his smoking shirt as he goes.

The fire has burned on the diagonal Barbie foresaw, sweeping across Chester’s Mill from northwest to southeast. When it dies, it will do so with remarkable quickness. What it has taken is oxygen; what it leaves behind is methane, formaldehyde, hydrochloric acid, carbon dioxide, carbon monoxide, and trace gases equally noxious. Also choking clouds of particulate matter: vaporized houses, trees, and—of course—people.

What it leaves behind is poison.

Twenty-eight exiles and two dogs convoyed out to where the Dome bordered on TR-90, known to the oldtimers as Canton. They were crammed into three vans, two cars, and the ambulance. By the time they arrived the day had grown dark and the air had become increasingly hard to breathe.

Barbie jammed on the brakes of Julia’s Prius and ran to the Dome, where a concerned Army lieutenant colonel and half a dozen other soldiers stepped forward to meet him. The run was short, but by the time Barbie reached the red band spray-painted on the Dome, he was gasping. The good air was disappearing like water down a sink.

“The fans!” he panted at the lieutenant colonel. “Turn on the fans!”

Claire McClatchey and Joe spilled out of the department store van, both of them staggering and gasping. The phone company van came next. Ernie Calvert got out, took two steps, and went to his knees. Norrie and her mother tried to help him to his feet. Both were crying.

“Colonel Barbara, what happened?” the lieutenant colonel asked.

According to the name-strip on his fatigues, he was STRINGFELLOW. “Report.”

“Fuck your report!” Rommie shouted. He was holding a semi-conscious child—Aidan Appleton—in his arms. Thurse Marshall staggered along behind him with his arm around Alice, whose sparkle-sprinkled top was sticking to her; she’d retched down her front. “Fuck your report, just turn on dose fans, you !”

Stringfellow gave the order and the refugees knelt, their hands pressed against the Dome, greedily gasping in the faint breeze of clean air the huge fans were able to force through the barrier.

Behind them, the fire raged.

SURVIVORS

Only three hundred and ninety-seven of the The Mill’s two thousand residents survive the fire, most of them in the northeast quadrant of town. By the time night falls, rendering the smudged darkness inside the Dome complete, there will be a hundred and six.

When the sun comes up on Saturday morning, shining weakly through the only part of the Dome not charred completely black, the population of Chester’s Mill is just thirty-two.

Ollie slammed the door to the potato cellar before running downstairs. He also flicked the switch that turned on the lights, not knowing if they would still work. They did. As he stumbled down to the barn’s basement (chilly now but not for long; he could already feel the heat starting to push in behind him), Ollie remembered the day four years ago when the guys from Ives Electric in Castle Rock backed up to the barn to unload the new Honda generator.

“Overpriced sonofawhore better work right,” Alden had said, chewing on a piece of grass, “because I’m in hock up to my eyeballs for it.”

It had worked right. It was still working right, but Ollie knew it wouldn’t much longer. The fire would take it as the fire had taken everything else. If he had as much as a minute of light left, he would be surprised.

I may not even be alive in a minute.

The potato grader stood in the middle of the dirty concrete floor, a complexity of belts and chains and gears that looked like some ancient instrument of torture. Beyond it was a huge pile of spuds. It had been a good fall for them, and the Dinsmores had finished the harvest only three days before the Dome came down. In an ordinary year, Alden and his boys would have graded them all through November to sell at the Castle Rock co-op produce market and various roadside stands in Motton, Harlow, and Tarker’s Mills. No spud-money this year. But Ollie thought they might save his life.

He ran to the edge of the pile, then stopped to examine the two tanks. The dial on the one from the house read only half full, but the needle on the one from the garage was all the way in the green. Ollie let the half-full one clang to the concrete and attached the mask to the one from the garage. He had done this many times when Grampy Tom was alive, and it was the work of seconds.

Just as he hung the mask around his neck again, the lights went out.

The air was growing warmer. He dropped to his knees and began burrowing into the cold weight of the potatoes, pushing with his feet, protecting the long tank with his body and yanking it along beneath him with one hand. With the other he made awkward swimming motions.

