Home Random Page


CATEGORIES:

BiologyChemistryConstructionCultureEcologyEconomyElectronicsFinanceGeographyHistoryInformaticsLawMathematicsMechanicsMedicineOtherPedagogyPhilosophyPhysicsPolicyPsychologySociologySportTourism






The Lord's Work 16 page

 

Mrs Grogan was in favor of increasing Melony's responsibilities; she felt the girl was at the threshold of a change—she might either rise above her own bitterness or descend more deeply into it. It was Nurse Angela who suggested to Dr. Larch that Melony might be of use.

 

'Of more use, you mean?' Dr. Larch asked.

 

'Right,' Nurse Angela said, but Dr. Larch didn't appreciate anyone imitating the speech habits of Homer Wells; he gave Nurse Angela such a look that she never said 'Right' again. He also didn't appreciate the suggestion that Melony could be taught to replace Homer— not even in usefulness. I

 

Nurse Edna took up Melony's cause. 'If she were a boy, Wilbur,' Nurse Edna said, 'you would already have given her more to do.'

 

The hospital is connected to the boys' division,' Larch said. 'It's impossible to keep what's happening here a secret from the boys. But the girls are another matter,' he concluded weakly.

 

'Melony knows what's happening here,' Nurse Angela said.

 

Wilbur Larch knew he was cornered. He was also angry at Homer Wells—he had given the boy permission to extend his time away from St. Cloud's as long as possible, but he hadn't expected he wouldn't hear from Homer (not a word!) in nearly six weeks.

 

'I don't know that I have the patience to work with a teen-ager, anymore,' Larch said peevishly.

 

'I think Melony is twenty-four or twenty-five,' Mrs. Grogan said. i \'7b279\'7d

 

How could someone that old still be in an orphanage? Larch wondered. The same way that I can still be here, he answered himself. Who else would take the job? Who else would take Melony? 'All right. Let's ask her if she's interested,' Larch said.

 

He dreaded the meeting with Melony; he couldn't help himself, but he blamed her for whatever sullenness had crept into Homer's personality—and the rebellion Homer had manifested toward him recently. Larch knew he was being unfair, and this made him feel guilty; he began to answer the mail.

 

There was a long (albeit businesslike) letter from Olive Worthington, and a check—a rather sizable donation to the orphanage. Mrs. Worthington said she was happy her son had been so 'taken' by the good work at St. Cloud's that he'd seen fit to bring one of Dr. Larch's 'boys' home with him. It was fine with the Worthingtons that Homer stay through the summer. They frequently hired 'schoolboy help,' and she was frankly grateful that her son Wally had 'the opportunity to mingle with someone his own age—but of less fortunate circumstances.' Olive Worthington wanted Larch to know that she and her husband thought Homer was a fine boy, polite and a good worker, and that he seemed 'altogether a sobering influence on Wally.' She concluded that she hoped 'Wally might even learn the value of a day's work from his proximity to Homer,' and that Homer had 'clearly profited from a rigorous education'—she based this judgment on Homer's ability to learn the apple business 'as if he were used to more demanding studies.'



 

Olive wanted Dr. Larch to know that Homer had requested to be paid in the form of a monthly donation to St. Cloud's, minus only what she fairly judged were his expenses; since he shared a room with Wally and could fit into Wally's clothes, and since he ate his meals with the Worthington family, Olive said the boy's expenses were minimal. She was delighted that her son had 'such manly and honorable company' for the summer, and she was \'7b280\'7d pleased to have the opportunity to contribute what little she could to the well-being of the orphans of St. Cloud's. 'The kids,' Olive said (it was how she referred to Wally and Candy), '…tell me you are doing great things there. They're so happy they stumbled upon you.'

 

Wilbur Larch could tell that Olive Worthington didn't know she had an accomplished obstetrician tending to her apple trees, and he grumbled to himself about the 'rigorous education' he felt had been quite wasted on Homer Wells—given his present occupation—but Dr. Larch calmed himself sufficiently to compose a cordial, albeit formal, letter in response to Mrs. Worthington.

