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Somerset Maugham - The Luncheon

The Gardener

By Rudyard Kipling

Every one in the village knew that Helen Turrell did her duty by all her world, and by none more honourably than by her only brother's unfortunate child. The village knew, too, that George Turrell had tried his family severely since early youth, and were not surprised to be told that, after many fresh starts given and thrown away he, an Inspector of Indian Police, had entangled himself with the daughter of a retired non-commissioned officer, and had died of a fall from a horse a few weeks before his child was born.

Mercifully, George's father and mother were both dead, and though Helen, thirtyfive and independent, might well have washed her hands of the whole disgraceful affair, she most nobly took charge, though she was, at the time, under threat of lung trouble which had driven her to the south of France. She arranged for the passage of the child and a nurse from Bombay, met them at Marseilles, nursed the baby through an attack of infantile dysentery due the carelessness of the nurse, whom she had had to dismiss, and at last, thin and worn but triumphant, brought the boy late in the autumn, wholly restored, to her Hampshire home.

All these details were public property, for Helen was as open as the day, and held that scandals are only increased by hushing then up. She admitted that George had always been rather a black sheep, but things might have been much worse if the mother had insisted on her right to keep the boy. Luckily, it seemed that people of that class would do almost anything for money, and, as George had always turned to her in his scrapes, she felt herself justified - her friends agreed with her - in cutting the whole non-commissioned officer connection, and giving the child every advantage. A christening, by the Rector, under the name of Michael, was the first step. So far as she knew herself, she was not, she said, a child-lover, but, for all her faults, she had been very fond of George, and she pointed out that little Michael had his father's mouth to a line; which made something to build upon.

As a matter of fact, it was the Turrell forehead, broad, low, and well-shaped, with the widely spaces eyes beneath it, that Michael had most faithfully reproduced. His mouth was somewhat better cut than the family type. But Helen, who would concede nothing good to his mother's side, vowed he was a Turrell all over, and, there being no one to contradict, the likeness was established.

In a few years Michael took his place, as accepted as Helen had always been - fearless, philosophical, and fairly good-looking. At six, he wished to know why he could not call her 'Mummy', as other boys called their mothers. She explained that she was only his auntie, and that aunties were not quite the same as mummies, but that, if it gave him pleasure, he might call her 'Mummy' at bedtime, for a pet-name between themselves.

Michael kept his secret most loyally, but Helen, as usual, explained the fact to her friends; which when Michael heard, he raged.



"Why did you tell? Why did you tell?" came at the end of the storm.

"Because it's always best to tell the truth", Helen answered, her arm round him as he shook in his cot.

"All right, but when the troof's ugly I don't think it's nice."

"Don't you, dear?"

"No, I don't and" - she felt the small body stiffen - "now you've told, I won't call you 'Mummy' any more - not even at bedtimes."

"But isn't that rather unkind?" said Helen softly.

"I don't care! I don't care! You have hurted me in my insides and I'll hurt you back. I'll hurt you as long as I live!"

"Don't, oh, don't talk like that, dear! You don't know what - "

"I will! And when I'm dead I'll hurt you worse!"

"Thank goodness, I shall be dead long before you, darling."

"Huh! Emma says, 'Never know your luck'." (Michael had been talking to Helen's elderly, flat-faces maid.) "Lots of little boys die quite soon. So'll I. Then you'll see!"

Helen caught her breath and moved towards the door, but the wail of 'Mummy! Mummy!' drew her back again, and the two wept together.

At ten years old, after two terms at a prep. school, something or somebody gave him the idea that his civil status was not quite regular. He attacked Helen on the subject, breaking down her stammered defences with the family directness.

"Don't believe a word of it", he said, cheerily, at the end. "People wouldn't have talked like they did if my people had been married. But don't you bother, Auntie. I've found out all about my sort in English Hist'ry and the Shakespeare bits. There was William the Conqueror to begin with, and - oh, heaps more, and they all got on first-rate. 'Twon'tmake any difference to you, by being that - will it?"

"As if anything could - " she began.

"All right. We won't talk about it any more if it makes you cry". He never mentioned the thing again of his own will, but when, two years later, he skilfully managed to have measles in the holidays, as his temperature went up tot the appointed one hundred and four he muttered of nothing else, till Helen's voice, piercing at last his delirium, reached him with assurance that nothing on earth or beyond could make any difference between them.

The terms at his public school and the wonderful Christmas, Easter, and Summer holidays followed each other, variegated and glorious as jewels on a string; and as jewels Helen treasured them. In due time Michael developed his own interests, which ran their courses and gave way to others; but his interest in Helen was constant and increasing throughout. She repaid it with all that she had of affection or could command of counsel and money; and since Michael was no fool, the War took him just before what was like to have been a most promising career.

He was to have gone up to Oxford, with a scholarship, in October. At the end of August he was on the edge of joining the first holocaust of public-school boys who threw themselves into the Line; but the captain of his O.T.C., where he had been sergeant for nearly a year, headed him off and steered him directly to a commission in a battalion so new that half of it still wore the old Army red, and the other half was breeding meningitis through living overcrowdedly in damp tents. Helen had been shocked at the idea of direct enlistment.

"But it's in the family", Michael laughed.

"You don't mean to tell me that you believed that story all this time?" said Helen. (Emma, her maid, had been dead now several years.) "I gave you my word of honour - and I give it again - that - that it's all right. It is indeed."

"Oh, that doesn't worry me. It never did", he replied valiantly. "What I meant was, I should have got into the show earlier if I'd enlisted - like my grandfather."

"Don't talk like that! Are you afraid of its ending so soon, then?"

"No such luck. You know what K. says."

"Yes. But my banker told me last Monday it couldn't possibly last beyond Christmas - for financial reasons."

"I hope he's right, but our Colonel - and he's a Regular - say it's going to be a long job."

Michael's battalion was fortunate in that, by some chance which meant several 'leaves', it was used for coast-defence among shallow trenches on the Norfolk coast; thence sent north to watch the mouth of a Scotch estuary, and, lastly, held for weeks on a baseless rumour of distant service. But, the very day that Michael was to have met Helen for four whole hours at a railway-junction up the line, it was hurled out, to help make good the wastage of Loos, and he had only just time to send her a wire of farewell.

In France luck again helped the battalion. It was put down near the Salient, where it led a meritorious and unexacting life, while the Somme was being manufactured; and enjoyed the peace of the Armentières and Laventie sectors when that battle began. Finding that it had sound views on protecting its own flanks and could dig, a prudent Commander stole it out of its own Division, under pretence of helping to lay telegraphs, and used it round Ypres at large.

