Saturday, 4:00 p.m., to Saturday, 10:15 p.m. 4 page

Banks started to speak but Rhyme cut him off abruptly. “And what were these things doing all clustered together? Oh, he’s telling us something, our unsub. You bet he is. Banks, what about the access door?”

“You were right,” the young man said. “They found one about a hundred feet north of the grave. Broken open from the inside. You were also right about the prints. Zip. And no tire tracks or trace evidence either.”

A lock of dirty asbestos, a bolt, a torn newspaper ...

“The scene?” Rhyme asked. “Intact?”

“Released.”

Lincoln Rhyme, the crip with the killer lungs, exhaled a loud hiss of air, disgusted. “Who made that mistake?”

“I don’t know,” Sellitto said lamely. “Watch commander probably.”

It was Peretti, Rhyme understood. “Then you’re stuck with what you’ve got.”

Whatever clues as to who the kidnapper was and what he had in mind were either in the report or gone forever, trampled under the feet of cops and spectators and railroad workers. Spadework—canvassing the neighborhood around the scene, interviewing witnesses, cultivating leads, traditional detective work—was done leisurely. But crime scenes themselves had to be worked “like mad lightning,” Rhyme would command his officers in IRD. And he’d fired more than a few CSU techs who hadn’t moved fast enough for his taste.

“Peretti ran the scene himself?” he asked.

“Peretti and a full complement.”

“Full complement?” Rhyme asked wryly. “What’s a full complement?”

Sellitto looked at Banks, who said, “Four techs from Photo, four from Latents. Eight searchers. ME tour doctor.”

“Eight crime scene searchers?”

There’s a bell curve in processing a crime scene. Two officers are considered the most efficient for a single homicide. By yourself you can miss things; three and up you tend to miss more things. Lincoln Rhyme had always searched scenes alone. He let the Latents people do the print work and Photo do the snap-shooting and videoing. But he always walked the grid by himself.

Peretti. Rhyme had hired the young man, son of a wealthy politico, six, seven years ago and he’d proved a good, by-the-book CS detective. Crime Scene is considered a plum and there’s always a long waiting list to get into the unit. Rhyme took perverse pleasure in thinning the ranks of applicants by offering them a look at the family album—a collection of particularly gruesome crime-scene photos. Some officers would blanch, some would snicker. Some handed the book back, eyebrows raised, as if asking, So what? And those were the ones that Lincoln Rhyme would hire. Peretti’d been one of them.

Sellitto had asked a question. Rhyme found the detective looking at him. He repeated, “You’ll work with us on this, won’t you, Lincoln?”

“Work with you?” He coughed a laugh. “I can’t, Lon. No. I’m just spitting out a few ideas for you. You’ve got it. Run with it. Thom, get me Berger.” He was now regretting the decision to postpone his tête-à-tête with the death doctor. Maybe it wasn’t too late. He couldn’t bear the thought of waiting another day or two for his passing. And Monday ... He didn’t want to die on Monday. It seemed common.

“Say please.”

“Thom!”

“All right,” the young aide said, hands raised in surrender.

Rhyme glanced at the spot on his bedside table where the bottle, the pills and the plastic bag had sat—so very close, but like everything else in this life wholly out of Lincoln Rhyme’s reach.

Sellitto made a phone call, cocked his head as the call was answered. He identified himself. The clock on the wall clicked to twelve-thirty.

“Yessir.” The detective’s voice sank into a respectful whisper. The mayor, Rhyme guessed. “About the kidnapping at Kennedy. I’ve been talking to Lincoln Rhyme. ... Yessir, he has some thoughts on it.” The detective wandered to the window, staring blankly at the falcon and trying to explain the inexplicable to the man running the most mysterious city on earth. He hung up and turned to Rhyme.

“He and the chief both want you, Linc. They asked specifically. Wilson himself.”

Rhyme laughed. “Lon, look around the room. Look at me! Does it seem like I could run a case?”

“Not a normal case, no. But this isn’t a very normal one now, is it?”

“I’m sorry. I just don’t have time. That doctor. The treatment. Thom, did you call him?”

“Haven’t yet. Will in just a minute.”

“Now! Do it now!”

Thom looked at Sellitto. Walked to the door, stepped outside. Rhyme knew he wasn’t going to call. Bugger the world.

Banks touched a dot of razor scar and blurted, “Just give us some thoughts. Please. This unsub, you said he—”

Sellitto waved him silent. He kept his eyes on Rhyme.

