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THE CONCERTO OF DELIVERANCE 4 page

Rearden went on moving slowly upward, step by groping step, fighting for firmness of motion against the weeds, the drifts of dust, the chunks of scrap metal, the refuse of a distant age. He went on, toward the line where the red glow of his mills marked the edge of the pit above him, his movement a fierce struggle that had to take the form of a gentle, unhurried flow.

He heard no sobs, but he felt the rhythmic shudders, and, through the cloth of his shirt, in place of tears, he felt the small, warm, liquid spurts flung from the wound by the shudders. He knew that the tight pressure of his arms was the only answer which the boy was now able to hear and understand—and he held the trembling body as if the strength of his arms could transfuse some part of his living power into the arteries beating ever fainter against him.

Then the sobbing stopped and the boy raised his head. His face seemed thinner and paler, but the eyes were lustrous, and he looked up at Rearden, straining for the strength to speak.

"Mr. Rearden . . . I . . . I liked you very much."

"I know it."

The boy's features had no power to form a smile, but it was a smile that spoke in his glance, as he looked at Rearden's face—as he looked at that which he had not known he had been seeking through the brief span of his life, seeking as the image of that which he had not known to be his values.

Then his head fell back, and there was no convulsion in his face, only his mouth relaxing to a shape of serenity—but there was a brief stab of convulsion in his body, like a last cry of protest—and Rearden went on slowly, not altering his pace, even though he knew that no caution was necessary any longer because what he was carrying in his arms was now that which had been the boy's teachers' idea of man—a collection of chemicals.

He walked, as if this were his form of last tribute and funeral procession for the young life that had ended in his arms. He felt an anger too intense to identify except as a pressure within him: it was a desire to kill.

The desire was not directed at the unknown thug who had sent a bullet through the boy's body, or at the looting bureaucrats who had hired the thug to do it, but at the boy's teachers who had delivered him, disarmed, to the thug's gun—at the soft, safe assassins of college classrooms who, incompetent to answer the queries of a quest for reason, took pleasure in crippling the young minds entrusted to their care.

Somewhere, he thought, there was this boy's mother, who had trembled with protective concern over his groping steps, while teaching him to walk, who had measured his baby formulas with a jeweler's caution, who had obeyed with a zealot's fervor the latest words of science on his diet and hygiene, protecting his unhardened body from germs—then had sent him to be turned into a tortured neurotic by the men who taught him that he had no mind and must never attempt to think. Had she fed him tainted refuse, he thought, had she mixed poison into his food, it would have been more kind and less fatal.



He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly—yet man, whose tool of survival is the mind, does not merely fail to teach <a child to think, but devotes the child's education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think.

From the first catch-phrases flung at a child to the last, it is like a series of shocks to freeze his motor, to undercut the power of his consciousness. "Don't ask so many questions, children should be seen and not heard!"—"Who are you to think? It's so, because I say so!"—"Don't argue, obey!"—"Don't try to understand, believe!"-—"Don't rebel, adjust!"—"Don't stand out, belong!"—"Don't struggle, compromise!"—"Your heart is more important than your mind!"—"Who are you to know? Your parents know best!"—"Who are you to know? Society knows best!"—"Who are you to know? The bureaucrats know best!"—"Who are you to object? All values are relative!"—"Who are you to want to escape a thug's bullet? That's only a personal prejudice!"

Men would shudder, he thought, if they saw a mother bird plucking the feathers from the wings of her young, then pushing him out of the nest to struggle for survival—yet that was what they did to their children.

Armed with nothing but meaningless phrases, this boy had been thrown to fight for existence, he had hobbled and groped through a brief, doomed effort, he had screamed his indignant, bewildered protest —and had perished in his first attempt to soar on his mangled wings.

But a different breed of teachers had once existed, he thought, and had reared the men who created this country; he thought that mothers should set out on their knees to look for men like Hugh Akston, to find them and beg them to return.

