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They Gave her a Rise 3 page

The November morning was raw and he was wearing a greatcoat.

At the station he bought the evening papers and magazines and he and Evie settled themselves comfortably in opposite corners of a first-class carriage and read. At five o'clock they went along to the restaurant car to have tea and chatted a little. They arrived. They drove home in the car which was waiting for them. They bathed, dressed for dinner, and after dinner Evie, saying she was tired out, went to bed. She kissed him, as was her habit, on the forehead. Then he went into the hall, took Evie's book out of his greatcoat pocket and going into the study began to read it. He didn't read verse very easily and though he read with attention, every word of it, the impression he received was far from clear. Then he began at the beginning again and read it a second time. He read with increasing malaise, but he was not a stupid man and when he had finished he had a distinct understanding of what it was all about. Part of the book was in free verse, part in conventional metres, but the story it related was coherent and plain to the meanest intelligence. It was the story of a passionate love affair between an older woman, married, and a young man. George Peregrine made out the steps of it as easily as if he had been doing a sum in simple addition.

Written in the first person, it began with the tremulous surprise of the woman, past her youth, when it dawned upon her that the young man was in love with her. She hesitated to believe it. She thought she must be deceiving herself. And she was terrified when on a sudden she discovered that she was passionately in love with him. She told herself it was absurd, with the disparity of age between them nothing but unhappiness could come to her if she yielded to her emotion. She tried to prevent him from speaking but the day came when he told her that he loved her and forced her to tell him that she loved him too. He begged her to run away with him. She couldn't leave her husband, her home; and what life could they look forward to, she an ageing woman, he so young? How could she expect his love to last? She begged him to have mercy on her. But his love was impetuous. He wanted her, he wanted her with all his heart, and at last trembling, afraid, desirous, she yielded to him. Then there was a period of ecstatic happiness. The world, the dull, humdrum world of every day, blazed with glory. Love songs flowed from her pen. The woman worshipped the young, virile body of her lover. George flushed darkly when she praised his broad chest and slim flanks, the beauty of his legs and the flatness of his belly.

Hot stuff, Daphne's friend had said. It was that all right. Disgusting.

There were sad little pieces in which she lamented the emptiness of her life when as must happen he left her, but they ended with a cry that all she had to suffer would be worth it for the bliss that for a while had been hers. She wrote of the long, tremulous nights they passed together and the languor that lulled them to sleep in one another's arms. She wrote of the rapture of brief stolen moments when, braving all danger, their passion overwhelmed them and they surrendered to its call.



She thought it would be an affair of a few weeks, but miraculously it lasted. One of the poems referred to three years having gone by without lessening the love that filled their hearts. It looked as though he continued to press her to go away with him, far away, to a hill town in Italy, a Greek island, a walled city in Tunisia, so that they could be together always, for in another of the poems she besought him to let things be as they were. Their happiness was precarious. Perhaps it was owing to the difficulties they had to encounter and the rarity of their meetings that their love had retained for so long its first enchanting ardour. Then on a sudden the young man died. How, when or where George could not discover. There followed a long, heartbroken cry of bitter grief, grief she could not indulge in, grief that had to be hidden. She had to be cheerful, give dinner-parties and go out to dinner, behave as she had always behaved, though the light had gone out of her life and she was bowed down with anguish. The last poem of all was a set of four short stanzas in which the writer, sadly resigned to her loss, thanked the dark powers that rule man's destiny that she had been privileged at least for a while to enjoy the greatest happiness that we poor human beings can ever hope to know.

It was three o'clock in the morning when George Peregrine finally put the book down. It had seemed to him that he heard Evie's voice in every line, over and over again he came upon turns of phrase he had heard her use, there were details that were as familiar to him as to her: there was no doubt about it; it was her own story she had told, and it was as plain as anything could be that she had had a lover and her lover had died. It was not anger so much that he felt, nor horror or dismay, though he was dismayed and he was horrified, but amazement. It was as inconceivable that Evie should have had a love affair, and a wildly passionate one at that, as that the trout in a glass case over the chimney piece in his study, the finest he had ever caught, should suddenly wag its tail. He understood now the meaning of the amused look he had seen in the eyes of that man he had spoken to at the club, he understood why Daphne when she was talking about the book had seemed to be enjoying a private joke, and why those two women at the cocktail party had tittered when he strolled past them.