A month later, and just after Michael had written Helen that there was noting special doing and therefore no need to worry, a shell-splinter dropping out of a wet dawn killed him at once. The next shell uprooted and laid down over the body what had been the foundation of a barn wall, so neatly that none but an expert would have guessed that anything unpleasant had happened.

By this time the village was old in experience of war, and, English fashion, had evolved a ritual to meet it. When the postmistress handed her seven-year-old daughter the official telegram to take to Miss Turrell, she observed to the Rector's gardener: "It's Miss Helen's turn now". He replied, thinking of his own son: "Well, he's lasted longer than some". The child herself came to the front-door weeping aloud, because Master Michael had often given her sweets. Helen, presently, found herself pulling down the house-blinds one after one with great care, and saying earnestly to each: "Missing always means dead." Then she took her place in the dreary procession that was impelled to go through an inevitable series of unprofitable emotions. The Rector, of course, preached hope end prophesied word, very soon, from a prison camp. Several friends, too, told her perfectly truthful tales, but always about other women, to whom, after months and months of silence, their missing had been miraculously restored. Other people urged her to communicate with infallible Secretaries of organizations who could communicate with benevolent neutrals, who could extract accurate information from the most secretive of Hun commandants. Helen did and wrote and signed everything that was suggested or put before her.

Once, on one of Michael's leaves, he had taken her over a munition factory, where she saw the progress of a shell from blank-iron to the all but finished article. It struck her at the time that the wretched thing was never left alone for a single second; and "I'm being manufactured into a bereaved next of kin", she told herself, as she prepared her documents.

In due course, when all the organizations had deeply or sincerely regretted their inability to trace, etc, something gave way within her and all sensations - save of thankfulness for the release - came to an end in blessed passivity. Michael had died and her world had stood still and she had been one with the full shock of that arrest. Now she was standing still and the world was going forward, but it did not concern her - in no way or relation did it touch her. She knew this by the ease with which she could slip Michael's name into talk and incline her head to the proper angle, at the proper murmur of sympathy.

In the blessed realization of that relief, the Armistice with all its bells broke over her and passed unheeded. At the end of another year she had overcome her physical loathing of the living and returned young, so that she could take them by the hand and almost sincerely wish them well. She had no interest in any aftermath, national or personal, of the war, but, moving at an immense distance, she sat on various relief committees and held strong views - she heard herself delivering them - about the site of the proposed village War Memorial.

Then there came to her, as next of kin, an official intimation, backed by a page of a letter to her in indelible pencil, a silver identity-disc and a watch, to the effect that the body of Lieutenant Michael Turrell had been found, identified, and re-interred in Hagenzeele Third Military Cemetery - the letter of the row and the grave's number in that row duly given.

So Helen found herself moved on to another process of the manufacture - to a world full of exultant or broken relatives, now strong in the certainty that there was an altar upon earth where they might lay their love. These soon told her, and by means of time-tables made clear, how easy it was and how little it interfered with life's affairs to go and see one's grave.

"So different", as the Rector's wife said, "if he'd been killed in Mesopotamia, or even Gallipoli."

The agony of being waked up to some sort of second life drove Helen across the Channel, where, in a new world of abbreviated titles, she learnt that Hagenzeele Third could be comfortably reached by an afternoon train which fitted in with the morning boat, and that there was a comfortable little hotel not three kilometres from Hagenzeele itself, where one could spend quite a comfortable night and see one's grave next morning. All this she had from a Central Authority who lived in a board and tar-paper shed on the skirts of a razed city of whirling lime-dust and blown papers.

"By the way", said he, "you know your grave, of course?"

"Yes, thank you", said Helen, and showed its row and number typed on Michael's own little typewriter. The officer would have checked it, out of one of his many books; but a large Lancashire woman thrust between them and bade him tell her where she might find her son, who had been corporal in the A.S.C. His proper name, she sobbed, was Anderson, but, coming of respectable folk, he had of course enlisted under the name of Smith; and had been killed at Dickiebush, in early 'Fifteen. She had not his number nor did she know which of his two Christian names she might have used with his alias; but her Cook's tourist ticket expired at the end of Easter week, and if by then she could not find her child she should go mad. Whereupon she fell forward on Helen's breast; but the officer's wife came out quickly from a little bedroom behind the office, and the three of them lifted the woman on to the cot.

"They are often like this", said the officer's wife, loosening the tight bonnet-strings. "Yesterday she said he'd been killed at Hooge. Are you sure you know your grave? It makes such a difference."

"Yes, thank you", said Helen, and hurried out before the woman on the bed should begin to lament again.

Tea in a crowded mauve and blue striped wooden structure, with a false front, carried her still further into the nightmare. She paid her bill beside a stolid, plain-featured Englishwoman, who, hearing her inquire about the train to Hagenzeele, volunteered to come with her.

"I'm going to Hagenzeele myself", she explained. "Not to Hagenzeele Third; mine is Sugar Factory, but they call it La Rosière now. It's just south of Hagenzeele Three. Have you got your room at the hotel there?"

"Oh yes, thank you, I've wired."

"That's better. Sometimes the place is quite full, and at others there's hardly a soul. But they've put bathrooms into the old Lion d'Or - that's the hotel on the west side of Sugar Factory - and it draws off a lot of people, luckily."

"It's all new to me. This is the first time I've been over."

"Indeed! This is my ninth time since the Armistice. Not on my own account. I haven't lost anyone, thank God - but, like everyone else, I've lot of friends at home who have. Coming over as often as I do, I find it helps them to have someone just look at the - place and tell them about it afterwards. And one can take photos for them, too. I get quite a list of commissions to execute." She laughed nervously and tapped her slung Kodak. "There are two or three to see at Sugar Factory this time, and plenty of others in the cemeteries all about. My system is to save them up, and arrange them, you know. And when I've got enough commissions for one area to make it worth while, I pop over and execute them. It does comfort people."

"I suppose so", Helen answered, shivering as they entered the little train.

"Of course it does. (Isn't lucky we've got windows-seats?) It must do or they wouldn't ask one to do it, would they? I've a list of quite twelve or fifteen commissions here" - she tapped the Kodak again - "I must sort them out tonight. Oh, I forgot to ask you. What's yours?"

"My nephew", said Helen. "But I was very fond of him".

"Ah, yes! I sometimes wonder whether they know after death? What do you think?"