He went through the gate of the mills, barely noticing the guards who let him enter, who stared at his face and his burden; he did not pause to listen to their words, as they pointed to the fighting in the distance; he went on walking slowly toward the wedge of light which was the open door of the hospital building.

He stepped into a lighted room full of men, bloody bandages and the odor of antiseptics; he deposited his burden on a bench, with no word of explanation to anyone, and walked out, not glancing behind him.

He walked in the direction of the front gate, toward the glare of fire and the bursts of guns. He saw, once in a while, a few figures running through the cracks between structures or darting behind black corners, pursued by groups of guards and workers; he was astonished to notice that his workers were well armed. They seemed to have subdued the hoodlums inside the mills, and only the siege at the front gate remained to be beaten. He saw a lout scurrying across a patch of lamplight, swinging a length of pipe at a wall of glass panes, battering them down with an animal relish, dancing like a gorilla to the sound of crashing glass, until three husky human figures descended upon him, carrying him writhing to the ground.

The siege of the gate appeared to be ebbing, as if the spine of the mob had been broken. He heard the distant screeches of their cries—but the shots from the road were growing rarer, the fire set to the gatekeeper's office was put out, there were armed men on the ledges and at windows, posted in well-planned defense.

On the roof of a structure above the gate, he saw, as he came closer, the slim silhouette of a man who held a gun in each hand and, from behind the protection of a chimney, kept firing at intervals down into the mob, firing swiftly and, it seemed, in two directions at once, like a sentinel protecting the approaches to the gate. The confident skill of his movements, his manner of firing, with no time wasted to take aim, but with the kind of casual abruptness that never misses a target, made him look like a hero of Western legend—and Rearden watched him with detached, impersonal pleasure, as if the battle of the mills were not his any longer, but he could still enjoy the sight of the competence and certainty with which men of that distant age had once combatted evil.

The beam of a roving searchlight struck Rearden's face, and when the light swept past he saw the man on the roof leaning down, as if peering in his direction. The man waved to someone to replace him, then vanished abruptly from his post.

Rearden hurried on through the short stretch of darkness ahead —but then, from the side, from the crack of an alley, he heard a drunken voice yell, "There he is!" and whirled to see two beefy figures advancing upon him. He saw a leering, mindless face with a mouth hung loose in a joyless chuckle, and a club in a rising fist—he heard the sound of running steps approaching from another direction, he attempted to turn his head, then the club crashed down on his skull from behind—and in the moment of splitting darkness, when he wavered, refusing to believe it, then felt himself going down, he felt a strong, protective arm seizing him and breaking his fall, he heard a gun exploding an inch above his ear, then another explosion from the same gun in the same second, but it seemed faint and distant, as if he had fallen down a shaft.

His first awareness, when he opened his eyes, was a sense of profound serenity. Then he saw that he was lying on a couch in a modern, sternly gracious room—then, he realized that it was his office and that the two men standing beside him were the mills' doctor and the superintendent. He felt a distant pain in his head, which would have been violent had he cared to notice it, and he felt a strip of tape across his hair, on the side of his head. The sense of serenity was the knowledge that he was free.

The meaning of his bandage and the meaning of his office were not to be accepted or to exist, together—it was not a combination for men to live with—this was not his battle any longer, nor his job, nor his business.

"I think I'll be all right, Doctor," he said, raising his head.

"Yes, Mr. Rearden, fortunately." The doctor was looking at him as if still unable to believe that this had happened to Hank Rearden inside his own mills; the doctor's voice was tense with angry loyalty and indignation. "Nothing serious, just a scalp wound and a slight concussion.

But you must take it easy and allow yourself to rest."

"I will," said Rearden firmly.

"It's all over," said the superintendent, waving at the mills beyond the window. "We've got the bastards beaten and on the run. You don't have to worry, Mr. Rearden. It's all over."