 

Her donation was very gratefully received, and he was glad that Homer Wells was representing his upbringing at St. Cloud's in so positive a manner—he would expect no less of the boy, which Mrs. Worthington might be so kind as to tell him. Also, that it would be nice if Homer would write. Dr. Larch was happy that there was such healthy summer employment for Homer; the boy would be missed at St. Cloud's, where he had always been of use, but Larch emphasized his pleasure at Homer's good fortune. He congratulated Olive Worthington on the good manners and the generosity of her son; he said he would welcome those 'kids' back at St. Cloud's— anytime What luck—for everyone!—that they had 'stumbled upon' the orphanage.

 

Wilbur Larch gritted his teeth and tried to imagine a harder place to stumble upon than St. Cloud's; he managed a supreme effort at concentration and proceeded with the part of the letter he had waited more than a month to write.

 

There is one thing I must tell you about Homer Wells,' Wilbur Larch wrote. 'There is a problem with his heart,' the doctor wrote; he elaborated. He was more careful than he'd been when he discussed Homer's heart defect with Wally and Candy; he tried to be as precise but as elusive as he knew he'd eventually have to be when he \'7b281\'7d described the ailment to Homer Wells. His letter to Olive Worthington about Homer's heart was a kind ol : warmup exercise. He was sowing seeds (an infuriating phrase, but he found himself thinking it—ever since his inheritance of the stationmaster's catalogues); he wanted Homer treated with kid gloves, as they say in Maine.

 

Olive Worthington had mentioned that Homer was taking driving lessons from Wally and swimming lessons from Candy—the latter in the Haven Club's heated pool. The latter—swimming lessons from that girl! — made Larch growl, and he concluded his cautionary advice about Homer's heart with the suggestion that Homer 'take it easy with the swimming.'

 

Dr. Larch did not share Olive Worthington's opinion that 'every boy should know how to drive and swim'; Dr. Larch could do neither.

 

'Here in St. Cloud's,' he wrote, to himself, 'it is imperative to have good obstetrical procedure, and to be able to perform a dilatation and curettage. In other parts of the world, they learn how to drive and swim!'

 

He showed Olive Worthington's letter to Nurse Angela and Nurse Edna, who both wept over it. They were of the opinion that Mrs. Worthington sounded 'charminG' and 'warm' and 'intelligent,' but Larch grumbled how it was strange that Mr. Worthington was so little in view; what was the matter with him? 'What's his wife running the farm for?' Larch asked his nurses, who both scolded him for his readiness to assume there was something wrong whenever a woman was in charge of anything. They reminded him that he had an appointment with Melony.

 

Melony had been working herself into a proper state of mind for her meeting with Dr. Larch. She prepared herself by lying in her bed and reading over and over again the inscription she had written in the stolen copy of Little Dorrit:

 

TO HOMER 'SUNSHINE' WELLS \'7b282\'7d

 

FOR THE PROMISE

 

YOU MADE ME

 

LOVE, MELONY

 

Then she tried, again and again, to begin the book through her angry tears.

 

The image of the staring, blazing sun in Marseilles —the oppressive glare—was both dazzling and mystifying to Melony. What experience did she have to help her comprehend a sun of that brightness? And the coincidence of so much sunshine (considering her nickname for Homer Wells) was too much for her. She read, got lost, began again, got lost again; she grew angrier and angrier.

 

Then she looked in her canvas bag of toilet articles and saw that the horn-rim barrette, which Mary Agnes had stolen from Candy—and which Melony had snatched out of Mary Agnes's hair and taken for herself—had been stolen again. She marched to Mary Agnes Cork's bed and retrieved the elegant barrette from under Mary Agnes's pillow. Melony's hair was cropped too short for her to be able to use the barrette, which she was not exactly sure how to use, anyway. She jammed it into her jeans' pocket; this was uncomfortable—her jeans were so tight. She went into the girls' shower room, where Mary Agnes Cork was washing her hair, and she turned the hot water up so hot that Mary Agnes was nearly scalded. Mary Agnes flung herself out of the shower; she lay red and writhing on the floor, where Melony twisted her arm behind her back and then stepped with all her weight on Mary Agnes's shoulder. Melony didn't mean to break anything; she was repelled by the sound of Mary Agnes's collarbone giving way, and she stepped quickly away from the younger girl—whose naked body turned from very red to very white. She lay on the shower room floor, shivering and moaning, not daring to move.

 

'Get dressed and I'll take you to the hospital,' Melony said. 'You broke something.' \'7b283\'7d

 

Mary Agnes trembled. 'I can't move,' she whispered.

 

'I didn't mean to,' Melony said, 'but I told you to keep outta my stuff.'

