AN EXHIBITION AT THE BRITISH MUSEUM 4 page

"It's okay," said Gary reassuringly. His voice was soothing, sane. "Not sure how to tell you this. Bit awkward." He paused. "Look," he explained. "I'm not really here."

"Yes, you are," said Richard. Gary shook his head, sympathetically. "No," he said. "I'm not. I'm you. Talking to yourself."

Richard wondered vaguely if this was one of Gary's jokes. "Maybe this will help," said Gary. He raised his hands to his face, pushed at it, molded, shaped. His face oozed like warm Silly Putty.

"Is that better?" said the person who had been Gary, in a voice that was jarringly familiar. Richard knew the new face: he had shaved it most weekday mornings since he had left school; he had brushed its teeth, combed its hair, and, on occasion, wished it looked more like Tom Cruise's, or John Lennon's, or anyone else's, really. It was, of course, his face. "You're sitting on Blackfriars Station at rush hour," said the other Richard, casually. "You're talking to yourself. And you know what they say about people who talk to themselves. It's just that you're starting to edge a little closer to sanity, now."

The damp, muddy Richard stared into the face of the clean, well-dressed Richard, and he said, "I don't know who you are or what you're trying to do. But you aren't even very convincing: you don't really look like me." He was lying, and he knew it.

His other self smiled encouragingly, and shook his head. "I'm you, Richard," he said. "I'm whatever's left of your sanity… "

It was not the embarrassing echo of his voice he heard on answering machines, on tapes and home videos, that horrid parody of a voice that passed for his: the man spoke with Richard's true voice, the voice he heard in his head when he spoke, resonant and real.

"Concentrate!" shouted the man with Richard's face. "Look at this place, try to see the people, try to see the truth… you're already the closest to reality that you've been in a week… "

"This is bullshit," said Richard, flatly, desperately. He shook his head, denying everything his other self was saying, but, still, he looked at the platform, wondering what it was he was meant to be seeing. Then something flickered, at the corner of his vision; he followed it with his head, but it was gone.

"Look," whispered his double. "See."

"See what?" He was standing on an empty, dimly lit station platform, a lonely mausoleum of a place. And then…

The noise and the light struck him like a bottle across the face: he was standing on Blackfriars Station, in the middle of the rush hour. People bustled by him: a riot of noise and light, of shoving, moving humanity. There was an Underground train waiting at the platform, and, reflected in its window, Richard could see himself. He looked crazy; he had a week's growth of beard; food was crusted around his mouth; one eye had recently been blackened, and a boil, an angry red carbuncle, was coming up on the side of his nose; he was filthy, covered in a black, encrusted dirt which filled his pores and lived under his fingernails; his eyes were red and bleary, his hair was matted and snarled. He was a crazy homeless person, standing on a platform of a busy Underground station, in the heart of the rush hour. Richard buried his face deep in his hands. When he raised his face, the other people were gone. The platform was dark again, and he was alone. He sat down on a bench and closed his eyes. A hand found his hand, held it for some moments, and then squeezed it. A woman's hand: he could smell a familiar perfume.

The other Richard sat on his left, and now Jessica sat on his right, holding his hand in hers, looking at him compassionately. He had never seen that expression on her face before.

"Jess?" he said.

Jessica shook her head. She let go of his hand. "I'm afraid not," she said. "I'm still you. But you have to listen, darling. You're the closest to reality you've been-"

"You people keep saying, the closest to reality, the closest to sanity, I don't know what you… " He paused. Something came back to him, then. He looked at the other version of himself, at the woman he had loved. "Is this part of the ordeal?" he demanded.

"Ordeal?" asked Jessica. She exchanged a concerned glance with the-other-Richard-who-wasn't-him.

"Yes. Ordeal. With the Black Friars who live under London," Richard said. As he said it, it became more real, "There's a key I have to get for this angel called Islington. If I get him the key, he'll send me home again… " His mouth dried up, and he could talk no longer.

"Listen to yourself," said the other Richard, gently. "Can't you tell how ridiculous all this sounds?" Jessica looked as if she were trying not to cry. Her eyes glistened. "You're not going through an ordeal, Richard. You-you had some kind of nervous breakdown. A couple of weeks ago. I think you just cracked up. I broke off our engagement-you'd been acting so strangely, it was like you were a different person, I-I couldn't cope… Then you vanished… " The tears began to run down her cheeks, and she stopped talking to blow her nose on a tissue.