He broke out into a sweat. Then on a sudden he was seized with fury and he jumped up to go and awake Evie and ask her sternly for an explanation. But he stopped at the door. After all, what proof had he? A book. He remembered that he'd told Evie he thought it jolly good. True, he hadn't read it, but he'd pretended he had. He would look a perfect fool if he had to admit that.

'I must watch my step,' he muttered.

He made up his mind to wait for two or three days and think it all over. Then he'd decide what to do. He went to bed, but he couldn't sleep for a long time.

'Evie,' he kept on saying to himself. 'Evie, of all people.'

They met at breakfast next morning as usual. Evie was as she always was, quiet, demure, and self-possessed, a middle-aged woman who made no effort to look younger than she was, a woman who had nothing of what he still called It. He looked at her as he hadn't looked at her for years. She had her usual placid serenity. Her pale blue eyes were untroubled. There was no sign of guilt on her candid brow. She made the same little casual remarks she always made.

'It's nice to get back to the country again after those two hectic


days in London. What are you going to do this morning?'

It was incomprehensible.

Three days later he went to see his solicitor. Henry Blane was an old friend of George's as well as his lawyer. He had a place not far from Peregrine's and for years they had shot over one another's preserves. For two days a week he was a country gentleman and for the other five a busy lawyer in Sheffield. He was a tall, robust fellow, with a boisterous manner and a jovial laugh, which suggested that he liked to be looked upon essentially as a sportsman and a good fellow and only incidentally as a lawyer. But he was shrewd and worldly-wise.

'Well, George, what's brought you here today?' he boomed as the colonel was shown into his office. 'Have a good time in London? I'm taking my missus up for a few days next week. How's Evie?'

'It's about Evie I've come to see you,' said Peregrine, giving him a suspicious look. 'Have you read her book?'

His sensitivity had been sharpened during those last days of troubled thought and he was conscious of a faint change in the lawyer's expression. It was as though he were suddenly on his guard.

'Yes, I've read it. Great success, isn't it? Fancy Evie breaking out into poetry. Wonders will never cease.'

George Peregrine was inclined to lose his temper.

'It's made me look a perfect damned fool.'

4Oh, what nonsense, George! There's no harm in Evie's writing a book. You ought to be jolly proud of her.'

'Don't talk such rot. It's her own story. You know it and everyone else knows it. I suppose I'm the only one who doesn't know who her lover was.'

'There is such a thing as imagination, old boy. There's no reason to suppose the whole thing isn't made up.'

'Look here, Henry, we've known one another all our lives. We've had all sorts of good times together. Be honest with me. Can you look me in the face and tell me you believe it's a made-up story?'

Harry Blane moved uneasily in his chair. He was disturbed by the distress in old George's voice.

'You've got no right to ask me a question like that. Ask Evie.'

'I daren't,' George answered after an anguished pause. 'I'm afraid she'd tell me the truth.'

There was an uncomfortable silence.

'Who was the chap?'

Harry Blane looked at him straight in the eye.

'I don't know, and if I did I wouldn't tell you.'

'You swine. Don't you see what a position I'm in? Do you think it's very pleasant to be made absolutely ridiculous?'

The lawyer lit a cigarette and for some moments silently puffed

it.

'I don't see what I can do for you,' he said at last.

'You've got private detectives you employ, I suppose. I want you to put them on the job and let them find everything out.'

'It's not very pretty to put detectives on one's wife, old boy, and besides, taking for granted for a moment that Evie had an affair, it was a good many years ago and I don't suppose it would be possible to find out a thing. They seem to have covered their tracks pretty carefully.'

'I don't care. You put the detectives on. I want to know the truth.'

