PART III 7 page

understand I have to protect Claudia, that she has no one but me. Or at least she had no one

until...'

" 'Until Madeleine came to live with you...'

" 'Yes...' I said.

" But now Claudia has released you, yet still you stay with her, and stay bound to her as your

paramour,' he said.

" 'No, she's no paramour of mine; you don't understand,' I said. 'Rather, she's my child, and I

don't know that she can release me...' These were thoughts I'd gone over and over in my mind. 'I

don't know if the child possesses the power to release the parent. I don't know that I won't be

bound to her for as long as she...'

"I stopped. I was going to say, 'for as long as she lives.' But I realized it was a hollow mortal cliche. She would live forever, as I would live forever. But wasn't it so for mortal fathers? Their

daughters live forever because these fathers die first. I was at a loss suddenly; but conscious all

the while of how Armand listened: that he listened in the way that we dream of others listening,

his face seeming to reflect on everything said. He did not start forward to seize on my slightest

pause, to assert an understanding of something before the thought was finished, or to argue with

a swift, irresistible impulse---the things which often make dialogue impossible.

"And after a long interval he said, 'I want you. I want you more than anything in the world.'

"For a moment I doubted what I'd heard. It struck me as unbelievable. And I was hopelessly

disarmed by it, and the wordless vision of our living together expanded and obliterated every

other consideration in my mind.

" 'I said that I want you. I want you more than anything in the world,' he repeated, with only a subtle change of expression. And then he sat waiting, watching. His face was as tranquil as

always, his smooth, white forehead beneath the shock of his auburn hair without a trace of care,

his large eyes reflecting on me, his lips still.

" 'You want this of me, yet you don't come to me,' he said: 'There are things you want to know,

and you don't ask. You see Claudia slipping away from you, yet you seem powerless to prevent

it, and then you would hasten it, and yet you do nothing!

" 'I don't understand my own feelings. Perhaps they are clearer to you than they are to me...'

" 'You don't begin to know what a mystery you are!' he said.

" 'But at least you know yourself thoroughly. I can't claim that,' I said. 'I love her, yet I am not close to her. I mean that when I am with you as I am now, I know that I know nothing of her,

nothing of anyone.'

" 'She's an era for you, an era of your life. If and when you break with her, you break with the only one alive who has shared that time with you. You fear that, the isolation of it, the burden,

the scope of eternal life.'

" 'Yes, that's true, but that's only a small part of it. The era, it doesn't mean much to me. She made it mean something. Other vampires must experience this and survive it, the passing of a

hundred eras.'

" 'But they don't survive it,' he said. 'The world would be choked with vampires if they survived it. How do you think I come to be the eldest here or anywhere?' he asked.

"I thought about this. And then I ventured, 'They die by violence?'

" 'No, almost never. It isn't necessary. How many vampires do you think have the stamina for

immortality? They have the most dismal notions of immortality to begin with. For in becoming

immortal they want all the forms of their life to be fixed as they are and incorruptible: carriages

made in the same dependable fashion, clothing of the cut which suited their prime, men attired

and speaking in the manner they have always understood and valued. When, in fact, all things

change except the vampire himself; everything except the vampire is subject to constant

corruption and distortion. Soon, with an inflexible mind, and often even with the most flexible

mind, this immortality becomes a penitential sentence in a madhouse of figures and forms that

are hopelessly unintelligible and without value. One evening a vampire rises and realizes what he

has feared perhaps for decades, that he simply wants no more of life at any cost. That whatever

style or fashion or shape of existence made immortality attractive to him has been swept off the

face of the earth. And nothing remains to offer freedom from despair except the act of killing.

And that vampire goes out to die. No one will find his remains. No one will know where he has

gone. And often no one around him---should he still seek the company of other vampires---no

one will know that he is in despair. He will have ceased long ago to speak of himself or of

anything. He will vanish.'

