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THE UTOPIA OF GREED 6 page

 

Through the brilliant purity of the summer air, the plane seemed intimately close, she could see it rock on precarious currents and bank under the thrusts of wind. She could see, and it seemed impossible that so clear a sight was closed to his eyes. The whole of the valley lay below him, flooded by sunlight, flaming with glass panes and green lawns, screaming to be seen—the end of his tortured quest, the fulfillment of more than his wishes, not the wreck of her plane and her body, but her living presence and his freedom—all that he was seeking or had ever sought was now spread open before him, open and waiting, his to be reached by a straight-line dive through the pure, clear air—his and asking nothing of him but the capacity to see. "Hank!" she screamed, waving her arms in desperate signal. "Hank!"

 

She fell back against the rock, knowing that she had no way to reach him, that she had no power to give him sight, that no power on earth could pierce that screen except his own mind and vision.

 

Suddenly and for the first time, she felt the screen, not as the most intangible, but as the most grimly absolute barrier in the world.

 

Slumped against the rock, she watched, in silent resignation, the hopeless circles of the plane's struggle and its motor's uncomplaining cry for help, a cry she had no way to answer. The plane swooped down abruptly, but it was only the start of its final rise, it cut a swift diagonal across the mountains and shot into the open sky. Then, as if caught in the spread of a lake with no shores and no exit, it went sinking slowly and drowning out of sight.

 

She thought, in bitter compassion, of how much he had failed to see.

 

And I?—she thought. If she left the valley, the screen would close for her as tightly, Atlantis would descend under a vault of rays more impregnable than the bottom of the ocean, and she, too, would be left to struggle for the things she had not known how to see, she, too, would be left to fight a mirage of primordial savagery, while the reality of all that she desired would never come again within her reach, But the pull of the outer world, the pull that drew her to follow the plane, was not the image of Hank Rearden—she knew that she could not return to him, even if she returned to the world—the pull was the vision of Hank Rearden's courage and the courage of all those still fighting to stay alive. He would not give up the search for her plane, when all others had long since despaired, as he would not give up his mills, as he would not give up any goal he had chosen if a single chance was left. Was she certain that no chance remained for the world of Taggart Transcontinental? Was she certain that the terms of the battle were such that she could not care to win? They were right, the men of Atlantis, they were right to vanish if they knew that they left no value behind them—but until and unless she saw that no chance was untaken and no battle unfought, she had no right to remain among them. This was the question that had lashed her for weeks, but had not driven her to a glimpse of the answer.



 

She lay awake, through the hours of that night, quietly motionless, following—like an engineer and like Hank Rearden—a process of dispassionate, precise, almost mathematical consideration, with no regard for cost or feeling. The agony which he lived in his plane, she lived it in a soundless cube of darkness, searching, but finding no answer. She looked at the inscriptions on the walls of her room, faintly visible in patches of starlight, but the help those men had called in their darkest hour was not hers to call.

 

"Yes or no, Miss Taggart?"

 

She looked at the faces of the four men in the soft twilight of Mulligan's living room: Galt, whose face had the serene, impersonal attentiveness of a scientist—Francisco, whose face was made expressionless by the hint of a smile, the kind of smile that would fit either answer—Hugh Akston who looked compassionately gentle—Midas Mulligan, who had asked the question with no touch of rancor in his voice. Somewhere two thousand miles away, at this sunset hour, the page of a calendar was springing into light over the roofs of New York, saying: June 28—and it seemed to her suddenly that she was seeing it, as if it were hanging over the heads of these men.

 

"I have one more day," she said steadily. "Will you let me have it? I think I've reached my decision, but I am not fully certain of it and I'll need all the certainty possible to me."

 

"Of course," said Mulligan. "You have, in fact, until morning of the day after tomorrow. We'll wait."

 

"We'll wait after that as well," said Hugh Akston, "though in your absence, if that be necessary."

 

She stood by the window, facing them, and she felt a moment's satisfaction in the knowledge that she stood straight, that her hands did not tremble, that her voice sounded as controlled, uncomplaining and unpitying as theirs; it gave her a moment's feeling of a bond to them.

 

"If any part of your uncertainty,” said Galt, "is a conflict between your heart and your mind—follow your mind."

 

"Consider the reasons which make us certain that we are right," said Hugh Akston, "but not the fact that we are certain. If you are not convinced, ignore our certainty. Don't be tempted to substitute our judgment for your own,"

 

"Don't rely on our knowledge of what's best for your future," said Mulligan. "We do know, but it can't be best until you know it."