"Oh, I don't - I haven't dared to think much about that sort of thing", said Helen, almost lifting her hands to keep her off.

"Perhaps that's better", the woman answered. "The sense of loss must be enough, I expect. Well I won't worry you any more."

Helen was grateful, but when they reached the hotel MrsScarsworth (they had exchanged names) insisted on dining at the same table with her, and after the meal, in the little, hideous salon full of low-voiced relatives, took Helen through her 'commissions' with biographies of the dead, where she happened to know them, and sketches of their next of kin. Helen endured till nearly half-past nine, ere she fled to her room.

Almost at one there was a knock at her door and MrsScarsworth entered; her hands, holding the dreadful list, clasped before her.

"Yes - yes - I know", she began. "You're sick of me, but I want to tell you something. You - you aren't married, are you? Then perhaps you won't... But it doesn't matter. I've got to tell someone. I can't go on any longer like this."

"But please -" MrsScarsworth had backed against the shut door, and her mouth worked dryly.

"In a minute", she said. "You - you know about these graves of mine I was telling you about downstairs, just now? They really are commissions. At least several of them are." Here eye wandered round the room. "What extraordinary wall-papers they have in Belgium, don't you think? ... Yes. I swear they are commissions. But there's one, d'you see, and - and he was more to me than anything else in the world. Do you understand?"

Helen nodded.

"More than anyone else. And, of course, he oughtn't to have been. He ought to have been nothing to me. But he was. He is. That's why I do the commissions, you see. That's all."

"But why do you tell me?" Helen asked desperately.

"Because I'm so tired of lying.Tired of lying - always lying - year in and year out. When I don't tell lies I've got to act 'em and I've got to think 'em, always. You don't know what that means. He was everything to me that he oughtn't to have been - the real thing - the only thing that ever happened to me in all my life; and I've had to pretend he wasn't. I've had to watch every word I said, and think out what lie I'd tell next, for years and years!"

"How many years?" Helen asked.

"Six years and four months before, and two and three-quarters after. I've gone to him eight times, since. Tomorrow I'll make the ninth, and - and I can't - I can't go to him again with nobody in the world knowing. I want to be honest with someone before I go. Do you understand? It doesn't matter about me. I was never truthful, even as a girl. But it isn't worthy of him. So - so I - I had to tell you. I can't keep it up any longer. Oh, I can't!"

Next morning MrsScarsworth left early on her round of commissions, and Helen walked alone to Hagenzeele Third. The place was still in the making, and stood some five or six feet above the metalled road, which it flanked for hundreds of yards. Culverts across a deep ditch served for entrances through the unfinished boundary wall. She climbed a few woodenfaced earthen steps and then met the entire crowded level of the thing in one held breath. She did not know that Hagenzeele Third counted twenty-one thousand dead already. All she saw was a merciless sea of black crosses, bearing little strips of stamped tin at all angles across their faces. She could distinguish no order or arrangement in their mass; nothing but a waist-high wilderness as of weeds stricken dead, rushing at her. She went forward, moved to the left and the right hopelessly, wondering by what guidance she should ever come to her own. A great distance away there was a line of whiteness. It proved to be a block of some two or three hundred graves whose headstones had already been set, whose flowers were planted out, and whose new-sown grass showed green. Here she could see clear-cut letters at the ends of the rows, and, referring to her slip, realized that it was not here she must look.

A man knelt behind a line of headstones - evidently a gardener, for he was firming a young plant in the soft earth. She went towards him, her paper in her hand. He rose at her approach and without prelude or salutation asked: "Who are you looking for?"

"Lieutenant Michael Turrell - my nephew", said Helen slowly and word for word, as she had many thousands of times in her life.

The man lifted his eyes and looked at her with infinite compassion before he turned from the fresh-sown grass toward the naked black crosses.

"Come with me", he said, "and I will show you where your son lies."

When Helen left the Cemetery she turned for a last look. In the distance she saw the man bending over his young plants; and she went away, supposing him to be the gardener.

 

 

A Catastrophe

 

H.G. Wells

 

THE LITTLE SHOP was not paying. The realisation came insensibly. Winslow was not the man for definite addition and subtraction and sudden discovery. He became aware of the truth in his mind gradually, as though it had always been there. A lot of facts had converged and led him there. There was that line of cretonnes—four half-pieces—untouched, save for half a yard sold to cover a stool. There were those shirtings at 4¾d.—Bandersnatch, in the Broadway, was selling them at 2¾d.—under cost, in fact. (Surely Bandersnatch might let a man live!) Those servants’ caps, a selling line, needed replenishing, and that brought back the memory of Winslow’s sole wholesale dealers, Helter, Skelter, & Grab. Why! How about their account?

Winslow stood with a big green box on the counter before him when he thought of it. His pale grey eyes grew a little rounder; his pale, straggling moustache twitched. He had been drifting along, day after day. He went round to the ramshackle cash-desk in the corner—it was Winslow’s weakness to sell his goods over the counter, give his customers a duplicate bill, and then dodge into the desk to receive the money, as though he doubted his own honesty. His lank forefinger, with the prominent joints, ran down the bright little calendar (“Clack’s Cottons last for All Time”). “One—two—three; three weeks an’ a day!” said Winslow, staring. “March!Only three weeks and a day. It can’t be.”

“Tea dear,” said Mrs. Winslow, opening the door with the glass window and the white blind that communicated with the parlour.

“One minute,” said Winslow, and began unlocking the desk.

An irritable old gentleman, very hot and red about the face, and in a heavy fur-lined coat, came in noisily. Mrs. Winslow vanished.

“Ugh!” said the old gentleman. “Pocket-handkerchief.”

“Yes, sir,” said Winslow. “About what price—”

“Ugh!” said the old gentleman. “Poggit-handkerchief, quig!”

Winslow began to feel flustered. He produced two boxes.

“These sir—” began Winslow.

“Sheed tin!” said the old gentleman, clutching the stiffness of the linen. “Wad to blow my nose—not haggit about.”

“A cotton one, p’raps, sir?” said Winslow.

“How much?” said the old gentleman over the handkerchief.

“Sevenpence, sir. There’s nothing more I can show you? No ties, braces—?”

“Damn!” said the old gentleman, fumbling in his ticket-pocket, and finally producing half a crown. Winslow looked round for his metallic duplicate-book which he kept in various fixtures, according to circumstances, and then he caught the old gentleman’s eye. He went straight to the desk at once and got the change, with an entire disregard of routine of the shop.