"I sat back impressed by the obvious truth of it, and yet at the same time, everything in me

revolted against that prospect. I became aware of the depth of my hope and my terror; how very

different those feelings were from the alienation that he described, how very different from that

awful wasting despair. There was something outrageous and repulsive in that despair suddenly. I

couldn't accept it.

" 'But you wouldn't allow such a state of mind in yourself. Look at you,' I found myself

answering. 'If there weren't one single work of art left in this world... and there are thousands... if there weren't a single natural beauty... if the world were reduced to one empty cell and one

fragile candle, I can't help but see you studying that candle, absorbed in the flicker of its light,

the change of its colors... how long could that sustain you... what possibilities would it create?

Am I wrong? Am I such a crazed idealist?'

" 'No,' he said. There was a brief smile on his lips, an evanescent flush of pleasure. But then he went on simply. 'But you feel an obligation to a world you love because that world for you is still

intact. It is conceivable your own sensitivity might become the instrument of madness. You

speak of works of art and natural beauty. I wish I had the artist's power to bring alive for you the

Venice of the fifteenth century, my master's palace there, the love I felt for him when I was a

mortal boy, and the love he felt for me when he made me a vampire. Oh, if I could make those

times come alive for either you or me... for only an instant! What would that be worth? And what

a sadness it is to me that time doesn't dim the memory of that period, that it becomes all the

richer and more magical in light of the world I see today.'

" 'Love?' I asked. 'There was love between you and the vampire who made you?' I leaned

forward.

" 'Yes,' he said. 'A love so strong he couldn't allow me to grow old and die. A love that waited patiently until I was strong enough to be born to darkness. Do you mean to tell me there was no

bond of love between you and the vampire who made you?'

" 'None,' I said quickly. I couldn't repress a bitter smile.

"He studied me. 'Why then did he give you these powers?' he asked.

"I sat back. 'You see these powers as a gift!' I said. 'Of course you do. Forgive me, but it amazes me, how in your complexity you are so profoundly simple.' I laughed.

" 'Should I be insulted?" he smiled. And his whole manner only confirmed me in what I'd just said. He seemed so innocent. I was only beginning to understand him.

" 'No, not by me,' I said, my pulse quickening as I looked at him. 'You're everything I dreamed of when I became a vampire. You see these powers as a gift!' I repeated it. 'But tell me... do you

now feel love for this vampire who gave you eternal life? Do you feel this now?'

"He appeared to be thinking, and then he said slowly, 'Why does this matter?' But went on: 'I

don't think I've been fortunate in feeling love for many people or many things. But yes, I love

him. Perhaps I do not love him as you mean. It seems you confuse me, rather effortlessly. You

are a mystery. I do not need him, this vampire, anymore.'

" 'I was gifted with eternal life, with heightened perception, and with the need to kill,' I quickly explained, 'because the vampire who made me wanted the house I owned and my money. Do you

understand such a thing?' I asked. 'Ah, but there is so much else behind what I say. It makes itself

known to me so slowly, so incompletely! You see, it's as if you've cracked a door for me, and

light is streaming from that door and I'm yearning to get to it, to push it back, to enter the region you say exists beyond it! When, in fact, I don't believe it! The vampire who made me was

everything that I truly believed evil to be: he was as dismal, as literal, as barren, as inevitably

eternally disappointing as I believed evil had to be! I know that now. But you, you are something

totally beyond that conception! Open the door for me, push it back all the way. Tell me about

this palace in Venice, this love affair with damnation. I want to understand it'

" 'You trick yourself. The palace means nothing to you,' he said. 'The doorway you see leads to

me, now. To your coming to live with me as I am. I am evil with infinite gradations and without

guilt.'

" 'Yes, exactly,' I murmured.

" 'And this makes you unhappy,' he said. 'You, who came to me in my cell and said there was

only one sin left, the willful taking of a n innocent human life.'

" 'Yes...' I said. 'How you must have been laughing at me...'