 

'Your hair's too short,' Mary Agnes said. 'You can't wear it, anyway.'

 

'You want me to break something else?' Melony asked the girl.

 

Mary Agnes tried to shake her head, but she stopped. 'I can't move,' she repeated. When Melony bent over to help her up, Mary Agnes screamed, 'Don't touch me!'

 

'Suit yourself,' Melony said, leaving her there. 'Just keep outta my stuff.'

 

In the lobby of the girls' division, on her way to her meeting with Dr. Larch, Melony told Mrs. Grogan that Mary Agnes had 'broken something.' Mrs. Grogan naturally assumed that Melony meant that Mary Agnes had broken a lamp, or a window, or even a bed,

 

'How are you liking the book, dear?' Mrs Grogan asked Melony, who always carried Little Dorrit with her; she'd not been able to get past the first page.

 

'It starts kinda slow,' said Melony.

 

When she got to Nurse Angela's office, where Dr. Larch was waiting for her, she was slightly out of breath and sweating.

 

'What's the book?' Dr. Larch asked her.

 

'Little Dorrit by Charles Dickens,' Melony said; she felt the barrette bite into her leg when she sat down.

 

'Where'd you get it?' Dr. Larch asked her.

 

'It was a gift,' Melony said—which was not exactly a lie.

 

'That's nice,' said Wilbur Larch.

 

Melony shrugged. 'It starts kinda slow,' she said.

 

They eyed each other for a moment, cautiously. Larch smiled a little. Melony tried to smile but she was unsure how this looked on her face—so she stopped. She shifted in the chair; the barrette in her pocket hurt her a little less.

 

'He's not coming back, is he? Melony asked Dr. Larch, \'7b284\'7d who regarded her with the respect and wariness you feel for someone who has read your mind.

 

'He has a summer job,' Larch said. 'Of course, some other opportunity might develop.'

 

Melony shrugged. 'He might go to school, I suppose,' she said.

 

'Oh, I hope so!' Larch said.

 

'I suppose you want him to be a doctor,' Melony said.

 

Larch shrugged. It was his turn to feign indifference. 'If he wants to be,' he said.

 

'I broke someone's arm, once,' Melony said. 'Or maybe it was something in the chest.'

 

'The chest?' Larch asked. 'When did you do this?'

 

'Not too long ago,' Melony said. 'Pretty recently. I didn't mean to.'

 

'How did it happen?' Dr. Larch asked her.

 

'I twisted her arm behind her back—she was on the floor—and then I stepped on her shoulder, the same shoulder of the arm I twisted.'

 

'Ouch,' said Dr. Larch. I

 

'I heard it,' Melony said. 'Her arm or her chest.'

 

'Perhaps her collarbone,' Larch suggested. Given the position, he guessed it would be the collarbone.

 

'Well, whatever it was, I heard it,' Melony said.

 

'How did that make you feel?' Wilbur Larch asked Melony, who shrugged.

 

'I don't know,' Melony said. 'Sick, I guess, but strong,' she added. 'Sick and strong,' she said.

 

'Perhaps you'd like to have more to do?' Larch asked her.

 

'Here?' Melony asked.

 

'Well, here, yes,' Larch said. 'I could find more things for you to do here—more important things. Of course, I could also inquire for you about jobs—outside, I mean. Away from here.'

 

'You want me to go, or do more chores, is that it?'

 

'I don't want you to do anything you don't want to do. You told me you didn't want to leave, once—and I'll \'7b285\'7d never force you. It's just that I thought you might be looking for a change.'

 

'You don't like how I read, huh?' Melony asked. 'Is that it?'

 

'No!' Dr. Larch said. 'I want you to keep reading, but that's only one of the things you might do here.'

 

'You want me to do what Homer Wells did?'

 

'Homer did a lot of studying,' Dr. Larch said. 'Perhaps you could assist Nurse Angela and Nurse Edna, and me. Perhaps you'd be interested in just observing—to see if you liked it.'

 

'I think it's sick,' Melony said.

 

'You disapprove?' Larch asked, but Melony looked genuinely puzzled.

 

'What?' she asked.

 

'You don't believe we should perform the abortions, is that it?' Larch asked. 'You don't believe in terminating a birth, in aborting the fetus?'

 

Melony shrugged. 'I just think it would make me sick,' she repeated. 'Delivering babies—yuck,' she said. 'And cutting babies out of people—yuck, again.'