Oh, you prick, Rhyme thought. The old silence. How we hate it and hurry to fill it. How many witnesses and suspects had caved under hot, thick silences just like this. Well, he and Sellitto had been a good team. Rhyme knew evidence and Lon Sellitto knew people.

The two musketeers. And if there was a third it was the purity of unsmiling science.

The detective’s eyes dipped to the crime scene report. “Lincoln. What do you think’s going to happen today at three?”

“I don’t have any idea,” Rhyme pronounced.

“Don’tcha?”

Cheap, Lon. I’ll get you for that.

Finally, Rhyme said. “He’s going to kill her—the woman in the taxi. And in some real bad way, I guarantee you. Something that’ll rival getting buried alive.”

“Jesus,” Thom whispered from the doorway.

Why couldn’t they just leave him alone? Would it do any good to tell them about the agony he felt in his neck and shoulders? Or about the phantom pain—far weaker and far eerier—roaming through his alien body? About the exhaustion he felt from the daily struggle to do, well, everything? About the most overwhelming fatigue of all—from having to rely on someone else?

Maybe he could tell them about the mosquito that’d gotten into the room last night and strafed his head for an hour; Rhyme grew dizzy with fatigue nodding it away until the insect finally landed on his ear, where Rhyme let it stab him—since that was a place he could rub against the pillow for relief from the itch.

Sellitto lifted an eyebrow.

“Today,” Rhyme sighed. “One day. That’s it.”

“Thanks, Linc. We owe you.” Sellitto pulled up a chair next to the bed. Nodded Banks to do the same, “Now. Gimme your thoughts. What’s this asshole’s game?”

Rhyme said, “Not so fast. I don’t work alone.”

“Fair enough. Who d’you want on board?”

“A tech from IRD. Whoever’s the best in the lab. I want him here with the basic equipment. And we better get some tactical boys. Emergency Services. Oh, and I want some phones,” Rhyme instructed, glancing at the Scotch on his dresser. He remembered the brandy Berger had in his kit. No way was he going out on cheap crap like that. His Final Exit number would be courtesy of either sixteen-year-old Lagavulin or opulent Macallan aged for decades. Or—why not?—both.

Banks pulled out his own cellular phone. “What kind of lines? Just—”

“Landlines.”

“In here?”

“Of course not,” Rhyme barked.

Sellitto said, “He means he wants people to make calls. From the Big Building.”

“Oh.”

“Call downtown,” Sellitto ordered. “Have ’em give us three or four dispatchers.”

“Lon,” Rhyme asked, “who’s doing the spadework on the death this morning?”

Banks stifled a laugh. “The Hardy Boys.”

A glare from Rhyme took the smile off his face. “Detectives Bedding and Saul, sir,” the boy added quickly.

But then Sellitto grinned too. “The Hardy Boys. Everybody calls ’em that. You don’t know ’em, Linc. They’re from the Homicide Task Force downtown.”

“They look kind of alike is the thing,” Banks explained. “And, well, their delivery is a little funny.”

“I don’t want comedians.”

“No, they’re good,” Sellitto said. “The best canvassers we got. You know that beast ’napped that eight-year-old girl in Queens last year? Bedding and Saul did the canvass. Interviewed the entire ’hood—took twenty-two hundred statements. It was ’causa them we saved her. When we heard the vic this morning was the passenger from JFK, Chief Wilson himself put ’em on board.”

“What’re they doing now?”

“Witnesses mostly. Around the train tracks. And sniffing around about the driver and the cab.”

Rhyme yelled to Thom in the hallway, “Did you call Berger? No, of course you didn’t. The word ‘insubordination’ mean anything to you? At least make yourself useful. Bring that crime scene report closer and start turning the pages.” He nodded toward the turning frame. “That damn thing’s an Edsel.”

“Aren’t we in a sunny mood today?” the aide spat back.

“Hold it up higher. I’m getting glare.”

He read for a minute. Then looked up.

Sellitto was on the phone but Rhyme interrupted him. “Whatever happens at three today, if we can find where he’s talking about, it’s going to be a crime scene. I’ll need someone to work it.”

“Good,” Sellitto said. “I’ll call Peretti. Toss him a bone. I know his nose’ll be out of joint ’cause we’re tiptoeing around him.”

Rhyme grunted. “Did I ask for Peretti?”

“But he’s the IRD golden boy,” Banks said.

“I don’t want him,” Rhyme muttered. “There’s somebody else I want.”