" 'I never laughed at you,' he said. 'I cannot afford to laugh at you. It is through you that I can save myself from the despair which I've described to you as our death. It is through you that I

must make my link with this nineteenth century and come to understand it in a way that will

revitalize me, which I so desperately need. It is for you that I've been waiting at the Theatre des

Vampires. If I knew a mortal of that sensitivity, that pain, that focus, I would make him a

vampire in an instant. But such can rarely be done. No, I've had to wait and watch for you. And

now I'll fight for you. Do you see how ruthless I am in love? Is this what you meant by love?'

" 'Oh, but you'd be making a terrible mistake,' I said, looking him in the eyes. His words were

only slowly sinking in. Never had I felt my all-consuming frustration to be so clear. I could not

conceivably satisfy him. I could not satisfy Claudia. I'd never been able to satisfy Lestat. And my

own mortal brother, Paul: how dismally, mortally I had disappointed him!

" 'No. I must make contact with the age,' he said to me calmly. 'And I can do this through you...

not to learn things from you which I can see in a moment in an art gallery or read in an hour in

the thickest books... you are the spirit, you are the heart,' he persisted.

" 'No, no.' I threw up my hands. I was on the point of a bitter, hysterical laughter. 'Don't you see?

I'm not the spirit of any age. I'm at odds with everything and always have been! I have never

belonged anywhere with anyone at any time!' It was too painful, too perfectly true.

"But his face only brightened with an irresistible smile. He seemed on the verge of laughing at

me, and then his shoulders began to move with this laughter. 'But Louis,' he said softly. 'This is

the very spirit of your age. Don't you see that? Everyone else feels as you feel. Your fall from

grace and faith has been the fall of a century.'

"I was so stunned by this, that for a long time I sat there staring into the fire. It had all but consumed the wood and was a wasteland of smoldering ash, a gray and red landscape that would

have collapsed at the touch of the poker. Yet it was very warm, and still gave off powerful light.

I saw my life in complete perspective.

" 'And the vampires of the Theatre...' I asked softly.

" 'They reflect the age in cynicism which cannot comprehend the death of possibilities, fatuous

sophisticated indulgence in the parody of the miraculous, decadence whose last refuge is self-

ridicule, a mannered helplessness. You saw them; you've known them all your life. You reflect

your age differently. You reflect its broken heart.'

" 'This is unhappiness. Unhappiness you don't begin to understand.'

" 'I don't doubt it. Tell me what you feel now, what makes you unhappy. Tell me why for a

period of seven days you haven't come to me, though you were burning to come. Tell me what

holds you still to Claudia and the other woman.'

"I shook my head. 'You don't know what you ask. You see, it was immensely difficult for me to

perform the act of making Madeleine into a vampire. I broke a promise to myself that I would

never do this, that my own loneliness would never drive me to do it. I don't see our life as powers

and gifts. I see it as a curse. I haven't the courage to die. But to make another vampire! To bring

this suffering on another, and to condemn to death all those men and women whom that vampire

must subsequently kill! I broke a grave promise. And in so doing...'

" 'But if it's any consolation to you... surely you realize I had a hand in it.'

" 'That I did it to be free of Claudia, to be free to come to you... yes, I realize that. But the ultimate responsibility lies with me!' I said.

" 'No. I mean, directly. I made you do it! I was near you the night you did it. I exerted my

strongest power to persuade you to do it. Didn't you know this?'

" 'No.' I bowed my head.

" 'I would have made this woman a vampire,' he said softly. 'But I thought it best you have a

hand in it. Otherwise you would not give Claudia up. You must know you wanted it...'

" 'I loathe what I did!' I said.

" 'Then loathe me, not yourself.'

" 'No. You don't understand. You nearly destroyed the thing you value in me when this

happened! I resisted you with all my power when I didn't even know it was your force which was

working on me. Something nearly died in me! Passion nearly died in me! I was all but destroyed

when Madeleine was created!'

