The Lord's Work 24 page

'That's a penis knife,' Melony said.

'A what knife?' Wednesday said.

'You heard me,' Melony said. 'It's real small and it's real sharp—it's good for just one thing.'

'What's that?' Wednesday asked. ;

'It cuts off the end of a penis,' Melony said. 'Real fast, real easy—just the end.'

If the picking crew at York Farm had been a knifecarrying crew, someone might have asked Melony to display the penis knife—just as an object of general appreciation among knifecarrying friends. But no one asked; the story appeared to hold. It allied itself with the other stories attached to Melony and solidified the underlying, uneasy feeling among the workers at York Farm: that Melony was no one to mess with. Around Melony, even the beer drinkers behaved.

The only ill effect of the York Farm picking crew drinking beer while they pressed cider was the frequency of their urinating, which Melony objected to only when they peed too near the cider house.

'Hey, I don't want to hear that!' she'd holler out the window when she could hear anyone pissing. 'I don't want to smell it later, either! Get away from the building. What's the matter—you afraid of the dark?'

Sandra and Ma liked Melony for that, and they enjoyed the refrain; whenever they heard someone peeing, they would not fail to holler, in unison, 'What's the matter? You afraid of the dark?'

But if everyone tolerated Melony's hardness, or even appreciated her for it, no one liked her reading at night. She was the only one who read anything, and it took a while for her to realize how unfriendly they thought reading was, how insulted they felt when she did it. \'7b397\'7d

When they finished pressing that night and everyone settled into bed, Melony asked, as usual, if her reading light was going to bother anyone.

'The light don't bother nobody,' Wednesday said.

There were murmurs of consent, and Rather said, 'You all remember Cameron?' There was laughter and Rather explained to Melony that Cameron, who had worked at York Farm for years, had been such a baby that he needed a light on, all night, just to sleep.

'He thought animals was gonna eat him if he shut out the light!' Sammy said.

'What animals?' Melony asked.

'Cameron didn't know,' somebody said.

Melony kept reading Jane Eyre, and after a while, Sandra said, 'It's not the light that bothers us, Melony.'

'Yeah,' someone said. Melony didn't get it for a while, but gradually she became aware that they had all rolled toward her in their beds and were watching her sullenly.

'Okay,' she said. 'So what bothers you?'

'What you readin' about, anyway?' Wednesday asked.

'Yeah,' Sammy said. 'What's so special 'bout that book?'

'It's just a book,' Melony said.

'Pretty big deal that you can read it, huh?' Wednesday asked.

'What?' said Melony.

'Maybe, if you like it so much,' Rather said, 'we might like it, too.'

'You want me to read to you?' Melony asked.

'Somebody read to me, once,' Sandra said.

'It wasn't me!' Ma said. 'It wasn't your father, either!'

'I never said it was!' Sandra said.

'I never heard nobody read to nobody,' Sammy said.

'Yeah,' somebody said.

Melony saw that some of the men were propped on their elbows in their beds, waiting. Even Ma turned her great lump around and faced Melony's bed.

'Quiet, everybody,' Rather said. \'7b398\'7d

For the first time in her life, Melony was afraid. After all her efforts and her hard traveling, she felt she had been returned to the girls' division without being aware of it; but it wasn't only that. It was the first time anyone had expected something of her; she knew what Jane Eyre meant to her, but what could it mean to them? She'd read it to children too young to understand half the words, too young to pay attention until the end of a sentence, but they were orphans—prisoners of the routine of being read to aloud; it was the routine that mattered.

Melony was more than halfway in her third or fourth journey through Jane Eyre. She said, I'm on page two hundred and eight. There's a lot that's happened before.'

'Just read it,' Sammy said.

'Maybe I should start at the beginning,' Melony suggested.

'Just read what you readin' to yourself,' Rather said gently.

Her voice had never trembled before, but Melony began.

' “The wind roared high in the great tree which embowered the gates,” ' she read.

'What's “embowered”?' Wednesday asked her.