He heard potatoes avalanche down behind him and fought a panicky urge to back out. It was like being buried alive, and telling himself that if he wasn’t buried alive he’d surely die didn’t help much. He was gasping, coughing, seeming to breathe in as much potato-dirt as air. He clapped the oxygen mask over his face and … nothing.

He fumbled at the tank valve for what seemed like forever, his heart pounding in his chest like an animal in a cage. Red flowers began to open in the darkness behind his eyes. Cold vegetable weight bore down on him. He had been crazy to do this, as crazy as Rory had been, shooting off a gun at the Dome, and he was going to pay the price. He was going to die.

Then his fingers finally found the valve. At first it wouldn’t turn, and he realized he was trying to spin it the wrong way. He reversed his fingers and a rush of cool, blessed air gusted into the mask.

Ollie lay under the potatoes, gasping. He jumped a little when the fire blew in the door at the top of the stairs; for a moment he could actually see the dirty cradle he lay in. It was getting warmer, and he wondered if the half-full tank he had left behind would blow. He also wondered how much additional time the full one had bought him, and if it was worth it.

But that was his brain. His body had only one imperative, and that was life. Ollie began to crawl deeper into the potato pile, dragging the tank along, adjusting the mask on his face each time it came askew.

If the Vegas bookies had given odds on those likely to survive the Visitors Day catastrophe, those on Sam Verdreaux would have been a thousand to one. But longer odds have been beaten—it’s what keeps bringing people back to the tables—and Sam was the figure Julia had spotted laboring along Black Ridge Road shortly before the expatriates ran for the vehicles at the farmhouse.

Sloppy Sam the Canned Heat Man lived for the same reason Ollie did: he had oxygen.

Four years ago, he had gone to see Dr. Haskell (The Wiz—you remember him). When Sam said he couldn’t seem to catch his breath just lately, Dr. Haskell listened to the old rumpot’s wheezing respiration and asked him how much he smoked.

“Well,” Sam had said, “I used to go through as much as four packs a day when I was in the woods, but now that I’m on disability and sociable security, I’ve cut back some.”

Dr. Haskell asked him what that meant in terms of actual consumption.Sam said he guessed he was down to two packs a day. American Iggles. “I used to smoke Chesterfoggies, but now they only come with the filter,” he explained. “Also, they’re expensive. Iggles is cheap, and you can pick the filter off before you light up. Easy as pie.” Then he began to cough.

Dr. Haskell found no lung cancer (something of a surprise), but the X-rays seemed to show a damned fine case of emphysema, and he told Sam that he’d probably be using oxygen for the rest of his life. It was a bad diagnosis, but give the guy a break. As the doctors say, when you hear hoofbeats, you don’t think zebras. Also, folks have a tendency to see what they’re looking for, don’t they? And although Dr. Haskell died what might be called a hero’s death, no one, including Rusty Everett, ever mistook him for Gregory House. What Sam actually had was bronchitis, and it cleared up not too long after The Wiz made his diagnosis.

By then, however, Sam was signed up for oxygen deliveries every week from Castles in the Air (a company based in Castle Rock, of course), and he never canceled the service. Why would he? Like his hypertension medicine, the oxygen was covered by what he referred to as THE MEDICAL. Sam didn’t really understand THE MEDICAL, but he understood that the oxygen cost him nothing out of pocket. He also discovered that huffing pure oxygen had a way of cheering a body up.

Sometimes, however, weeks would pass before it crossed Sam’s mind to visit the scurgy little shed he thought of as “the oxygen bar.” Then, when the guys from Castles in the Air came to retrieve the empties (a thing they were often lax about), Sam would go out to his oxygen bar, open the valves, run the tanks dry, pile them in his son’s old red wagon, and trundle them out to the bright blue truck with the air-bubbles on it.