" 'But that thing is no longer dead, that passion, that humanity, whatever you wish to name it. If it were not alive there wouldn't be tears in your eyes now. There wouldn't be rage in your voice,'

he said.

"For the moment, I couldn't answer. I only nodded. Then I struggled to speak again. 'You must

never force me to do something against my will! You must never exert such power...' I

stammered.

" 'No,' he said at once. 'I must not. My power stops somewhere inside you, at some threshold.

There I am powerless, however... this creation of Madeleine is done. You are free.'

" 'And you are satisfied,' I said, gaining control of myself. 'I don't mean to be harsh. You have me. I love you. But I'm mystified. You're satisfied?'

" 'How could I not be?' he asked. 'I am satisfied, of course.'

"I stood up and went to the window. The last embers were dying. The light came from the gray

sky. I heard Armand follow me to the window ledge. I could feel him beside me now, my eyes

growing more and more accustomed to the luminosity of the sky, so that now I could see his

profile and his eye on the falling rain. The sound of the rain was everywhere and different:

flowing in the gutter along the roof, tapping the shingles, falling softly through the shimmering

layers of tree branches, splattering on the sloped stone sill in front of my hands. A soft

intermingling of sounds that drenched and colored all of the night.

" 'Do you forgive me... for forcing you with the woman?' he asked.

" 'You don't need my forgiveness.'

" 'You need it,' he said. 'Therefore, I need it.' His face was as always utterly calm.

" 'Will she care for Claudia? Will she endure?' I asked.

" 'She is perfect. Mad; but for these days that is perfect. She will care for Claudia. She has never lived a moment of life alone; it is natural to her that she be devoted to her companions. She need

not have particular reasons for loving Claudia. Yet, in addition to her needs, she does have

particular reasons. Claudia's beautiful surface, Claudia's quiet, Claudia's dominance and control.

They are perfect together. But I think... that as soon as possible they should leave Paris.'

" 'Why?'

" 'You know why. Because Santiago and the other vampires watch them with suspicion. All the

vampires have sees Madeleine. They fear her because she knows about them and they don't

know her. They don't let others alone who know about them.'

" 'And the boy, Denis? What do you plan to do with him?'

" 'He's dead,' he answered.

"I was astonished. Both at his words and his calm. 'You killed him?' I gasped.

"He nodded. And said nothing. But his large, dark eyes seemed entranced with me, with the

emotion, the shock I didn't try to conceal. His soft, subtle smile seemed to draw me close to him;

his hand closed over mine on the wet window sill and I felt my body turning to face him,

drawing nearer to him, as though I were being moved not by myself but by him. 'It was best,' he

conceded to me gently. And then said, 'We must go now...' And he glanced at the street below.

" 'Armand,' I said. 'I can't...'

" 'Louis, come after me,' he whispered. And then on the ledge, he stopped. 'Even if you were to

fall on the cobblestones there,' he said, 'you would only be hurt for a while. You would heal so

rapidly and so perfectly that in days you would show no sign of it, your bones healing as your

skin heals; so let this knowledge free you to do what you can so easily do already. Climb down,

now.'

" 'What can kill me?' I asked.

"Again he stopped. 'The destruction of your remains,' he said. 'Don't you know this? Fire,

dismemberment... the heat of the sun. Nothing else. You can be scarred, yes; but you are

resilient. You are immortal.'

"I was looking down through the quiet silver rain into darkness. Then a light flickered beneath

the shifting tree limbs, and the pale beams of the light made the street appear. Wet cobblestones,

the iron hook of the carriage-house bell, the vines clinging to the top off the wall. The huge black

hulk of a carriage brushed the vines, and then the light grew weak, the street went from yellow to

silver and vanished altogether, as if the dark trees had swallowed it up. Or, rather, as if it had all been subtracted from the dark. I felt dizzy. I felt the building move. Armand was seated on the

window sill looking down at me.

" 'Louis, come with me tonight,' he whispered suddenly, with an urgent inflection.