"It is," said Rearden. "There must be a lot of work left for you to do, Doctor."

"Oh yes! I never thought I’d live to see the day when—"

"I know. Go ahead, take care of it. I'll be all right."

"Yes, Mr. Rearden."

"I'll take care of the place," said the superintendent, as the doctor hurried out. "Everything's under control, Mr. Rearden. But it was the dirtiest—"

"I know," said Rearden. "Who was it that saved my life? Somebody grabbed me as I fell, and fired at the thugs."

"Did he! Straight at their faces. Blew their heads off. That was that new furnace foreman of ours. Been here two months. Best man I've ever had. He's the one who got wise to what the gravy boys were planning and warned me, this afternoon. Told me to arm our men, as many as we could. We got no help from the police or the state troopers, they dodged all over the place with the fanciest delays and excuses I ever heard of, it was all fixed in advance, the goons weren't expecting any armed resistance. It was that furnace foreman—Frank Adams is his name—who organized our defense, ran the whole battle, and stood on a roof, picking off the scum that came too close to the gate. Boy, what a marksman! I shudder to think how many of our lives he saved tonight.

Those bastards were out for blood, Mr. Rearden."

"I'd like to see him."

"He's waiting somewhere outside. It's he who brought you here, and he asked permission to speak to you, when possible."

"Send him in. Then go back out there, take charge, finish the job."

"Is there anything else I can do for you, Mr. Rearden?"

"No, nothing else."

He lay still, alone in the silence of his office. He knew that the meaning of his mills had ceased to exist, and the fullness of the knowledge left no room for the pain of regretting an illusion. He had seen, in a final image, the soul and essence of his enemies: the mindless face of the thug with the club. It was not the face itself that made him draw back in horror, but the professors, the philosophers, the moralists, the mystics who had released that face upon the world.

He felt a peculiar cleanliness. It was made of pride and of love for this earth, this earth which was his, not theirs. It was the feeling which had moved him through his life, the feeling which some among men know in their youth, then betray, but which he had never betrayed and had carried within him as a battered, attacked, unidentified, but living motor—the feeling which he could now experience in its full, uncontested purity: the sense of his own superlative value and the superlative value of his life. It was the final certainty that his life was his, to be lived with no bondage to evil, and that that bondage had never been necessary. It was the radiant serenity of knowing that he was free of fear, of pain, of guilt.

If it's true, he thought, that there are avengers who are working for the deliverance of men like me, let them see me now, let them tell me their secret, let them claim me, let them—"Come in!" he said aloud, in answer to the knock on his door.

The door opened and he lay still. The man standing on the threshold, with disheveled hair, a soot-streaked face and furnace-smudged arms, dressed in scorched overalls and bloodstained shirt, standing as if he wore a cape waving behind him in the wind, was Francisco d'Anconia.

It seemed to Rearden that his consciousness shot forward ahead of his body, it was his body that refused to move, stunned by shock, while his mind was laughing, telling him that this was the most natural, the most-to-have-been-expected event in the world.

Francisco smiled, a smile of greeting to a childhood friend on a summer morning, as if nothing else had ever been possible between them—and Rearden found himself smiling in answer, some part of him feeling an incredulous wonder, yet knowing that it was irresistibly right.

"You've been torturing yourself for months," said Francisco, approaching him, "wondering what words you'd use to ask my forgiveness and whether you had the right to ask it, if you ever saw me again —but now you see that it isn't necessary, that there's nothing to ask or to forgive."

"Yes," said Rearden, the word coming as an astonished whisper, but by the time he finished his sentence he knew that this was the greatest tribute he could offer, "yes, I know it."

Francisco sat down on the couch beside him, and slowly moved his hand over Rearden's forehead. It was like a healing touch that closed the past.

"There's only one thing I want to tell you," said Rearden. "I want you to hear it from me: you kept your oath, you were my friend."