 

Larch was confused. 'But it's not that you think it's wrong?' he asked.

 

'What's wrong about it?' she asked him. 'I think it's sick. Blood, people leaking stuff out of their bodies — sick,' Melony said. 'It smells bad around here,' she added, meaning the hospital air—the aura of ether, the scent of old blood.

 

Wilbur Larch stared at Melony and thought., Why, she's just a big child! She's a baby thug!

 

'I don't want to work around the hospital,' Melony said flatly. 'I'll rake leaves, or something—stuff like that is okay, if you want me to work more, for my food or something.'

 

'I want you to be happier than you are, Melony,' Dr. Larch said cautiously. He felt miserable for how neglected the creature before him was.

 

'Happier!' said Melony; she gave a little jump in her \'7b286\'7d chair and the stolen barrette dug into her. 'You must be stupid, or crazy.' Dr. Larch wasn't shocked; he nodded, considering the possibilities.

 

He heard Mrs. Grogan calling him from the hall outside the dispensary.

 

'Doctor Larch! Doctor Larch!' she called. 'Wilbur?' she added, which gave Nurse Edna a tremor, because she felt a certain possessiveness regarding the use of that name. 'Mary Agnes has broken her arm!' Larch stared at Melony, who for the first time managed to smile.

 

'You said this happened “not too long ago”?' Larch asked her.

 

'I said “pretty recently,” ' Melony admitted.

 

Larch went into the dispensary, where he examined Mary Agnes's collarbone, which was broken; then he instructed Nurse Angela to prepare the child for X-ray.

 

'I slipped on the shower room floor,' Mary Agnes moaned. 'It was real wet.'

 

'Melony!' Dr. Larch called. Melony was hanging around in the hall. 'Melony, would you like to observe how we set a broken bone?' Melony walked into the dispensary, which was a small, crowded area—especially with Nurse Edna and Mrs. Grogan standing there, and with Nurse Angela leading Mary Agnes away for her Xray. Seeing everyone together, Larch realized how old and frail he and his colleagues looked alongside Melony. 'Would you like to participate in the setting of a broken bone, Melony?' Larch asked the sturdy and imposing young woman.

 

'Nope,' Melony said. 'I got things to do.'She waved the copy of Little Dorrit a trifle threateningly. 'And I gotta look at what I'm gonna read tonight,' she added.

 

She went back to the girls' division, to her window there, while Dr. Larch set Mary Agnes's collarbone. Melony tried again to comprehend the power of the sun in Marseilles.

 

The very dust was scorched brown,' she read to herself, 'and something quivered in the atmosphere as if the \'7b287\'7d air itself were panting.' Oh, Sunshine, she thought, why didn't you take me anywhere? It wouldn't have to have been to France, although that would have been nice.

 

She daydreamed as she read and therefore she missed the transition between the 'universal stare' of the sun in Marseilles and the atmosphere of the prison in the same town. Suddenly, she discovered she was in the prison. 'A prison taint was on everything…' she read. 'Like a well, like a vault, like a tomb, the prison had no knowledge of the brightness outside…' She stopped reading. She left Little Dorrit on her pillow. She stripped a pillowcase off a bed neater than her own, and into the pillowcase she stuffed her canvas bag of toilet articles and some clothes. She also put Jane Eyre in the bag.

 

In Mrs. Grogan's rather Spartan room, Melony had no difficulty locating Mrs. Grogan's purse—she robbed Mrs. Grogan of her money (there wasn't much), and also took Mrs. Grogan's heavy winter coat (in the summer, the coat would be useful if she had to sleep on the ground). Mrs. Grogan was still at the hospital, worrying about Mary Agnes Cork's collarbone; Melony would have liked to say good-bye to Mrs. Grogan (even after robbing her), but she knew the train schedule by heart —actually, she knew it by ear; the sound of every arrival and departure reached her window.