'Like a bower,' Melony said. 'Like a thing hanging

over you, like for grapes or roses.'

'It's a kind of bower where the shower is,' Sandra said.

'Oh,' someone said.

' “But the road as far as I could see,” ' Melony continued, ' “to the right hand and left, was all still and solitary . . ”

'What's that?' Sammy asked.

'Solitary is alone,' Melony said.

'Like solitaire, you know solitaire,' Rather said, and there was an aproving murmur.

'Shut up your interruptin',' Sandra said.

'Well, we got to understand,' Wednesday said.

'Just shut up!' Ma said. \'7b399\'7d

'Read,' Rather said to Melony, and she tried to go on.

' “…the road…all still and solitary: save for the shadows of clouds crossing it at intervals, as the moon looked out, it was but a long pale line, unvaried by one moving speck,” ' Melony read.

'Un-what?' someone asked.

'Unvaried means unchanged, not changed,' Melony said.

'I know that,' Wednesday said. 'I got that one.'

'Shut up,' Sandra said.

' “A puerile tear,” ' Melony began, but she stopped. 'I don't know what “puerile” means,' she said. “It's not important that you know what every word means.” 'Okay,' someone said. ' “A puerile tear dimmed my eye while I looked—a tear of disappointment and impatience: ashamed of it, wiped it away . .”

'There, we know what it is, anyway,' Wednesday said.

' “…I lingered,” ' Melony read.

'You what?' Sammy asked.

'Hung around; to linger means to hang around!' Melony said sharply. She began again ' “…the moon shut herself wholly within her chamber, and drew close her curtain of dense cloud; the night grew dark . .”

'It's gettin' scary now,' Wednesday observed.

' “…rain came driving fast on the wind.” ' Melony had changed “gale” to “wind” without their knowing it. ' “I wish he would come! I wish he would come! exclaimed, seized with hypochondriac foreboding.” ' Melony stopped with that; tears filled her eyes, and she couldn't see the words. There was a long silence before anyone spoke.

' What was she seized with?' Sammy asked, frightened.

'I don't know!' Melony said, sobbing. 'Some kind of fear, I think.'

They were respectful of Melony's sobs for a while, and then Sammy said, 'I guess it's some kind of horror story.'

'What you want to read that before you try to sleep?' \'7b400\'7d Rather asked Melony with friendly concern, but Melony lay down on her bed and turned off her reading light.

When all the lights were out, Melony felt Sandra sit on her bed beside her; if it had been Ma, she knew, her bed would have sagged more heavily. 'You ask me, you better forget that boyfriend,' Sandra said. 'If he didn't tell you how to find him, he ain't no good, anyway.' Melony had not felt anyone stroke her temples since Mrs. Grogan in the girls' division at St. Cloud's; she realized she missed Mrs. Grogan very much, and for a while this took her mind off Homer Wells.

When everyone else was asleep, Melony turned her reading light back on; whatever failure Jane Eyre might be for someone else, it had always worked for Melony—it had helped her—and she felt in need of its help, now. She read another twenty pages, or so, but Homer Wells would not leave her mind. 'I must part with you for my whole life,' she read, with horror. 'I must begin a new existence amongst strange faces and strange scenes.' The truth of that closed the book for her, forever. She slid the book under her bed in the bunkroom in the cider house at York Farm, where she would leave it. Had she just read the passage from David Copperfield that Homer Wells so loved and repeated to himself as if it were a hopeful prayer, she would have discarded David Copperfield, too. 'I have stood aside to see the phantoms of those days go by me.' Fat chance! Melony would have thought. She knew that all the phantoms of those days were attached to her and Homer more securely than their shadows. And so Melony cried herself to sleep—she was not hopeful, yet she was determined, her mind's eye searching the darkness for Homer Wells.