'I won't, George. If you're determined to do that you'd better consult someone else. And look here, even if you got evidence that Evie had been unfaithful to you what would you do with it? You'd look rather silly divorcing your wife because she'd committed adultery ten years ago.'

'At all events I could have it out with her.'

'You can do that now, but you know just as well as I do that if you do she'll leave you. D'you want her to do that?'

George gave him an unhappy look.

'I don't know. I always thought she'd been a damned good wife to me. She runs the house perfectly, we never have any servant trouble; she's done wonders with the garden and she's splendid with all the village people. But damn it, I have my self-respect to think of. How can I go on living with her when I know that she was grossly unfaithful to me?'

'Have you always been faithful to her?'

'More or less, you know. After all, we've been married for nearly twenty-four years and Evie was never much for bed.'

The solicitor slightly raised his eyebrows, but George was too intent on what he was saying to notice.

'I don't deny that I've had a bit of fun now and then. A man wants it. Women are different.'

'We only have men's word for that,' said Harry Blane, with a faint smile.

'Evie's absolutely the last woman I'd have suspected of kicking over the traces. I mean, she's a very fastidious, reticent woman. What on earth made her write the damned book?'

'I suppose it was a very poignant experience and perhaps it was a relief to her to get it off her chest like that.'

'Well, if she had to write it why the devil didn't she write it under an assumed name?'

'She used her maiden name. I suppose she thought that was enough, and it would have been if the book hadn't had this amazing boom.'

George Peregrine and the lawyer were sitting opposite one another with a desk between them. George, his elbow on the desk, his cheek on his hand, frowned at his thought.

'It's so rotten not to know what sort of a chap he was. One can't even tell if he was by way of being a gentleman. I mean, for all I know he may have been a farm-hand or a clerk in a lawyer's office.'

Harry Blane did not permit himself to smile and when he answered there was in his eyes a kindly, tolerant look.

'Knowing Evie so well I think the probabilities are that he was all right. Anyhow I'm sure he wasn't a clerk in my office.'

'It's been a shock to me,' the colonel sighed. 'I thought she was fond of me. She couldn't have written that book unless she hated me.'

'Oh, I don't believe that. I don't think she's capable of hatred.'

'You're not going to pretend that she loves me.'

'No.'

'Well, what does she feel for me?'

Harry Blane leaned back in his swivel chair and looked at George reflectively.

'Indifference, I should say.'

The colonel gave a little shudder and reddened.

'After all, you're not in love with her, are you?'

George Peregrine did not answer directly.

'It's been a great blow to me not to have any children, but I've never let her see that I think she's let me down. I've always been kind to her. Within reasonable limits I've tried to do my duty by her.'

The lawyer passed a large hand over his mouth to conceal the smile that trembled on his lips.

'It's been such an awful shock to me,' Peregrine went on. 'Damn it all, even ten years ago Evie was no chicken and God knows she wasn't much to look at. It's so ugly.' He sighed deeply. 'What would you do in my place?'

'Nothing.'

George Peregrine drew himself bolt upright in his chair and he looked at Harry with the stern set face that he must have worn when he inspected his regiment.

T can't overlook a thing like this. I've been made a laughing-stock. I can never hold up my head again.'

'Nonsense,' said the lawyer sharply, and then in a pleasant, kindly manner, 'listen, old boy: the man's dead; it all happened a long while back. Forget it. Talk to people about Evie's book, rave about it, tell 'em how proud you are of her. Behave as though you had so much confidence in her, you knew she could never have been unfaithful to you. The world moves so quickly and people's memories are so short. They'll forget.'

'I shan't forget.'

'You're both middle-aged people. She probably does a great deal more for you than you think and you'd be awfully lonely without her. I don't think it matters if you don't forget. It'll be all to the good if you can get it into that thick head of yours that there's a lot more in Evie than you ever had the gumption to see.'

'Damn it all, you talk as if I was to blame.'

'No, I don't think you were to blame, but I'm not so sure that Evie was either. I don't suppose she wanted to fall in love with this boy. D'you remember those verses right at the end? The impression they gave me was that though she was shattered by his death, in a strange sort of way she welcomed it. All through she'd been aware of the fragility of the tie that bound them. He died in the full flush of his first love and had never known that love so seldom endures; he'd only known its bliss and beauty. In her own bitter grief she found solace in the thought that he'd been spared all sorrow.'

