MINUS 053 AND COUNTING

It was no good in Manchester anymore.

He didn’t know if it was the news of Laughlin’s brutal mid-western end, or the dream, or only a premonition.

But on Tuesday morning he stayed in, not going to the library. It seemed to him that every minute he stayed in this place was an invitation to quick doom. Looking out the window, he saw a Hunter with a black hood inside every old bearer and slumped taxi driver. Fantasies of gunmen creeping soundlessly up the hall toward his door tormented him. He felt a huge clock was ticking in his head.

He passed the point of indecision shortly after eleven o’clock on Tuesday morn­ing. It was impossible to stay. He knew they knew.

He got his cane and tapped clumsily to the elevators and went down to the lobby.

“Going out, Father Grassner?” The day clerk asked with his usual pleasant, contemptuous smile.

“Day off,” Richards said, speaking at the day clerk’s shoulder. “Is there a pic­ture show in this town?”

He knew there were at least ten, eight of them showing 3‑D perverto shows.

“Well,” the clerk said cautiously, “there’s the Center. I think they show Dis­neys—”

“That will be fine,” Richards said briskly, and bumped into a potted plant on his way out.

Two blocks from the hotel he went into a drugstore and bought a huge roll of bandage and a pair of cheap aluminum crutches. The clerk put his purchases in a long fiberboard box, and Richards caught a taxi on the next corner.

The car was exactly where it had been, and if there was a stakeout at the U‑Park­It, Richards could not spot it. He got in and started up. He had a bad moment when he realized he lacked a driver’s license in any name that wasn’t hot, and then dis­missed it. He didn’t think his new disguise would get him past close scrutiny any­way. If there were roadblocks, he would try to crash them. It would get him killed, but he was going to get killed anyway if they tabbed him.

He tossed the Ogden Grassner glasses in the glove box and drove out, waving noncommittally at the boy on duty at the gate. The boy barely looked up from the skin magazine he was reading.

He stopped for a full compressed‑air charge on the high‑speed urban sprawl on the northern outskirts of the city. The air jockey was in the midst of a volcanic eruption of acne, and seemed pathetically anxious to avoid looking at Richards. So far, so good.

He switched from 91 to Route 17, and from there to a blacktop road with no name or number. Three miles farther along he pulled onto a rutted dirt turnaround and killed the engine.

Tilting the rearview mirror to the right angle, he wrapped the bandage around his skull as quickly as he could, holding the end and clipping it. A bird twitted restlessly in a tired‑looking elm.

Not too bad. If he got breathing time in Portland, he could add a neck brace.

He put the crutches beside him on the seat and started the car. Forty minutes later he was entering the traffic circle at Portsmouth. Headed up Route 95, he reached into his pocket and pulled out the crumpled piece of ruled paper that Brad­ley had left him. He had written on it in the careful script of the self‑educated, using a soft lead pencil:

94 State Street, Portland

THE BLUE DOOR, GUESTS

Elton Parrakis (& Virginia Parrakis)

Richards frowned at it a moment, then glanced up. A black‑and‑yellow police unit was cruising slowly above the traffic on the turnpike, in tandem with a heavy ground‑unit below. They bracketed him for a moment and then were gone, zig­zagging across the six lanes in a graceful ballet. Routine traffic patrol.

As the miles passed, a queasy, almost reluctant sense of relief formed in his chest. It made him feel like laughing and throwing up at the same time.

Date: 2015-04-20; view: 554