"I knew that you knew it. You knew it from the first. You knew it, no matter what you thought of my actions. You slapped me because you could not force yourself to doubt it."

"That . . ." whispered Rearden, staring at him, "that was the thing I had no right to tell you . . . no right to claim as my excuse . . ."

"Didn't you suppose I'd understand it?"

"I wanted to find you . . . I had no right to look for you . . . And all that time, you were—" He pointed at Francisco's clothes, then his hand dropped helplessly and he closed his eyes.

"I was your furnace foreman," said Francisco, grinning. "I didn't think you'd mind that. You offered me the job yourself."

"You've been here, as my bodyguard, for two months?"

"Yes."

"You've been here, ever since—" He stopped.

"That's right. On the morning of the day when you were reading my farewell message over the roofs of New York, I was reporting here for my first shift as your furnace foreman."

"Tell me," said Rearden slowly, "that night, at James Taggart's wedding, when you said that you were after your greatest conquest . . . you meant me, didn't you?"

"Of course."

Francisco drew himself up a little, as if for a solemn task, his face earnest, the smile remaining only in his eyes. "I have a great deal to tell you," he said, "But first, will you repeat a word you once offered me and I . . . I had to reject, because I knew that I was not free to accept it?"

Rearden smiled. "What word, Francisco?"

Francisco inclined his head in acceptance, and answered, "Thank you, Hank." Then he raised his head. "Now I'll tell you the things I had come to say, but did not finish, that night when I came here for the first time. I think you're ready to hear it,"

"I am."

The glare of steel being poured from a furnace shot to the sky beyond the window. A red glow went sweeping slowly over the walls of the office, over the empty desk, over Rearden's face, as if in salute and farewell.

 

CHAPTER VII

"THIS IS JOHN GALT SPEAKING"

 

The doorbell was ringing like an alarm, In a long, demanding scream, broken by the impatient stabs of someone's frantic finger.

Leaping out of bed, Dagny noticed the cold, pale sunlight of late morning and a clock on a distant spire marking the hour of ten. She had worked at the office till four A.M. and had left word not to expect her till noon.

The white face ungroomed by panic, that confronted her when she threw the door open, was James Taggart.

“He's gone!" he cried.

"Who?"

"Hank Rearden! He's gone, quit, vanished, disappeared!"

She stood still for a moment, holding the belt of the dressing gown she had been tying; then, as the full knowledge reached her, her hands jerked the belt tight—as if snapping her body in two at the waistline—while she burst out laughing. It was a sound of triumph.

He stared at her in bewilderment. "What's the matter with you?" he gasped. "Haven't you understood?"

"Come in, Jim," she said, turning contemptuously, walking into the living room. "Oh yes, I've understood."

"He's quit! Gone! Gone like all the others! Left his mills, his bank accounts, his property, everything! Just vanished! Took some clothing and whatever he had in the safe in his apartment—they found a safe left open in his bedroom, open and empty—that's all! No word, no note, no explanation! They called me from Washington, but it's all over town! The news, I mean, the story! They can't keep it quiet!

They've tried to, but . . . Nobody knows how it got out, but it went through the mills like one of those furnace break-outs, the word that he'd gone, and then . . . before anyone could stop it, a whole bunch of them vanished! The superintendent, the chief metallurgist, the chief engineer, Rearden's secretary, even the hospital doctor! And God knows how many others! Deserting, the bastards! Deserting us, in spite of all the penalties we've set up! He's quit and the rest are quitting and those mills are just left there, standing still! Do you understand what that means?"

"Do you?" she asked.

He had thrown his story at her, sentence by sentence, as if trying to knock the smile off her face, an odd, unmoving smile of bitterness and triumph; he had failed. "It's a national catastrophe! What's the matter with you? Don't you see that it's a fatal blow? It will break the last of the country's morale and economy! We can't let him vanish! You've got to bring him back!"

Her smile disappeared.