" 'No,' I said gently. 'It's too soon. I can't leave them yet.'

"I watched him turn away and look at the dark sky. He appeared to sigh, but I didn't hear it. I felt his hand close on mine on the window sill. 'Very well...' he said.

" 'A little more time...' I said. And he nodded and patted my hand as if to say it was all right.

Then he swung his legs over and disappeared. For only a moment I hesitated, mocked by the

pounding of my heart. But then I climbed over the sill and commenced to hurry after him, never

daring to look down."

"It was very near dawn when I put my key into the lock at the hotel. The gas light flared along

the walls. And Madeleine, her needle and thread in her hands, had fallen asleep by the grate.

Claudia stood still, looking at me from among the ferns at the window, in shadow. She had her

hairbrush in her hands. Her hair was gleaming.

"I stood there absorbing some shock, as if all the sensual pleasures and confusions of these

rooms were passing over me like waves and my body were being permeated with these things, so

different from the spell of Armand and the tower room where we'd been. There was something

comforting here, and it was disturbing. I was looking for my chair. I was sitting in it with my

hands on my temples. And then I felt Claudia near me, and I felt her lips against my forehead.

" 'You've been with Armand,' she said. 'You want to go with him.'

"I looked up at her. How soft and beautiful her face was, and, suddenly, so much mine. I felt no compunction in yielding to my urge to touch her cheeks, to lightly touch her eyelids---

familiarities, liberties I hadn't taken with her since the night of our quarrel. 'I'll see you again; not here, in other places. Always I'll know where you are!' I said.

"She put her arms around my neck. She held me tight, and I closed my eyes and buried my face

in her hair. I was covering her neck with my kisses. I had hold of her round, firm little arms. I

was kissing them, kissing the soft indentation of the flesh in the crooks of her arms, her wrists,

her open palms. I felt her fingers stroking my hair, my face. 'Whatever you wish,' she vowed.

'Whatever you wish.'

" 'Are you happy? Do you have what you want?' I begged her.

" 'Yes, Louis.' She held me against her dress, her fingers clasping the back of my neck. 'I have all that I want. But do you truly know what you want?' She was lifting my face so I had to look into

her eyes. 'It's you I fear for, you who might be making the mistake. Why don't you leave Paris

with us!' she said suddenly. 'We have the world, come with us!'

" 'No.' I drew back from her. 'You want it to as it was with Lestat. It can't be that way again, ever.

It won't be.'

" 'It will be something new and different with Madeleine. I don't ask for that again. It was I who put an end to that,' she said. 'But do you truly understand what you are choosing in Armand?'

"I turned away from her. There was something stubborn and mysterious in her dislike of him, in

her failure to understand him. She would say again that he wished her death, which I did not

believe. She didn't realize what I realized: he could not want her death, because I didn't want it.

But how could I explain this to her without sounding pompous and blind in my love of him. 'It's

meant to be. It's almost that sort of direction,' I said, as if it were just coming clear to me under the pressure of her doubts. 'He alone can give me the strength to be what I am. I can't continue to

live divided and consumed with misery. Either I go with him, or I die,' I said. 'And it's something

else, which is irrational and unexplainable and which satisfies only me...'

" 'Which is?' she asked.

" 'That I love him,' I said.

" 'No doubt you do,' she mused. 'But then, you could love even me.'

" 'Claudia, Claudia.' I held her close to me, and felt her weight on my knee. She drew up close to my chest.

" 'I only hope that when you have need of me, you can find me...' she whispered. 'That I can get back to you... I've hurt you so often, I've caused you so much pain.' Her words trailed off. She

was resting still against me. I felt her weight, thinking, in a little while, I won't have her

anymore. I want now simply to hold her. There has always been such pleasure in that simple

thing. Her weight against me, this hand resting against my neck.