Sellitto and Banks exchanged glances. The older detective smiled, brushing pointlessly at his wrinkled shirt. “Whoever you want, Linc, you got him. Remember, you’re king for a day.”

Staring at the dim eye.

T.J. Colfax, dark-haired refugee from the hills of Eastern Tennessee, NYU Business School grad, quick-as-a-whip currency trader, had just swum out of a deep dream. Her tangled hair stuck to her cheeks, sweat crawling in veins down her face and neck and chest.

She found herself looking into the black eye—a hole in a rusty pipe, about six inches across, from which a small access plate had been removed.

She sucked mildewy air through her nose—her mouth was still taped shut. Tasting plastic, the hot adhesive. Bitter.

And John? she wondered. Where was he? Refusing to think about the loud crack she’d heard last night in the basement. She’d grown up in Eastern Tennessee and knew what gunshots sounded like.

Please, she prayed for her boss. Let him be all right.

Stay calm, she raged to herself. You fucking start to cry again, you remember what happened. In the basement, after the gunshot, she’d lost it completely, breaking down, sobbing in panic, and had nearly suffocated.

Right. Calm.

Look at the black eye in the pipe. Pretend it’s winking at you. The eye of your guardian angel.

T.J. sat on the floor, surrounded by a hundred pipes and ducts and snakes of conduit and wires. Hotter than her brother’s diner, hotter than the back seat of Jule Whelan’s Nova ten years ago. Water dripped, stalactites drooped from the ancient girders above her head. A half-dozen tiny yellow bulbs were the only illumination. Above her head—directly above—was a sign. She couldn’t read it clearly, though she caught the red border. At the end of whatever the message might have been was a fat exclamation point.

She struggled once more but the cuffs held her tight, pinching against the bone. From her throat rose a desperate cry, an animal’s cry. But the thick tape on her mouth and the insistent churning of machinery swallowed up the sound; no one could’ve heard her.

The black eye continued to stare. You’ll save me, won’t you? she thought.

Suddenly the silence was broken by a clanging slam, an iron bell, far away. Like a ship’s door slamming shut. The noise came from the hole in the pipe. From her friendly eye.

She jerked the cuffs against the pipe and tried to stand. But she couldn’t move more than a few inches.

Okay, don’t panic. Just relax. You’ll be all right.

It was then that she happened to see the sign above her head. In her jockeying for slack she’d straightened up slightly and moved her head to the side. This gave her an oblique view of the words.

Oh, no. Oh, Jesus in my heart ...

The tears began again.

She imagined her mother, her hair pulled back from her round face, wearing her cornflower-blue housedress, whispering, “Be all raht, honey love. Doan’ you worry.”

But she didn’t believe the words.

She believed what the sign said.

Extreme Danger! Superheated steam under High Pressure. Do not remove plate from pipe. Call Consolidated Edison for access. Extreme danger!
The black eye gaped at her, the eye that opened into the heart of the steam pipe. It stared directly at the pink flesh of her chest. From somewhere deep inside the pipe came another clink of metal on metal, workers hammering, tightening old joints.

As Tammie Jean Colfax cried and cried she heard another clink. Then a distant groan, very faint. And it seemed to her, through her tears, that the black eye finally winked.

FIVE

“HERE’S THE SITUATION,” Lincoln Rhyme announced. “We’ve got a kidnap victim and a three p.m. deadline.”

“No ransom demands”—Sellitto supplemented Rhyme’s synopsis, then turned aside to answer his chirping phone. “Jerry,” Rhyme said to Banks, “brief them about the scene this morning.”

There were more people hovering in Lincoln Rhyme’s dark room than in recent memory. Oh, after the accident friends had sometimes stopped by unannounced (the odds were pretty good that Rhyme’d be home of course) but he’d discouraged that. And he’d stopped returning phone calls too, growing more and more reclusive, drifting into solitude. He’d spend his hours writing his book and, when he was uninspired to write another one, reading. And when that grew tedious there were rental movies and pay-per-view and music. And then he’d given up TV and the stereo and spent hours staring at the art prints the aide had dutifully taped up on the wall opposite the bed. Finally they too had come down.

Solitude.

It was all he craved, and oh how he missed it now.

Pacing, looking tense, was compact Jim Polling. Lon Sellitto was the case officer but an incident like this needed a captain on board and Polling had volunteered for the job. The case was a time bomb and could nuke careers in a heartbeat so the chief and the dep coms were happy to have him intercept the flak. They’d be practicing the fine art of distancing and when the Beta-cams rolled their press conferences would be peppered with words like delegated and assigned and taking the advice of and they’d be fast to glance at Polling when it came time to field the hardball questions. Rhyme couldn’t imagine why any cop in the world would volunteer to head up a case like this one.

