A S-C-E-N-E--O-M-I-T-T-E-D 196A
196B INT. CARRIE'S APARTMENT -- DAY -- WINTER 196B
A FLORAL ARRANGEMENT sits on the hall table next to the
answering machine. A card reading: "I'm sorry -- Miranda" is
nearby. The answering machine is recording an incoming call
from Miranda.
MIRANDA (V.O)
It's me. Pick up. Are you there?
Carrie is standing in the bathroom; looking out at the
answering machine, brushing her teeth.
CARRIE (V.O.)
Three days of "I'm sorry" calls and
e-mails and flowers -- and I still
wasn't ready. It was the longest
we'd even gone without speaking.
A.
196C EXT. CARRIE'S APARTMENT -- DAY -- WINTER 196C
Rain. Carrie walks up to her stoop. A CAB idling in front.
The cab window goes down. Miranda is sitting there.
MIRANDA
Carrie.
Carrie looks. Stops.
MIRANDA (CONT'D)
Hi. I need to talk to you.
CARRIE
How long have you been waiting
here?
Miranda looks to the meter, then back to her.
MIRANDA
Seventeen dollars long.
(beat)
Please get in. It just turned to
eighteen.
Carrie looks at her, hesitates, starts over to the cab.
D INT. CAB -- A LITTLE LATER 196D
Rain pours down the windows. Carrie and Miranda sit in
silence. A MIDDLE EASTERN DRIVER sits behind the wheel.
CLOSE ON: THE METER. It reads 22.00.
121.
This is weird not talking.
CARRIE
I'm upset.
MIRANDA
Carrie, I understand -- but it just
happened -- I never meant to hurt
you.
(beat)
You have to forgive me.
Carrie looks over at her.
CARRIE
You know --
122.
MIRANDA
What?
CARRIE
No.
MIRANDA
Please. What were you going to say?
CARRIE
You badger me to forgive you in
three days -- and you won't even
consider forgiving Steve for
something he did six months ago.
MIRANDA
It's not the same thing.
CARRIE
It's forgiveness.
Miranda thinks -- Carrie looks at her.
CARRIE (CONT'D)
And -- I know you're not the reason
my marriage fell apart. I was just
- desperate to have someone else to
blame.
Miranda thinks. The METER clicks.
S-C-E-N-E--O-M-I-T-T-E-D 197
S-C-E-N-E--O-M-I-T-T-E-D 198
S-C-E-N-E--O-M-I-T-T-E-D 199
S-C-E-N-E--O-M-I-T-T-E-D 200
A S-C-E-N-E--O-M-I-T-T-E-D 200A
201 INT. THERAPIST'S OFFICE -- DAY -- WINTER 201
Steve and Miranda are sitting in front of a THERAPIST.
MIRANDA
I don't know if I can trust that it
won't happen again.
A.
THERAPIST
Steve - you're very quiet today.
STEVE
Miranda, I know I made it hard for
you to trust me. But -- You made it
hard for me to trust you.
MIRANDA
Me?!
123.
STEVE
The way you treated me and cut me
out of your life like that? I mean,
yeah -- I broke a vow. But what
about the other vows? Like
promising to love someone for
better or for worse? What about
that?
Miranda looks down at her hands. Steve looks at the
therapist.
STEVE (CONT'D)
How do I know she won't punish me
for the rest of my life?
THERAPIST
You don't. And she doesn't know for
sure that you won't have another
indiscretion.
(beat)
All you can know... is that you
want to move forward and risk that
you love for each other won't allow
that to happen.
Silence.
THERAPIST (CONT'D)
And that's what we'll discover
here.
Steve looks over at Miranda. Miranda looks at Steve.
EXT. CENTRAL PARK -- DAY -- SPRING 202
Forsythia bushes are in bloom. Carrie and Miranda walk. They
carry sandwiches.
MIRANDA
So, we're done with our last
session and we're not allowed to
talk for two weeks while we figure
out if being together again is
something we really want. And then -
- we had to pick a place to meet --
and if we both show up on that day -
- the past no longer exists.
Showing up is the promise we make
to each other that we're willing to
let it all go and move forward.
124.
CARRIE
Can you do that?
MIRANDA
I don't know. I have a lot of
thinking to do.
CARRIE
Thinking -- or feeling?
MIRANDA
What do you mean?
CARRIE
Miranda -- you're a lawyer. You can
argue both sides of any case --
but, why we feel what we feel --
isn't logical. It's emotional.
Sorry, Harvard -- I'm afraid you're
going to have to make this decision
based on your emotions.
MIRANDA
Well, then -- I'm screwed. I don't
know what I feel.
CARRIE
You will. There will come a moment
when you'll know. And if it's: yes -
- all that brilliant logic will go
out the window... with the past.
MIRANDA
And I thought picking the place to
meet was a challenge.
CARRIE
Where is it?
MIRANDA
The Brooklyn Bridge. Halfway
between both our places.
CARRIE
Very logical. And yet poetic.
MIRANDA
Poetic -- if we both show up.
Otherwise -- you're on a bridge --
rejected. Not a good plan.
125.
203 INT. CARRIE'S APARTMENT -- LATER -- SPRING 203
Carrie walks in carrying a Starbucks cardboard caddy with two
coffee. Louise is sitting at her desk, working.
LOUISE
I have two pieces of good news.
CARRIE
And I have two coffees.
LOUISE
I just got a heads-up from your
realtor. The apartment on Fifth
finally sold.
Carrie sips coffee. Nods.
LOUISE (CONT'D)
You have sixty days before the new
owner takes possession and you are
out of there.
CARRIE
What's the other news?
Louise holds up her hand. There is a diamond ring on it.
CARRIE (CONT'D)
Oh my God --
LOUISE
I'm moving back to St. Louis -- we
are getting married in the fall.
Louise beams. Carrie hugs her.
Date: 2015-12-11; view: 647
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