Winslow was always more or less excited by a customer. But the open desk reminded him of his trouble. It did not come back to him all at once. He heard a finger-nail softly tapping on the glass, and looking up saw Minnie’s eyes over the blind. It seemed like retreat opening. He shut and locked the desk, and went into the back room to tea.

But he was preoccupied. Three weeks and a day! He took unusually large bites of his bread and butter, and stared hard at the little pot of jam. He answered Minnie’s conversational advances distractedly. The shadow of Helter, Skelter, & Grab lay upon the tea-table. He was struggling with this new idea of failure, the tangible realisation that was taking shape and substance, condensing, as it were, out of the misty uneasiness of many days. At present it was simply one concrete fact; there were thirty-nine pounds left in the bank, and that day three weeks Messrs. Helter, Skelter, & Grab, those enterprising outfitters of young men, would demand their eighty pounds.

After tea there was a customer or so—small purchases: some muslin and buckram, dress-protectors, tape, and a pair of Lisle hose. Then, knowing that Black Care was lurking in the dusky corners of the shop, he lit the three lamps early and set to, refolding his cotton prints, the most vigorous and least meditative proceeding of which he could think. He could see Minnie’s shadow in the other room as she moved about the table. She was busy turning an old dress. He had a walk after supper, looked in at the Y.M.C.A., but found no one to talk to, and finally went to bed. Minnie was already there. And there too, waiting for him, nudging him gently, until about midnight he was hopelessly awake, sat Black Care.

He had, had one or two nights lately in that company, but this was much worse. First came Messrs. Helter, Skelter, & Grab, and their demand for eighty pounds—an enormous sum when your original capital was only a hundred and seventy. They camped, as it were, before him, sat down and beleaguered him. He clutched feebly at the circumambient darkness for expedients. Suppose he had a sale, sold things for almost anything? He tried to imagine a sale miraculously successful in some unexpected manner, and mildly profitable, in spite of reductions below cost. Then Bandersnatch Limited, 101, 102, 103, 105, 106, 107 Broadway, joined the siege, a long caterpillar of frontage, a battery of shop fronts, wherein things were sold at a farthing above cost. How could he fight such an establishment? Besides, what had he to sell? He began to review his resources. What taking line was there to bait the sale? Then straightway came those pieces of cretonne, yellow and black, with a bluish-green flower; those discredited skirtings, prints without buoyancy, skirmishing haberdashery, some despairful four-button gloves by an inferior maker—a hopeless crew. And that was his force against Bandersnatch, Helter, Skelter, & Grab, and the pitiless world behind them. Whatever had made him think a mortal would buy such things? Why had he bought this and neglected that? He suddenly realised the intensity of his hatred for Helter, Skelter, & Grab’s salesman. Then he drove towards an agony of self-reproach. He had spent too much on that cash-desk. What real need was there of a desk? He saw his vanity of that desk in a lurid glow of self-discovery. And the lamps? Five pounds! Then suddenly, with what was almost physical pain, he remembered the rent.

He groaned and turned over. And there, dim in the darkness, was the hummock of Mrs. Winslow’s shoulder. That set him off in another direction. He became acutely sensible of Minnie’s want of feeling. Here he was, worried to death about business, and she sleeping like a little child. He regretted having married, with that infinite bitterness that only comes to the human heart in the small hours of the morning. That hummock of white seemed absolutely without helpfulness, a burden, a responsibility. What fools men were to marry! Minnie’s inert repose irritated his so much that he was almost provoked to wake her up and tell her that they were “Ruined.” She would have to go back to her uncle; her uncle had always been against him: and as for his own future, Winslow was exceedingly uncertain. A shop assistant who has once set up for himself finds the utmost difficulty in getting into a situation again. He began to figure himself “crib-hunting” once more, going from this wholesale house to that, writing innumerable letters. How he hated writing letters! “Sir—, Referring to your advertisement in the Christian World.” He beheld an infinite vista of discomfort and disappointment, ending—in a gulf.

He dressed, yawning, and went down to open the shop. He felt tired before the day began. As he carried the shutters in, he kept asking himself what good he was doing. The end was inevitable, whether he bothered or not. The clear daylight smote into the place, and showed how old and rough and splintered was the floor, how shabby the second-hand counter, how hopeless the whole enterprise. He had been dreaming these past six months of a bright shop, of a happy couple, of a modest but comely profit flowing in. He had suddenly awakened from his dream. The braid that bound his decent black coat-it was a trifle loose-caught against the catch of the shop door, and was torn away. This suddenly turned his wretchedness to wrath. He stood quivering for a moment, then with a spiteful clutch, tore the braid looser, and went in to Minnie.

“Here,” he said, with infinite reproach; “look here! You might look after a chap a bit.”

“I didn’t see it torn,” said Minnie.

“You never do,” said Winslow, with gross injustice, “until things are too late.”

Minnie looked suddenly at his face. “I’ll sew it now, Sid, if you like.”

“Let’s have breakfast first,” said Winslow, “and do things at their proper time.”

He was preoccupied at breakfast, and Minnie watched him anxiously. His only remark was to declare his egg a bad one. It wasn’t; it was flavoury—, being one of those at fifteen a shilling—, but quite nice. He pushed it away from him, and then, having eaten a slice of bread and butter, admitted himself in the wrong by resuming the egg.

“Sid,” said Minnie, as he stood up to go into the shop again, “you’re not well.”

“I’m well enough.” He looked at her as though he hated her.

“Then there’s something else the matter. You aren’t angry with me, Sid, are you, about that braid? Do tell me what’s the matter. You were just like this at tea yesterday, and at supper-time. It wasn’t the braid then.”

“And I’m likely to be.”

She looked interrogation. “Oh, what is the matter?” she said.

It was too good a chance to miss, and he brought the evil news out with dramatic force. “Matter?” he said. “I done my best, and here we are. That’s the matter! If I can’t pay Helter, Skelter, & Grab eighty pounds, this day three weeks—” Pause. “We shall be sold up! Sold up! That’s the matter, Min! SOLD UP!”

“Oh, Sid!” began Minnie.

He slammed the door. For the moment he felt relieved of at least half his misery. He began dusting boxes that did not require dusting, and then reblockeda cretonne already faultlessly blocked. He was in a state of grim wretchedness; a martyr under the harrow of fate. At anyrate, it should not be said he failed for want of industry. And how he had planned and contrived and worked! All to this end! He felt horrible doubts. Providence and Bandersnatch—surely they were incompatible! Perhaps he was being “tried”? That sent him off upon a new tack, a very comforting one. The martyr pose, the gold-in-the-furnace attitude, lasted all the morning.