Polling was an odd one. The little man had pummeled his way through Midtown North Precinct as one of the city’s most successful, and notorious, homicide detectives. Known for his bad temper, he’d gotten into serious trouble when he’d killed an unarmed suspect. But he’d managed, amazingly, to pull his career together by getting a conviction in the Shepherd case—the cop-serial-killer case, the one in which Rhyme’d been injured. Promoted to captain after that very public collar, Polling went through one of those embarrassing midlife changes—giving up blue jeans and Sears suits for Brooks Brothers (today he wore navy-blue Calvin Klein casual)—and began his dogged climb toward a plush corner office high in One Police Plaza.

Another officer leaned against a nearby table. Crew-cut, rangy Bo Haumann was a captain and head of the Emergency Services Unit. NYPD’s SWAT team.

Banks finished his synopsis just as Sellitto pushed disconnect and folded his phone. “The Hardy Boys.”

“Anything more on the cab?” Polling asked.

“Nothing. They’re still beating bushes.”

“Any sign she was fucking somebody she shouldn’t’ve been?” Polling asked. “Maybe a psycho boyfriend?”

“Naw, no boyfriends. Just dated a few guys casually. No stalkers, it looks like.”

“And still no ransom calls?” Rhyme asked.

“No.”

The doorbell rang. Thom went to answer it.

Rhyme looked toward the approaching voices.

A moment later the aide escorted a uniformed police officer up the stairs. She appeared very young from a distance but as she drew closer he could see she was probably thirty or so. She was tall and had that sullen, equine beauty of women gazing out from the pages of fashion magazines.

We see others as we see ourselves and since the accident Lincoln Rhyme rarely thought of people in terms of their bodies. He observed her height, trim hips, fiery red hair. Somebody else’d weigh those features and say, What a knockout. But for Rhyme that thought didn’t occur to him. What did register was the look in her eyes.

Not the surprise—obviously, nobody’d warned he was a crip—but something else. An expression he’d never seen before. It was as if his condition was putting her at ease. The exact opposite of how most people reacted. As she walked into the room she was relaxing.

“Officer Sachs?” Rhyme asked.

“Yessir,” she said, catching herself just as she was about to extend a hand. “Detective Rhyme.”

Sellitto introduced her to Polling and Haumann. She’d know about the latter two, by reputation if nothing else, and now her eyes grew cautious once more.

She took in the room, the dust, the gloominess. Glanced at one of the art posters. It was partially unrolled, lying under a table. Nighthawks, by Edward Hopper. The lonely people in a diner late at night. That one had been the last to come down.

Rhyme briefly explained about the 3:00 p.m. deadline. Sachs nodded calmly but Rhyme could see the flicker of what?—fear? disgust?—in her eyes.

Jerry Banks, fingers encumbered by a class ring but not a wedding band, was attracted immediately by the lamp of her beauty and offered her a particular smile. But Sachs’s single glance in response made clear that no matches were being made here. And probably never would be.

Polling said, “Maybe it’s a trap. We find the place he’s leading us to, walk in and there’s a bomb.”

“I doubt it,” Sellitto said, shrugging, “why go to all this trouble? If you want to kill cops all you gotta do is find one and fucking shoot him.”

Awkward silence for a moment as Polling looked quickly from Sellitto to Rhyme. The collective thought registered that it was on the Shepherd case that Rhyme had been injured.

But faux pas meant nothing to Lincoln Rhyme. He continued, “I agree with Lon. But I’d tell any Search and Surveillance or HRT teams to keep an eye out for ambush. Our boy seems to be writing his own rules.”

Sachs looked again at the poster of the Hopper painting. Rhyme followed her gaze. Maybe the people in the diner really weren’t lonely, he reflected. Come to think of it, they all looked pretty damn content.

“We’ve got two types of physical evidence here,” Rhyme continued. “Standard PE. What the unsub didn’t mean to leave behind. Hair, fibers, fingerprints, maybe blood, shoeprints. If we can find enough of it—and if we’re lucky—that’ll lead us to the primary crime scene. That’s where he lives.”

“Or his hidey-hole,” Sellitto offered. “Something temporary.”

“A safe house?” Rhyme mused, nodding. “Bet you’re right, Lon. He needs someplace to operate out of.” He continued, “Then there’s the planted evidence. Apart from the scraps of paper—which tell us the time and date—we’ve got the bolt, the wad of asbestos and the sand.”