She could not have seen him that night—he was so well hidden beyond the range of the lights shining from the mill room at Ocean View. Even if he'd sneezed or fallen down, the sound of the grinder and the pump would have concealed his presence. He watched the redeyed glow of the cigarettes that darted and paused above \'7b401\'7d the roof of the cider house. When he got cold, he went to watch them pressing and to have a little cider and rum.

Mr. Rose seemed glad to see him; he gave Homer a drink with very little cider in it, and together they watched the orchestra of the pump and grinder. A man named Jack, who had a terrible scar across his throat —a hard-to-survive kind of scar—aimed the spout. A man named Orange slapped the racks in place and received the splatter with a wild kind of pride; his name was Orange because he had tried to dye his hair once, and orange was how it turned out—there was no evidence of that color on him now. The rum had made Jack and Orange both savage about their business and defiantly unwary of the flying mess, yet Homer felt that Mr. Rose, who seemed sober, was still in control—the conductor of both the men and the machinery and operating them both at full throttle.

'Let's try to get out of here by midnight, Mr. Rose said calmly. Jack choked the flow of pomace to the top rack; Orange levered the press into place.

In the other corner of the mill room, two men whom Homer Wells didn't know were bottling at high, speed. One of the men began to laugh, and his partner started to laugh with him so loudly that Mr. Rose called out to them, 'What's so funny?'

One of the men explained that his cigarette had fallen out of his mouth, into the vat; at this announcement, even Jack and Orange began to laugh, and Homer Wells smiled, but Mr. Rose said quietly, 'Then you better fish it out. Nobody wants that muckin' up the cider.'

The men were quiet, now; just the machinery went on with its sluicing and screaming. 'Go on,' Mr. Rose repeated. 'Go fish.'

The man with the lost cigarette stared into the thousand-gallon vat; it was only half full, but it was still a swimming pool. He took off his rubber boots, but Mr. Rose said, 'Not just the boots. Take off all your clothes, \'7b402\'7d and then go take a shower—and be quick about it. We got work to do.'

'What?' the man said. 'I ain't gonna strip and go wash just to go swimmin' in there!'

'You're filthy all over,' said Mr. Rose. 'Be quick about it.'

'Hey, you can be quick about it,' the man said to Mr. Rose. 'You want that butt out of there, you can fish it out yourself.'

It was Orange who spoke to the man.

'What business you in?' Orange asked him.

'Hey, what?' the man asked.

'What business you in, man?' Orange asked.

'Say you in the apple business, man,' Jack advised the man.

'Say what?' the man asked.

'Just say you in the apple business, man,' Orange said.

It was at that moment that Mr. Rose took Homer's arm and said to him, 'You got to see the view from the roof, my friend.' The tug at his elbow was firm but gentle. Mr. Rose very gracefully led Homer out of the mill room, then outside by the kitchen door.

'You know what business Mistuh Rose is in, man?' Homer heard Orange asking.

'He in the knife business, man,' he heard Jack say.

'You don't wanna go in the knife business with Mistuh Rose,' Homer heard Orange say.

'You just stay in the apple business, you do fine, man,' Jack said.

Homer was following Mr. Rose up the ladder to the roof when he heard the shower turn on; it was an inside shower—more private than the shower at York Farm. Except for their cigarettes, the men on the roof were hard to see, but Homer held Mr. Rose's hand and followed him along the plank on the rooftop until they found two good seats.

'You all know Homer,' Mr. Rose said to the men on the roof. There was a blur of greetings. The man called Hero \'7b403\'7d was up there, and the man called Branches; there was someone named Willy, and two or three people Homer didn't know, and the old cook whose name was Black Pan. The cook was the shape of a stew pot; it had required some effort for him to gain his perch on the roof.

Someone handed Homer a bottle of beer, but the bottle was warm and full of rum.

'It's stopped again,' Branches said, and everyone stared toward the sea.

The night-life lights of Cape Kenneth were so low along the horizon that some of the lights themselves were not visible—only the reflections from them, especially when the lights were cast out over the ocean—but the high Ferris wheel blazed brightly. It was holding still, loading new riders, letting off the old.