At dinner—“potato pie—” he looked up suddenly, and saw Minnie’s face regarding him. Pale she looked, and a little red about the eyes. Something caught him suddenly with a queer effect upon his throat. All his thoughts seemed to wheel round into quite a new direction.

He pushed back his plate and stared at her blankly. Then he got up, went round the table to her—she staring at him. He dropped on his knees beside her without a word. “Oh, Minnie!” he said, and suddenly she knew it was peace, and put her arms about him, as he began to sob and weep.

He cried like a little boy, slobbering on her shoulder that he was a knave to have married her and brought her to this, that he hadn’t the wits to be trusted with a penny, that it was all his fault; that he “had hoped so—” ending in a howl. And she, crying gently herself, patting his shoulders, said “Ssh!” softly to his noisy weeping, and so soothed the outbreak. Then suddenly the crazy bell upon the shop door began, and Winslow had to jump to his feet, and be a man again.

After that scene they “talked it over” at tea, at supper, in bed, at every possible interval in between, solemnly—quite inconclusively—with set faces and eyes for the most part staring in front of them—and yet with a certain mutual comfort. “What to do I don’t know,” was Winslow’s main proposition. Minnie tried to take a cheerful view of service—with a probable baby. But she found she needed all her courage. And her uncle would help her again, perhaps just at the critical time. It didn’t do for folks to be too proud. Besides, “something might happen,” a favourite formula with her.

One hopeful line was to anticipate a sudden afflux of customers. “Perhaps,” said Minnie, “you might get together fifty. They know you well enough to trust you a bit.” They debated that point. Once the possibility of Helter, Skelter, & Grab giving credit was admitted, it was pleasant to begin sweating the acceptable minimum. For some half-hour over tea the second day after Winslow’s discoveries they were quite cheerful again, laughing even at their terrific fears. Even twenty pounds to go on with might be considered enough. Then in some mysterious way the pleasant prospect of Messrs. Helter, Skelter, & Grab tempering the wind to the shorn retailer vanished—vanished absolutely, and Winslow found himself again in the pit of despair.

He began looking about at the furniture, and wondering idly what it would fetch. The chiffonier was good, anyhow, and there were Minnie’s old plates that her mother used to have. Then he began to think of desperate expedients for putting off the evil day. He had heard somewhere of Bills of Sale—there was to his ears something comfortingly substantial in the phrase. Then, why not “Go to the Money-Lenders”?

One cheering thing happened on Thursday afternoon a little girl came in with a pattern of “print,” and he was able to match it. He had not been able to match anything out of his meagrestock before. He went in and told Minnie. The incident is mentioned lest the reader should imagine it was uniform despair with him.

The next morning, and the next, after the discovery, Winslow opened shop late. When one has been awake most of the night, and has no hope, what is the good of getting up punctually? But as he went into the dark shop on Friday he saw something lying on the floor, something lit by the bright light that came under the ill-fitting door—a black oblong. He stooped and picked up an envelope with a deep mourning edge. It was addressed to his wife. Clearly a death in her family—perhaps her uncle. He knew the man too well to have expectations. And they would have to get mourning and go to the funeral. The brutal cruelty of people dying! He saw it all in a flash—he always visualised his thoughts. Black trousers to get, black crape, black gloves—none in stock—the railway fares, the shop closed for the day.

“I’m afraid there’s bad news, Minnie,” he said.

She was kneeling before the fireplace, blowing the fire. She had her housemaid’s gloves on and the old country sun-bonnet she wore of a morning, to keep the dust out of her hair. She turned, saw the envelope, gave a gasp, and pressed two bloodless lips together.

“I’m afraid it’s uncle,” she said, holding the letter and staring with eyes wide open into Winslow’s face. “It’s a strange hand!

“The postmark’s Hull,” said Winslow.

“The postmark’s Hull.”

Minnie opened the letter slowly, drew it out, hesitated, turned it over, saw the signature. “It’s Mr. Speight!”

“What does he say?” said Winslow.

Minnie began to read. “Oh!” she screamed. She dropped the letter, collapsed into a crouching heap, her hands covering her eyes. Winslow snatched at it. “A most terrible accident has occurred,” he read; “Melchior’s chimney fell down yesterday evening right on the top of your uncle’s house, and every living soul was killed—your uncle, your cousin Mary, Will and Ned, and the girl—every one of them, and smashed—you would hardly know them. I’m writing to you to break the news before you see it in the papers—” The letter fluttered from Winslow’s fingers. He put out his hand against the mantel to steady himself.

All of them dead! Then he saw, as in a vision, a row of seven cottages, each let at seven shillings a week, a timber yard, two villas, and the ruins—still marketable—of the avuncular residence. He tried to feel a sense of loss and could not. They were sure to have been left to Minnie’s aunt. All dead! 7 x 7 x 52 ÷ 20 began insensibly to work itself out in his mind, but discipline was ever weak in his mental arithmetic; figures kept moving from one line to another, like children playing at Widdy, Widdy Way. Was it two hundred pounds about—or one hundred pounds? Presently he picked up the letter again, and finished reading it. “You being the next of kin,” said Mr. Speight.

“How awful!” said Minnie in horror-struck whisper, and looking up at last. Winslow stared back at her, shaking his head solemnly. There were a thousand things running through his mind, but none that, even to his dull sense, seemed appropriate as a remark. “It was the Lord’s will,” he said at last.

“It seems so very, very terrible,” said Minnie; “auntie, dear auntie—Ted—poor, dear uncle—”

“It was the Lord’s will, Minnie,” said Winslow, with infinite feeling. A long silence.

“Yes,” said Minnie, very slowly, staring thoughtfully at the crackling black paper in the grate. The fire had gone out. “Yes, perhaps it was the Lord’s will.”

They looked gravely at one another. Each would have been terribly shocked at any mention of the property by the other. She turned to the dark fireplace and began tearing up an old newspaper slowly. Whatever our losses may be, the world’s work still waits for us. Winslow gave a deep sigh and walked in a hushed manner towards the front door. As he opened it, a flood of sunlight came streaming into the dark shadows of the closed shop. Bandersnatch, Helter, Skelter, & Grab, had vanished out of his mind like the mists before the rising sun.