 

At the train station she bought a ticket only as far as Livermore Falls. She knew that even the new and stupid young stationmaster would be able to remember that, and he would tell Dr. Larch and Mrs. Grogan that Melony had gone to Livermore Falls. She also knew that once she was on the train she could purchase a ticket to some place much farther away than Livermore Falls. Can I afford Portland? she wondered. It was the coast that she would need to explore, eventually—because, below the Cadillac's gold monogram on that Red Delicious apple, inscribed (also in gold) against the vivid green background of the apple leaf, she had been able to read OCEAN VIEW ORCHARDS. That had to be within \'7b288\'7d sight of the coast, and the Cadillac had a Maine license plate. It mattered not to Melony that there were thousands of miles of coastline in the state of Maine. As her train pulled away from St. Cloud's, Melony said to herself —so vehemently that her breath fogged the window and obscured the abandoned buildings in that forsaken town from her view—'I'm gonna find you, Sunshine.'

 

Dr. Larch tried to comfort Mrs. Grogan, who said she wished only that she'd had more money for Melony to steal. 'And my coat's not waterproof,' Mrs Grogan complained. 'She should have a real raincoat in this state.'

 

Dr. Larch tried to reassure Mrs Grogan; he asserted that Melony was not a little girl. 'She's twenty-four or twenty-five,' Larch reminded Mrs. Grogan.

 

'I think her heart is broken,' said Mrs. Grogan miserably.

 

Dr. Larch pointed out that Melony had taken Jane Eyre with her; he accepted this as a hopeful sign— wherever Melony went, she would not be without guidance, she would not be without love, without faith; she had a good book with her. If only she'll keep reading it, and reading it, Larch thought.

 

The book that Melony had left behind was a puzzle to both Mrs. Grogan and Dr. Larch. They read the dedication to Homer 'Sunshine' Wells, which touched Mrs. Grogan deeply.

 

Neither of them had any luck reading Little Dorrit, either. Mrs. Grogan never would get to the Villainous' prison; the staring sun in Marseilles outstared her, it was too powerfully blinding. Dr. Larch, who—in the absence of Homer Wells and Melony—resumed his responsibilities as the nightly reader to both the boys' and the girls' divisions, attempted to read Little Dorrü to the girls; wasn't the main character a girl? But the contrast between the scorched air in the Marseilles sun and the tainted air in the Marseilles prison created such a powerful sleeplessness among the girls that Larch was relieved \'7b289\'7d to give up on the book in Chapter Three, which had an unfortunate title, for orphans: 'Home.' He began the description of London on a Sunday evening—hounded by church bells.

 

'Melancholy streets, in a penitential garb of soot,' read Dr. Larch, and then he stopped; we need no more melancholy here, he thought.

 

'Wouldn't we rather wait, and read Jane Eyre again?' Dr. Larch asked; the girls nodded eagerly.

 

Knowing that the beautiful boy with the face of a benefactor must have a mother with the heart for benefiting those who existed in (as she had written herself) 'less fortunate circumstances,' Dr. Larch wrote Olive Worthington.

 

My Dear Mrs. Worthington,

 

Here in St. Cloud's, we depend on our few luxuries and imagine (and pray) they will last forever. If you would be so kind, please tell Homer that his friend Melony has left us—her whereabouts are unknown— and that she took with her our only copy oljane Eyre. The orphans in the girls' division were accustomed to hearing this book read aloud—in fact, Homer used to read to them. If Homer could discover a replacement copy, the little girls and I would remain in his debt. In other parts of the world, there are bookshops…

 

Thus, Larch knew, he had accomplished two things. Olive Worthington herself would send him a replacement Jane Eyre (he doubted very much that it would be a secondhand copy), and Homer would receive the important message: Melony was out. She was loose in the world. Larch thought that Homer should know this, that he might want to keep an eye open for her,

 

As for Little Dorrit, Nurse Edna read Melony's inscription and wept. She was not a big reader, Edna; she penetrated no farther than the inscription. Nurse Angela had already been defeated by Dickens; she blinked once, \'7b290\'7d briefly, at the sun in Marseilles and failed to turn the page.

 

For years Candy's unread copy would rest in Nurse Angela's office; those nervously awaiting interviews with Dr. Larch would pick up Little Dorrit as they would pick up a magazine—restlessly, inattentively. Larch rarely kept anyone waiting past the first glare of the sun. And most preferred to scan the odd assortment of catalogues. The seeds, the fishing equipment, the stupendous undergarments —the latter modeled in an otherworldly way: on those headless, legless, armless stumps that were the period's version of the standard dressmaker's dummy.

 

'In other parts of the world,' Dr. Larch began once,'they have nursing bras.' But this thought led him nowhere; it fell as a fragment into the many, many pages of A Brief History of St. Cloud's.