The other Richard began to speak. "I wandered, alone and crazy, through the streets of London, sleeping under bridges, eating food from garbage cans. Shivering and lost and alone. Muttering to myself, talking to people who weren't there… "

"I'm so sorry, Richard," said Jessica. She was crying, now, her face contorted and unattractive. Her mascara was beginning to run, and her nose was red. He had never seen her hurting before, and he realized how much he wanted to take her pain away. Richard reached out for her, to try to hold her, to comfort and reassure her, but the world slid and twisted and changed…

Someone stumbled into him, cursed and walked away. Richard was lying prone on the platform, in the rush-hour glare. The side of his face was sticky and cold. He pulled his head up off the ground. He had been lying in a pool of his own vomit. At least, he hoped it was his own. Passersby stared at him with revulsion, or, after one flick of the eyes, did not look at him again.

He wiped at his face with his hands and tried to get up, but he could no longer remember how. Richard began to whimper. He shut his eyes tightly, and he kept them shut. When he opened them, thirty seconds, or an hour, or a day later, the platform was in semidarkness. He climbed to his feet. There was nobody there. "Hello?" he called. "Help me. Please."

Gary was sitting on the bench, watching him. "What, you still need someone to tell you what to do?" Gary got up and walked over to where Richard was standing. "Richard," he said, urgently. "I'm you. The only advice I can give you is what you're telling yourself. Only, maybe you're too scared to listen."

"You aren't me," said Richard, but he no longer believed it.

"Touch me," said Gary.

Richard reached a hand out: his hand pushed into Gary's face, squashing and distorting it, as if it were pushing into warm bubble gum. Richard felt nothing in the air around his hand. He pulled his fingers out of Gary's face.

"See?" said Gary. "I'm not here. All there is, is you, walking up and down the platform, talking to yourself, trying to get up the courage to… "

Richard had not meant to say anything; but his mouth moved and he heard his voice saying, "Trying to get up the courage to do what?"

A deep voice came over the loudspeaker, and echoed, distorted, down the platform. "London Transport would like to apologize for the delay. This is due to an incident at Blackfriars Station." "To do that," said Gary, inclining his head. "Become an incident at Blackfriars Station. To end it all. Your life's a joyless, loveless, empty sham. You've got no friends-"

"I've got you," whispered Richard. Gary appraised Richard with frank eyes.

"I think you're an asshole," he said, honestly. "A complete joke."

"I've got Door, and Hunter, and Anaesthesia."

Gary smiled. There was real pity in the smile, and it hurt Richard more than hatred or enmity could ever have done. "More imaginary 'friends? We all used to laugh at you round the office for those trolls. Remember them? On your desk." He laughed. Richard started to laugh, too. It was all too horrible: there was nothing else to do but laugh. After some time he stopped laughing. Gary put his hand into his pocket and produced a small plastic troll. It had frizzy purple hair, and it had once sat on the top of Richard's computer screen. "Here," said Gary. He tossed the troll to Richard. Richard tried to catch it; he reached out his hands, but it fell through them as if they were not there. He went down onto his hands and knees on the empty platform, fumbling for the troll. It seemed to him, then, as if it were the only fragment he had of his real life: that if he could only get the troll back, perhaps he could get everything back…

Flash.

It was rush hour again. A train disgorged hundreds of people onto the platform, and hundreds of others tried to get on, and Richard was down on his hands and knees, being kicked and buffeted by the commuters. Somebody stepped on his fingers, hard. He screamed shrilly, and stuck his fingers into his mouth, instinctively, like a burned child; they tasted disgusting. He did not care: he could see the troll at the platform's edge, now only ten feet away, and he crawled, slowly, on all fours, through the crowd, across the platform. People swore at him; they got in his way; they buffeted him. He had never imagined that ten feet could be such a long distance to travel.

Richard heard a high-pitched voice giggling, as he crawled, and he wondered who it could belong to. It was a disturbing giggle, nasty and strange. He wondered what manner of crazy person could giggle like that. He swallowed, and the giggling stopped, and then he knew.

He was almost at the edge of the platform. An elderly woman stepped onto the train, and as she did so, her foot knocked the purple-haired troll down into the darkness, down into the gap between the train and the platform. "No," said Richard. He was still laughing, an awkward, wheezing laugh, but tears stung his eyes and spilled down his cheeks. He rubbed his eyes with his hands, making them sting even more.

Flash.

The platform was deserted and dark again. He climbed to his feet and walked, unsteadily, the last few feet, to the edge of the platform. He could see it there, down on the tracks, by the third rail: a small splash of purple, his troll. He looked ahead of him: there were enormous posters stuck to the wall on the other side of the tracks. The posters advertised credit cards and sports shoes and holidays in Cyprus. As he looked the words on the posters twisted and mutated.

New messages:

END IT ALL was one of them.

Date: 2015-12-11; view: 780