 

"Don't consider our interests or desires," said Francisco. "You have no duty to anyone but yourself."

 

She smiled, neither sadly nor gaily, thinking that none of it was the sort of advice she would have been given in the outer world. And knowing how desperately they wished to help her where no help was possible, she felt it was her part to give them reassurance.

 

"I forced my way here," she said quietly, "and I was to bear responsibility for the consequences. I'm bearing it."

 

Her reward was to see Galt smile; the smile was like a military decoration bestowed upon her.

 

Looking away, she remembered suddenly Jeff Alien, the tramp aboard the Comet, in the moment when she had admired him for attempting to tell her that he knew where he was going, to spare her the burden of his aimlessness. She smiled faintly, thinking that she had now experienced it in both roles and knew that no action could be lower or more futile than for one person to throw upon another the burden of his abdication of choice. She felt an odd calm, almost a confident repose; she knew that it was tension, but the tension of a great clarity. She caught herself thinking: She's functioning well in an emergency, I'll be all right with her—and realized that she was thinking of herself.

 

"Let it go till day after tomorrow, Miss Taggart," said Midas Mulligan. "Tonight you're still here."

 

"Thank you," she said.

 

She remained by the window, while they went on discussing the valley's business; it was their closing conference of the month. They had just finished dinner—and she thought of her first dinner in this house a month ago; she was wearing, as she had then worn, the gray suit that belonged in her office, not the peasant skirt that had been so easy to wear hi the sun. I'm still here tonight, she thought, her hand pressed possessively to the window sill.

 

The sun had not yet vanished beyond the mountains, but the sky was an even, deep, deceptively clear blue that blended with the blue of invisible clouds into a single spread, hiding the sun; only the edges of the clouds were outlined by a thin thread of flame, and it looked like a glowing, twisted net of neon tubing, she thought . . . like a chart of winding rivers . . . like . . . like the map of a railroad traced in white fire on the sky.

 

She heard Mulligan giving Galt the names of those who were not returning to the outer world. "We have jobs for all of them," said Mulligan. "In fact, there's only ten or twelve men who're going back this year—mostly to finish off, convert whatever they own and come here permanently. I think this was our last vacation month, because before another year is over we'll all be living in this valley."

 

"Good," said Galt.

 

"We'll have to, from the way things are going outside."

 

"Yes."

 

"Francisco," said Mulligan, "you'll come back in a few months?"

 

"In November at the latest," said Francisco. "I'll send you word by short wave, when I'm ready to come back—will you turn the furnace on in my house?"

 

"I will," said Hugh Akston. "And I'll have your supper ready for you when you arrive."

 

"John, I take it for granted," said Mulligan, "that you're not returning to New York this time."

 

Galt took a moment to glance at him, then answered evenly, "I have not decided it yet."

 

She noticed the shocked swiftness with which Francisco and Mulligan bent forward to stare at him—and the slowness with which Hugh Akston's glance moved to his face; Akston did not seem to be astonished.

 

"You're not thinking of going back to that hell for another year, are you?" said Mulligan.

 

"I am."

 

"But—good God, John!—what for?"

 

"I'll tell you, when I've decided."

 

"But there's nothing left there for you to do. We got everybody we knew of or can hope to know of. Our list is completed, except for Hank Rearden—and we'll get him before the year is over—and Miss Taggart, if she so chooses. That's all. Your job is done. There's nothing to look for, out there—except the final crash, when the roof comes down on their heads."

 

"I know it."

 

"John, yours is the one head I don't want to be there when it happens."

 

"You've never had to worry about me."

 

"But don't you realize what stage they're coming to? They're only one step away from open violence—hell, they've taken the step and sealed and declared it long ago!—but in one more moment they'll see the full reality of what they've taken, exploding in their damned faces—plain, open, blind, arbitrary, blood shedding violence, running amuck, hitting anything and anyone at random. That's what I don't want to see you in the midst of."

 

"I can take care of myself."

 

"John, there's no reason for you to take the risk," said Francisco.

 

"What risk?"

 

"The looters are. worried about the men who've disappeared. They're suspecting something. You, of all people, shouldn't stay there any longer. There's always a chance that they might discover just who and what you are."

 

"There's some chance. Not much."