“A fucking scavenger hunt,” Haumann growled and ran a hand through his slick buzz cut. He looked just like the drill sergeant Rhyme recalled he’d been.

“So I can tell the brass there’s a chance of getting the vic in time?” Polling asked.

“I think so, yes.”

The captain made a call and wandered to the corner of the room as he talked. When he hung up he grunted, “The mayor. The chiefs with ’im. There’s gonna be a press conference in an hour and I gotta be there to make sure their dicks’re in their pants and their flies’re zipped. Anything more I can tell the big boys?”

Sellitto glanced at Rhyme, who shook his head.

“Not yet,” the detective said.

Polling gave Sellitto his cellular phone number and left, literally jogging out the door.

A moment later a skinny, balding man in his thirties ambled up the stairs. Mel Cooper was as goofy-looking as ever, the nerdy neighbor in a sitcom. He was followed by two younger cops carrying a steamer trunk and two suitcases that seemed to weigh a thousand pounds each. The officers deposited their heavy loads and left.

“Mel.”

“Detective.” Cooper walked up to Rhyme and gripped his useless right hand. The only physical contact today with any of his guests, Rhyme noted. He and Cooper had worked together for years. With degrees in organic chemistry, math and physics, Cooper was an expert both in identification—friction-ridge prints, DNA and forensic reconstruction—and in PE analysis.

“How’s the world’s foremost criminalist?” Cooper asked him.

Rhyme scoffed good-naturedly. The title had been bestowed on him by the press some years ago, after the surprising news that the FBI had selected him—a city cop—as adviser in putting together PERT, their Physical Evidence Response Team. Not satisfied with “forensic scientist” or “forensic specialist,” reporters dubbed Rhyme a “criminalist.”

The word had actually been around for years, first applied in the United States to the legendary Paul Leland Kirk, who ran the UC Berkeley School of Criminology. The school, the first in the country, had been founded by the even more legendary Chief August Vollmer. The handle had recently become chic, and when techs around the country sidled up to blondes at cocktail parties now they described themselves as criminalists, not forensic scientists.

“Everybody’s nightmare,” Cooper said, “you get into a cab and turns out there’s a psycho behind the wheel. And the whole world’s watching the Big Apple ’causa that conference. Wondered if they might not bring you out of retirement for this one.”

“How’s your mother?” Rhyme asked.

“Still complaining about every ache and pain. Still healthier than me.”

Cooper lived with the elderly woman in the Queens bungalow where he’d been born. His passion was ballroom dancing—the tango his specialty. Cop gossip being what it is, there’d been speculation around IRD as to the man’s sexual preference. Rhyme had had no interest in his employees’ personal lives but had been as surprised as everyone else to finally meet Greta, Cooper’s steady girlfriend, a stunning Scandinavian who taught advanced mathematics at Columbia.

Cooper opened the large trunk, which was padded with velvet. He lifted out parts for three large microscopes and began assembling them.

“Oh, house current.” He glanced at the outlets, disappointed. He pushed his metal-rimmed glasses up on his nose.

“That’s because it’s a house, Mel.”

“I assumed you lived in a lab. Wouldn’t have been surprised.”

Rhyme stared at the instruments, gray and black, battered. Similar to the ones he’d lived with for over fifteen years. A standard compound microscope, a phase-contrast ’scope, and a polarized-light model. Cooper opened the suitcases, which contained a Mr. Wizard assortment of bottles and jars and scientific instruments. In a flash, words came back to Rhyme, words that had once been part of his daily vocabulary. EDTA vacuum blood-collection tubes, acetic acid, orthotolidine, luminol reagent, Magna-Brush, Ruhemann’s purple phenomenon ...

The skinny man looked around the room. “Looks just like your office used to, Lincoln. How do you find anything? Say, I need some room here.”

“Thom.” Rhyme moved his head toward the least cluttered table. They moved aside magazines and papers and books, revealing a tabletop Rhyme had not seen in a year.

Sellitto gazed at the crime scene report. “Whatta we call the unsub? We don’t have a case number yet.”

Rhyme glanced at Banks. “Pick a number. Any number.”

Banks suggested, “The page number. Well, the date, I mean.”

“Unsub 823. Good as any.”

Sellitto jotted this on the report.

“Uhm, excuse me? Detective Rhyme?”

It was the patrolwoman who’d spoken. Rhyme turned to her.

“I was supposed to be at the Big Building at noon.” Coptalk for One Police Plaza.