'All that's a bit above my head, old boy. I see more or less what you mean.'

George Peregrine stared unhappily at the inkstand on the desk.

He was silent and the lawyer looked at him with curious, yet sympathetic, eyes.

'Do you realize what courage she must have had never by a sign to show how dreadfully unhappy she was?' he said gently.

Colonel Peregrine sighed.

'I'm broken. I suppose you're right; it's no good crying over spilt milk and it would only make things worse if I made a fuss.'

'Well?'

George Peregrine gave a pitiful little smile.

'I'll take your advice. I'll do nothing. Let them think me a damned fool and to hell with them. The truth is, I don't know what I'd do without Evie. But I'll tell you what, there's one thing I shall never understand till my dying day: what in the name of heaven did the fellow ever see in her?'


Notes

an MC and a DSO (p34)

Military Cross and Distinguished Service Order; medals won for bravery in war

the Welsh Guards (p34) a famous military regiment in the British army Justice of the Peace (p34) a person who is not trained as a lawyer but who acts as a judge (unpaid) in a local law court, which deals with less serious crimes Eton (p35)

a famous public school (fee-paying) for boys from upper-class families Edgar Allan Poe (p36)

an American writer famous for his poetry and short stories Henry V (p36)

a play by Shakespeare, often studied by schoolchildren penny-a-liner (p37)

(derogatory) a journalist who is paid by the number of lines written Colonel Blimp (p38) (derogatory) a person who is ridiculously pompous and conservative (especially an old army officer) Emily Dickinson, Landor, Heine, Sappho (p40) all famous poets (American, English, German, ancient Greek) A Shropshire Lad (p45) a volume of lyric poems written by the English poet A.E. Housman

Discussion

1 George Peregrine knows that he and his wife have 'drifted apart*. Who do you blame for that? He had had the thought that 'if Evie hadn't been such a good woman she'd have been a better wife.' What do you think he means by that? What does it reveal about his attitude to women?

2 'There is such a thing as imagination,' says Henry Blane. Are you sure Evie had a lover? If so, what do you think would have happened if he hadn't died? If not, why did she write the poems?

3 Do you think George and Evie's relationship will be different from

now on? If so, how? From the point of view of their relationship, does it in fact matter whether there was a real lover or not?

Language Focus

1 Find all the vocabulary and expressions in the story that show

• George Peregrine as a typical, very conventional country gentleman

• Evie as a woman who is no longer young or attractive.

2 Rephrase these colloquial expressions in your own words:

Did it cost you a packet? (p37)

I've half a mind to do it (p37)

I don't think that's your cup of tea (p38)

Selling like hot cakes (p38)

Hot stuff (p39)

Come off it (p39)

I must bolt (p40)

I must watch my step (p48)

All that's a bit above my head (p53)

It's no good crying over spilt milk (p54)

Activities

1 Imagine that George did not take Henry Blane's advice, but went straight home to find out the truth from Evie. Write a new ending for the story. Does Evie decide to leave George, or do they agree to forget the past and stay together?

2 Imagine that you are a journalist from a 'gossip5 magazine, and are interne wing George. Try to find out if George does in fact believe his wife had a love affair. George, having decided to follow Henry Blane's advice, tries hard to pretend that he doesn't believe it. Write the dialogue between George and the journalist.

3 Write a review of Evie's book for a Sheffield newspaper, mentioning that she is a local author.


Mrs Bixby and the Colonel's Coat

the author

Roald Dahl's parents were Norwegian, but he was born in Wales in 1916. He joined an expedition to explore Newfoundland, then worked for an oil company. He served in the Royal Air Force during the Second World War, and then in Intelligence. He started writing short stories, at first on flying themes, in 1942. His collections of short stories, Someone Like You, Kiss Kiss, and Tales of the Unexpected have been translated into many languages and are bestsellers all over the world. His storytelling is bizarre, alarming, and disturbing, always with a nasty sting in the tail. His children's books are also very popular. He died in 1990.