 

"But there's no reason whatever to take it. There's nothing left that Ragnar and I can't finish."

 

Hugh Akston was watching them silently, leaning back in his chair; his face had that look of intensity, neither quite bitterness nor quite a SOS smile, with which a man watches a progression that interests him, but that lags a few steps behind his vision.

 

"If I go back," said Galt, "it won't be for our work. It will be to win the only thing I want from the world for myself, now that the work is done. I've taken nothing from the world and I've wanted nothing. But there's one thing which it's still holding and which is mine and which I won't let it have. No, I don't intend to break my oath, I won't deal with the looters, I won't be of any value or help to anyone out there, neither to looters nor neutrals—nor scabs. If I go, it won't be for anyone's sake but mine—and I don't think I'm risking my life, but if I am—well, I'm now free to risk it."

 

He was not looking at her, but she had to turn away and stand pressed against the window frame, because her hands were trembling.

 

"But, John!" cried Mulligan, waving his arm at the valley, "if anything happens to you, what would we—" He stopped abruptly and guiltily.

 

Galt chuckled. "What were you about to say?" Mulligan waved his hand sheepishly, in a gesture of dismissal. "Were you about to say that if anything happens to me, I'll die as the worst failure in the world?"

 

"All right," said Mulligan guiltily, "I won't say it. I won't say that we couldn't get along without you—we can, I won't beg you to stay here for our sake—I didn't think I'd ever revert to that rotten old plea, but, boy!

 

—what a temptation it was, I can almost see why people do it. I know that whatever it is you want, if you wish to risk your life, that's all there is to it—but I'm thinking only that it's . . . oh God, John, it's such a valuable life!"

 

Galt smiled. "I know it. That's why I don't think I'm risking it—I think I'll win."

 

Francisco was now silent, he was watching Galt intently, with a frown of wonder, not as if he had found an answer, but as if he had suddenly glimpsed a question.

 

"Look, John," said Mulligan, "since you haven't decided whether you'll go—you haven't decided it yet, have you?"

 

"No, not yet."

 

"Since you haven't, would you let me remind you of a few things, just for you to consider?"

 

"Go ahead."

 

"It's the chance dangers that I'm afraid of—the senseless, unpredictable dangers of a world falling apart. Consider the physical risks of complex machinery in the hands of blind fools and fear-crazed cowards.

 

Just think of their railroads—you'd be taking a chance on some such horror as that Winston tunnel incident every time you stepped aboard a train—and there will be more incidents of that kind, coming faster and faster. They'll reach the stage where no day will pass without a major wreck."

 

"I know it."

 

"And the same will be happening in every other industry, wherever machines are used—the machines which they thought could replace our minds. Plane crashes, oil tank explosions, blast-furnace break-outs, high-tension wire electrocutions, subway cave-ins and trestle collapses —they'll see them all. The very machines that had made their life so safe, will now make it a continuous peril."

 

"I know it."

 

"I know that you know it, but have you considered it in every specific detail? Have you allowed yourself to visualize it? I want you to see the exact picture of what it is that you propose to enter—before you decide whether anything can justify your entering it. You know that the cities will be hit worst of all. The cities were made by the railroads and will go with them."

 

"That's right."

 

"When the rails are cut, the city of New York will starve in two days.

 

That's all the supply of food it's got. It's fed by a continent three thousand miles long. How will they carry food to New York? By directive and oxcart? But first, before it happens, they'll go through the whole of the agony—through the shrinking, the shortages, the hunger riots, the stampeding violence in the midst of the growing stillness."

 

"They will."

 

"They'll lose their airplanes first, then their automobiles, then their trucks, then their horse carts."

 

"They will."

 

"Their factories will stop, then their furnaces and their radios. Then their electric light system will go."

 

"It will."

 

"There's only a worn thread holding that continent together. There will be one train a day, then one train a week—then the Taggart Bridge will collapse and—"

 

"No, it won't!"

 

It was her voice and they whirled to her. Her face was white, but calmer than it had been when she had answered them last.

 

Slowly, Galt rose to his feet and inclined his head, as in acceptance of a verdict. "You've made your decision," he said.

 

"I have."

 

"Dagny," said Hugh Akston, "I'm sorry." He spoke softly, with effort, as if his words were struggling and failing to fill the silence of the room. "I wish it were possible not to see this happen, I would have preferred anything—except to see you stay here by default of the courage of your convictions."