“Officer Sachs ...” He’d forgotten about her momentarily. “You were first officer this morning? At that homicide by the railroad tracks.”

“That’s right, I took the call.” When she spoke, she spoke to Thom.

“I’m here, officer,” Rhyme reminded sternly, barely controlling his temper. “Over here.” It infuriated him when people talked to him through others, through healthy people.

Her head swiveled quickly and he saw the lesson had been learned. “Yessir,” she said, a soft tone in her voice but ice in her eyes.

“I’m decommissioned. Just call me Lincoln.”

“Would you just get it over with, please?”

“How’s that?” he asked.

“The reason why you brought me here. I’m sorry. I wasn’t thinking. If you want a written apology I’ll do it. Only, I’m late for my new assignment and I haven’t had a chance to call my commander.”

“Apology?” Rhyme asked.

“The thing is, I didn’t have any real crime scene experience. I was sort of flying by the seat of my pants.”

“What are you talking about?”

“Stopping the trains and closing Eleventh Avenue. It was my fault the senator missed his speech in New Jersey and that some of the senior UN people didn’t make it in from Newark Airport in time for their meetings.”

Rhyme was chuckling. “Do you know who I am?”

“Well, I’ve heard of you of course. I thought you ...”

“Were dead?” Rhyme asked.

“No. I didn’t mean that.” Though she had. She continued quickly, “We all used your book in the academy. But we don’t hear about you. Personally, I mean ...” She looked up at the wall and said stiffly, “In my judgment, as first officer, I thought it was best to stop the train and close the street to protect the scene. And that’s what I did. Sir.”

“Call me Lincoln. And you’re ...”

“I—”

“Your first name?”

“Amelia.”

“Amelia. After the aviatrix?”

“Nosir. A family name.”

“Amelia, I don’t want an apology. You were right and Vince Peretti was wrong.”

Sellitto stirred at this indiscretion but Lincoln Rhyme didn’t care. He was, after all, one of the few people in the world who could stay flat on his ass when the president of the United States himself walked into the room. He continued, “Peretti worked the scene like the mayor was looking over his shoulder and that’s the A-number-one way to screw it up. He had too many people, he was dead wrong to let the trains and traffic move and he should never have released the scene as early as he did. If we’d kept the tracks secure, who knows, we might’ve just found a credit card receipt with a name on it. Or a big beautiful thumbprint.”

“That may be,” Sellitto said delicately. “But let’s just keep it to ourselves.” Giving silent orders, his eyes swiveling toward Sachs and Cooper and young Jerry Banks.

Rhyme snorted an irreverent laugh. Then turned back to Sachs, whom he caught, like Banks that morning, staring at his legs and body under the apricot-colored blanket. He said to her, “I asked you here to work the next crime scene for us.”

“What?” No speaking through interpreters this time.

“Work for us,” he said shortly. “The next crime scene.”

“But”—she laughed—“I’m not IRD. I’m Patrol. I’ve never done CS work.”

“This is an unusual case. As Detective Sellitto himself’ll tell you. It’s real weird. Right, Lon? True, if it was a classic scene, I wouldn’t want you. But we need a fresh pair of eyes on this one.”

She glanced at Sellitto, who said nothing. “I just ... I’d be no good at it. I’m sure.”

“All right,” Rhyme said patiently. “The truth?”

She nodded.

“I need somebody who’s got the balls to stop a train in its tracks to protect a scene and to put up with the heat afterwards.”

“Thank you for the opportunity, sir. Lincoln. But—”

Rhyme said shortly, “Lon.”

“Officer,” the detective grunted to Sachs, “you’re not being given any options here. You’ve been assigned to this case to assist at the crime scene.”

“Sir, I have to protest. I’m transferring out of Patrol. Today. I’ve got a medical transfer. Effective an hour ago.”

“Medical?” Rhyme inquired.

She hesitated, glancing unwilling at his legs again. “I have arthritis.”

“Do you?” Rhyme asked.

“Chronic arthritis.”

“I’m sorry to hear that.”

She continued quickly, “I only took that call this morning because someone was home sick. I didn’t plan on it.”

“Yes, well, I had other plans too,” Lincoln Rhyme said. “Now, let’s look at some evidence.”

SIX

“THE BOLT.”

Remembering the classic crime scene rule: Analyze the most unusual evidence first.

Thom turned the plastic bag over and over in his hands as Rhyme studied the metal rod, half rusted, half not. Dull. Worn.

Date: 2015-12-11; view: 588