If he had still lived out on Little Bitch road, site of the old Verdreaux home place, Sam would have burned to a crisp (as Marta Edmunds did) in the minutes after the initial explosion. But the home place and the woodlots which had once surrounded it had been taken for unpaid taxes long since (and purchased back in ’08 by one of several Jim Rennie dummy corporations … at bargain-basement rates). His baby sis owned a little patch of land out on God Creek, however, and that was where Sam was residing on the day the world blew up. The shack wasn’t much, and he had to do his business in an outhouse (the only running water was supplied by an old handpump in the kitchen), but by gorry the taxes were paid, little sis saw to that … and he had THE MEDICAL.

Sam was not proud of his part in instigating the Food City riot. He had drunk many shots and beers with Georgia Roux’s father over the years, and felt bad about hitting the man’s daughter in the face with a rock. He kept thinking about the sound that piece of quartz had made when it connected, and how Georgia’s broken jaw had sagged, making her look like a ventriloquist’s dummy with a busted mouth. He could have killed her, by the living Jesus. Was probably a miracle that he hadn’t … not that she had lasted long. And then an even sadder idea had occurred to him: if he’d left her alone, she wouldn’t have been in the hospital. And if she hadn’t been in the hospital, she’d probably still be alive.

If you looked at it that way, he had killed her.

The explosion at the radio station caused him to sit bolt upright out of a drunken sleep, clutching his chest and staring around wildly. The window above his bed had blown out. In fact, every window in the place had blown out, and his shack’s west-facing front door had been torn clean off its hinges.

He stepped over it and stood frozen in his weedy and tire-strewn front yard, staring west, where the whole world appeared to be on fire.

In the fallout shelter below where the Town Hall had once stood, the generator—small, old-fashioned, and now the only thing standing between the occupants and the great hereafter—ran steadily. Battery-powered lights cast a yellowish glow from the corners of the main room. Carter was sitting in the only chair, Big Jim taking up most of the elderly two-person sofa and eating sardines from a can, plucking them out one by one with his thick fingers and laying them on Saltines.

The two men had little to say to each other; the portable TV Carter had found gathering dust in the bunkroom took up all of their attention. It got only a single station—WMTW out of Poland Spring—but one was enough. Too much, really; the devastation was hard to comprehend. Downtown had been destroyed. Satellite photos showed that the woods around Chester Pond had been reduced to slag, and the Visitors Day crowd at 119 was now dust in a dying wind. To a height of twenty thousand feet, the Dome had become visible: an endless, sooty prison wall surrounding a town that was now seventy percent burned over.

Not long after the explosion, the temperature in the cellar had begun to climb appreciably. Big Jim told Carter to turn on the air-conditioning.

“Will the gennie handle that?” Carter had asked.

“If it won’t, we’ll cook,” Big Jim had replied irritably, “so what’s the difference?”

Don’t you snap at me, Carter thought. Don’t you snap at me when you were the one who made this happen. The one who’s responsible.

He’d gotten up to find the air-conditioning unit, and as he did, another thought crossed his mind: those sardines really stank. He wondered what the boss would say if he told him the stuff he was putting in his mouth smelled like old dead pussy.

But Big Jim had called him son like he meant it, so Carter kept his mouth shut. And when he turned on the air-conditioner, it had started right up. The sound of the generator had deepened a little, though, as it shouldered the extra burden. It would burn through their supply of LP that much quicker.

Doesn’t matter, he’s right, we gotta have it, Carter told himself as he watched the relentless scenes of devastation on the TV. The majority were coming from satellites or high-flying reconnaissance planes. At lower levels, most of the Dome had become opaque.

But not, he and Big Jim discovered, at the northeastern end of town. Around three o’clock in the afternoon, the coverage abruptly switched there, with video coming from just beyond a bustling Army outpost in the woods.

“This is Jake Tapper in TR-90, an unincorporated township just north of Chester’s Mill. This is as close as we’ve been allowed, but as you can see, there are survivors. I repeat, there are survivors.”

“There are survivors right here, you dummy,” Carter said.

“Shut up,” Big Jim said. Blood was mounting in his heavy cheeks and dashing across his forehead in a wavy line. His eyes bulged in their sockets and his hands were clenched. “That’s Barbara. It’s that son-of-a­buck Dale Barbara!”