 

Little Dorrit seemed condemned to an unread life. Even Candy, who replaced her stolen copy (and always wondered what happened to it), would never finish the book, although it was required reading for her class. She, too, could not navigate past the sun's initial assault on her senses; she suspected her difficulty with the book arose from its power to remind her of her discomfort on the long journey to and from St. Cloud's—and of what had happened to her there.

 

She would especially remember the ride back to the coast—how she'd stretched out in the back seat, with only the dash lights of the Cadillac and the glowing ash end of Wally's cigarette shining bright but small in the surrounding darkness. The tires of the big car hummed soothingly; she was grateful for Homer's presence because she didn't have to talk to—or listen to—Wally. She couldn't even hear what Wally and Homer were saying to each other. 'Life stories,' Wally would say to her later. 'That kid's had quite a life, but I should let him tell you.'

 

The drone of their conversation was as rhythmic as the tire song, but—as weary as she was—she couldn't \'7b291\'7d sleep. She thought about how much she was bleeding— maybe more than she should be, she worried. Between St. Cloud's and the coast, she asked Wally three limes to stop the car. She kept checking her bleeding and changing the pad; Dr. Larch had given her quite a few pads —but would there be enough, and how much bleeding was too much? She looked at the back of Homer's head. If it's worse tomorrow, or as bad the next day, she thought, I'll have to ask him.

 

When Wally went to the men's room and left them alone in the car, Homer spoke to her, but he didn't turn around. 'You're probably having cramps, about as bad as you get with your period,' he said. 'You're probably bleeding, but not like you bleed during your period— nothing near what it is, at your heaviest time. If the stains on the pad are only two or three inches in diameter, that's okay. It's expected.'

 

'Thank you,' Candy whispered.

 

'The bleeding should taper off tomorrow, and get much lighter the next day. If you're worried, you should ask me,' he said.

 

'Okay,' Candy said. She felt so strange: that a boy her own age should know this much about her.

 

'I've never seen a lobster,' said Homer Wells, to change the subject—to allow her to be the authority.

 

Then you've never eaten one, either,' Candy said cheerfully.

 

'I don't know if I want to eat something I've never seen,' Homer said, and Candy laughed. She was laughing when Wally got back in the car.

 

'We're talking about lobsters,' Homer explained.

 

'Oh, they're hilarious,' Wally said, and all three of them laughed.

 

'Wait till you see one!' Candy said to Homer. 'He's never seen one!' she told Wally.

 

'They're even funnier when you see them,' Wally said. Candy's laughter hurt her; she stopped very suddenly, but Homer laughed more. 'And wait till they try to talk \'7b292\'7d to you,' Wally added. 'Lobsters really break me up, every time they try to talk.'

 

When he and Wally stopped laughing, Homer said, I've never seen the ocean, you know.'

 

'Candy, did you hear that?' Wally asked, but Candy had released herself with her brief laughter; she was sound asleep. 'You've never seen the ocean?' Wally asked Homer.

 

'That's right,' said Homer Wells.

 

'That's not funny,' said Wally seriously.

 

'Right,'Homer said.

 

A little later, Wally said, 'You want to drive for a while?'

 

'I don't know how to drive,' Homer said.

 

'Really?' Wally asked. And later still—it was almost midnight—Wally asked, 'Uh, have you ever been with a girl—made love to one, you know?' But Homer Wells had also felt released: he had laughed out loud with his new friends. The young but veteran insomniac had fallen asleep. Would Wally have been surprised to know that Homer hadn't laughed out loud with friends before, either? And possibly Homer would have had difficulty characterizing his relationship with Melony as a relationship based on making love.

 

What a new sense of security Homer had felt in that moment of laughter with friends in the enclosed dark of the moving car, and what a sense of freedom the car itself gave to him—its seemingly effortless journeying was a wonder to Homer Wells, for whom the idea of motion (not to mention the sense of change) was accomplished only rarely and only with enormous strife.

 

'Candy?' Wally whispered. And a little later, he whispered, 'Homer?' He rather liked the idea of steering these two through the blackened world, of being their guide through the night, and their protector from whatever lay just beyond the headlights' reach.


Date: 2015-02-03; view: 646


<== previous page | next page ==>
The Lord's Work 15 page | The Lord's Work 17 page
doclecture.net - lectures - 2014-2024 year. Copyright infringement or personal data (0.024 sec.)