Kineo Town Manager: 'I Don't Know What They 9 page

'Where?' he asks Jonesy breathlessly. He is imagining seeing this girl, this Tina Jean Schlossinger, waiting on the corner for the school bus, just standing there giggling with her girlfriends, not having the slightest idea that the boy walking past has seen what is under her skirt or her jeans, that he knows if the hair on her pussy is the same color as the hair on her head. Pete is on fire. 'Where is it?'

'There,' Jonesy says, and points at the red brick box that is Tracker Brothers old freight and storage depot. There is ivy crawling up the sides, but this has been a cold fall and most of the leaves have already died and turned black. Some of the windows are broken and the rest are bleary. Looking at the place gives Pete a little chin. Partly because the big kids, the high-school kids and even some that are beyond high school, play baseball in the vacant lot behind the building, and big kids like to beat up little kids, who knows why, it relieved the monotony or something. But this isn't the big deal, because baseball is over for the year and the big kids have probably moved on to Strawford Park, where they will play two-hand touch football until the snow flies. (Once the snow flies, they will beat each others' brains in playing hockey with old friction-taped sticks.) No, the big deal is that kids sometimes disappear in Derry, Derry is funny that way, and when they do disappear, they are often last seen in out-of-the-way places like the deserted Tracker Brothers depot. No one talks about this unpleasant fact, but everyone knows about it.

Yet a pussy . . . not some fictional Penthouse pussy but the actual muff of an actual girl from town . . . that would be something to see, all right. That would be a fuckin pisser.

'Tracker Brothers?' Henry says with frank disbelief They have stopped now, are standing together in a little clump not far from the building while the last of the retards go moaning and goggling by on the other side of the street. 'I think the world of you, Jonesy, don't get me wrong — the fucking world — but why would there be a picture of Tina Jean's pussy in there?'

'I don't know,' Jonesy said, 'but Davey Trask saw it and said it was her.'

'I dunno about goin in there, man,' Beaver says. 'I mean, I'd love to see Tina Jean Slophanger's pussy—'

'Schlossinger—'

'—but that place has been empty at least since we were in the fifth grade—'

'Beav—'

'—and I bet it's full of rats.'

'Beav—'

But Beav intends to have his entire say. 'Rats get rabies,' he says. 'They get rabies up the old wazoo.'

'We don't have to go in,' Jonesy says, and all three look at him with renewed interest. This is, as the fellow said when he saw the black-haired Swede, a Norse of a different color.

Jonesy sees he has their full attention, nods, goes on. 'Davey says all you have to do is go around on the driveway side and look in the third or fourth window. It used to be Phil and Tony Tracker's office. There's still a bulletin board on the wall. And Davey said the only two things on the bulletin board are a map of New England showing all the truck routes, and a picture of Tina jean Schlossinger showing all of her pussy.'

They look at him with breathless interest, and Pete asks the question which has occurred to all of them. 'Is she bollocky?'

'No,' Jonesy admits. 'Davey says you can't even see her tits, but she's holding her skirt up and she isn't wearing pants and you can see it, just as clear as day.'

Pete is disappointed that this year's Tiger Homecoming Queen isn't bollocky bare-ass, but the thing about how she's holding her skirt up inflames them all, feeding some primal, semi-secret notion of how sex really works. A girl could hold her skirt up, after all; any girl could.

Not even Henry asks any more questions. The only question comes from the Beav, who asks if Jonesy is sure they won't have to go inside in order to see. And they are already moving in the direction of the driveway running down the far side of the building toward the vacant lot, powerful as a spring tide in their nearly mindless motion.

Pete finished the second beer and heaved the bottle deep into the woods. Feeling better now, he got cautiously to his feet and dusted the snow from his ass. And was his knee a little bit looser? He thought maybe it was. Looked awful, of course — looked like he had a little model of the Minnesota goddam Metrodome under there — but felt a bit better. Still, he walked carefully, swinging his plastic sack of beer in short arcs beside him. Now that the small but powerful voice insisting that he had to have a beer, just goddam had to, had been silenced, he thought of the woman with new solicitude, hoping she hadn't noticed he was gone. He would walk slowly, he would stop to massage his knee every five minutes or so (and maybe talk to it, encourage it, a crazy idea, but he was out here on his own and it couldn't hurt), and he would get back to the woman. Then he would have another beer. He did not look back at the overturned Scout, did not see that he had written DUDDITS in the snow, over and over again, as he sat thinking of that day back in 1978.