'Maybe it stop to breathe,' Branches said, and everyone laughed at that.

Someone suggested that it stopped to fart, and everyone laughed louder.

Then Willy said, 'When it gets too close to the ground, it has to stop, I think,' and everyone appeared to consider this seriously.

Then the Ferris wheel started again, and the men on the roof of the cider house released a reverential rnoan.

'There it go again!' Hero said.

'It like a star,' Black Pan, the old cook, said. 'It look real cool, but you get too close, it burn you—it hotter than aflame!'

'It's a Ferris wheel,' said Homer Wells.

'It a what?' Willy said.

'A what wheel?' Branches asked.

'A Ferris wheel,' said Homer Wells. 'That's the Cape Kenneth Carnival, and that's the Ferris wheel.' Mr. Rose nudged him in the ribs, but Homer didn't understand. No one spoke for a long time, and when Homer looked at Mr. Rose, Mr. Rose softly shook his head.

'I heard of somethin' like that,' Black Pan said. 'I think they had one in Charleston.' \'7b404\'7d

'It's stopped again,' Hero observed.

'It's letting off passengers—riders,' said Homer Wells. 'It's taking on new riders.'

'People ride that fuckin' thing?' Branches asked.

'Don't shit me, Homer,' Hero said.

Again, Homer felt the nudge in his ribs, and Mr. Rose said, mildly, 'You all so uneducated—Homer's havin' a little fun with you.'

When the bottle of rum passed from man to man, Mr. Rose just passed it along.

'Don't the name Homer mean nothin' to you?' Mr. Rose asked the men.

'I think I heard of it,' the cook Black Pan said.

'Homer was the world's first storyteller!' Mr. Rose announced. The nudge at Homer's ribs was back, and Mr. Rose said, 'Our Homer knows a good story, too.'

'Shit,' someone said after a while.

'What kind of wheel you call it, Homer?' Branches asked.

'A Ferris wheel,' said Homer Wells.

'Yeah!' someone said. Everyone laughed.

'A fuckin' Ferris wheel!' Hero said. 'That's pretty good.'

One of the men Homer didn't know rolled off the roof. Everyone waited until he was on the ground before they called down to him.

'You all right, asshole?' Black Pan asked.

'Yeah,' the man said, and everyone laughed.

When Mr. Rose heard the shower start up again, he knew that his bottle man had found the cigarette and was washing the cider off himself.

'Willy and Hero, you're bottlin' now,' said Mr. Rose.

'I bottled last time,' Hero said.

'Then you gettin' real good at it,' said Mr. Rose.

'I'll press for a while,' someone said.

'Jack and Orange are goin' good,' Mr. Rose said. 'We'll just let them go for a while.'

Homer sensed that he should leave the roof with Mr. \'7b405\'7d Rose. They helped each other with the ladder; on the ground Mr. Rose spoke very seriously to Homer.

'You got to understand,' Mr. Rose whispered. 'They don't want to know what that thing is. What good it do them to know?'

'Okay,' said Homer Wells, who stood a long while out of the range of the lights blazing in the mill room. Now that he was more familiar with their dialect, he could occasionally understand the voices from the roof.

'It's stopped again,' he heard Branches say.

'Yeah, it takin' on riders!' someone said, and everyone laughed.

'You know, maybe it's an army place,' Black Pan said.

'What army?' someone asked.

'We almost at war,' Black Pan said. I heard that.'

'Shit,' someone said.

'It's somethin' for the airplanes to see,' Black Pan said.

'Whose airplanes?' Hero asked.

'There it go again,' Branches said.

Homer Wells walked back through the orchards to the Worthington house; he was touched that Mrs. Worthington had left the light over the stairs on for him, and when he saw the light under her bedroom door, he said, quietly, 'Good night, Missus Worthington. I'm back.'

'Good night, Homer,' she said.

He looked out Wally's window for a while. There was no way, at that distance, that he could witness the reaction on the cider house roof when the Ferris wheel in Cape Kenneth was shut off for the night—when all the lights went out with a blink, what did the men on the roof have to say about that? he wondered.