Presently he was carrying in the shutters, and in the briskest way, the fire in the kitchen was crackling exhilaratingly, with a little saucepan walloping above it, for Minnie was boiling two eggs—, one for herself this morning, as well as one for him—, and Minnie herself was audible, laying breakfast with the great éclat. The blow was a sudden and terrible one—but it behoves us to face such things bravely in this sad, unaccountable world. It was quite midday before either of them mentioned the cottages.

 

Aldous Huxley

Hubert and Minnie


For Hubert Lapell this first love-affair was extremely important. "Important" was the word he had used himself when he was writing about it in his diary. It was an event in his life, a real event for a change. It marked, he felt, a genuine turning-point in his spiritual development.

"Voltaire," he wrote in his diary - and he wrote it a second time in one of his letters to Minnie - "Voltaire said that one died twice: once with the death of the whole body and once before, with the death of one's capacity to love. And in the same way one is born twice, the second time being on the occasion when one first falls in love. One is born, then, into a new world - a world of intenser feelings, heightened values, more penetrating insights." And so on.

In point of actual fact Hubert found this new world a little disappointing. The intenser feelings proved to be rather mild not by any means up to literary standards.

"I tell thee I am mad
In Cressid's love. Thou answer'st; she is fair,
Pour'st in the open ulcer of my heart
Her eyes, her hair, her cheek, her gait, her voice...."

No, it certainly wasn't quite that. In his diary, in his letters to Minnie, he painted, it is true, a series of brilliant and romantic landscapes of the new world. But they were composite imaginary landscapes in the manner of Salvator Rosa - richer, wilder, more picturesquely clear-obscure than the real thing. Hubert would seize with avidity on the least velleity of an unhappiness, a physical desire, a spiritual yearning, to work it up in his letters and journals into something substantially romantic. There were times, generally very late at night, when he succeeded in persuading himself that he was indeed the wildest, unhappiest, most passionate of lovers. But in the daytime he went about his business nourishing something like a grievance against love. The thing was a bit of a fraud; yes, really, he decided, rather a fraud. All the same, he supposed it was important.

For Minnie, however, love was no fraud at all. Almost from the first moment she had adored him. A common friend had brought him to one of her Wednesday evenings. "This is Mr. Lapell; but he's too young to he called anything but Hubert." That was how he had been introduced. And, laughing, she had taken his hand and called him Hubert at once. He too had laughed, rather nervously. "My name's Minnie," she said. But he had been too shy to call her anything at all that evening. His brown hair was tufty and untidy, like little boy's, and he had shy grey eyes that never looked at you for more than a glimpse at a time, but turned away almost at once, as though they were afraid. Quickly he glanced at you, eagerly - then away again; and his musical voice, with its sudden emphases, its quick modulations from high to low, seemed always to address itself to a ghost floating low down and a little to one side of the person to whom he was talking. Above the brows was a forehead beautifully domed, with a pensive wrinkle running up from between the eyes. In repose his full-lipped mouth pouted a little, as though he were expressing some chronic discontent with the world. And, of course, thought Minnie, the world wasn't beautiful enough for his idealism.

"But after all," he had said earnestly that first evening, "one has the world of thought to live in. That, at any rate, is simple and clear and beautiful. One can always live apart from the brutal scramble." And from the depths of the arm-chair in which, fragile, tired, and in these rather "artistic" surroundings almost incongruously elegant, she was sitting. Helen Glamber laughed her clear little laugh. "I think, on the contrary," she said (Minnie remembered every incident of that first evening), "I think one ought to rush about and know thousands of people, and eat and drink enormously, and make love incessantly, and shout and laugh and knock people over the head." And having vented these Rabelaisian sentiments, Mrs. Glamber dropped back with a sigh of fatigue, covering her eyes with a thin white hand; for she had a splitting headache, and the light hurt her.

"Really!" Minnie protested, laughing. She would have felt rather shocked if any one else had said that; but Helen Glamber was allowed to say anything.

Hubert reaffirmed his quietism. Elegant, weary, infinitely fragile, Mrs. Glamber lay back in her arm-chair, listening. Or perhaps, under her covering hand, she was trying to go to sleep.

She had adored him at first sight. Now that she looked back she could see that it had been at first sight. Adored him protectively, maternally - for he was only twenty and very young, in spite of the wrinkle between his brows, and the long words, and the undergraduate's newly discovered knowledge; only twenty, and she was nearly twenty-nine. And she had fallen in love with his beauty, top. Ah, passionately. Hubert, perceiving it later, was surprised and exceedingly flattered. This had never happened to him before. He enjoyed being worshipped, and since Minnie had fallen so violently in love with him, it seemed the most natural thing in the world for him to be in love with Minnie. True, if she had not started by adoring him, it would never have occurred to Hubert to fall in love with her. At their first meeting he had found her certainly very nice, but not particularly exciting.

Afterwards, the manifest expression of her adoration had made him find her more interesting, and in the end he had fallen in love himself. But perhaps it was not to be wondered at if he found the process a little disappointing.

But still, he reflected on those secret occasions when he had to admit to himself that something was wrong with this passion, love without possession could never, surely, in the nature of things, be quite the genuine article. In his diary he recorded aptly those two quatrains of John Donne:

"So must pure lovers' souls descend
To affections and to faculties,
Which sense may reach and apprehend,
Else a great prince in prison lies.

To our bodies turn we thein, that so
Weak men on love revealed may look;
Love's mysterious in souls grow,
But yet the body is his book."

At their next meeting he recited them to Minnie. The conversation which followed, compounded as it was of philosophy and personal confidences, was exquisite. It really, Hubert felt, came up to literary standards.

The next morning Minnie rang up her friend Helen Glamber and asked if she might come to tea that afternoon. She had several things to talk to her about. Mrs. Glamber sighed as she hung up the receiver. "Minnie's coming to tea," she called, turning towards the open door. From across the passage her husband's voice came back to her. "Good Lord!" it said in a tone of far-away horror, of absent-minded resignation; for John Glamber was deep in his work and there was only a little of him left, so to speak, above the surface to react to the bad news.

Helen Glamber sighed again, and propping herself more comfortably against her pillows she reached for her book. She knew that far-away voice and what it meant. It meant that he wouldn't answer if she went on with the conversation; only say "h'm" or "m'yes." And if she persisted after that, it meant that he'd say, plaintively, heart-breakingly, "Darling, you must let me get on with my work." And at that moment she would so much have liked to talk a little. Instead, she went on reading at the point where she had broken off to answer Minnie's telephone call.