Only Henry had asked why the Schlossinger girl's picture would be there in the empty office of an empty freight depot, and Pete thought now that Henry had only asked because he had to fulfill his role as Group Skeptic. Certainly he'd only asked once; as for the rest of them, they had simply believed, and why not? At thirteen, Pete had still spent half his life believing in Santa Claus. And besides—

Pete stopped near the top of the big hill, not because he was out of breath or because his leg was cramping up, but because he could suddenly feel a low humming sound in his head, sort of like an electrical transformer, only with a kind of cycling quality to it, a low thud-thud-thud. And no, it wasn't 'suddenly' as in 'suddenly started up'; he had an idea the sound had been there for awhile and he was just becoming aware of it. And he had started to think some funny stuff. All that about Henry's cologne, for instance . . . and Marcy. Someone named Marcy. He didn't think he knew anyone named Marcy but the name was suddenly in his head, as in Marcy I need you or Marcy I want you or maybe Zounds, Marcy, bring the gasogene.

He stood where he was, licking his dry lips, the bag of beer hanging straight down from his hand now, its pendulum motion stilled. He looked up in the sky, suddenly sure the lights would be there . . . and they were there, only just two of them now, and very faint.

'Tell Marcy to make them give me a shot,' Pete said, enunciating each word carefully in the stillness, and knew they were exactly the right words. Right why or right how he couldn't say, but yes, those were the words in his head. Was it the click, or had the lights caused those thoughts? Pete couldn't say for sure.

'Maybe nyther,' he said.

Pete realized the last of the snow had stopped. The world around him was only three colors: the deep gray of the sky, the deep green of the firs, and the perfect unblemished white of the new snow. And hushed.

Pete cocked his head first to one side and then to the other, listening. Yes, hushed. Nothing. No sound in the world and the humming noise had stopped as completely as the snow. When he looked up, he saw that the pale, mothlike glow of the lights was also gone.

'Marcy?' he said, as if calling someone. It occurred to him that Marcy might be the name of the woman who had caused them to wreck, but he dismissed the idea. That woman's name was Becky, he knew it as surely as he had known the name of the real estate woman that time. Marcy was just a word now, and nothing about it called to him. Probably he'd just had a brain-cramp. Wouldn't be the first time.

He finished climbing the hill and started down the other side, his thoughts returning to that day in the fall of 1978, the day they had met Duddits.

He was almost back to the place where the road leveled when his knee abruptly let go, not locking up this time but seeming to explode like a pine knot in a hot fire.

Pete pitched forward into the snow. He didn't hear the Bud bottles break inside the bag — all but two of them. He was screaming too loudly.

CHAPTER SIX

DUDDITS, PART TWO

Henry started off in the direction of the camp at a quick walk, but as the snow subsided to isolated flurries and the wind began to die, he upped the walk to a steady, clocklike jog. He had been jogging for years, and the pace felt natural enough. He might have to pull up for awhile, walk or even rest, but he doubted it. He had run road-races longer than nine miles, although not for a couple of years and never with four inches of snow underfoot. Still, what was there to worry about? Falling down and busting a hip? Maybe having a heart attack? At thirty-seven a heart attack seemed unlikely, but even if he had been a prime candidate for one, worrying about it would have been ludicrous, wouldn't it? Considering what he was planning? So what was there to worry about?

Jonesy and Beaver, that was what. On the face of it that seemed as ludicrous as worrying about suffering a catastrophic cardiac outage here in the middle of nowhere — the trouble was behind him, with Pete and that strange, semi-comatose woman, not up ahead at Hole in the Wall . . . except there was trouble at Hole in the Wall, bad trouble. He didn't know how he knew that, but he did and he accepted the knowing. Even before he started encountering the animals, all hurrying by and none giving him more than the most cursory glance, he knew that.

Once or twice he glanced up into the sky, looking for more foo-lights, but there were none to be seen and after that he just looked straight ahead, sometimes having to zig or zag to keep out of the way of the animals. They weren't quite stampeding, but their eyes had an odd, spooky look that Henry had never seen before.