Maybe they thought that the Ferris wheel came from another planet and, when all the lights went out, that it had returned there.

And wouldn't Fuzzy Stone have loved to see it? thought Homer Wells. And Curly Day, and young Copperfield! And it would have been fun to ride it with Melony—just once, to see what she would have said \'7b406\'7d about it. Dr. Larch wouldn't be impressed. Was anything a mystery to Dr. Larch?

In the morning, Mr. Rose chose to rest his magic hands between trees; he came up to Homer, who was working as a checker in the orchard called Frying Pan, counting the one-bushel crates before they were loaded on the flatbed trailer and giving every picker credit for each bushel picked.

I want you to show me that wheel,' Mr. Rose said, smiling.

'The Ferris wheel?' said Homer Wells.

'If you don't mind showin' me,' said Mr. Rose. 'There just can't be no talk about it.'

'Right,' Homer said. 'We better go soon, before it gets any colder and they close it for the season. I'll bet it's pretty cold, riding it now.'

'I don't know if I want to ride it until I see it,' said Mr. Rose.

'Sure,' said Homer.

Mrs. Worthington let him take the van, but when he picked up Mr. Rose at the cider house, everyone was curious.

'We've got to check somethin' in the far orchard,' Mr. Rose told the men.

'What far orchard he talkin' about?' Black Pan asked Hero when Homer and Mr. Rose got in the van.

Homer Wells remembered his ride on the Ferris wheel with Wally. It was much colder now, and Mr. Rose was subdued all the way to Cape Kenneth and uncharacteristically drawn into himself as they walked through the carnival together. The summer crowd was gone; some of the carnival events were already closed up tight.

'Don't be nervous,' Homer said to Mr. Rose. 'The Ferris wheel is perfectly safe.' ,

'I'm not nervous about no wheel,' said Mr. Rose. 'You see a lot of people my color around here?'

Homer had detected nothing hostile in the looks from the people; as an orphan, he always suspected that \'7b407\'7d people singled him out to stare at—and so he had not felt especially singled out in the company of Mr. Rose. But now he noticed more of the looks and realised that the looks an orphan might detect were only imagined, by comparison.

When they got to the Ferris wheel, there was no line, but they had to wait for the ride in progress to be over. When the wheel stopped, Homer and Mr. Rose got on and sat together in one chair.

'We could each sit in our own chairs, if you prefer,' said Homer Wells.

'Keep it like it is,' said Mr. Rose. When the wheel began its ascent, he sat very still and straight and held his breath until they were nearly at the top of the rise.

'Over there's the orchard,' pointed Homer Wells, but Mr. Rose stared straight ahead, as if the stability of the entire Ferris wheel relied on each rider's maintaining perfect balance.

'What's so special about doin' this?' asked Mr. Rose rigidly.

'It's just for the ride, and the view, I guess,' said Homer Wells.

'I like the view from the roof,' Mr. Rose said. When they started the descent of the wheel turn, Mr. Rose said, 'It's a good thing I didn't eat much today.'

By the time they passed ground level and began their ascent again, a substantial crowd had formed—but they didn't appear to be standing in line for the next ride. There were only two couples and one boy by himself sharing the wheel with Homer and Mr. Rose, and when they were at the top of the wheel turn again, Homer realized that the crowd below them had formed to stare at Mr. Rose.

'They come to see if niggers fly,' Mr. Rose said, 'but ain't goin' nowhere—not for no one's entertainment. They come to see if the machine is gonna break down, tryin' to carry a nigger—or maybe they wanna see me throw up.' \'7b408\'7d

'Just don't do anything,' Homer Wells said.

That's the advice I been hearin' all my life, boy,' Mr. Rose said. As they started their descent, Mr. Rose leaned out of the chair—quite dangerously farther than was necessary—and vomited in a splendid arc over the crowd below them. The crowd moved as one, but not everyone moved in time.