"By this time the flames had enveloped the gynaeceum. Nineteen times did the heroic Patriarch of Alexandria venture into the blazing fabric, from which he succeeded in rescuing all but two of its lovely occupants, twenty-seven in number, all of whom he caused to be transported at once to his own private apartments...."

It was one of those instructive books John liked her to read. History, mystery, lesson, and law. But at the moment she didn't feel much like history. She felt like talking. And that was out of the question; absolutely out of it.

She put down her book and began to file her nails and think of poor Minnie. Yes, poor Minnie. Why was it that one couldn't help saying Good Lord! heart-feltly, when one heard she was coming to tea? And why did one never have the heart to refuse to let her come to tea? She was pathetic, but pathetic in such a boring way. There are some people you like being kind to, people you want to help and befriend. People that look at you with the eyes of sick monkeys. Your heart breaks when you see them. But poor Minnie had none of the charms of a sick monkey. She was just a great big healthy young woman of twenty-eight who ought to have been married and the mother of children, and who wasn't. She would have made such a good wife, such an admirably solicitous and careful mother. But it just happened that none of the men she knew had ever wanted to marry her. And why should they want to? When she came into a room, the light seemed to grow perceptibly dimmer, the electric tension slackened off. She brought no life with her; she absorbed what there was, she was like so much blotting-paper. No wonder nobody wanted to marry her. And yet, of course, it was the only thing. Particularly as she was always falling in love herself. The only thing.

"John!" Mrs. Glamber suddenly called. "Is it really true about ferrets?"

"Ferrets?" the voice from across the passage repeated. With a remote irritation. "Is what true about ferrets?"

"That the females die if they're not mated."

"How on earth should I know?"

"But you generally know everything."

"But, my darling, really..." The voice was plaintive, full of reproach.

Mrs. Glamber clapped her hand over her mouth and only took it off again to blow a kiss. "All right," she said very quickly. "All right.Really. I'm sorry. I won't do it again. Really." She blew another kiss towards the door.

"But ferrets..." repeated the voice.

Sh - sh, sh - sh."

"Why ferrets?"

"Darling," said Mrs. Glamber almost sternly, "you really must go on with your work."

Minnie came to tea. She put the case - hypothetically at first, as though it were the case of a third person; then, gaining courage, she put it personally. It was her own case. Out of the depths of her untroubled, pagan innocence, Helen Glamber brutally advised her. "If you want to go to bed with the young man," she said, "go to bed with him. The thing has no importance in itself. At least not much. It's only important because it makes possible more secret confidences, because it strengthens affection, makes the man in a way dependent on you. And then, of course, it's the natural thing. I'm all for nature except when it comes to painting one's face. They say that ferrets..." But Minnie noticed that she never finished the sentence. Appalled and fascinated, shocked and yet convinced, she listened.

"My darling,' said Mrs. Glamber that evening when her husband came home - for he hadn't been able to face Minnie; he had gone to the Club for tea - "who was it that invented religion, and sin, and all that? And why?"

John laughed. "It was invented by Adam," he said, "for various little transcendental reasons which you would probably find it difficult to appreciate. But also for the very practical purpose of keeping Eve in order."

"Well, if you call complicating people's lives keeping them in order, then I dare say you're right." Mrs.Glamber shook her head. "I find it all too obscure. At sixteen, yes. But one really ought to have grown out of that sort of thing by twenty. And at thirty - the woman's nearly thirty, you know - well, really..."

In the end, Minnie wrote to Hubert telling him that she had made up her mind. Hubert was staying in Hertfordshire with his friend Watchett. It was a big house, the food was good, one was very comfortable; and old Mr. Watchett, moreover, had a very sound library. In the impenetrable shade of the Wellingtonias Hubert and Ted Watchett played croquet and discussed the best methods of cultivating the Me. You could do a good deal, they decided, with art - books, you know, and pictures and music. "Listen to Stravinsky's Sacre" said Ted Watchett, "and you're for ever excused from going to Tibet or the Gold Coast or any of those awful places. And then there's Dostoievsky instead of murder, and D.H. Lawrence as a substitute for sex."

"All the same," said Hubert, "one must have a certain amount of actual non-imaginative experience." He spoke earnestly, abstractedly; but Minnie's letter was in his pocket. "Gnosceteipsum. You can't really know yourself without coming into collision with events, can you?"

Next day, Ted's cousin, Phoebe, arrived. She had red hair and a milky skin, and was more or less on the musical comedy stage. "One foot on and one foot off," she explained. "The splits." And there and then she did them, the splits, on the drawing-room carpet. "It's quite easy," she said, laughing, and jumped up again with an easy grace that fairly took one's breath away. Ted didn't like her. "Tiresome girl," he said. "So silly, too. Consciously silly, silly on purpose, which makes it worse." And, it was true, she did like boasting about the amount of champagne she could put away without getting buffy, and the number of times she had exceeded the generous allowance and been "blind to the world." She liked talking about her admirers in terms which might make you suppose that they were all her accepted lovers. But then she had the justification of her vitality and her shining red hair.

"Vitality," Hubert wrote in his diary (he contemplated a distant date, after, or preferably before, his death, when these confessions and aphorisms would be published), "vitality can make claims on the world almost as imperiously as can beauty. Sometimes beauty and vitality meet in one person."

It was Hubert who arranged that they should stay at the mill. One of his friends had once been there with a reading party, and found the place comfortable, secluded, and admirably quiet. Quiet, that is to say, with the special quietness peculiar to mills. For the silence there was not the silence of night on a mountain; it was a silence made of continuous thunder. At nine

At nine o'clock every morning the mill-wheel began to turn, and its roaring never stopped, all day. For the first moment the noise was terrifying, was almost unbearable. Then, after a little, one grew accustomed to it. The thunder became, by reason of its very unintermittence, a perfect silence, wonderfully rich and profound.

At the back of the mill was a little garden hemmed in on three sides by the house, the outhouses, and a high brick wall, and open on the fourth towards the water. Looking over the parapet, Minnie watched it sliding past. It was like a brown snake with arrowy markings on its back; and it crawled, it glided, it slid along for ever. She sat there, waiting: her train, from London, had brought her here soon after lunch; Hubert, coming across country from the Watchetts, would hardly arrive before six. The whater flowed beneath her eyes like lime, like destiny, smoothly towards some new and violent event.