Carter saw him among the others. The picture was being transmitted from a camera with an extremely long lens, which made the image shaky—it was like looking at people through a heat-haze—but it was still clear enough. Barbara. The mouthy minister. The hippy doctor. A bunch of kids. The Everett woman.

That bitch was lying all along, he thought. She lied and stupid Carter believed her.

“The roaring sound you hear is not helicopters,” Jake Tapper was saying. “If we can pull back a little …”

The camera pulled back, revealing a line of huge fans on dollies, each connected to its own generator. The sight of all that power just miles away made Carter feel sick with envy.

“You see it now,” Tapper went on. “Not helicopters but industrial fans. Now … if we can move in again on the survivors …”

The camera did so. They were kneeling or sitting at the edge of the Dome, directly in front of the fans. Carter could see their hair moving in the breeze. Not quite rippling, but definitely moving. Like plants in a lazy underwater current.

“There’s Julia Shumway,” Big Jim marveled. “I should have killed that rhymes-with-witch when I had the chance.”

Carter paid no attention. His eyes were riveted on the TV.

“The combined blast from four dozen fans should be enough to knock those folks over, Charlie,” Jake Tapper said, “but from here it looks like they’re getting just enough air to keep them alive in an atmosphere that has become a poison soup of carbon dioxide, methane, and God knows what else. Our experts are telling us that Chester’s Mill’s limited supply of oxygen mostly went to feed the fire. One of those experts— chemistry professor Donald Irving of Princeton—told me via cell phone that the air inside the Dome now might not be all that much different from the atmosphere of Venus.”

The picture switched to a concerned-looking Charlie Gibson, safe in New York. (Lucky bastard, Carter thought.) “Any word yet on what may have caused the fire?”

Back to Jake Tapper … and then to the survivors in their small capsule of breathable air. “None, Charlie. It was some sort of explosion, that seems clear, but there’s been no further word from the military and nothing from Chester’s Mill. Some of the people you see on your screen must have phones, but if they are communicating, it’s only with Colonel James Cox, who touched down here about forty-five minutes ago and immediately conferenced with the survivors. While the camera pans this grim scene from our admittedly remote standpoint, let me give concerned viewers in America—and all over the world—the names of the people now at the Dome who have been positively identified. I think you might have still pictures of several, and maybe you can flash them on the screen as I go. I think my list’s alphabetical, but don’t hold me to that.”

“We won’t, Jake. And we do have some pictures, but go slow.”

“Colonel Dale Barbara, formerly Lieutenant Barbara, United States Army.” A picture of Barbie in desert camo came on the screen. He had his arm around a grinning Iraqi boy. “A decorated veteran and most recently a short-order cook in the town restaurant.

“Angelina Buffalino … do we have a picture of her? … no? … okay.

“Romeo Burpee, owner of the local department store.” There was a picture of Rommie. In it he was standing beside a backyard barbecue with his wife and wearing a tee-shirt that read KISS ME, I’M FRENCH.

“Ernest Calvert, his daughter Joan, and Joan’s daughter, Eleanor Calvert.” This picture looked like it had been taken at a family reunion; there were Calverts everywhere. Norrie, looking both grim and pretty, had her skateboard under one arm.

“Alva Drake … her son Benjamin Drake …”

“Turn that off,” Big Jim grunted.

“At least they’re in the open,” Carter said wistfully. “Not stuck in a hole. I feel like Saddam fucking Hussein when he was on the run.”

“Eric Everett, his wife, Linda, and their two daughters …”

“Another family!” Charlie Gibson said in a voice of approval that was almost Mormonesque. That was enough for Big Jim; he got up and snapped the TV off himself, with a hard twist of the wrist. He was still holding the sardine can, and spilled some of the oil on his pants when he did it.

You’ll never get that out, Carter thought but did not say.

I was watching that show, Carter thought but did not say.

“The newspaper woman,” Big Jim brooded, sitting back down. The cushions hissed as they collapsed beneath his weight. “She was always against me. Every trick in the book, Carter. Every trick in the cotton-picking book. Get me another can of sardines, would you?”

Date: 2015-12-17; view: 620