 

She spread her hands, palms out, her arms at her sides, in a gesture of simple frankness, and said, addressing them all, her manner so calm that she could afford to show emotion, "I want you to know this: I have wished it were possible for me to die in one more month, so that I could spend it in this valley. This is how much I've wanted to remain. But so long as I choose to go on living, I can't desert a battle which I think is mine to fight"

 

"Of course," said Mulligan respectfully, "if you still think it."

 

"If you want to know the one reason that's taking me back, 111 tell you; I cannot bring myself to abandon to destruction all the greatness of the world, all that which was mine and yours, which was made by us and is still ours by right—because I cannot believe that men can refuse to see, that they can remain blind and deaf to us forever, when the truth is ours and their lives depend on accepting it. They still love their lives—and that is the uncorrupted remnant of their minds. So long as men desire to live, I cannot lose my battle."

 

"Do they?" said Hugh Akston softly. "Do they desire it? No, don't answer me now. I know that the answer was the hardest thing for any of us to grasp and to accept. Just take that question back with you, as the last premise left for you to check."

 

"You're leaving as our friend," said Midas Mulligan, "and we'll be fighting everything you'll do, because we know you're wrong, but it's not you that we'll be damning."

 

"You'll come back," said Hugh Akston, "because yours is an error of knowledge, not a moral failure, not an act of surrender to evil, but only the last act of being victim to your own virtue. We'll wait for you—and, Dagny, when you come back, you will have discovered that there need never be any conflict among your desires, nor so tragic a clash of values as the one you've borne so well."

 

"Thank you," she said, closing her eyes.

 

"We must discuss the conditions of your departure," said Galt; he spoke in the dispassionate manner of an executive. "First, you must give us your word that you will not disclose our secret or any part of it—neither our cause nor our existence nor this valley nor your whereabouts for the past month—to anyone in the outer world, not at any time or for any purpose whatsoever."

 

"I give you my word."

 

"Second, you must never attempt to find this valley again. You are not to come here uninvited. Should you break the first condition, it will not place us in serious danger. Should you break the second—it will. It is not our policy ever to be at the arbitrary mercy of the good faith of another person, or at the mercy of a promise that cannot be enforced. Nor can we expect you to place our interests above your own. Since you believe that your course is right, the day may come when you may find it necessary to lead our enemies to this valley. We shall, therefore, leave you no means to do it. You will be taken out of the valley by plane, blindfolded, and you will be flown a distance sufficient to make it impossible for you ever to retrace the course."

 

She inclined her head. "You are right."

 

"Your plane has been repaired. Do you wish to reclaim it by signing a draft on your account at the Mulligan Bank?"

 

"No."

 

"Then we shall hold it, until such time as you choose to pay for it.

 

Day after tomorrow, I will take you in my plane to a point outside the valley and leave you within reach of further transportation."

 

She inclined her head. "Very well."

 

It had grown dark, when they left Midas Mulligan's. The trail back to Galt's house led across the valley, past Francisco's cabin, and the three of them walked home together. A few squares of lighted windows hung scattered through the darkness, and the first streams of mist were weaving slowly across the panes, like shadows cast by a distant sea.

 

They walked in silence, but the sound of their steps, blending into a single, steady beat, was like a speech to be grasped and not to be uttered in any other form.

 

After a while, Francisco said, "It changes nothing, it only makes the span a little longer, and the last stretch is always the hardest—but it's the last."

 

"I will hope so," she said. In a moment, she repeated quietly, "The last is the hardest." She turned to Galt. "May I make one request?"

 

"Yes."

 

"Will you let me go tomorrow?"

 

"If you wish."

 

When Francisco spoke again, moments later, it was as if he were addressing the unnamed wonder in her mind; his voice had the tone of answering, a question: "Dagny, all three of us are in love"—she jerked her head to him—"with the same thing, no matter what its forms. Don't wonder why you feel no breach among us. You'll be one of us, so long as you'll remain in love with your rails and your engines—and they'll lead you back to us, no matter how many times you lose your way. The only man never to be redeemed is the man without passion."

 

"Thank you," she said softly.

 

"For what?"

 

"For . . . for the way you sound."

 

"How do I sound? Name it, Dagny."

 

"You sound . . . as if you're happy."

 

"I am—in exactly the same way you are. Don't tell me what you feel. I know it. But, you see, the measure of the hell you're able to endure is the measure of your love. The hell I couldn't bear to witness would be to see you being indifferent."

