MINUS 081 AND COUNTING

Richards stood in the wings with a cop on each side, listening to the studio audi­ence as they frantically applauded Bobby Thompson. He was nervous. He jeered at himself for it, but the nervousness was a fact. Jeering would not make it go away. It was 6:01.

“Tonight’s first contestant is a shrewd, resourceful man from south of the Canal in our own home city,” Thompson was saying. The monitor faded to a stark por­trait of Richards in his baggy gray workshirt, taken by a hidden camera days be­fore. The background looked like the fifth floor waiting room. It had been retouched, Richards thought, to make his eyes deeper, his forehead a little lower, his cheeks more shadowed. His mouth had been given a jeering, curled expression by some technico’s airbrush. All in all, the Richards on the monitor was terrify­ing‑the angel of urban death, brutal, not very bright, but possessed of a certain primitive animal cunning. The uptown apartment dweller’s boogeyman.

“This man is Benjamin Richards, age twenty‑eight. Know the face well! In a half‑hour, this man will be on the prowl. A verified sighting brings you one hundred New Dollars! A sighting which results in a kill results in one thousand New Dollars for you!”

Richards’s mind was wandering; it came back to the point with a mighty snap.

“ . . . and this is the woman that Benjamin Richards’s award will go to, if and when he is brought down!”

The picture dissolved to a still of Sheila . . . but the airbrush had been at work again, this time wielded with a heavier hand. The results were brutal. The sweet, not‑so‑good‑looking face had been transformed into that of a vapid slattern. Full, pouting lips, eyes that seemed to glitter with avarice, a suggestion of a double chin fading down to what appeared to be bare breasts.

“You bastard!” Richards grated. He lunged forward, but powerful arms held him back.

“Simmer down, buddy. It’s only a picture.”

A moment later he was half led, half dragged onstage.

The audience reaction was immediate. The studio was filled with screamed cries of “Boo! Cycle bum!” “Get out, you creep!” “Kill him! Kill the bastard!” “You eat it!” “Get out, get out!”

Bobby Thompson held his arms up and shouted good‑naturedly for quiet. “Let’s hear what he’s got to say.” The audience quieted, but reluctantly.

Richards stood bull‑like under the hot lights with his head lowered. He knew he was projecting exactly the aura of hate and defiance that they wanted him to project, but he could not help it.

He stared at Thompson with hard, red‑rimmed eyes. “Somebody is going to eat their own balls for that picture of my wife,” he said.

“Speak up, speak up, Mr. Richards!” Thompson cried with just the right note of contempt. “Nobody will hurt you . . . at least, not yet.”

More screams and hysterical vituperation from the audience.

Richards suddenly wheeled to face them, and they quieted as if slapped. Women stared at him with frightened, half‑sexual expressions. Men grinned up at him with blood‑hate in their eyes.

“You bastards!” He cried. “If you want to see somebody die so bad, why don’t you kill each other?”

His final words were drowned in more screams. People from the audience (per­haps paid to do so) were trying to get onstage. The police were holding them back. Richards faced them, knowing how he must look.

“Thank you, Mr. Richards, for those words of wisdom.” The contempt was palpable now, and the crowd, nearly silent again, was eating it up. “Would you like to tell our audience in the studio and at home how long you think you can hold out?”

“I want to tell everybody in the studio and at home that that wasn’t my wife! That was a cheap fake—”

The crowd drowned him out. Their screams of hate had reached a near fever pitch. Thompson waited nearly a minute for them to quiet a little, and then re­peated: “How long do you expect to hold out, Mister Richards?”

“I expect to go the whole thirty,” Richards said coolly. “I don’t think you’ve got anybody who can take me.”

More screaming. Shaken fists. Someone threw a tomato.

Bobby Thompson faced the audience again and cried: “With those last cheap words of bravado, Mr. Richards will be led from our stage. Tomorrow at noon, the hunt begins. Remember his face! It may be next to you on a pneumo bus . . . in a jet plane . . . at a 3‑D rack . . . in your local killball arena. Tonight he’s in Harding. Tomorrow in New York? Boise? Albuquerque? Columbus? Skulking outside your home? Will you report him?”

“YESS!!!” They screamed.

Richards suddenly gave them the finger‑both fingers. This time the rush for the stage was by no stretch of the imagination simulated. Richards was rushed out the stage‑left exit before they could rip him apart on camera, thus depriving the Network of all the juicy upcoming coverage.

Date: 2015-04-20; view: 628