Once he had to skip handily to keep from being upended by a pair of hurrying foxes.

Eight more miles, he told himself. It became a jogging mantra, different from the ones that usually went through his head when he was running (nursery rhymes were the most common), but not that different — same idea, really. Eight more miles, eight more miles to Banbury Cross. No Banbury Cross, though, just Mr Clarendon's old camp — Beaver's camp, now — and no cock horse to get him there. What was a cock horse, anyway? Who knew? And what in Christ's name was happening out here — the lights, the slow-motion stampede (dear God, what was that in the woods off to his left, was that a fucking bear?), the woman in the road, just sitting there with most of her teeth and most of her brains missing? And those farts, dear God. The only thing he'd ever smelled even remotely like it was the breath of a patient he'd had once, a schizophrenic with intestinal cancer. Always that smell, an internist friend had told Henry when Henry tried to describe it. They can brush their teeth a dozen times a day, use Lavoiis every hour on the hour, and that smell still comes through. It's the smell of the body eating itself, because that's all cancer is when you take the diagnostic masks off: autocannibalism.

Seven more miles, seven more miles, and all the animals are running, all the animals are headed for Disneyland. And when they get there they'll form a conga line and sing 'It's a Small World After All.'

The steady, muted thud of his booted feet. The feel of his glasses bouncing up and down on the bridge of his nose. His breath coming out in balloons of cold vapor. But he felt warm now, felt good, those endorphins kicking in. Whatever was wrong with him, it was no shortage of those; he was suicidal but by no means dysthytmic.

That at least some of his problem — the physical and emotional emptiness that was like a near-whiteout in a blizzard — was physical, hormonal, he had no doubt. That the problem could be addressed if not entirely corrected by pills he himself had prescribed by the bushel . . . he had no doubt of that, either, But like Pete, who undoubtedly knew there was a rehab and years of AA meetings in his most plausible future, Henry did not want to be fixed, was somehow convinced that the fix would be a he, something that would lessen him.

He wondered if Pete had gone back for the beer, and knew the answer was probably yes. Henry would have suggested bringing it along if he'd thought of it, making such a risky return trip (risky for the woman as well as Pete himself) unnecessary, but he'd been pretty freaked out — and the beer hadn't even crossed his mind.

He bet it had crossed Pete's, though. Could Pete make it roundtrip on that sprung knee? It was possible, but Henry would not have bet on it.

They're back! the woman had screamed, looking up at the sky. They're back! They're back!

Henry put his head down and jogged a little faster.

Six more miles, six more to Banbury Cross. Was it down to six yet, or was he being optimistic? Giving those old endorphins a little too much free rein? Well, so what if he was? Optimism couldn't hurt at this point. The snow had almost stopped falling and the tide of animals had slackened, and that was also good— What wasn't so good was the thoughts in his head, some of which seemed less and less like his own. Becky, for instance, who was Becky? The name had begun to resonate in his head, had become another part of the mantra. He supposed it was the woman he'd just avoided killing. Whose little girl are you? Becky, why I'm Becky, I'm pretty Becky Shue.

Except she hadn't been pretty, not pretty at all. One heavyset smelly mama was what she'd been, and now she was in Pete Moore's less than reliable care.

Six. Six. Six more miles to Banbury Cross.

Jogging steadily — as steadily as was possible, given the footing — and hearing strange voices in his head. Except only one of them was really strange, and that one wasn't a voice at all but a kind of hum with a rhythmic beat

(whose little girl, whose little girl, pretty Becky Shue)

caught in it. The rest were voices he knew, or voices his friends knew. One was a voice Jonesy had told him about, a voice he'd heard after his accident and associated with all his pain: Please stop, I can't stand it, give me a shot, where's Marcy.

He heard Beaver's voice: Go look in the chamber pot.

Jonesy, answering: Why don't we just knock on the bathroom door and ask him how he is?

A stranger's voice saying that if he could just do a number two he'd be okay . . .