"You can!" he cried. "You're the only one who can! He's your lover, isn't he? . . . Oh, don't look like that! It's no time for squeamishness!

It's no time for anything except that we've got to have him! You must know where he is! You can find him! You must reach him and bring him back!"

The way she now looked at him was worse than her smile—she looked as if she were seeing him naked and would not endure the sight much longer. "I can't bring him back," she said, not raising her voice.

"And I wouldn't, if I could. Now get out of here."

"But the national catastrophe—"

"Get out."

She did not notice his exit. She stood alone in the middle of her living room, her head dropping, her shoulders sagging, while she was smiling, a smile of pain, of tenderness, of greeting to Hank Rearden. She wondered dimly why she should feel so glad that he had found liberation, so certain that he was right, and yet refuse herself the same deliverance. Two sentences were beating in her mind; one was the triumphant sweep of: He's free, he's out of their reach!—the other was like a prayer of dedication: There's still a chance to win, but let me be the only victim. . . .

It was strange—she thought, in the days that followed, looking at the men around her—that catastrophe had made them aware of Hank Rearden with an intensity that his achievements had not aroused, as if the paths of their consciousness were open to disaster, but not to value.

Some spoke of him in shrill curses—others whispered, with a look of guilt and terror, as if a nameless retribution were now to descend upon them—some tried, with hysterical evasiveness, to act as if nothing had happened.

The newspapers, like puppets on tangled strings, were shouting with the same belligerence and on the same dates: "It is social treason to ascribe too much importance to Hank Rearden's desertion and to undermine public morale by the old-fashioned belief that an individual can be of any significance to society." "It is social treason to spread rumors about the disappearance of Hank Rearden. Mr. Rearden has not disappeared, he is in his office, running his mills, as usual, and there has been no trouble at Rearden Steel, except a minor disturbance, a private scuffle among some workers." "It is social treason to cast an unpatriotic light upon the tragic loss of Hank Rearden. Mr. Rearden has not deserted, he was killed in an automobile accident on his way to work, and his grief-stricken family has insisted on a private funeral."

It was strange, she thought, to obtain news by means of nothing but denials, as if existence had ceased, facts had vanished and only the frantic negatives uttered by officials and columnists gave any clue to the reality they were denying. "It is not true that the Miller Steel Foundry of New Jersey has gone out of business." "It is not true that the Jansen Motor Company of Michigan has closed its doors." "It is a vicious, anti-social lie that manufacturers of steel products are collapsing under the threat of a steel shortage. There is no reason to expect a steel shortage." "It is a slanderous, unfounded rumor that a Steel Unification Plan had been in the making and that it had been favored by Mr.

Orren Boyle. Mr. Boyle's attorney has issued an emphatic denial and has assured the press that Mr. Boyle is now vehemently opposed to any such plan. Mr. Boyle, at the moment, is suffering from a nervous breakdown."

But some news could be witnessed in the streets of New York, in the cold, dank twilight of autumn evenings: a crowd gathered in front of a hardware store, where the owner had thrown the doors open, inviting people to help themselves to the last of his meager stock, while he laughed in shrieking sobs and went smashing his plate-glass windows—a crowd gathered at the door of a run-down apartment house, where a police ambulance stood waiting, while the bodies of a man, his wife and their three children were being removed from a gas-filled room; the man had been a small manufacturer of steel castings.

If they see Hank Rearden's value now—she thought—why didn't they see it sooner? Why hadn't they averted their own doom and spared him his years of thankless torture? She found no answer.

In the silence of sleepless nights, she thought that Hank Rearden and she had now changed places: he was in Atlantis and she was locked out by a screen of light—he was, perhaps, calling to her as she had called to his struggling airplane, but no signal could reach her through that screen.

Yet the screen split open for one brief break—for the length of a letter she received a week after he vanished. The envelope bore no return address, only the postmark of some hamlet in Colorado. The letter contained two sentences: I have met him. I don't blame you.