 

She nodded silently, unable to name as joy any part of the things she felt, yet feeling that he was right.

 

Clots of mist were drifting, like smoke, across the moon, and in the diffused glow she could not distinguish the expressions of their faces, as she walked between them: the only expressions to perceive were the straight silhouettes of their bodies, the unbroken sound of then- steps and her own feeling that she wished to walk on and on, a feeling she could not define, except that it was neither doubt nor pain, When they approached his cabin, Francisco stopped, the gesture of his hand embracing them both as he pointed to his door. "Will you come in —since it's to be our last night together for some time? Let's have a drink to that future of which all three of us are certain."

 

"Are we?" she asked.

 

"Yes," said Galt, "we are."

 

She looked at their faces when Francisco switched on the light in his house. She could not define their expressions, it was not happiness or any emotion pertaining to joy, their faces were taut and solemn, but it was a glowing solemnity—she thought—if this were possible, and the odd glow she felt within her, told her that her own face had the same look.

 

Francisco reached for three glasses from a cupboard, but stopped, as at a sudden thought. He placed one glass on the table, then reached for the two silver goblets of Sebastian d'Anconia and placed them beside it.

 

"Are you going straight to New York, Dagny?" he asked, in the calm, unstrained tone of a host, bringing out a bottle of old wine, "Yes," she answered as calmly.

 

"I'm flying to Buenos Aires day after tomorrow," he said, uncorking the bottle. "I'm not sure whether I'll be back in New York later, but if I am, it will be dangerous for you to see me."

 

"I won't care about that," she said, "unless you feel that I'm not entitled to see you any longer."

 

"True, Dagny. You're not. Not in New York."

 

He was pouring the wine and he glanced up at Galt. "John, when will you decide whether you're going back or staying here?"

 

Galt looked straight at him, then said slowly, in the tone of a man who knows all the consequences of his words, "I have decided, Francisco. I'm going back."

 

Francisco's hand stopped. For a long moment, he was seeing nothing but Galt's face. Then his eyes moved to hers. He put the bottle down and he did not step back, but it was as if his glance drew back to a wide range, to include them both, "But of course," he said.

 

He looked as if he had moved still farther and were now seeing the whole spread of their years; his voice had an even, uninflected sound, quality that matched the size of the vision.

 

"I knew it twelve years ago," he said. "I knew it before you could have known, and it's I who should have seen that you would see. That night, when you called us to New York, I thought of it then as"—he was speaking to Galt, but his eyes moved to Dagny—"as everything that you were seeking . . . everything you told us to live for or die, if necessary. I should have seen that you would think it, too. It could not have been otherwise. It is as it had—and ought—to be. It was set then, twelve years ago." He looked at Galt and chuckled softly. "And you say that it's I who've taken the hardest beating?"

 

He turned with too swift a movement—then, too slowly, as if in deliberate emphasis, he completed the task of pouring the wine, filling the three vessels on the table. He picked up the two silver goblets, looked down at them for the pause of an instant, then extended one to Dagny, the other to Galt.

 

"Take it," he said. "You've earned it—and it wasn't chance."

 

Galt took the goblet from his hand, but it was as if the acceptance was done by their eyes as they looked at each other.

 

"I would have given anything to let it be otherwise," said Galt, "except that which is beyond giving."

 

She held her goblet, she looked at Francisco and she let him see her eyes glance at Galt. "Yes,” she said in the tone of an answer, "But I have not earned it—and what you've paid, I'm paying it now, and I don't know whether I'll ever earn enough to hold clear title, but if hell is the price—and the measure—then let me be the greediest of the three of us."

 

As they drank, as she stood, her eyes closed, feeling the liquid motion of the wine inside her throat, she knew that for all three of them this was the most tortured—and the most exultant—moment they had ever reached.

 

She did not speak to Galt, as they walked down the last stretch of the trail to his house. She did not turn her head to him, feeling that even a glance would be too dangerous. She felt, in their silence, both the calm of a total understanding and the tension of the knowledge that they were not to name the things they understood.

 

But she faced him, when they were in his living room, with full confidence and as if in sudden certainty of a right—the certainty that she would not break and that it was now safe to speak. She said evenly, neither as plea nor as triumph, merely as the statement of a fact, "You are going back to the outer world because I will be there."


Date: 2015-12-17; view: 580


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