... only he was no stranger, he was Rick, pretty Becky's friend Rick. Rick what? McCarthy? McKinley? McKeen? Henry wasn't sure, but he leaned toward McCarthy, like Kevin McCarthy in that old horror movie about the pods from space that made themselves look like people. One of Jonesy's raves. Get a few drinks in him and mention that movie and Jonesy would respond with the key line at once: 'They're here! They're here!'

The woman, looking up at the sky and screaming They're back, they're back.

Dear Christ, there'd been nothing like this since they were kids and this was worse, like picking up a power-line filled with voices instead of electricity.

All those patients over the years, complaining of voices in their heads. And Henry, the big psychiatrist (Young Mr God, one state hospital patient called him back in the early days), had nodded as if he knew what they were talking about. Had in fact believed he did know what they were talking about. But maybe only now did he really know.

Voices. Listening to them so hard he missed the whup-whup-­whup of the helicopter passing overhead, a dark rushing shark-shape barely obscured by the bottoms of the clouds. Then the voices began to fade as radio signals from faraway places do when daylight comes and the atmosphere once more begins to thicken. At last there was only the voice of his own thoughts, insisting that something terrible had happened or was about to happen at Hole in the Wall; that something equally terrible was about to happen or had happened back there at the Scout or the loggers' shelter.

Five more miles. Five more miles.

In an effort to turn his mind away from his friend behind and his friends ahead, or what might be happening all around him, he let his mind go to where he knew Pete's mind had already gone: to 1978, and Tracker Brothers, and to Duddits. How Duddits Cavell could have anything to do with this fuckarow Henry didn't understand, but they had all been thinking about him, and Henry didn't even need that old mental connection to know it. Pete had mentioned Duds while they were dragging the woman to the loggers' shelter on that piece of tarp, Beaver had been talking about Duddits Just the other day when Henry and the Beav had been in the woods together — the day Henry had tagged his deer, that had been, The Beav reminiscing about how the four of them had taken Duddits Christmas shopping in Bangor one year. just after Jonesy had gotten his license that was; Jonesy would have driven anyone anywhere that winter. The Beav laughing about how Duddits had worried Santa Claus wasn't real, and all four of them — big high-school galoots by then, thinking they had the world by the tail — working to reconvince Duddits that Santa was a true thing, the real deal. Which of course they'd done. And Jonesy had called Henry from Brookline Just last month, drunk (drunkenness was much rarer for Jonesy, especially since his accident, than it was for Pete, and it was the only maudlin call Henry had ever gotten from the man), saying that he'd never done anything in his life that was as good, as plain and simple baldass fine, as what they had done for poor old Duddits Cavell back in 1978. That was our finest hour, Jonesy had said on the phone, and with a nasty jolt, Henry realized he had told Pete exactly the same thing. Duddits, man. Fucking Duds.

Five more miles . . . or maybe four. Five more miles . . . or maybe four.

They had been going to see a picture of a girl's pussy, the picture supposedly tacked up on the bulletin board of some deserted office. Henry couldn't remember the girl's name, not after all these years, only that she'd been that prick Grenadeau's girlfriend and the 1978 Homecoming Queen at Derry High. Those things had made the prospect of seeing her pussy especially interesting. And then, just as they got to the driveway, they had seen a discarded red-and-white Derry Tigers shirt. And a little way down the driveway there had been something else.

I hate that fuckin show, they never change their clothes, Pete had said, and Henry opened his mouth to reply, only before he could . . .

'The kiddo screamed,' Henry said. He slipped in the snow, tottered for a moment, then ran on again, remembering that October day under that white sky. He ran on remembering Duddits. How Duddits had screamed and changed all their lives. For the better, they had always assumed, but now Henry wondered.

Right now he wondered very much.

When they get to the driveway — not much of a driveway, weeds are growing even in the gravelly wheelruts now — Beaver is in the lead. Beaver is, indeed, almost foaming at the jaws. Henry guesses that Pete is nearly as wrought-up, but Pete is holding it in better, even though he's a year younger. Beaver is . . . what's the word? Agog. Henry almost laughs at the aptness of it, and then the Beav stops so suddenly Pete almost runs into him.

'Hey!' Beaver says. 'Fuck me Freddy! Some kid's shirt!'

It is indeed. Red and white, and not old and dirty, as if it had been there a thousand years. In fact, it looks almost new.