"It seemed a lamp died somewhere. That from the cool, damp air that much light was suddenly,

soundlessly subtracted. I was sitting on the verge of a dream. Had I been mortal I would have

been content to sleep there. And in that drowsy, comfortable state I had a strange, habitual mortal

feeling, that the sun would wake me gently later and I would have that rich, habitual vision of the

ferns in the sunshine and the sunshine in the droplets of rain. I indulged that feeling. I half closed my eyes.

"Often afterwards I tried to remember those moments. Tried over and over to recall just what it

was in those rooms as we rested there, that began to disturb me, should have disturbed me. How,

being off my guard, I was somehow insensible to the subtle changes which must have been

taking place there. Long after, bruised and robbed and embittered beyond my wildest dreams, I

sifted through those moments, those drowsy quiet early-hour moments when the clock ticked

almost imperceptibly on the mantelpiece, and the sky grew paler and paler; and all I could

remember---despite the desperation with which I lengthened and fixed that time, in which I held

out my hands to stop the clock---all I could remember was the soft changing of light.

"On guard, I would never have let it pass. Deluded with larger concerns, I made no note of it. A lamp gone out, a candle extinguished by the shiver of its own hot pool of wax. My eyes half

shut, I had the sense then of impending darkness, of being shut up in darkness.

"And then I opened my eyes, not thinking of lamps or candles. And it was too late. I remember

standing upright, Claudia's hand slipping on my arm, and the vision of a host of black-dressed

men and women moving through the rooms, their garments seeming to garner light from every

gilt edge or lacquered surface, seeming to drain all light away. I shouted out against them,

shouted for Madeleine, saw her wake with a start, terrified fledgling, clinging to the arm of the

couch, then down on her knees as they reached out for her. There was Santiago and Celeste

coming towards us, and behind them, Estelle and others whose names I didn't know filling the

mirrors and crowding together to make walls of shifting, menacing shadow. I was shouting to

Claudia to run, having pulled back the door. I was shoving her through it and then was stretched

across it, kicking out at Santiago as he came.

"That weak defensive position I'd held against him in the Latin Quarter was nothing compared to

my strength now. I was too flawed perhaps to ever fight with conviction for my own protection.

But the instinct to protect Madeleine and Claudia was overpowering. I remember kicking

Santiago backwards and then striking out at that powerful, beautiful Celeste, who sought to get

by me. Claudia's feet sounded on the distant marble stairway. Celeste was reeling, clawing at me,

catching hold of me and scratching my face so the blood ran down over my collar. I could see it

blazing in the corner of my eye. I was on Santiago now, turning with him, aware of the awful

strength of the arms that held me, the hands that sought to get a hold on my throat. 'Fight them,

Madeleine,' I was shouting to her. But all I could hear was her sobbing. Then I saw her in the

whirl, a fixed, frightened thing, surrounded by other vampires. They were laughing that hollow

vampire laughter which is like tinsel or silverbells. Santiago was clutching at his face. My teeth

had drawn blood there. I struck at his chest, at his head, the pain searing through my arm,

something enclosing my chest like two arms, which I shook off, hearing the crash of broken

glass behind me. But something else, someone else had hold of my arm with two arms and was

pulling me with tenacious strength.

"I don't remember weakening. I don't remember any turning point when anyone's strength

overcame my own. I remember simply being outnumbered. Hopelessly, by sheer numbers and

persistence, I was stilled, surrounded, and forced out of the rooms. In a press of vampires, I was

being forced along the passageway, and then I was falling down the steps, free for a moment

before the narrow back doors of the hotel, only to be surrounded again and held tight. I could see

Celeste's face very near me and, if I could have, I would have wounded her with my teeth. I was

bleeding badly, and one of my wrists was held so tightly that there was no feeling in that hand.

Madeleine was next to me sobbing still. And all of us were pressed into a carnage. Over and over

I was struck, and still I did not lose consciousness. I remember clinging tenaciously to

consciousness, feeling these blows on the back of my head, feeling the back of my head wet with

Date: 2015-02-03; view: 489