The Story

The institution of marriage always arouses strong opinions. Some writers see it as the ideal state for true love, some as a prison, others as a state of war, a never-ending battle of wits between husband and wife. "The one charm of marriage', wrote Oscar Wilde, 'is that it makes a life of deception absolutely necessary for both parties.'

According to the narrator, marriage in North America provides a marvellous opportunity for women to enjoy themselves, while their unfortunate husbands slave away to pay their bills. Does the poor husband ever find out that his wife is deceiving him? Mrs Bixby is confident that Mr Bixby has no idea at all what really happens on her regular trips to Baltimore ...



Mrs Bixby and the Colonel's Coat

own about eighty-five per cent of the wealth of the nation. Soon they will have it all. Divorce has become a lucrative process, simple to arrange and easy to forget; and ambitious females can repeat it as often as they please and parlay their winnings to astronomical figures. The husband's death also brings satisfactory rewards and some ladies prefer to rely upon this method. They know that the waiting period will not be unduly protracted, for overwork and hypertension are bound to get the poor devil before long, and he will die at his desk with a bottle of benzedrines in one hand and a packet of tranquillizers in the

other.

Succeeding generations of youthful American males are not deterred in the slightest by this terrifying pattern of divorce and death. The higher the divorce rate climbs, the more eager they become. Young men marry like mice, almost before they have reached the age of puberty, and a large proportion of them have at least two ex-wives on the payroll by the time they are thirty-six years old. To support these ladies in the manner to which they are accustomed, the men must work like slaves, which is of course precisely what they are. But now at last, as they approach their premature middle age, a sense of disillusionment and fear begins to creep slowly into their hearts, and in the evenings they take to huddling together in little groups, in clubs and bars, drinking their whiskies and swallowing their pills, and trying to comfort one another with stories.

merica is the land of opportunities for women. Already they

The basic theme of these stories never varies. There are always three main characters - the husband, the wife, and the dirty dog.


The husband is a decent clean-living man, working hard at his job. The wife is cunning, deceitful, and lecherous, and she is invariably up to some sort of jiggery-pokery with the dirty dog. 'The husband is too good a man even to suspect her. Things look black for the husband. Will the poor man ever find out? Must he be a cuckold for the rest of his life? Yes, he must. But wait! Suddenly, by a brilliant manoeuvre, the husband completely turns the tables on his monstrous spouse. The woman is flabbergasted, stupefied, humiliated, defeated. The audience of men around the bar smiles quietly to itself and takes a little comfort from the fantasy.

There are many of these stories going around, these wonderful wishful-thinking dreamworld inventions of the unhappy male, but most of them are too fatuous to be worth repeating, and far too fruity to be put down on paper. There is one, however, that seems to be superior to the rest, particularly as it has the merit of being true. It is extremely popular with twice- or thrice-bitten males in search of solace, and if you are one of them, and if you haven't heard it before, you may enjoy the way it comes out. The story is called 'Mrs Bixby and the Colonel's Coat', and it goes something like this:

Mr and Mrs Bixby lived in a smallish apartment somewhere in New York City. Mr Bixby was a dentist who made an average income. Mrs Bixby was a big vigorous woman with a wet mouth. Once a month, always on Friday afternoons, Mrs Bixby would board the train at Pennsylvania Station and travel to Baltimore to visit her old aunt. She would spend the night with the aunt and return to New York on the following day in time to cook supper for her husband. Mr Bixby accepted this arrangement good-naturedly. He knew that Aunt Maude lived in Baltimore, and that his wife was very fond of the old lady, and certainly it would be unreasonable to deny either of

them the pleasure of a monthly meeting.

'Just so long as you don't ever expect me to accompany you,' Mr Bixby had said in the beginning.

'Of course not, darling,' Mrs Bixby had answered. 'After all, she is not your aunt. She's mine.'

So far so good.