The immense noise that in this garden was silence enveloped her. Inured, her mind moved in it as though in its native clement. From beyond the parapet came the coolness and the weedy smell of water. But if she turned back towards the garden, she breathed at once the hot perfume of sunlight beating on flowers and ripening fruit. In the afternoon sunlight all the world was ripe. The old red house lay there, ripe, like a dropped plum; the walls were riper than the fruits of the nectarine trees so tenderly and neatly crucified on their warm bricks. And that richer silence of unremitting thunder seemed, as it were, the powdery bloom on a day that had come to exquisite maturity and was hanging, round as a peach and juicy with life and happiness, waiting in the sunshine for the bile of eager teeth.

At the heart of this fruit-ripe world Minnie waited. The water flowed towards the wheel; smoothly, smoothly - then it fell, it broke itself to pieces on the turning wheel. And lime was sliding onwards, quietly towards an event that would shatter all the smoothness of her life.

"If you really want to go to bed with the young man, go to bed with him." She could hear Helen's clear, shrill voice saying impossible, brutal things. If any one else had said them, she would have run out of the room. But in Helen's mouth they seemed, somehow, so simple, so innocuous, and so true. And yet all that other people had said or implied - at home, at school, among the people she was used to meeting - seemed equally true.

But then, of course, there was love. Hubert had written a Shakespearean sonnet which began:

"Love hallows all whereon 'tis truly placed,
Turns dross to gold with one touch of his dart,
Makes matter mind, extremest passion chaste,
And builds a temple in the lustful heart. "

She thought that very beautiful. And very true. It seemed to throw a bridge between Helen and the other people. Love, true love, made all the difference. It justified. Love - how much, how much she loved!

Time passed and the light grew richer as the sun declined out of the height of the sky. The day grew more and more deliciously ripe, swelling with unheard-of sweetness. Over its sun-flushed cheeks the thundery silence of the mill-wheel spread the softest, peachiest of blooms. Minnie sal on the parapet, waiting. Sometimes she looked down at the sliding water, sometimes she turned her eyes towards the garden. Time flowed, but she was now no more afraid of that shattering event that thundered there, in the future. The ripe sweetness of the afternoon seemed to enter into her spirit, filling it to the brim. There was no more room for doubts, or fearful anticipations, or regrets. She was happy. Tenderly, with a tenderness she could not have expressed in words, only with the gentlest of light kisses, with fingers caressingly drawn through the ruffled hair, she thought of Hubert, her Hubert.

Hubert, Hubert... And suddenly, startlingly, he was standing there at her side.

"Oh," she said, and for a moment she stared at him with round brown eyes, in which there was nothing but astonishment. Then the expression changed. "Hubert," she said softly. Hubert took her hand and dropped it again; looked at her for an instant, then turned away. Leaning on the parapet, he stared down into the sliding water; his face was unsmiling. For a long time both were silent. Minnie remained where she was, sitting quite still, her eyes fixed on the young man's averted face. She was happy, happy, happy. The long day ripened and ripened, perfection after perfection.

"Minnie," said the young man suddenly, and with a loud abruptness, as though he had been a long time deciding himself to speak and had at last succeeded in bringing out the prepared and pent-up words, "I feel I've behaved very badly towards you. I never ought to have asked you to come here. It was wrong. I'm sorry."

"But I came because I wanted to," Minnie exclaimed.

Hubert glanced at her, then turned away his eyes and went on addressing a ghost that floated, it seemed, jus) above the face of the sliding water. "It was too much to ask. I shouldn't have done it. For a man it's different. But for a woman..."

"But, I tell you, I wanted to."

"It's too much."

"It's nothing," said Minnie, "because I love you." And leaning forward, she ran her fingers through his hair. Ah, tenderness that no words could express!

"You silly boy," she whispered. "Did you think I didn't love you enough for that?."

Hubert did not look up. The water slid and slid away before his eyes; Minnie's fingers played in his hair, ran caressingly over the nape of his neck. He felt suddenly a positive haired for this woman. Idiot! Why couldn't she take a hint? He didn't want her. And why on earth had he ever imagined that he did? All the way in the train he had been asking himself that question. Why? Why? And the question had asked itself still more urgently just now as, standing at the garden door, he had looked out between the apple tree and watched her, unobserved, through a long minute - watched her sitting there on the parapet, turning her vague brown eyes now at the water, now towards the garden, and smiling to herself with an expression that had seemed to him so dim and vacuous that lie could almost have fancied her an imbecile.

And with Phoebe yesterday he had stood on the crest of the bare chalk down. Like a sea at their feet stretched the plain, and above the dim horizon towered heroic clouds. Fingers of the wind lifted the red locks of her hair. She stood as though poised, ready to leap off into the boisterous air. "How I should like to fly!" she said. "There's something particularly attractive about airmen, I always think." And she had gone running down the hill.

But Minnie, with her dull hair, her apple-red checks, and big, slow body, was like a peasant girl. How had he ever persuaded himself that he wanted her? And what made it much worse, of course, was that she adored him, embarrassingly, tiresomely, like a too affectionate spaniel that insists on tumbling about at your feet and licking your hand just when you want to sit quietly and concentrate on serious things.

Hubert moved away, out of reach of her caressing hand. He lifted towards her for a moment a pair of eyes that had become, as it were, opaque with a cold anger; then dropped them again.

"The sacrifice is too great," he said in a voice that sounded to him like somebody else's voice. He found it very difficult to say this sort of thing convincingly. "I can't ask it of you, the actor pursued. "I won't."

"But it isn't a sacrifice," Minnie protested. It s a joy, it's happiness. Oh, can't you understand?"

Hubert did not answer. Motionless, his elbows on the parapet, he stared down into the water. Minnie looked at him, perplexed only, at first; but all at once she was seized with a nameless agonizing doubt that grew and grew within her, as the silence prolonged itself, like some dreadful cancer of the spirit, until it had eaten away all her happiness, until there was nothing left in her mind hut doubt and apprehension.

"What is it? " she said at last. "Why are yon so strange? What is it, Hubert? What is it?"

Leaning anxiously forward, she laid her two hands on either side of his averted face and turned it towards her. Blank and opaque with anger were the eyes. "What is it'?" she repeated. "Hubert, what is it?"

Hubert disengaged himself. "It's no good," he said in a smothered voice. No good at all. It was a mistake. I'm sorry. I think I'd better go away. The trap's still at the door."

And without waiting for her to say anything, without explaining himself any further, he turned and walked quickly away, almost ran, towards the house. Well, thank goodness, he said to himself, he was out of that. He hadn't done it very well, or handsomely, or courageously; but, at any rate, lie was out of it. Poor Minnie! He felt sorry for her; but after all, what could he do about it? Poor Minnie! Still


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