'Shirt, schmirt, who gives a shit?' Jonesy wants to know.

'Let's just—'

'Hold your horses,' the Beav says. 'This is a good shirt.' Except when he picks it up, they see that it isn't. New, yes ­a brand-new Derry Tigers shirt, with 19 on the back. Pete doesn't give a shit for football, but the rest of them recognize it as Richie Grenadeau's number. Good, no — not anymore. It's ripped deeply at the back collar, as if the person wearing it had tried to run away, then been grabbed and hauled back.

'Guess I was wrong,' the Beav says sadly, and drops it again. 'Come on.'

But before they get very far, they come across something else — this time it's yellow instead of red, that bright yellow plastic only a kid could love. Henry trots ahead of the others and picks it up. It's a lunchbox with Scooby-Doo and his friends on it, all of them running from what appears to be a haunted house. Like the shirt it looks new, not anything that's been lying out here for any length of time, and all at once Henry is starting to have a bad feeling about this, starting to wish they hadn't detoured into this deserted driveway by this deserted building at all . . . or at least had saved it for another day. Which, even at fourteen, he realizes is stupid. When it comes to pussy, he thinks, you either go or you don 9 t, there's no such thing as saving it for another day.

'I hate that fuckin show, Pete says, looking over Henry's shoulder at the lunchbox. 'They never change their clothes, did you ever notice that? Wear the same fuckin thing, show in and show out.'

Jonesy takes the Scooby-Doo lunchbox from Henry and turns it to look at something he's seen pasted on the end. The wild look has gone out of Jonesy's eyes, he's frowning slightly, and Henry has an idea Jonesy is also wishing they'd just gone on and played some two-on-two.

The sticker on the side reads: I BELONG TO DOUGLAS CAVELL, 19 MAPLE LANE, DERRY, MAINE. IF THE BOY I BELONG TO IS LOST, CALL 949-1864. THANKS!

Henry opens his mouth to say the lunchbox and the shirt must belong to a kid who goes to The Retard Academy — he's sure of it just looking at the sticker, which is almost like the tag their fucking dog wears — but before he can, there is a scream from the far side of the building, over where the big kids play baseball in the summer. It's full of hurt, that scream, but what starts Henry running before he can even think about it is the surprise in it, the awful surprise of someone who has been hurt or scared (or both) for the very first time.

The others follow him. They run up the weedy right rut of the driveway, the one closest to the building, in single file: Henry, Jonesy, the Beav, and Pete.

There is hearty male laughter. 'Go on and eat it,' someone says. 'Eat it and you can go. Duncan might even give you your pants back.'

'Yeah, if you—' Another boy, probably Duncan, begins and then he stops, staring at Henry and his friends.

'Hey you guys, quit it!' Beaver shouts. 'Just fucking quit it!' Duncan's friends — there are two of them, both wearing Derry High School jackets — realize they are no longer unobserved at their afternoon's entertainment, and turn. Kneeling on the gravel amid them, dressed only in underpants and one sneaker, his face smeared with blood and dirt and snot and tears, is a child of an age Henry cannot determine. He's not a little kid, not with that powdering of hair on his chest, but he has the look of a little kid just the same. His eyes have a Chinese tilt and are bright green, swimming with tears.

On the red brick wall behind this little group, printed in large white letters which are fading but still legible, is this message: NO BOUNCE, NO PLAY. Which probably means keep the games and the balls away from the building and out in the vacant lot where the deep ruts of the basepaths and the ragged hill of the pitcher's mound can still be seen, but who can say for sure? NO BOUNCE, NO PLAY. In the years to come they will say this often; it will become one of the private catch-phrases of their youth and has no exact meaning. Who knows? perhaps comes closest. Or What can you do? It is always best spoken with a shrug, a smile, and hands tipped up to the sky.

'Who the fuck're you?' one of the big boys asks the Beav. On his left hand he's wearing what looks like a batting glove or maybe a golf glove . . . something athletic, anyway. In it is the dried dog-turd he has been trying to make the mostly naked boy eat.

'What are you doing?' Jonesy asks, horrified. 'You tryin to make him eat that? The fuck's wrong with you?'