As it turned out, however, the aunt was little more than a convenient alibi for Mrs Bixby. The dirty dog, in the shape of a gentleman known as the Colonel, was lurking slyly in the background, and our heroine spent the greater part of her Baltimore time in this scoundrel's company. The Colonel was exceedingly wealthy. He lived in a charming house on the outskirts of the town. No wife or family encumbered him, only a few discreet and loyal servants, and in Mrs Bixby's absence he consoled himself by riding his horses and hunting the fox.

Year after year, this pleasant alliance between Mrs Bixby and the Colonel continued without a hitch. They met so seldom - twelve times a year is not much when you come to think of it - that there was little or no chance of their growing bored with one another. On the contrary, the long wait between meetings only made the heart grow fonder, and each separate occasion became an exciting reunion.

'Tally-ho*!' the Colonel would cry each time he met her at the station in the big car. 'My dear, I'd almost forgotten how ravishing you looked. Let's go to earth.'

Eight years went by.


It was just before Christmas, and Mrs Bixby was standing on the station in Baltimore waiting for the train to take her back to New York. This particular visit which had just ended had been more than usually agreeable, and she was in a cheerful mood. But then the Colonel's company always did that to her these days. The man had a way of making her feel that she was altogether a rather remarkable woman, a person of subtle and exotic talents, fascinating beyond measure; and what a very different thing that was from the dentist husband at home who never succeeded in making her feel that she was anything but a sort of eternal patient, someone who dwelt in the waiting-room, silent among the magazines, seldom if ever nowadays to be called in to suffer the finicky precise ministrations of those clean pink hands.

'The Colonel asked me to give you this,' a voice beside her said. She turned and saw Wilkins, the Colonel's groom, a small wizened dwarf with grey skin, and he was pushing a large flattish cardboard box into her arms.

'Good gracious me!' she cried, all of a flutter. 'My heavens, what an enormous box! What is it, Wilkins? Was there a message? Did he send me a message?'

'No message,' the groom said, and he walked away.

As soon as she was on the train, Mrs Bixby carried the box into the privacy of the Ladies' Room and locked the door. How exciting this was! A Christmas present from the Colonel. She started to undo the string. 'I'll bet it's a dress,' she said aloud. 'It might even be two dresses. Or it might be a whole lot of beautiful underclothes. I won't look. I'll just feel around and try to guess what it is. I'll try to guess the colour as well, and exactly what it looks like. Also how much it cost.'

She shut her eyes tight and slowly lifted off the lid. Then she put one hand down into the box. There was some tissue paper on top; she could feel it and hear it rustling. There was also an envelope or a card of some sort. She ignored this and began burrowing underneath the tissue paper, the fingers reaching out delicately, like tendrils.

'My God,' she cried suddenly. 'It can't be true!'

She opened her eyes wide and stared at the coat. Then she pounced on it and lifted it out of the box. Thick layers of fur made a lovely noise against the tissue paper as they unfolded, and when she held it up and saw it hanging to its full length, it was so beautiful it took her breath away.

Never had she seen mink like this before. It was mink, wasn't it? Yes, of course it was. But what a glorious colour! The fur was almost pure black. At first she thought it was black; but when she held it closer to the window she saw that there was a touch of blue in it as well, a deep rich blue, like cobalt. Quickly she looked at the label. It said simply, wild Labrador mink. There was nothing else, no sign of where it had been bought or anything. But that, she told herself, was probably the Colonel's doing. The wily old fox was making darn sure he didn't leave any tracks. Good for him. But what in the world could it have cost? She hardly dared to think. Four, five, six thousand dollars? Possibly more.

She just couldn't take her eyes off it. Nor, for that matter, could she wait to try it on. Quickly she slipped off her own plain red coat. She was panting a little now, she couldn't help it, and her eyes were stretched very wide. But oh God, the feel of that fur! And those huge wide sleeves with their thick turned-up cuffs! Who was it had once told her that they always used female skins for the arms and the male skins for the rest of the coat? Someone had told her that. Joan Rutfield, probably; though how Joan would know anything about mink she couldn't imagine.


Date: 2015-12-17; view: 1016


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