H.R.

She sat still for a long time, looking at the letter, as if unable to move or to feel. She felt nothing, she thought, then noticed that her shoulders were trembling in a faint, continuous shudder, then grasped that the tearing violence within her was made of an exultant tribute, of gratitude and of despair—her tribute to the victory that the meeting of these two men implied, the final victory of both—her gratitude that those in Atlantis still regarded her as one of them and had granted her the exception of receiving a message—the despair of the knowledge that her blankness was a struggle not to hear the questions she was now hearing. Had Galt abandoned her? Had he gone to the valley to meet his greatest conquest? Would he come back? Had he given her up? The unendurable was not that these questions had no answer, but that the answer was so simply, so easily within her reach and that she had no right to take a step to reach it.

She had made no attempt to see him. Every morning, for a month, on entering her office, she had been conscious, not of the room around her, but of the tunnels below, under the floors of the building—and she had worked, feeling as if some marginal part of her brain was computing figures, reading reports, making decisions in a rush of lifeless activity, while her living mind was inactive and still, frozen in contemplation, forbidden to move beyond the sentence: He's down there. The only inquiry she had permitted herself had been a glance at the payroll list of the Terminal workers. She had seen the name: Galt, John. The list had carried it, openly, for over twelve years. She had seen an address next to the name—and, for a month, had struggled to forget it.

It had seemed hard to live through that month—yet now, as she looked at the letter, the thought that Galt had gone was still harder to bear. Even the struggle of resisting his proximity had been a link to him, a price to pay, a victory achieved in his name. Now there was nothing, except a question that was not to be asked. His presence in the tunnels had been her motor through those days—just as his presence in the city had been her motor through the months of that summer—just as his presence somewhere in the world had been her motor through the years before she ever heard his name. Now she felt as if her motor, too, had stopped.

She went on, with the bright, pure glitter of a five-dollar gold piece, which she kept in her pocket, as her last drop of fuel. She went on, protected from the world around her by a last armor: indifference.

The newspapers did not mention the outbreaks of violence that had begun to burst across the country—but she watched them through the reports of train conductors about bullet-riddled cars, dismantled tracks, attacked trains, besieged stations, in. Nebraska, in Oregon, in Texas, in Montana—the futile, doomed outbreaks, prompted by nothing but despair, ending in nothing but destruction. Some were the explosions of local gangs; some spread wider. There were districts that rose in blind rebellion, arrested the local officials, expelled the agents of Washington, killed the tax collectors—then, announcing their secession from the country, went on to the final extreme of the very evil that had destroyed them, as if fighting murder with suicide: went on to seize all property within their reach, to declare community bondage of all to all, and to perish within a week, their meager loot consumed, in the bloody hatred of all for all, in the chaos of no rule save that of the gun, to perish under the lethargic thrust of a few worn soldiers sent out from Washington to bring order to the ruins.

The newspapers did not mention it. The editorials went on speaking of self-denial as the road to future progress, of self-sacrifice as the moral imperative, of greed as the enemy, of love as the solution—their threadbare phrases as sickeningly sweet as the odor of ether in a hospital.

Rumors went spreading through the country in whispers of cynical terror—yet people read the newspapers and acted as if they believed what they read, each competing with the others on who would keep most blindly silent, each pretending that he did not know what he knew, each striving to believe that the unnamed was the unreal. It was as if a volcano were cracking open, yet the people at the foot of the mountain ignored the sudden fissures, the black fumes, the boiling trickles, and went on believing that their only danger was to acknowledge the reality of these signs.

"Listen to Mr. Thompson's report on the world crisis, November 22!"

It was the first acknowledgment of the unacknowledged. The announcements began to appear a week in advance and went ringing across the country. "Mr. Thompson will give the people a report on the world crisis! Listen to Mr. Thompson on every radio station and television channel at 8 P.M., on November 22!"


Date: 2015-12-17; view: 528


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