The kid holding the dog-turd has a wide swatch of white tape across the bridge of his nose, and Henry utters a bark of recognition that is half surprise and half laughter. It's too per­fect, isn't it? They're here to look at the pussy of the Home­coming Queen and here, by God, is the Homecoming King, whose football season has apparently been ended by nothing worse than a broken nose, and who is currently passing his time doing stuff like this while the rest of the team practices for this week's game.

Richie Grenadeau hasn't noticed Henry's look of recognition; he's staring at Jonesy. Because he has been startled and because Jonesy's tone of disgust is so completely unfeigned, Richie at first takes a step backward. Then he realizes that the kid who has dared to speak to him in such reproving tones is at least three years younger and a hundred pounds lighter than he is. The sagging hand straightens again.

'I'm gonna make him eat this piece of shit,' he says. 'Then he can go. You go now, snotball, unless you want half'

'Yeah, fuck off,' the third boy says. Richie Grenadeau is big but this boy is even bigger, a six-foot-five hulk whose face flames with acne. 'While you got th—'

'I know who you are,' Henry says.

Richie's eyes switch to Henry. He looks suddenly wary . . . but he also looks pissed off. 'Fuck off, sonny. I mean it.'

'You're Richie Grenadeau. Your picture was in the paper.

What do you think people will say if we tell em what we caught you doing?'

'You're not gonna tell anyone anything, because you'll be fuckin dead,' the one named Duncan says. He has dirty-blond hair falling around his face and down to his shoulders. 'Get outta here. Beat feet.'

Henry pays no attention to him. He stares at Richie Grenadeau. He is aware of no fear, although there's no doubt these three boys could stomp them flat; he is burning with an outrage he has never felt before, never even suspected. The kid kneeling on the ground is undoubtedly retarded, but not so retarded he doesn't understand these three big boys intended to hurt him, tore off his shirt, and then—

Henry has never in his life been closer to getting good and beaten up, or been less concerned with it. He takes a step forward, fists clenching. The kid on the ground sobs, head now lowered, and the sound is a constant tone in Henry's head, feeding his fury.

'I'll tell,' he says, and although it is a little kid's threat, he doesn't sound like a little kid to himself. Nor to Richie, apparently; Richie takes a step backward and the gloved hand with the dried turd in it sags again. For the first time he looks alarmed. 'Three against one, a little retarded kid, fuck yeah, man, I'll tell. I'll tell and I know who you are!'

Duncan and the big boy — the only one not wearing a high-­school jacket — step up on either side of Richie. The boy in the underpants is behind them now, but Henry can still hear the pulsing drone of his sobs, it's in his head, beating in his head and driving him fucking crazy.

'All right, okay, that's it,' the biggest boy says. He grins, showing several holes where teeth once lived. 'You're gonna die now.'

'Pete, you run when they come,' Henry says, never taking his eyes from Richie Grenadeau. 'Run home and tell your mother.' And, to Richie: 'You'll never catch him, either. He runs like the fucking wind.'

Pete's voice sounds thin but not scared. 'You got it, Henry.' 'And the worse you beat us up, the worse it's gonna be for you, Jonesy says. Henry has already seen this, but for Jonesy it is a revelation; he's almost laughing. 'Even if you really did kill us, what good would it do you? Because Pete does run fast, and he'll tell.'

'I run fast, too,' Richie says coldly. 'I'll catch him.'

Henry turns first to Jonesy and then to the Beav. Both of them are standing firm. Beaver, in fact, is doing a little more than that. He bends swiftly, picks up a couple of stones — they are the size of eggs, only with jagged edges — and begins to chunk them together. Beav's narrowed eyes shift back and forth between Richie Grenadeau and the biggest boy, the galoot. The toothpick in his mouth jitters aggressively up and down.

'When they come, go for Grenadeau,' Henry says. 'The other two can't even get close to Pete.' He switches his gaze to Pete, who is pale but unafraid — his eyes are shining and he is almost dancing on the balls of his feet, eager to be off 'Tell your ma. Tell her where we are, to send the cops. And don't forget this bully motherfucker's name, whatever you do.' He shoots a district attorney's accusing finger at Grenadeau, who once more looks uncertain. No, more than uncertain. He looks afraid.

Date: 2015-12-17; view: 540