When their chair was at the bottom of the descent again, the Ferris wheel was stopped so that the sick man could get off. The crowd had retreated, except for a young man who was especially splattered. As Homer Wells and Mr. Rose were leaving the Ferris wheel grounds, the young man came forward and said to Mr. Rose, 'You looked like you meant to do that.'

'Who means to get sick?' said Mr. Rose; he kept walking, and Homer kept up with him. The young man was about Homer's age; he should have homework, thought Homer Wells—if he's still in school, it's a school night.

'I think you meant to,' the young man said to Mr. Rose, who stopped walking away then.

'What business you in?' Mr. Rose asked the boy.

'What?' the young man asked, but Homer Wells stepped between them.

'My friend is sick,' Homer Wells said. 'Please just leave him alone.'

'Your friend!' the boy said.

'Ask me what business I'm in,' Mr. Rose said to the boy.

'What fuckin' business are you in, Mister?' the young man shouted at Mr. Rose. Homer felt himself neatly shoved out of the way; he saw that Mr. Rose was standing, very suddenly, chest to chest with the boy. There was no sour smell of vomit on Mr. Rose's breath, however. Somehow, Mr. Rose had slipped one of those mints in his mouth; the alertness that had been missing when Mr. Rose felt ill was back in his eyes. The boy seemed surprised that he was standing so close to Mr. Rose, and so suddenly; he was a little taller, and quite a bit heavier, than Mr. Rose, yet he looked unsure of himself. I said, \'7b409\'7d ; “What fuckin' business are you in, Mister?” ' the boy repeated, and Mr. Rose smiled.

'I'm in the throwin'-up business!' Mr. Rose said in a humble manner. Someone in the crowd laughed; Homer Wells felt a surge of vast relief; Mr. Rose smiled in such a way that allowed the boy to smile, too. 'Sorry if any of it got on you,' Mr. Rose said nicely.

'No problem,' said the young man, turning to leave. After taking a few steps, the boy turned inquisitively in Mr. Rose's direction, but Mr. Rose had grasped Homer Wells by the arm and was already walking on. Homer saw shock on the boy's face. The young man's flannel jacket, which was still zipped shut, was flapping wide open—a single, crisp slash had slit it from the collar to the waist—every button on the boy's shirt was gone. The boy gaped at himself, and then at Mr. Rose, who did not look back, and then the boy allowed himself to be pulled into the comfort of the crowd.

'How'd you do that?' Homer asked Mr. Rose, when they reached the van.

'Your hands got to be fast,' Mr. Rose said. 'Your knife got to be sharp. But you do it with your eyes. Your eyes keep their eyes off your hands.'

The wide-open jacket of the boy made Homer remember Clara and how a scalpel made no mistakes. Only a hand makes mistakes. His chest was cold, and he was driving too fast.

When Homer turned off Drinkwater Road and drove through the orchards to the cider house, Mr. Rose said, 'You see? I was right, wasn't I? What good is it—to apple pickers—to know about that wheel?'

It does no good to know about it, thought Homer Wells. And what good would it do Melony to know about it, or Curly Day, or Fuzzy—or any Bedouin?

'Am I right?' Mr Rose demanded.

'Right,' said Homer Wells. \'7b410\'7d

8. Opportunity Knocks

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After the harvest at York Farm, the foreman asked Melony to stay on to help with the mousing. 'We have to get the mice before the ground freezes, or else they'll have the run of the orchards all winter,' the foreman explained. The men used poison oats and poison corn, scattering the poison around the trees and putting it in the pine mice tunnels.

Poor mice, thought Melony, but she tried mousing for a few days. When she saw a pine mouse tunnel, she tried to conceal it; she never put any poison in it. And she only pretended to scatter the oats and corn around the trees; she didn't like the way the poison smelled. She would dump it into the dirt road and fill her bag with sand and gravel and scatter that instead.

'Have a nice winter, mice,' she whispered to them.

Date: 2015-02-03; view: 615